Let It Bleed
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| Let It Bleed | ||||
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| Studio album by The Rolling Stones | ||||
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| Released | 28 November 1969 | |||
| Recorded | November 1968 and February–November 1969, Olympic Studios, London, England, United Kingdom | |||
| Genre | Rock | |||
| Length | 42:21 | |||
| Language | English | |||
| Label | Decca/ABKCO | |||
| Producer | Jimmy Miller | |||
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| The Rolling Stones chronology | ||||
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Let It Bleed is an album by English rock band The Rolling Stones, released in December 1969 by Decca Records/ABKCO Records in the United Kingdom and London Records/ABKCO in the United States. The follow up to 1968's Beggars Banquet, it appeared shortly after the band's 1969 American Tour.
Contents |
[edit] History
Although they had begun the recording of "You Can't Always Get What You Want" in May 1968, before Beggars Banquet had been released, recording for Let It Bleed began in earnest in February 1969 and would continue sporadically until November. Brian Jones performs on only two tracks, playing the autoharp on "You Got the Silver" and percussion on "Midnight Rambler," although both contributions are not readily discernible on normal playback equipment. His replacement Mick Taylor plays guitar on two tracks, "Country Honk" and "Live With Me." Keith Richards, who had already shared vocal duties with Mick Jagger on "Connection," "Something Happened to Me Yesterday," and "Salt of the Earth," sang his first solo lead vocal on a Rolling Stones recording with "You Got the Silver."
Recorded under trying circumstance owing to the band having reached the final impasse with Jones, the album has been called a great summing up of the dark underbelly of the 1960s.[citation needed] Although Let It Bleed was In addition to being one of their all-time classics, Let It Bleed is the second of the Stones' run of four studio LPs that are generally regarded as among their greatest achievements artistically, equalled only by the best of their great 45s from that decade. The other three albums are Beggars Banquet (1968), Sticky Fingers (1971), and Exile on Main Street (1972). [1]
It is often thought to be a response to Let It Be by The Beatles; though the Beatles would not release either the song or the album of that name until 1970, the major recording sessions had taken place in January 1969, prior to the majority of the Let It Bleed sessions, it was generally known that the project existed; theories vary as to whether the title was making fun of the Beatles' misplaced optimism and inability to complete their own album, or an expression of solidarity with a recording process that had been just as taxing as the Stones'.
Released in December, Let It Bleed reached #1 in the UK (temporarily knocking The Beatles' Abbey Road out of the top slot) and #3 on the Billboard Top Pop Albums chart in the US, where it eventually went double platinum. The album was also critically well-received.
In 1998 Q magazine readers voted Let It Bleed the 69th greatest album of all time, while in 2000 the same magazine placed it at number 28 in its list of the 100 Greatest British Albums Ever. In 2001, the TV network VH1 placed Let It Bleed at number 24 on their best album survey. In 2003, it was listed as number 32 on the List of Rolling Stone's 500 Greatest Albums of All Time.
In August 2002, this album was reissued in a new remastered CD and SACD digipak by ABKCO Records.
[edit] Cover
The cover displays a surreal sculpture designed by Robert Brownjohn. The image consists of the Let It Bleed record being played by the antique tone-arm of a turntable, which is fitted with a tall record-changer-style spindle supporting, in place of a stack of records, a number of items stacked on a dinner plate (bottom-to-top): a magnetic tape/movie reel canister labelled Stones - Let It Bleed; a clock face; a pizza; a small tire; a cake with kitsch icing, reminiscent of art-deco-style plaster rendering; and the band itself in the form of wedding-style topping figures. The cake parts of the album cover construction were prepared by then unknown cookery writer Delia Smith [2]. The artwork is inspired by the working title of the album, which was "Automatic Changer" (source: Bill Wyman, Rolling with the Stones).
The reverse of the LP sleeve shows the same "record-stack" melange partially "consumed", with a slice of the uppermost cake layer removed and the mini-Stones knocked over into the frosting; the tyre hacked and nailed, bandaged and patched; film stray from the tape/film canister; and the supporting plate chipped; a slice of pizza with a bite taken lies on the shattered vinyl; along with the detached tone-arm—as if evidence of the aftermath of a wild party.
The inside of the album sleeve features the message "This record should be played loud".
The track listing on the record sleeve did not follow the tracklisting on the record. According to Brownjohn, he altered the track listing purely for visual reasons. The correct orders were shown on the record's label. When ABKCO first issued the album on CD in 1986, the CD track listing followed that of the LP sleeve, not the actual track order of the original album. This was corrected on the 2002 re-issue.
[edit] Track listing
All songs by Mick Jagger and Keith Richards, except where noted.
- Side one
- "Gimme Shelter" – 4:30
- "Love in Vain" (Robert Johnson) – 4:19
- "Country Honk" – 3:07
- "Live with Me" – 3:33
- "Let It Bleed" – 5:27
- Side two
- "Midnight Rambler" – 6:52
- "You Got the Silver" – 2:50
- "Monkey Man" – 4:11
- "You Can't Always Get What You Want" – 7:30
[edit] Personnel
- The Rolling Stones
- Mick Jagger – lead vocals, backing vocals, and harmonica
- Brian Jones – autoharp and percussion (congas)
- Keith Richards – acoustic, electric, and slide guitar, bass guitar, and vocals
- Mick Taylor – electric and slide guitar
- Charlie Watts – drums
- Bill Wyman – bass guitar, autoharp, and vibes
- Additional personnel
- Byron Berline – fiddle on "Country Honk"
- Merry Clayton – vocals, backing vocals on "Gimme Shelter"
- Ry Cooder – mandolin on "Love in Vain"
- Rocky Dijon – percussion on "You Can't Always Get What You Want"
- Nicky Hopkins – piano and organ
- Bobby Keys – tenor saxophone on "Live with Me"
- Al Kooper – piano, French horn, and organ on "You Can't Always Get What You Want"
- The London Bach Choir – vocals on "You Can't Always Get What You Want"[2]
- Jimmy Miller – percussion, drums, and tambourine
- Jack Nitzche – choral arrangements on "You Can't Always Get What You Want"
- Leon Russell – piano and horn arrangement on "Live with Me"
- Ian Stewart – piano
- Nanette Workman – backing vocals on "Country Honk" (not actress Nanette Newman as credited on the LP)
[edit] Sales chart performance
- Album
| Year | Chart | Position |
|---|---|---|
| 1969 | UK Albums Chart | 1[citation needed] |
| 1969 | Billboard Pop Albums | 3[citation needed] |
- Singles
| Year | Single | Chart | Position |
|---|---|---|---|
| 1973 | "You Can't Always Get What You Want" | The Billboard Hot 100 | 42[citation needed] |
[edit] References
- ^ a b "Let It Bleed CD". Muze Inc.. http://www.cduniverse.com/search/xx/music/pid/4940211/a/Let+It+Bleed.htm. Retrieved on 2008-06-21.
- ^ The group asked to have its name removed from the album's credits
