Life (BBC TV series)
Series title card from UK broadcast
|Narrated by||David Attenborough (BBC)
Oprah Winfrey (Discovery)
Juanes (Discovery en Español)
|Country of origin||United Kingdom|
|No. of episodes||10 (BBC)
|Executive producer(s)||Mike Gunton (BBC)
Susan Winslow (Discovery)
|Running time||50 minutes|
|Production company(s)||BBC Natural History Unit
|Original channel||BBC One|
|Picture format||16:9 1080p (HDTV) (Blu-ray)
16:9 1080i (HDTV) (HD broadcast)
16:9 576i (SDTV) (SD broadcast)
|Audio format||DTS-HD HR 5.1 (Blu-ray)
Dolby Digital 5.1 (HD broadcast)
Stereo (SD broadcast)
|Original run||12 October 2009– 14 December 2009|
Life is a nature documentary series made by BBC television, first broadcast as part of the BBC's Darwin Season on BBC One and BBC HD from October to December 2009. The series takes a global view of the specialised strategies and extreme behaviour that living things have developed in order to survive; what Charles Darwin termed "the struggle for existence". Four years in the making, the series was shot entirely in high definition.
The UK broadcast of Life consists of ten 50-minute episodes. The opening programme gives a general introduction to the series, a second looks at plants, and the remainder are dedicated to some of the major animal groups. They aim to show common features that have contributed to the success of each group, and to document intimate and dramatic moments in the lives of selected species chosen for their charisma or their extraordinary behaviour. A ten-minute making-of feature Life on Location aired at the end of each episode, taking the total running time to 60 minutes.
Life is produced by the BBC Natural History Unit in association with the Discovery Channel, Skai TV and the Open University. The original script, used in the British and Canadian versions of the series, was written and narrated by David Attenborough.
- 1 Production
- 2 Broadcast
- 3 Episodes
- 4 Inside Life
- 5 One Life
- 6 Reception
- 7 DVD, Blu-ray and book
- 8 References
- 9 External links
Life was the first series commissioned by the then Network Controller of BBC One, Peter Fincham, just weeks after he took up the post in March 2005. It was reportedly one of the most expensive documentaries ever ordered by the broadcaster, with a budget of £10 million (though the BBC have never confirmed this figure). The Natural History Unit's production team includes series producer Martha Holmes (Life in the Freezer, The Blue Planet) and executive producer Mike Gunton (Galápagos, Life in the Undergrowth). Individual episodes were produced by Rupert Barrington, Adam Chapman, Martha Holmes, Neil Lucas, Patrick Morris and Ted Oakes. The specially-commissioned score was composed by George Fenton and performed by the Band of Life. The opening titles and brand imaging were created by Burrell Durrant Hifle.
In February 2007, Gunton revealed that the BBC were looking for a new narrator for the series owing to Attenborough's imminent retirement. However, later that year it was announced that the veteran narrator would be collaborating on both this series and the forthcoming Frozen Planet.
The first year of production was spent researching possible stories for the series. The Life team contacted scientists and experts around the world in search of new discoveries to film, and new approaches to familiar subjects. Nearly three years of filming followed, involving 150 shoots on all seven continents, many of them full-scale expeditions to remote wilderness areas.
New camera technology was used to build on the cinematic techniques first employed in Planet Earth, notably the pioneering use of stabilised helicopter-mounted cameras. The Life crew succeeded in using gyroscopic stabilisation to create steady shots from moving vehicles, even on rough terrain, allowing the cameras to track alongside reindeer and elephant herds for the first time. Miniature high-definition cameras were used extensively for the "Insects" programme. In the forests of Mexico, the crew erected a spider's web of cables in the canopy to give the sense of flying alongside millions of monarch butterflies. In Zambia, they filmed from a hot air balloon to avoid disturbing the huge flocks of straw-coloured fruit bats.
Following recent debate about the use of artifice in natural history programmes, the BBC were more candid about sequences which had not been filmed in the wild. Close-ups of wild clownfish would have disturbed their natural behaviour, so captive animals were filmed in an aquarium at a Welsh university.
Despite the best efforts of the film-makers, some sequences ended up on the cutting room floor. Scientists in Arctic Scandinavia had accumulated enough evidence to suggest that golden eagles were the main predators of reindeer calves, but an attack had never been witnessed. After two summers tracking the herds in Finland, cameraman Barrie Britton finally filmed a hunt in full. However, the attack had taken place nearly a mile away, and the footage was too distant to be considered for broadcast.
