Lewis Baltz

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Lewis Baltz
Lewis baltz N°3-1.jpg
Lewis Baltz in Jean Nouvel's Amat hotel.
Born (1945-09-12) September 12, 1945 (age 69)
Newport Beach, California
Education San Francisco Art Institute
Claremont Graduate School
Occupation Artist
Known for New Topography

Lewis Baltz (born September 12, 1945) is a visual artist and photographer who became an important figure in the New Topographics movement of the late 1970s.[1] His work has been published in a number of books, presented in numerous exhibitions, and appeared in museums such as the Museum of Modern Art, Paris, Museum of Contemporary Art, Helsinki, San Francisco Museum of Modern Art and The Whitney Museum of American Art, New York.[citation needed] He writes for many journals, and contributes regularly to L'Architecture d'Aujourd'hui..

Life and work[edit]

Baltz graduated with a BA in Fine Arts from San Francisco Art Institute in 1969 and holds a Master of Fine Arts degree from Claremont Graduate School.[2] He received several scholarships and awards including a scholarship from the National Endowment For the Arts (1973, 1977), the John Simon Guggenheim Memorial Fellowship (1977),[2] US-UK Bicentennial Exchange Fellowship (1980), and Charles Brett Memorial Award (1991). In 2002 Baltz became a Professor for Photography at the European Graduate School in Saas-Fee, Switzerland.[1] He is now living in Paris and Venice.

His work is focused on searching for beauty in desolation and destruction. Baltz's images describe the architecture of the human landscape: offices, factories, and parking lots.[2] His pictures are the reflection of control, power, and influenced by and over human beings. His minimalistic photographs in the trilogy Ronde de Nuit, Docile Bodies, and Politics of Bacteria, picture the void of the other.[vague] In 1974 he captured the anonymity and the relationships between inhabitation, settlement, and anonymity in The New Industrial Parks near Irvine, California (1974).

Baltz moved to Europe in the late 1980s and started to use large colored prints. He published several books of his work including Geschichten von Verlangen und Macht, with Slavica Perkovic (Scalo, 1986). Other photographic series, including Sites of Technology (1989–92), depict the clinical, pristine interiors of hi-tech industries and government research centres, principally in France and Japan.

His books and exhibitions, his "topographic work",[1] such as The New Industrial Parks, Nevada, San Quentin Point, Candlestick Point (84 photographs documenting a public space near Candlestick Park, ruined by natural detritus and human intervention), expose the crisis of technology and define both objectivity and the role of the artist in photographs.[vague][citation needed]

The story Deaths in Newport was produced as a book and CD-ROM in 1995. Baltz has also produced a number of video works.

References[edit]

  1. ^ a b c Lewis Baltz Faculty Website at European Graduate School.
  2. ^ a b c Jeff Rian (2001), Lewis Baltz, London: Phaidon, ISBN 0-7148-4039-4, OCLC 47677835, 0714840394 

External links[edit]