Monty Python's Life of Brian
|Monty Python's Life of Brian|
Theatrical release poster
|Directed by||Terry Jones|
|Produced by||John Goldstone|
|Music by||Geoffrey Burgon|
|Editing by||Julian Doyle|
|Running time||93 minutes|
Monty Python's Life of Brian, also known as Life of Brian, is a 1979 British comedy film starring and written by the comedy group Monty Python (Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin), and directed by Jones. It tells the story of Brian Cohen (played by Chapman), a young Jewish man who is born on the same day as, and next door to, Jesus Christ and is subsequently mistaken for the Messiah.
The film contains themes of religious satire that were controversial at the time of its release, drawing accusations of blasphemy and protests from some religious groups. Thirty-nine local authorities in the UK either imposed an outright ban, or imposed an X (18 years) certificate, effectively preventing the film from being shown, as the distributors said the film could not be shown unless it was unedited and carried the original AA (14) certificate. Some countries, including Ireland and Norway, banned its showing, with a few of these bans lasting decades. The film makers used such notoriety to benefit their marketing campaign, with posters stating "So funny it was banned in Norway!"
The film was a box-office success, grossing fourth-highest of any film in the United Kingdom in 1979 and highest of any British film in the United States that year. It has remained popular since then, receiving positive reviews. The film received a 96% "Fresh" rating on Rotten Tomatoes with the consensus "One of the more cutting-edge films of the 1970s, this religious farce from the classic comedy troupe is as poignant as it is funny and satirical", and it was named "greatest comedy film of all time" by several magazines and television networks. It is the first Monty Python film to receive an R rating in the United States.
Brian Cohen is born in a stable a few doors from the one in which Jesus is born, which initially confuses the three wise men who come to praise the future King of the Jews. Brian grows up an idealistic young man who resents the continuing Roman occupation of Judea. While attending Jesus's Sermon on the Mount, Brian becomes infatuated with an attractive young rebel, Judith. His desire for her and hatred for the Romans lead him to join the People's Front of Judea (PFJ), one of many fractious and bickering independence movements, who spend more time fighting each other than the Romans.
After several misadventures, and escaping from Pontius Pilate, the fugitive winds up in a line-up of would-be mystics and prophets who harangue the passing crowd in a plaza. Forced to come up with something plausible in order to blend in and keep the guards off his back, Brian babbles pseudo-religious truisms, and quickly attracts a small but intrigued audience. Once the guards have left, Brian tries to put the episode behind him, but he has unintentionally inspired a movement. He grows frantic when he finds that some people have started to follow him around, with even the slightest unusual occurrence being hailed as a "miracle". After slipping away from the mob, Brian runs into Judith, and they spend the night together. In the morning, Brian opens the curtains to discover an enormous crowd of people outside his mother's house, all proclaiming him to be the Messiah. Brian's mother protests: "He's not the Messiah, he's a very naughty boy". Brian finds himself unable to change their minds, because his every word and action are immediately seized as points of doctrine.
The hapless Brian finds no solace at the PFJ's headquarters, where people fling their afflicted bodies at him demanding miracle cures. After sneaking out the back, Brian finally is captured and scheduled to be crucified. Meanwhile, a huge crowd has assembled outside the palace. Pilate (together with the visiting Biggus Dickus) tries to quell the feeling of revolution by granting them the decision of who should be pardoned. The crowd, however, simply shouts out names containing the letter "r", in order to mock Pilate's speech impediment. Eventually, Judith appears in the crowd and calls for the release of Brian, which the crowd echoes, since the name contains the letter "r". Pilate then agrees to "welease Bwian".
The order from Pilate is eventually relayed to the guards, but in a moment parodying the climax of the film Spartacus, various crucified people all claim to be "Brian of Nazareth" (one man shouting "I'm Brian and so's my wife") and the wrong man is released. Various other opportunities for a reprieve for Brian are denied as, one by one, his "allies" (including Judith and his mother) step forward to explain why they are leaving the "noble freedom fighter" hanging in the hot sun. Hope is renewed when the Judean People's Front (not to be confused with the PFJ) come charging towards the Romans, but rather than fighting to release Brian they commit mass suicide as a political statement. Condemned to a long and painful death, Brian finds his spirits lifted by his fellow sufferers, who break into song with "Always Look on the Bright Side of Life".
A list of all the characters given actual names in the script, or with a spoken role. All names and character descriptions are taken from the published script. Each Python (especially Terry Gilliam) also played various bystanders and hangers-on. The Pythons themselves are listed first (in alphabetical order) followed by the rest of the cast in order of appearance.
