Liar Liar

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Liar Liar

Australian release poster
Directed by Tom Shadyac
Produced by Brian Grazer
Written by Paul Guay
Stephen Mazur
Starring Jim Carrey
Maura Tierney
Justin Cooper
Jennifer Tilly
Anne Haney
Cary Elwes
Swoosie Kurtz
Music by John Debney
James Newton Howard
Cinematography Russell Boyd
Editing by Don Zimmerman
Studio Imagine Entertainment
Shady Acres
Distributed by Universal Pictures
Release date(s) March 21, 1997 (1997-03-21) (USA)
June 12, 1997 (1997-06-12) (Australia)
Running time 86 minutes
Language English
Budget $45,000,000 (estimated)
Box office $302,710,615 (worldwide)

Liar Liar is a 1997 American family comedy film written by Paul Guay and Stephen Mazur, directed by Tom Shadyac and starring Jim Carrey. Carrey was nominated for a Golden Globe Award (1997) for Best Performance by an Actor in a Motion Picture - Comedy/Musical. The film is the second of three collaborations between Jim Carrey and Tom Shadyac, the first being Ace Ventura: Pet Detective and the third being Bruce Almighty. It is also the second of three collaborations between Paul Guay and Stephen Mazur, the first being The Little Rascals and the third being Heartbreakers. It was shot entirely in California.[citation needed] It is unofficially remade in Bollywood as Kyo Kii... Main Jhuth Nahin Bolta.

Contents

[edit] Plot

In Los Angeles, California Fletcher Reed (Jim Carrey) is a career-focused lawyer and divorced father. He loves spending time with his young son Max (Justin Cooper); they often play a game where Fletcher makes his hand into "the Claw" and pretends to chase Max with it. But Fletcher has a habit of giving precedence to his job, breaking promises to Max and his ex-wife Audrey (Maura Tierney), and then lying about the reasons. Fletcher's compulsive lying has also built him a reputation as one of the best defense lawyers in the state of California as he is climbing the ladder in the firm he is working for. Ultimately, Fletcher misses his son's birthday party because he is having sex with his boss Miranda (Amanda Donohoe), in the hopes of making partner. Max makes a birthday wish that his father would be unable to tell a lie for an entire day — a wish that immediately becomes true.

Fletcher soon discovers, through a series of embarrassing incidents — such as when he tells Miranda that he has "had better" sex than he just did with her — that he is unable to lie, mislead, or even withhold a true answer. These incidents are inconvenient, as he is fighting a divorce case in court which, should he win, could be a huge boost to his career. His client is the self-centered, money grabbing Samantha Cole (Jennifer Tilly). His main witness is willing to commit perjury to win, but Fletcher discovers that he cannot even ask a question if he knows the answer will be a lie; during the case he even objects to himself when he tries to lie to get the desired information. Meanwhile, Audrey is planning to move to Boston with her new boyfriend Jerry (Cary Elwes), and decides that Max is going with them so that she can protect him from getting hurt by Fletcher.

Fletcher tries desperately to delay the case, even beating himself up, but he cannot conceal that he is able to continue, so the judge (Jason Bernard) insists that he does. Finally he realizes that his client had lied about her age and therefore had signed her prenuptial agreement while a minor, rendering it invalid. This allows him to win his case truthfully, but the repercussions become a catalyst to his understanding of what he himself is about to lose. Samantha takes custody of her children and literally pulls them out of the arms of their responsible and caring father. Fletcher then has a crisis of conscience and shouts at the judge to reverse the decision, and is taken to jail for contempt of court. Audrey refuses to pay his bail, which is eventually paid by his secretary Greta (Anne Haney), who forgives him for his earlier rude truth-tellings after hearing he "went all noble" in front of their firm's senior partner.

Now recognizing his son Max as his highest priority, Fletcher struggles to keep him. He hurries to the airport, but Audrey and Max's plane has already left the terminal. Desperate, he hijacks a mobile stairway and pursues the plane onto the runway. The plane finally stops, but Fletcher is injured. On his way to the hospital, he vows to his son to spend more time with him. Even though the 24 hours of truth are up, Max knows he means it, and Audrey decides not to move to Boston with Jerry after all.

One year later, Fletcher and Audrey are celebrating Max's birthday. The lights go off when Max blows out his birthday candles. When they go back on, Fletcher and Audrey are kissing. Fletcher asks Max if he wished for his mom and his dad to get back together and Max replies "No, I wished for roller blades!" The family seemingly returns to normal as Fletcher chases Audrey and Max around the house with "the Claw".

[edit] Premise

The premise of Liar Liar, that of a protagonist who must tell the truth for the next 24 hours, can also be found in the Bob Hope movie Nothing But the Truth - whose rights had been acquired by Universal by the time they released Liar Liar.

[edit] Cast

Liar Liar was the last film for Jason Bernard, who died of a heart attack shortly after principal filming was completed. The film was dedicated in his memory.[1]

[edit] Reception

[edit] Critical response

The film received positive reviews from critics. Rotten Tomatoes reported that 81% of 51 sampled critics gave the film positive reviews and that it got a rating average of 6.9 out of 10.[2]

Critic Roger Ebert stated, "I am gradually developing a suspicion, or perhaps it is a fear, that Jim Carrey is growing on me", as he had given bad reviews for his previous films Dumb and Dumber and Ace Ventura: Pet Detective.[3]

American Film Institute recognition:

[edit] Box office

The film is the second of three Carrey/Shadyac collaborations, all of which did extremely well at the box office: the opening weekend made $31,423,025 in 2,845 theaters. In North America, the film made $181,410,615, and at the box office in other territories it made $121,300,000 for a total of $302,710,615.[5]

[edit] References

[edit] External links

Personal tools
Namespaces

Variants
Actions
Navigation
Interaction
Toolbox
Print/export
Languages