Life Is Beautiful

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Life Is Beautiful

Film poster
Directed by Roberto Benigni
Written by Roberto Benigni
Vincenzo Cerami
Starring Roberto Benigni
Nicoletta Braschi
Giorgio Cantarini
Giustino Durano
Editing by Simona Paggi
Distributed by Miramax Films (USA)
Release date(s) Italy:
20 December 1997
United States:
23 October 1998
Australia:
26 December 1998
United Kingdom:
12 February 1999
New Zealand:
5 March 1999
Thailand:
19 March 1999
Running time 116 minutes
Country Italy
Language Italian, German, English

Life Is Beautiful (Italian: La vita è bella) is a 1997 Italian language film which tells the story of a Jewish Italian, Guido Orefice (played by Roberto Benigni, who also directed and co-wrote the film), who must employ his fertile imagination to help his son survive their internment in a Nazi concentration camp.

It won the Academy Award for Best Actor (Benigni) and Best Foreign Language Film.

Contents

[edit] Plot

The first half of the movie is a whimsical, romantic comedy and often slapstick. Guido Orefice (Roberto Benigni), a young Italian Jew, arrives in Arezzo where he plans to set up a bookstore, taking a job in the interim as a waiter. He lives with his uncle Eliseo. Guido is both funny and charismatic, especially when he romances Dora (Italian, but not Jewish, and portrayed by Benigni's actual wife Nicoletta Braschi), whom he steals—at her engagement—from her rude and loud fiancé. Several years pass in which Guido and Dora have a son, Joshua (Giorgio Cantarini). In the film, Joshua is around four and a half years old, however both the beginning and ending of the film are narrated by an older Joshua.

In the second half, Guido, Uncle Eliseo and Joshua are taken to a concentration camp on Joshua's birthday. Dora demands to join her family and is permitted to do so. When Dora boards the train she is the only one wearing red, as everyone else is wearing dark coloured clothes. Guido hides Joshua from the Nazi guards and sneaks him food. Uncle Eliseo is gassed to death, though the others do not know. In an attempt to keep up Joshua's spirits, Guido convinces Joshua that the camp is just a game, in which the first person to get 1,000 points wins a tank. He tells Joshua that if he cries, complains that he wants his mother or complains that he is hungry, he will lose points, while quiet boys who hide from the camp guards earn 1,000 points. To further prove that the camp is a game he pretends to translate the guard's instructions.

Guido convinces Joshua that the camp guards are mean because they want the tank for themselves and that all the other children are hiding in order to win the game. He puts off every attempt of Joshua ending the game and returning home by convincing him that they are in the lead for the tank. Despite being surrounded by rampant death and people and all their sicknesses, Joshua does not question this fiction because of his father's convincing performance and his own innocence.

Guido maintains this story right until the end, when—in the chaos caused by the American advance–he tells his son to stay in a sweatbox until everybody has left, this being the final test before the tank is his. After trying to find Dora, Guido is caught, taken away and shot by a Nazi guard, but not before making his son laugh one last time by imitating the Nazi guard as if the two of them are marching around the camp together. Joshua manages to survive and thinks he has won the game when an American tank arrives to liberate the camp. He is reunited with his mother, not knowing that his father has died. Years later, he realizes the sacrifice his father made for him gave him the chance to live.

[edit] Awards

The movie was shown at the 1998 Cannes Film Festival, winning the Grand Prize of the Jury.[1] It then went on to win the Academy Awards for Best Music, Original Dramatic Score and Best Foreign Language Film; Benigni won Best Actor for his role. The film was additionally nominated for Academy Awards for Directing, Film Editing, Best Picture, and Best Original Screenplay.

[edit] Reception

The film was financially successful, earning 23 million euro in Italy (1997-1998). In the United States, the film earned $59 million.

The film currently holds a 78% approval rating on Rotten Tomatoes. Despite a strong performance at the box office, many reviewers were critical of the film for its use of humor in depicting the Holocaust.[who?]

[edit] See also

[edit] References

[edit] External links

Awards and achievements
Preceded by
The Sweet Hereafter
Grand Prix, Cannes
1998
Succeeded by
Humanité
Preceded by
Character
Academy Award for Best Foreign Language Film
1998
Succeeded by
All About My Mother
Preceded by
The Full Monty
European Film Award for Best European Film
1998
Succeeded by
All About My Mother