- Graham Chapman – Brian, Biggus Dickus, 2nd wise man
- John Cleese – Reg, the High priest, Centurion of the Yard, Deadly Dirk, Arthur, 1st wise man
- Terry Gilliam – Another person further forward (at Mount – "Do you hear that? 'Blessed are the Greek'!"), Blood and Thunder prophet, Geoffrey, Gaoler, Frank
- Eric Idle – Mr Cheeky, Stan/Loretta, Harry the Haggler, Culprit woman who casts first stone, Intensely dull youth, Otto, Gaoler's assistant, Mr Frisbee III.
- Terry Jones – Brian Cohen's mother (Mandy), Colin, Simon the Holy Man, Saintly passer-by, Bob Hoskins (man in crowd)
- Michael Palin – Mr Big Nose, Francis, Mrs A, Ex-leper, Ben, Pontius Pilate, Boring Prophet, Eddie, Nisus Wettus, 3rd wise man
- Kenneth Colley – Jesus Christ
- Neil Innes – A weedy Samaritan
- Gwen Taylor – Mrs Big Nose, Woman with sick donkey, young girl
- Terence Baylor – Gregory, Dennis
- Carol Cleveland – Mrs Gregory, Elsie
- Charles McKeown – Man further forward (at Mount), Stig, Blind Man, False Prophet, Giggling Guard
- Chris Langham - Alfonso, Giggling guard
- Sue Jones-Davies – Judith Iscariot
- John Young – Matthias
- Bernard McKenna – Stoner's Helper, Parvus
- Spike Milligan – Spike
- George Harrison (uncredited) – Mr Papadopoulos
Several characters remained unnamed during the film but do have names that are used in the soundtrack album track listing and elsewhere. There is no mention in the film of the fact that Eric Idle's ever-cheerful joker is called 'Mr. Cheeky', or that the Roman guard played by Michael Palin is named 'Nisus Wettus'.
Spike Milligan plays a prophet, ignored because his acolytes are chasing after Brian. By coincidence he was visiting his old World War II battlefields in Tunisia where the film was being made. The Pythons were alerted to this one morning and he was promptly included in the scene that just happened to be being filmed. He disappeared again in the afternoon before he could be included in any of the close-up or publicity shots for the film.
There are various stories about the origins of Life of Brian. Shortly after the release of Monty Python and the Holy Grail (1975), Eric Idle flippantly suggested that the title of the Pythons' forthcoming feature would be Jesus Christ – Lust for Glory (a play on the UK title for the 1970 American film Patton). This was after he had become frustrated at repeatedly being asked what it would be called, despite the troupe not having given the matter of a third film any consideration. However, they shared a distrust of organised religion, and, after witnessing the critically acclaimed Holy Grail's enormous financial turnover, confirming an appetite among the fans for more cinematic endeavours, they soon began to seriously consider a film lampooning the New Testament era in the same way Holy Grail had lampooned Arthurian legend. All they needed was an idea for a plot. Eric Idle and Terry Gilliam, while promoting Holy Grail in Amsterdam, had come up with a sketch in which Jesus' cross was falling apart because of the idiotic carpenters who built it and he angrily tells them how to do it correctly. However, after an early brainstorming stage, and despite being non-believers, they agreed that Jesus was "definitely a good guy" and found nothing to mock in his actual teachings: "He's not particularly funny, what he's saying isn't mockable, it's very decent stuff..." said Idle later. After settling on the name Brian for their new protagonist, one idea considered was that of "the 13th disciple". The focus eventually shifted to a separate individual born at a similar time and location, who would be mistaken for the Messiah, but had no desire to be followed as such.
Writing began in December 1976, with a first draft completed by mid-1977. The final pre-production draft was ready in January 1978, following "a concentrated two-week writing and water-skiing period in Barbados". The film would not have been made without former Beatle and Python fan George Harrison, who set up HandMade Films to help fund it at a cost of £3 million. Harrison put up the money for it as he "wanted to see the movie" (a move later described by Terry Jones as the "world's most expensive cinema ticket"). The original backers, EMI Films, had been scared off at the last minute by the subject matter, particularly Bernard Delfont. As a result, the very last words in the film are: "I said to him, 'Bernie, they'll never make their money back on this one'", teasing Delfont for his lack of faith in the project. Terry Gilliam later said, "They pulled out on the Thursday. The crew was supposed to be leaving on the Saturday. Disastrous. It was because they read the script... finally." As a reward for his help, Harrison appears in a cameo appearance as Mr. Papadopoulos, "owner of the Mount", who briefly shakes hands with Brian in a crowd scene (this happens at 1h06min of the film). His one word of dialogue (a cheery Scouse, but out-of-place-in-Judea, "ullo") had to be dubbed in later.