The budget and timescale for the series enabled the producers to set ambitious filming challenges, and expedition crews brought back several sequences which have never been shown before.
Some involved highly specialised hunting behaviour that has only recently been discovered. In the shallow, muddy waters of Florida Bay, one pod of bottlenose dolphins have learned a unique hunting technique called mud-ring feeding. Aerial photography shows the lead dolphin circling a shoal of mullet, flicking its tail flukes to disturb mud on the seabed. The fish trapped inside the mud ring panic and leap out of the water to escape the trap, straight into the waiting mouths of the pod. In Kenya's Lewa Wildlife Conservancy, three cheetah brothers have learned to take on prey many times their own size. They are filmed bringing down an ostrich, but also hunt zebra, eland and oryx. A film crew travelled to the Falkland Islands to follow up reports of an orca that had learned to take elephant seal pups from a nursery pool. On the Indonesian island of Rinca, the first footage of komodo dragons hunting a water buffalo corroborated new scientific evidence suggesting the dragons used venom to kill their prey.
Other sequences had previously proved too difficult to film. The humpback whale heat run has been dubbed "the biggest battle on Earth", but the whales move so fast that underwater cameras struggle to keep up. The Life crew used cameras mounted on helicopters and boats along with a team of free-divers to follow the action. The biggest filming challenge was to show a year in the life of an oak woodland using timelapse photography. After capturing real-world footage of a Devon wood, the crew rebuilt the entire scene in a studio in Exeter and digitally superimposed 96 separate layers of footage to create the final one-minute sequence. The whole project took two years.
Super high-speed cameras capable of shooting up to 8,000 frames each second were used to slow down dramatic action. For the first time, these were used underwater to reveal the hunting behaviour of sailfish. They were also used to show 'Jesus Christ lizards' running on water, the courtship flight of the marvellous spatuletail and flying fish leaving the water. The first footage showing Antarctic Killer whales hunting a Crabeater seal, but the seal survived.
The pebble toad's strange escape method had been caught on tape for the first time.
The series was sold to international broadcasters by the BBC's commercial arm, BBC Worldwide, and marketed under the BBC Earth brand used for all BBC-produced natural history content. The global success of Life was noted as one of the key factors behind BBC Worldwide's record profits in 2010.
The series received its North American premiere on Discovery Channel Canada on 15 November 2009. In the USA, the series premiered on 21 March 2010 with Attenborough's narration replaced by Oprah Winfrey reading from a different script tailored to American audiences. Each episode was curtailed in length to accommodate commercial breaks. The behind-the-scenes shorts were dropped for the same reason, and instead were compiled into an eleventh episode.
Life was also acquired by several Latin American broadcasters and debuted on 18 March 2010 on Discovery Channel Latin America and Discovery HD Theater, with narration by Colombian singer Juanes.
In Croatia the series aired each Saturday from 2 October 2010 on HRT1.
"Our planet may be home to 30 million different kinds of animals and plants, each individual locked in its own lifelong fight for survival. Everywhere you look, on land or in the ocean, there are extraordinary examples of the lengths living things go to to stay alive."
— David Attenborough's opening narration
1. "Challenges of Life"
The opening episode introduces the series by showing examples of extraordinary feeding, hunting, courting and parenting behaviour from across the animal kingdom and around the globe. In Florida Bay, bottlenose dolphins catch leaping fish as they attempt to escape a corral of encircling mud, whipped up with the lead dolphin’s tail. Other unusual collaborative hunting techniques include three cheetahs combining to bring down an ostrich and Antarctic killer whales attacking a crabeater seal. In Brazil, tufted capuchins have learned to crack open palm nuts by smashing them with rocks. High speed cameras reveal flying fish taking an aerial route to avoid predatory sailfish, Venus flytraps ensnaring their unwitting victims and two male hippos clashing over the territorial rights to a stretch of river. In some species, parents go to great lengths to protect their young. A mother strawberry poison-dart frog carries each of her six tadpoles high into the rainforest canopy to the safety of a bromeliad pool, then provides them with nutritious unfertilised eggs. A female Giant Pacific Octopus makes the ultimate sacrifice, starving to death as she guards her eggs. On Deception Island, young chinstrap penguins are trapped on a beach by ice-strewn seas. Abandoned by their parents, they must reach open water to feed. A lone chick fights its way through the ice, only to be ambushed by a leopard seal. Life on Location shows how the filmmakers collaborated with a French yachtsman and the Royal Navy to film Antarctica's top predators.
