Let's Go Away for Awhile

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"Let's Go Away for Awhile"
Good Vibrations single.jpg
Cover of "Good Vibrations" single backed with "Let's Go Away for a While"
Instrumental by The Beach Boys from the album Pet Sounds
Released May 16, 1966
Recorded January 18–19, 1966; United Western Recorders, Los Angeles
Genre Baroque pop
Length 2:18
Label Capitol
Composer Brian Wilson
Producer Brian Wilson
Pet Sounds track listing
The Beach Boys singles chronology
"Wouldn't It Be Nice"
(1966)
"Good Vibrations"
(1966)
"Then I Kissed Her"
(1967)

"Let's Go Away for Awhile" is an instrumental composed and produced by Brian Wilson for the American rock band the Beach Boys. It was released as the sixth track on their 1966 album Pet Sounds.[1]

Composition[edit]

The track was composed and produced by Brian Wilson and was originally titled "The Old Man and The Baby".[1] An early full working title was "Let's Go Away for Awhile (And Then We'll Have World Peace)"—the parenthetical being a reference to Del Close and John Brent's comedy album How to Speak Hip.[2] Tony Asher explained,

"There was an album out called How to Speak Hip [...] a lampooning of the language instruction albums. I played it for Brian, and it destroyed him, killed him. Brian picked up a couple of references on the album. One of them was this hip character that said if everyone were 'laid back and cool, then we'd have world peace.' So Brian started going around saying, 'Hey, would somebody get me a candy bar, and then we'll have world peace.'. [Brian] even made an acetate disc with a label on it with the title."[1]

Wilson speculated that he may have subconsciously based the chord progression similar to the way Burt Bacharach would construct his compositions, believing that Bacharach "had such a profound thing" which made Wilson go in a particular direction with his music.[3]

Recording[edit]

The bulk of "Let's Go Away for a While" was recorded on January 18, 1966 at United Western Recorders. String overdubs were recorded the next day.[1] Wilson stated: "We used dynamics like Beethoven. You know, Beethoven, the dynamic music maker."[3] In 1966, Wilson considered the track to be "the finest piece of art" he had made up to that point, and that every component of its production "worked perfectly".[4] A year later he expounded,

"I applied a certain set of dynamics through the arrangement and the mixing and got a full musical extension of what I'd planned during the earliest stages of the theme. I think the chord changes are very special. I used a lot of musicians on the track; twelve violins, piano, four saxes, oboe, vibes, a guitar with a coke bottle on the strings for a semi-steel guitar effect. Also, I used two basses and percussion. The total effect is 'Let's Go Away For Awhile', which is something everyone in the world must have said at some time or another. Nice thought; most of us don't go away, but it's still a nice thought. The track was supposed to be the backing for a vocal, but I decided to leave it alone. It stands up well alone."[2]

Other releases[edit]

Personnel[edit]

The Sid Sharp Strings
  • Arnold Belnick, James Getzoff, William Kurasch, Leonard Malarsky, Jerome Reisler, Ralph Schaeffer, Sid Sharp, Tibor Zelig - violins
  • Joseph Di Fiore, Harry Hyams - violas
  • Justin Di Tullio, Joseph Saxon - cellos

References[edit]

  1. ^ a b c d Elliott, Brad (August 31, 1999). "Pet Sounds Track Notes". beachboysfanclub.com. Retrieved March 3, 2009. 
  2. ^ a b Linett, Mark (2001). "Track-by-Track Notes". In Pet Sounds (p. 19) [CD booklet]. Hollywood: Capitol Records, Inc.
  3. ^ a b The Pet Sounds Sessions: "The Making Of Pet Sounds" booklet (1996)
  4. ^ "Brian Pop Genius!". Melody Maker. May 21, 1966.