Directing duties were handled solely by Terry Jones on this project, having amicably agreed with Gilliam (who co-directed Holy Grail) that Jones' approach to film-making was better suited for Python's general performing style. Holy Grail's production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. However, this did not put an absolute end to their feuding. On the DVD commentary, Gilliam expresses great pride in one set in particular, the main hall of Pilate's fortress, which had been designed so that it accurately looked like an old Judean temple that the Romans had converted by dumping their structural artifacts (such as marble floors and columns) on top. He later reveals his consternation at Jones not paying enough attention to it in the cinematography. Gilliam also worked on the matte paintings, useful in particular for the very first shot of the three wise men against a starscape and in giving the illusion of the whole of the outside of the fortress being covered in graffiti. Perhaps the most significant contribution from Gilliam was the scene where Brian accidentally leaps off a high building and inadvertently lands inside a starship about to engage in an interstellar war. This was done "in camera" using a hand-built model starship and miniature pyrotechnics; clearly this was influenced by the epic film Star Wars. Afterwards, George Lucas met Terry Gilliam in San Francisco and praised Gilliam for his work.
The film was shot on location in Monastir, Tunisia, which allowed the production to reuse sets from Franco Zeffirelli's Jesus of Nazareth (1977). Many locals were employed as extras on Life of Brian. Director Terry Jones noted, "They were all very knowing because they'd all worked for Franco Zeffirelli on Jesus of Nazareth, so I had these elderly Tunisians telling me, 'Well, Mr Zeffirelli wouldn't have done it like that, you know.'" Further location shooting took place in Sousse (Jerusalem outer walls and gateway), Carthage (Roman amphitheatre) and Matmata, Tunisia (Sermon on the Mount and Crucifixion). Graham Chapman, still suffering from alcoholism, was so determined to play the lead role – at one point coveted by Cleese – that he dried out in time for filming, so much so that he was also able to act as the on-set doctor on top of his acting duties. Following shooting between 16 September and 12 November 1978, a two-hour-long rough cut of the film was put together for its first private showing in January 1979. Over the next few months Life of Brian was re-edited and re-screened a number of times for different preview audiences before the final cut was complete, losing a number of entire filmed sequences (see Lost scenes below).
Religious satire and blasphemy accusations
Richard Webster comments in his A Brief History of Blasphemy that, "internalised censorship played a significant role in the handling" of Monty Python's Life of Brian. In his view, "As a satire on religion, this film might well be considered a rather slight production. As blasphemy it was, even in its original version, extremely mild. Yet the film was surrounded from its inception by intense anxiety, in some quarters of the Establishment, about the offence it might cause. As a result it gained a certificate for general release only after some cuts had been made. Perhaps more importantly still, the film was shunned by the BBC and ITV, who declined to show it for fear of offending Christians in the UK. Once again a blasphemy was restrained - or its circulation effectively curtailed - not by the force of law but by the internalisation of this law." On its initial release in the UK, the film was banned by several town councils – some of which had no cinemas within their boundaries, or had not even seen the film. A member of Harrogate council, one of those that banned the film, revealed during a television interview that the council had not seen the film, and had based their opinion on what they had been told by the Nationwide Festival of Light, of which they knew nothing.
Some bans continued into the 21st century. In 2008, Torbay Council finally permitted the film to be shown after it won an online vote for the English Riviera International Comedy Film Festival. In 2009, it was announced that a thirty-year-old ban of the film in the Welsh town of Aberystwyth had finally been lifted, and the subsequent showing was attended by Terry Jones and Michael Palin alongside mayor Sue Jones-Davies (who portrayed Judith Iscariot in the film). However, before the showing, an Aberystwyth University student discovered that the film had never been banned in Aberystwyth, but had been shown (or scheduled to be shown) at a cinema in the town in 1981. In 2013, a German official in the state of North Rhine-Westphalia considered the film to be possibly offensive to Christians and hence subject to a local regulation prohibiting its public screening on Good Friday, despite protests by local atheists.
In New York, screenings were picketed by both rabbis and nuns ("Nuns with banners!" observed Michael Palin). It was also banned for eight years in Ireland and for a year in Norway (it was marketed in Sweden as "The film so funny that it was banned in Norway"). During the film's theatrical run in Finland, a text explaining that the film was a parody of Hollywood historical epics was added to the opening credits.
In the UK, Mary Whitehouse and other campaigners launched waves of leaflets and picketed at and around cinemas that showed the film, a move that was only felt to have boosted publicity. Leaflets arguing against the film's representation of the New Testament (for example, suggesting that the Wise Men would not have approached the wrong stable as they do in the opening of the film) were documented in Robert Hewison's book Monty Python: The Case Against.
One of the most controversial scenes was the film's ending: Brian's crucifixion. Many Christian protesters said that it was mocking Jesus' suffering by turning it into a "Jolly Boys Outing" (such as when Mr Cheeky turns to Brian and says: "See, not so bad once you're up!"), capped by Brian's fellow sufferers suddenly bursting into song. This is also reinforced by the fact that several characters throughout the film claim crucifixion is not as bad as it seems, such as when Brian asks his cellmate in prison what will happen to him, he replies; "Oh, you'll probably get away with crucifixion." and when Matthias, the old man who works with the PFJ dismisses crucifixion as "a doddle" and says being stabbed would be worse. The director, Terry Jones, issued the following riposte to this criticism: "Any religion that makes a form of torture into an icon that they worship seems to me a pretty sick sort of religion quite honestly". Religious figures later responded by saying that Jones did not seem to understand the meaning of the crucifix symbol or its significance to Christians as a reminder of the suffering and death Christ endured for their sake. They also argued that crucifixion was a standard form of execution in ancient times and not just one especially reserved for Jesus.
The Pythons often prided themselves on the depths of the historical research they had taken before writing the script. They all believe that, as a consequence, the film portrays 1st century Judea more accurately than actual Biblical epics, with its focus centred more on the average person of the era.
Shortly after the film was released, Cleese and Palin engaged in what would become a notorious debate on the BBC2 discussion programme Friday Night, Saturday Morning, in which Malcolm Muggeridge and Mervyn Stockwood, the Bishop of Southwark, put the case against the film. Muggeridge and the Bishop had arrived 15 minutes late to see a screening of the picture prior to the debate, missing the establishing scenes demonstrating that Brian and Jesus were two different characters, and hence contended that it was a send-up of Christ himself. Both Pythons later felt that there had been a strange role reversal in the manner of the debate, with two young upstart comedians attempting to make serious, well-researched points, while the establishment figures engaged in cheap jibes and point scoring. They also expressed disappointment in Muggeridge, whom all in Python had previously respected as a satirist. Cleese expressed that his reputation had "plummeted" in his eyes, while Palin commented that, "He was just being Muggeridge, preferring to have a very strong contrary opinion as opposed to none at all". Muggeridge's verdict on the film was that it was "Such a tenth-rate film that it couldn't possibly destroy anyone's genuine faith".
The Pythons unanimously deny that they were ever out to destroy people's faith. On the DVD audio commentary, they contend that the film is heretical because it lampoons the practices of modern organised religion, but that it does not blasphemously lampoon the God that Christians and Jews worship. When Jesus does appear in the film (on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The music and lighting make it clear that there is a genuine aura around him. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance ("I think he said, 'blessed are the cheese makers'"). Importantly, he is distinct from the character of Brian, which is also evident in the scene where an annoying and ungrateful ex-leper pesters Brian for money, while moaning that since Jesus cured him, he has lost his source of income in the begging trade (referring to Jesus as a "bloody do-gooder").
James Crossley, however, has argued that the film makes the distinction between Jesus and the character of Brian to make a contrast between the traditional Christ of both faith and cinema and the historical figure of Jesus in critical scholarship and how critical scholars have argued that ideas later got attributed to Jesus by his followers. Crossley points out that the film uses a number of potentially controversial scholarly theories about Jesus but now with reference to Brian, such as the Messianic Secret, the Jewishness of Jesus, Jesus the revolutionary, and having a single mother.
Not all the Pythons agree on the definition of the movie's tone. There was a brief exchange that occurred when the surviving members reunited in Aspen, Colorado, in 1998 for a show that was broadcast on HBO and has since become available on video. The appearance was billed as the "U.S. Comedy Arts Festival Tribute to Monty Python", although video releases have gone by varying titles, including "Monty Python Live at Aspen (1998)". The programme mostly consists of an interview, on stage, by U.S. comedian Robert Klein. In the section where Life of Brian is being discussed, Terry Jones says, "I think the film is heretical, but it’s not blasphemous". Eric Idle can be heard to concur, adding, "It’s a heresy". However, John Cleese, disagreeing, counters, "I don’t think it’s a heresy. It's making fun of the way that people misunderstand the teaching". Jones responds, "Of course it's a heresy, John! It's attacking the Church! And that has to be heretical". Cleese replies, "No, it's not attacking the Church, necessarily. It's about people who cannot agree with each other".
In a later interview Jones said the film “isn't blasphemous because it doesn’t touch on belief at all. It is heretical, because it touches on dogma and the interpretation of belief, rather than belief itself.”
The film continues to cause controversy; in February 2007 the Church of St Thomas the Martyr in Newcastle upon Tyne held a public screening in the church itself, with song-sheets, organ accompaniment, stewards in costume and false beards for female members of the audience (alluding to an early scene where a group of women disguise themselves as men so that they are able to take part in a stoning). Although the screening was a sell-out, some Christian groups, notably the conservative Christian Voice, were highly critical of the decision to allow the screening to go ahead. Stephen Green, the head of Christian Voice, insisted that "You don't promote Christ to the community by taking the mick out of him". The Reverend Jonathan Adams, one of the church's clergy, defended his taste in comedy, saying that it did not mock Jesus, and that it raised important issues about the hypocrisy and stupidity that can affect religion. Again on the film's DVD commentary, Cleese also spoke up for religious people who have come forward and congratulated him and his colleagues on the film's highlighting of double standards among purported followers of their own faith.
The film pokes fun at revolutionary groups and 1970s British left-wing politics. "What the film does do is place modern stereotypes in a historical setting, which enables it to indulge in a number of sharp digs, particularly at trade unionists and guerilla organisations". The groups in the film all oppose the Roman occupation of Judea, but fall into the familiar pattern of intense competition among factions that appears, to an outsider, to be over ideological distinctions so small as to be invisible; "ideological purity", as Cleese once described it. Michael Palin says that the various separatist movements were modelled on "modern resistance groups, all with obscure acronyms which they can never remember and their conflicting agendas".
The People's Front of Judea, composed of the Pythons' characters, harangue their "rivals" with cries of "splitters" and stand vehemently opposed to the Judean People's Front, the Judean Popular People's Front, the Campaign for a Free Galilee, and the Popular Front of Judea (the last composed of a single old man, mocking the size of real revolutionary Trotskyist factions). The infighting among revolutionary organisations is demonstrated most dramatically when the PFJ attempts to kidnap Pontius Pilate's wife, but encounters agents of the Campaign for a Free Galilee, and the two factions begin a violent brawl over which of them conceived of the plan first. When Brian exhorts them to cease their fighting to struggle "against the common enemy," the revolutionaries stop and cry in unison, "the Judean People's Front!" However, they soon resume their fighting and, with two Roman legionnaires watching bemusedly, continue until Brian is left the only survivor, at which point he is captured.
Other scenes have the freedom fighters wasting time in debate, with one of the debated items being that they should not waste their time debating so much. There is also a famous scene in which Reg gives a revolutionary speech asking, "What have the Romans ever done for us?" at which point the listeners outline all forms of positive aspects of the Roman occupation such as sanitation, medicine, education, wine, public order, irrigation, roads, a fresh water system, public health and peace, followed by "what have the Romans ever done for us except sanitation, medicine, education...". Python biographer George Perry notes, "The People's Liberation Front of Judea conducts its meetings as though they have been convened by a group of shop stewards".
A number of scenes were cut after filming. Five deleted scenes, a total of 13 minutes, including the controversial "Otto", were first made available in 1997 on the Criterion Collection Laserdisc. An unknown amount of raw footage was destroyed in 1998 by the company that bought Handmade Films. However, a number of them (of varying quality) were shown the following year on the Paramount Comedy Channel in the UK; it has not been disclosed how these scenes were saved or where they came from; possibly the source was the Criterion laserdisc. The scenes shown included three shepherds discussing sheep and completely missing the arrival of the angel heralding Jesus's birth, which would have been at the very start of the movie; a segment showing the attempted kidnap of Pilate's wife (a large woman played by John Case) whose escape results in a fistfight; a scene introducing hardline Zionist Otto, leader of the Judean People's Front (played by Eric Idle) and his men who practice a suicide run in the courtyard; and a brief scene in which Judith releases some birds into the air in an attempt to summon help. The shepherds' scene has badly distorted sound, and the kidnap scene has poor colour quality. The same scenes that were on the Criterion laserdisc can now be found on the Criterion Collection DVD.
The most controversial cuts were the scenes involving Otto, initially a recurring character, who had a thin Adolf Hitler-esque moustache and spoke with a German accent, shouting accusations of "racial impurity" at people whose conceptions were similar to Brian's (Roman centurion rape of native Judean women), and other Nazi-based phrases. The logo of the Judean People's Front, designed by Terry Gilliam, was a Star of David with a small line added to each point so it resembled a swastika, most familiar in the West as the symbol of the anti-Semitic Nazi movement. The rest of this faction also all had the same thin moustaches, and wore a spike on their helmets, similar to those on Imperial German helmets. The official reason for the cutting was that Otto's dialogue slowed down the narrative. However, Gilliam, writing in The Pythons Autobiography by The Pythons, said he thought it should have stayed, saying "Listen, we've alienated the Christians, let's get the Jews now". Idle himself was said to have been uncomfortable with the character; "It's essentially a pretty savage attack on rabid Zionism, suggesting it's rather akin to Nazism, which is a bit strong to take, but certainly a point of view". Michael Palin's personal journal entries from the period when various edits of Brian were being test-screened consistently reference the Pythons' and filmmakers' concerns that the Otto scenes were slowing the story down and thus were top of the list to be chopped from the final cut of the film. However, Oxford Brookes University historian David Nash says the removal of the scene represented "a form of self-censorship" and the Otto sequence "which involved a character representative of extreme forms of Zionism" was cut "in the interests of smoothing the way for the film's distribution in America."
The only scene with Otto that remains in the film is during the crucifixion sequence. Otto arrives with his "crack suicide squad", sending the Roman soldiers fleeing in terror. Instead of doing anything useful, they "attack" by committing mass suicide in front of the cross ("Zat showed 'em, huh?" says the dying Otto, to which Brian despondently replies "You silly sods!"), ending Brian's hope of rescue (they do however show some signs of life during the famous rendition of "Always Look on the Bright Side of Life" when they are seen waving their toes in unison in time to the music). Terry Jones once mentioned that the only reason this excerpt was not cut too was due to continuity reasons, as their dead bodies were very prominently placed throughout the rest of the scene. He acknowledged that some of the humour of this sole remaining contribution was lost through the earlier edits, but felt they were necessary to the overall pacing.
Otto's scenes, and those with Pilate's wife, were cut from the film after the script had gone to the publishers, and so they can be found in the published version of the script. Also present is a scene where, after Brian has led the Fifth Legion to the headquarters of the People's Front of Judea, Reg (John Cleese) says "You cunt!! You stupid, bird-brained, flat-headed..." The profanity was overdubbed to "you klutz" before the film was released. Cleese approved of this editing as he felt the reaction to the four-letter word would "get in the way of the comedy".
An early listing of the sequence of sketches reprinted in Monty Python: The Case Against by Robert Hewison reveals that the film was to have begun with a set of sketches at an English public school. Much of this material was first printed in the "MONTYPYTHONSCRAPBOOK" that accompanied the original script publication of The Life of Brian and then subsequently reused. The song "All Things Dull and Ugly" and the parody scripture reading "Martyrdom of St. Victor" were performed on Monty Python's Contractual Obligation Album (1980). The idea of a violent rugby match between school masters and small boys was filmed in Monty Python's The Meaning of Life (1983). A sketch about a boy who dies at school appeared on the unreleased The Hastily Cobbled Together for a Fast Buck Album (1981).
For the original British and Australian releases, a spoof travelogue narrated by John Cleese, Away From It All, was shown before the film itself. It consisted mostly of stock travelogue footage and featured arch comments from Cleese. For instance, a shot of Bulgarian girls in ceremonial dresses was accompanied by the comment "Hard to believe, isn't it, that these simple happy folk are dedicated to the destruction of Western Civilisation as we know it!", Communist Bulgaria being a member of the Warsaw Pact at the time. Not only was this a spoof of travelogues per se, it was a protest against the then common practice in Britain of showing cheaply made banal short features before a main feature.
Life of Brian opened on 17 August 1979 in five North American theatres and grossed $140,034 USD ($28,007 per screen) in its opening weekend. Its total gross was $19,398,164 USD. It was the highest grossing British film in North America that year. In addition, the film was the fourth highest grossing film in Britain in 1979.
On 30 April 2004, Life of Brian was re-released on five North American screens to "cash in" (as Terry Jones put it) on the box office success of Mel Gibson's The Passion of the Christ. It grossed $26,376 USD ($5,275 per screen) in its opening weekend. It ran until October 2004, playing at 28 screens at its widest point, eventually grossing $646,124 USD during its re-release. By comparison, a re-release of Monty Python and the Holy Grail had earned $1.8 million USD three years earlier. A DVD of the film was also released that year.
An album was also released by Monty Python in 1979 in conjunction with the film. In addition to the "Brian Song" and "Always Look on the Bright Side of Life", it contains scenes from the film with brief linking sections performed by Eric Idle and Graham Chapman. The album opens with a brief rendition of "Hava Nagila" on Scottish bagpipes. A CD version was released in 1997.
Life of Brian has regularly been cited as a serious contender for the title "greatest comedy film of all time", and has been named as such in polls conducted by Total Film magazine in 2000, the British TV network Channel 4 in 2006 and The Guardian newspaper in 2007. Rotten Tomatoes lists it as one of the best reviewed comedies, with a 96% approval rating from 44 published reviews. Internet Movie Database includes the film in its list of the top 250 movies of all time. A 2011 poll by Time Out magazine ranked it as the third greatest comedy film ever made, behind Airplane! and This is Spinal Tap.
The BFI declared Life of Brian to be the 28th best British film of all time, in their equivalent of the AFI's original 100 Years...100 Movies list. It was the seventh highest ranking comedy on this list (four of the better placed efforts were classic Ealing Films). Another Channel 4 poll in 2001 named it the 23rd greatest film of all time (the only comedy that came higher on this occasion was Billy Wilder's Some Like It Hot, which was ranked 5th).
The line, "He's not the Messiah, he's a very naughty boy!", spoken by Brian's mother Mandy to the crowd assembled outside her house, has been voted by readers of BOL.com the funniest line in film history. This poll also featured two of the film's other famous lines ("What have the Romans ever done for us?" and "I'm Brian and so's my wife") in the top 10.
Spin-offs include a script-book The Life of Brian of Nazareth, which is backed by MONTYPYTHONSCRAPBOOK... (The printing of this book also caused problems, since there are rarely used technical laws in the UK against "blasphemy" dictating what can and cannot be written about religion – the publisher refused to print both halves of the book, and original prints were by two companies).
"Always Look on the Bright Side of Life" was later re-released with great success, after being sung by British football fans. Its popularity became truly evident in 1982 during the Falklands War when sailors aboard the destroyer HMS Sheffield, severely damaged in an Argentinean Exocet missile attack on 4 May, started singing it while awaiting rescue.
Indeed, many people have come to see the song as a life-affirming ode to optimism. One of its more famous renditions was by the dignitaries of Manchester's bid to host the 2000 Olympic Games, just after they were awarded to Sydney. Idle later performed the song as part of the 2012 Olympic Games closing ceremony. "Always Look on the Bright Side of Life" is also featured in Eric Idle's Spamalot, a Broadway musical based upon Monty Python and the Holy Grail, and was sung by the rest of the Monty Python group at Graham Chapman's memorial service and at the Monty Python Live At Aspen special.
The song is a staple at Iron Maiden concerts, where the recording is played after the final encore.
An album of the songs sung in Monty Python's Life of Brian has been released on the Disky label.
Julian Doyle, the film's editor, has written a book The Life of Brian/Jesus, which not only describes the filmmaking and editing process but argues that Monty Python's film is the most accurate Biblical film ever made.
In October 2008, a memoir by Kim "Howard" Johnson titled Monty Python's Tunisian Holiday: My Life with Brian was released. Johnson became friendly with the Pythons during the filming of Life of Brian and his notes and memories of the behind-the-scenes filming and make-up.
In October 2011, BBC Four premiered the made-for-television comedy film Holy Flying Circus, written by Tony Roche and directed by Owen Harris. The "Pythonesque" film explored the events surrounding the 1979 television debate on talk show Friday Night, Saturday Morning between John Cleese and Michael Palin and Malcolm Muggeridge and Mervyn Stockwood, the then Bishop of Southwark.
With the success of Eric Idle's musical retelling of Monty Python and the Holy Grail, called Spamalot, Idle announced that he would be giving Life of Brian a similar treatment. The oratorio, called Not the Messiah (He's a Very Naughty Boy), was commissioned to be part of the festival called Luminato in Toronto, Ontario, in June 2007, and was written/scored by Idle and John Du Prez, who also worked with Idle on Spamalot. Not the Messiah is a spoof of Handel's oratorio Messiah. It runs approximately 50 minutes, and was conducted at its World Premiere by Toronto Symphony Orchestra music director Peter Oundjian, who is Idle's cousin.
Not the Messiah received its U.S. premiere at the Caramoor International Music Festival in Katonah, New York. Cousins Peter Oundjian (Caramoor's Artistic Advisor and Principal Conductor) and Eric Idle joined forces once again for a double performance of the oratorio in July 2007.
Appearances in other media
In a Not the Nine O'Clock News sketch, a bishop who has made a scandalous film called The Life of Christ is hauled over the coals by a representative of the "Church of Python", claiming that the film is an attack on "Our Lord, John Cleese" and on the members of Python, who, in the sketch, are the objects of Britain's true religious faith. This was a parody of the infamous Friday Night, Saturday Morning programme, broadcast a week previously. The director of the film (played by Rowan Atkinson) claims that the reaction to the film has surprised him, as he "didn't expect the Spanish Inquisition."
"Talk Radio" host John Williams, of Chicago's WGN 720 AM, has used "Always Look on the Bright Side of Life" from Life of Brian in a segment of his Friday shows. The segment is used to highlight good events from the past week in listeners' lives and to generally celebrate the end of the work week. In the 1997 Oscar winning film As Good as It Gets, the misanthropic character played by Jack Nicholson sings "Always Look on the Bright Side of Life" as evidence of the character's change in attitude.
A BBC history series What the Romans Did for Us, written and presented by Adam Hart-Davis and first broadcast in 2000, takes its title from John Cleese's rhetorical question "What have the Romans ever done for us?" in one of the film's scenes. (Cleese himself parodied this line in a 1986 BBC advert defending the Television Licence Fee: "What has the BBC ever given us?")
Former British Prime Minister Tony Blair in his Prime Minister's Questions of 3 May 2006 made a shorthand reference to the types of political groups, "Judean People's Front" or "People's Front of Judea", lampooned in Life of Brian. This was in response to a question from the MP David Clelland, asking "What has the Labour government ever done for us?" – itself a parody of John Cleese's "What have the Romans ever done for us?"
On New Year's Day 2007, and again on New Year's Eve, UK television station Channel 4 dedicated an entire evening to the Monty Python phenomenon, during which an hour-long documentary was broadcast called The Secret Life of Brian about the making of The Life of Brian and the controversy that was caused by its release. The Pythons featured in the documentary and reflected upon the events that surrounded the film. This was followed by a screening of the film itself. The documentary (in a slightly extended form) was one of the special features on the 2007 DVD re-release – the "Immaculate Edition", also the first Python release on Blu-ray.
- "MONTY PYTHON'S LIFE OF BRIAN (AA)". British Board of Film Classification. 24 August 1979. Retrieved 21 July 2013.
- IMDB Business
- "Box Office Mojo". Box Office Mojo. 17 August 1979. Retrieved 18 December 2011.
- "Monty Python's Life of Brian Movie Reviews, Pictures - Rotten Tomatoes". Flixster. Retrieved on Friday 2 November 2012.
- "Reasons for Movie Ratings (CARA)". Motion Picture Association of America. Retrieved 25 July 2011.
- Alan Parker, Mick O'Shea (2006) And Now For Something Completely Digital: The Complete Illustrated Guide to Monty Python CDs and DVDs The Disinformation Company, 2006
- Chapman, Graham; Cleese, John; Gilliam, Terry; Idle, Eric; Jones, Terry; Palin, Michael (1979). Monty Python's The Life of Brian/MONTYPYTHONSCRAPBOOKOFBRIANOFNAZARETH. London: Eyre Methuen. script p.3. ISBN 0-413-46550-0.
- Channel 4 (1 January 2007). The Secret Life of Brian.
- Wilmut, Roger (1980). From Fringe to Flying Circus. London: Eyre Methuen Ltd. pp. 247–250. ISBN 0-413-46950-6.
- Chapman, Graham; Cleese, John; Gilliam, Terry; Idle, Eric; Jones, Terry; Palin, Michael; with McCabe, Bob (2003). The Pythons Autobiography by The Pythons. London: Orion Publishing Group. pp. 349–387. ISBN 0-7528-5293-0.
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- Ancient Jewish and Christian Perceptions of Crucifixion, By David W. Chapman, p. 44. Mohr Siebeck, 2008. ISBN 3-16-149579-9
- Crossley, James. (2011) “Life of Brian or Life of Jesus? Uses of Critical Biblical Scholarship and Non-orthodox Views of Jesus in Monty Python’s Life of Brian”, Relegere 1, pp. 93-114. ISSN 1179-7231.
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- Monty Python's Tunisian Holiday by Kim "Howard" Johnson at ThomasDunneBooks.com. Retrieved 31 August 2008
- The Internet Movie Database
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- Monica Silveira Cyrino (2006) