Les Fleurs du mal
The first edition of Les Fleurs du mal with author's notes.
|Original title||Les Fleurs du mal|
Edna St. Vincent Millay,
William F. Aggeler
|Les Fleurs du mal at French Wikisource|
|Translation||The Flowers of Evil at Wikisource|
Les Fleurs du mal (English: The Flowers of Evil) is a volume of French poetry by Charles Baudelaire. First published in 1857 (see 1857 in poetry), it was important in the symbolist and modernist movements. The poems deal with themes relating to decadence and eroticism.
The initial publication of the book was arranged in six thematically segregated sections:
- Spleen et Idéal (Spleen and Ideal)
- Tableaux parisiens (Parisian Scenes)
- Le Vin (Wine)
- Fleurs du mal (Flowers of Evil)
- Révolte (Revolt)
- La Mort (Death)
Si le viol, le poison, le poignard, l'incendie,
N'ont pas encore brodé de leurs plaisants dessins
Le canevas banal de nos piteux destins,
C'est que notre âme, hélas! n'est pas assez hardie.
If rape and poison, dagger and burning,
Have still not embroidered their pleasant designs
On the banal canvas of our pitiable destinies,
It's because our souls, alas, are not bold enough!
The preface concludes with the following malediction:
C'est l'Ennui! —l'œil chargé d'un pleur involontaire,
Il rêve d'échafauds en fumant son houka.
Tu le connais, lecteur, ce monstre délicat,
—Hypocrite lecteur,—mon semblable,—mon frère!
It's Ennui!—his eye brimming with spontaneous tear
He dreams of the gallows in the haze of his hookah.
You know him, reader, this delicate monster,
Hypocritical reader, my likeness, my brother!
Tableaux Parisiens (Parisian Scenes)
Baudelaire's section Tableaux Parisiens, added in the second edition (1861), is considered one of the most formidable criticisms of 19th-century French modernity. This section contains 18 poems, most of which were written during Haussmann's renovation of Paris. Together, the poems in Tableaux Parisiens act as 24-hour cycle of Paris, starting with the second poem Le Soleil (The Sun) and ending with the second to last poem Le Crépuscule du Matin (Morning Twilight). The poems featured in this cycle of Paris all deal with the feelings of anonymity and estrangement from a newly modernized city. Baudelaire is critical of the clean and geometrically laid out streets of Paris which alienate the unsung anti-heroes of Paris who serve as inspiration for the poet: the beggars, the blind, the industrial worker, the gambler, the prostitute, the old and the victim of imperialism. These characters whom Baudelaire once praised as the backbone of Paris are now eulogized in his nostalgic poems. For Baudelaire, the city has been transformed into an anthill of identical bourgeois that reflect the new identical structures that litter a Paris he once called home but can now no longer recognize.
Literary significance and criticism
The author and the publisher were prosecuted under the regime of the Second Empire as an outrage aux bonnes mœurs ("an insult to public decency"). As a consequence of this prosecution, Baudelaire was fined 300 francs. Six poems from the work were suppressed and the ban on their publication was not lifted in France until 1949. These poems were "Lesbos"; "Femmes damnées (À la pâle clarté)" (or "Women Doomed (In the pale glimmer...)"); "Le Léthé" (or "Lethe"); "À celle qui est trop gaie" (or "To Her Who Is Too Gay"); "Les Bijoux" (or "The Jewels"); and " Les "Métamorphoses du Vampire" (or "The Vampire's Metamorphoses"). These were later published in Brussels in a small volume entitled Les Épaves (Scraps or Jetsam).
On the other hand, upon reading "The Swan" (or "Le Cygne") from Les Fleurs du mal, Victor Hugo announced that Baudelaire had created "un nouveau frisson" (a new shudder, a new thrill) in literature.
In the wake of the prosecution, a second edition was issued in 1861 which added 35 new poems, removed the six suppressed poems, and added a new section entitled Tableaux Parisiens.
A posthumous third edition, with a preface by Théophile Gautier and including 14 previously unpublished poems, was issued in 1868.
|This section does not cite any references or sources. (April 2015)|
In 1969, American composer Ruth White released the album Flowers of Evil. It features electroacoustic composition with Baudelaire's poetry recited over it. The album was published by Limelight Records.
Henri Dutilleux's Tout un monde lointain... for cello and orchestra (1970) is strongly influenced by Les Fleurs du Mal. Each of its five movements is prefaced by a quotation from the volume and the title itself comes from one of its poems, "XXIII. La Chevelure".
In Roger Zelazny's book "Roadmarks" the protagonist Red Dorakeen travels with a sentient speaking computer cleverly disguised as a cybernetic extension of the book "Les Fleurs du mal" named "Flowers of Evil". It befriends another computer which has disguised itself as Leaves of Grass by Walt Whitman.
The movie Immortal (2004, Dominique Brunner); In the scene on the Eiffel Tower, Jill (Linda Hardy) is reading from the book Les Fleurs Du Mal. She recites the third stanza from the poem "XLIX. Le Poison".
An episode of the television show The Batman was named "Fleurs du Mal" in homage to the poem. In addition to this, a florist's shop in the episode is named Baudelaire's, in honor of the author.
The 2009 manga Aku no Hana was based on Les Fleurs du mal set in modern Japanese society. The main character, Takao Kasuga, steals the gym clothes of his crush, Nanako Saeki, after being inspired by an excerpt from the aforementioned work.
- Baudelaire, les Fleurs du Mal, Le Livre de poche, page 345.
- Chambers, Ross. The Writing of Melancholy: Modes of Opposition in Early French Modernism. Chicago: University of Chicago, 1993. Print.
- Thompson, William J. Understanding Les Fleurs Du Mal: Critical Readings. Nashville: Vanderbilt UP, 1997. Print.
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