2. "Reptiles and Amphibians"
In the opening sequence, an aerial camera zooms in on a solitary Komodo dragon from afar. This, states Attenborough, is the last place on Earth still ruled by reptiles. Though they may seem primitive, reptiles and amphibians still thrive thanks to diverse survival strategies. In Venezuela, a pebble toad evades a tarantula by free-falling down a steep rock face. The basilisk, nicknamed the Jesus Christ lizard, can literally run on water and the Brazilian pygmy gecko is so light it does not break the surface. Reptiles are cold-blooded, and some have developed unusual strategies to absorb heat. Namaqua chameleons darken the skin of the side of their body facing the sun. A male red-sided garter snake masquerades as a female using fake pheromones, attracting rival males which help raise its body temperature and thus its chance of breeding. Malagasy collared lizards conceal their eggs by burying them, but egg-eating hognose snakes stake out their favourite laying sites. Niue Island sea kraits lay theirs in a chamber only accessible via an underwater tunnel. Other reptiles guard their eggs. Horned lizards drive off predators, but larger adversaries such as coachwhip snakes prompt a different reaction – the lizard plays dead. Komodo dragons prey on water buffalo in the dry season. They stalk a buffalo for three weeks as it slowly succumbs to a toxic bite, then strip the carcass in four hours. In Life on Location, the Komodo film crew tell of the harrowing experience of filming the dragon hunt.
Intelligence, warm blood and strong family bonds have made mammals the most successful group of animals on the planet: they can even survive the Antarctic winter. Here, a Weddell seal leads her pup on its first swim beneath the ice. In East Africa, a rufous sengi uses a mental map of the pathways it has cleared to outwit a chasing lizard. A young aye-aye takes four years to learn how to find and extract beetle grubs, food no other mammal can reach. Reindeer move through the Arctic tundra, making the longest overland migration of any animal. Other mammals have evolved different ways of travelling long distances: ten million fruit bats congregate at Zambia's Kasanka swamps to gorge on fruiting trees. Mammals employ different strategies to find food. At night on the African savannah, hyenas force lions off a kill through sheer weight of numbers, whilst in the Arctic, dozens of polar bears take advantage of a bowhead whale carcass. Raising young is another important factor in mammals' success. Coatis and meerkats form social groups to share the burden of childcare. A first-time African elephant mother needs the experience of the herd's matriarch to get her young calf out of trouble. The largest animals in the ocean are also mammals. The seas around Tonga are both a nursery and mating ground for humpback whales. A female leads her potential suitors on a chase, the males battling for dominance behind her. Life on Location follows the never-before filmed humpback heat run.
Fish, the most diverse group of vertebrate animals, thrive in the world’s rivers, lakes and oceans. Slow-motion footage reveals the behaviour of some of the fastest fish in the sea, sailfish and flying fish. The latter gather in large numbers to lay their eggs on a floating palm frond, which sinks under the weight. The eggs of weedy sea dragons, found in the shallow waters off southern Australia, are carried by the male. In the fertile seas of the western Pacific, competition is fierce. A sarcastic fringehead defends its home, an old shell, from a passing octopus and a rival. In Japan, mudskippers have carved a niche on the rich mudflats. Freshwater fish are also featured. Tiny gobies are filmed climbing Hawaiian waterfalls to colonise the placid pools upstream, while in East Africa, barbels pick clean the skin of the resident hippos and feed on their rich dung in return. Wrasses perform the cleaning duties on coral reefs, but jacks[disambiguation needed] also remove parasites by scratching against the rough skin of silvertip sharks. Clownfish, whose life cycle is filmed in intimate detail using macro cameras, are protected by the fronds of an anemone, but other species seek safety in numbers. A shoal of ever-moving anchovies proves too difficult a target for sea lions. Sometimes, predators have the edge: ragged tooth sharks are shown attacking sardines trapped in shallow waters off South Africa. Life on Location looks at the efforts of underwater cameramen to capture the sailfish and flying fish sequences.
Birds, whose feathers have made them extremely adaptable and enabled them to fly, are the subject of programme five. The courtship flight of the marvellous spatuletail hummingbird is shot at high speed to slow down its rapid wing beats. The male must rest every few seconds due to the energy needed to display his elongated tail feathers. Lammergeiers, by contrast, soar on mountain thermals with a minimum of effort. A red-billed tropicbird bringing a meal back to its chick uses aerial agility to evade the marauding magnificent frigatebirds. Some birds nest in extreme locations to avoid threats from predators. Kenya's caustic soda lakes are a perilous environment for a lesser flamingo chick, while chinstrap penguins breed on a volcanic island off the Antarctic Peninsula. In South Africa, declining fish stocks force Cape gannets to abandon their chicks to search for food, presenting great white pelicans with the chance to snatch an easy meal. Feathers can also be used for display. Male sage grouse square up to one another at their leks, courting Clark's and Western Grebes perform an elaborate ritual to reaffirm their bond and thousands of lesser flamingos move in a synchronised display. Male Birds of paradise show offtheir brilliant plumes in wild courtship displays (some of this footage is from Planet Earth). In West Papua, the small, drab Vogelkop bowerbird uses a different strategy. The male decorates his bower with colourful jewels from the forest, and uses vocal mimicry to attract the attention of a female. Mating is filmed for the first time, the end result of a long and difficult quest featured in Life on Location.
The sixth episode enters the world of insects. By assuming a variety of body shapes and incorporating armour and wings, they have evolved diverse survival strategies and become the most abundant creatures on Earth. In Chilean Patagonia, male Darwin’s beetles lock horns and hurl their rivals from the treetops in search of a mate. A damselfly’s chance to mate and lay eggs can be cut abruptly short by a leaping frog. Monarch butterflies use their wings to power them on an epic migration to their hibernating grounds in the forests of Mexico’s Sierra Madre. Many insects carry chemical weapons as a form of defence. High-speed cameras show oogpister beetles squirting formic acid into the face of an inquisitive mongoose and bombardier beetles firing boiling caustic liquid from their abdomens. Some insects gain an advantage through co-operation. When an American black bear destroys a bee’s nest, the colony survives by carrying their honey to a new site. Japanese red bug nymphs will move to a different nest if their mother fails to provide sufficient food. In the Australian outback, male Dawson’s bees fight to the death over females emerging from their nest burrows. As a result, all will die, but the strongest mate most often. Argentina’s grasscutter ants form huge colonies five million strong. They feed on a fungus which they cultivate underground, in nest structures which have natural ventilation. Life on Location documents the Mexico crew’s attempts to rig up aerial camera shots of the awakening monarch butterflies.
7. "Hunters and Hunted"
Mammals have adopted diverse strategies to hunt their prey and evade predators. As well as revisiting the cheetah and dolphin hunts first shown in episode one, the programme shows how a sure-footed ibex kid escapes a hunting fox by bounding across a precipitous mountainside above the Dead Sea. Slow motion footage reveals the fishing behaviour of greater bulldog bats in Belize and brown bears at an Alaskan river mouth, the latter awaiting the return of spawning salmon. The play-fighting of juvenile stoats helps train them to run down prey such as rabbits, which are many times their own size. The alpha female of an Ethiopian wolf pack stays at the den to wean her cubs while other adults hunt rats on the highland plateau. The extraordinary nasal appendage of a star-nosed mole enables it to hunt successfully underground and, by using bubbles to detect its prey, underwater. A tiger’s stealthy approach to a group of feeding chital deer is thwarted when a langur, watching from above, raises the alarm. The final sequence shows a female killer whale taking elephant seal pups from their nursery pool in the Falkland Islands. This is a risky strategy as she could easily become beached in the shallow water. She is the only killer whale known to hunt this way, but her calf shadows her moves, ensuring her knowledge will be passed on. Also close by were the film crew, who reveal how the sequence was shot for Life on Location.
8. "Creatures of the Deep"
Marine invertebrates, the descendants of one billion years of evolutionary history, are the most abundant creatures in the ocean. In the Sea of Cortez, packs of Humboldt squid make night-time raids from the deep to co-operatively hunt sardines. Beneath the permanent Antarctic sea ice of McMurdo Sound, sea urchins, red sea stars and nemertean worms are filmed scavenging on a seal carcass. A fried egg jellyfish hunts amongst a swarm of Aurelia in the open ocean, spearing its prey with harpoon-like tentacles. In the shallows off South Australia, hundreds of thousands of spider crabs gather annually to moult. Many invertebrates have simple nervous systems, but giant cuttlefish have large brains and complex mating habits. Large males use flashing stroboscopic colours and strength to win a mate, whereas smaller rivals rely on deceit: both tactics are successful. A Giant Pacific Octopus sacrifices her life to tend her single clutch of eggs for six months. As a Pycnopodia starfish feeds on her remains, it comes under attack from a king crab. Coral reefs, which rival rainforests in their diversity, are the largest living structures on Earth and are created by coral polyps. Porcelain crabs, boxer crabs and orangutan crabs are shown to illustrate the many specialised ways of catching food on a reef. Marine invertebrates have a lasting legacy on land too – their shells formed the chalk and limestone deposits of Eurasia and the Americas. Life on Location documents the recording of Antarctic sea life and the birth of a reef.
Plants endure a daily struggle for water, nutrients and light. On the forest floor where light is scarce, time-lapse shots show ivies and creepers climbing into the canopy using sticky pads, hooks or coiled tendrils. Epiphytes grow directly on the topmost branches of trees. Their bare roots absorb water and trap falling leaves, which provide nutrients as they decompose. Animals can also be a source of food: the sundew traps mosquitoes with sticky fluid, and venus flytraps close their clamshell leaves on unwitting insects. Sandhill milkweed defends itself against feeding monarch caterpillars by secreting sticky latex from its leaves. The milkweed endures the onslaught because, like most plants, it produces flowers, and the newly hatched butterflies pollinate them. After flowering, brunsvigia plants in South Africa are snapped off by strong winds, sending their seed heads cartwheeling across the ground. Saguaro cacti produce succulent fruit to attract desert animals which ingest and disperse their seeds. Some plants have adapted to survive environmental extremes. Dragon's blood trees and desert roses thrive on arid Socotra, and coastal mangrove trees survive by filtering salt from seawater. Bristlecone pines live above 3,000m in North America’s mountains. They have a six-week growing season and can live for 5,000 years, making them the oldest living things on Earth. Grasses are the most successful of all plants. Of their 10,000 varieties, two cover more land than any other plant: rice and wheat. Life on Location goes behind the scenes of a time-lapse sequence in an English woodland. Because actually growing plants outdoors would prove a challenge to film (with constantly changing conditions) this scene used plants grown in a studio on a bluescreen duplicating a real outdoor backdrop. The entire process took two years to make.
Intelligence, curiosity and complex societies have enabled primates to exploit many different habitats. In Ethiopia, male Hamadryas baboons restore discipline after a skirmish with a rival troop. In Japanese macaque society, only those members from the correct bloodlines are permitted to use thermal springs in winter; others are left out in the cold. Examples of primate communication include a silverback gorilla advertising his territory though vocalisations and chest-beating, and the piercing calls of spectral tarsiers which help keep their group together. In Thailand's rainforests, lar gibbons use song to reinforce sexual and family bonds. By contrast, ring-tailed lemurs in Madagascar broadcast sexual signals using scent glands. A young orangutan's upbringing equips it with all the skills it needs to survive in the forest, including finding food, moving through the canopy and building a shelter. On South Africa's Cape Peninsula, chacma baboons forage kelp beds exposed by the lowest tides for nutritious shark eggs and mussels. White-faced capuchins collect clams in Costa Rica's coastal mangroves, but lack the powerful jaws to pierce the shells. Their solution is to beat the shellfish against trees or rocks, which eventually exhausts the muscle that holds the shell closed. Life on Location follows camerawoman Justine Evans to Guinea to film tool use in chimpanzees. Dextrous hand movements enable them to dip for ants and termites using plant stems. They have also learned to crack nuts using precise and efficient blows with a stone. One male chimp is filmed sharing his stone with a female.
A complementary children's TV series, Inside Life, aired on the CBBC Channel and followed young volunteers as they go behind the scenes with the Life production team and accompany the film-makers on expeditions in the field. It began airing on 13 October 2009.
The series was nominated for six Primetime Emmy Awards in July 2010. These included a nomination for Outstanding Nonfiction Series along with selections in a number of technical categories. The episode "Challenges of Life" went on to win the Outstanding Cinematography for Nonfiction Programming award.
DVD, Blu-ray and book
The series was released in the UK as Region 2, four-disc DVD (BBCDVD3068) and Blu-ray Disc (BBCBD0055) box sets by 2Entertain on 30 November 2009. Region 1 DVD and Blu-ray Discs of both the BBC and Discovery versions of the series were released on 1 June 2010. In Australia, a Region 4, four-disc DVD and Blu-ray Disc was released by ABC DVD/Village Roadshow on 7 October 2010.
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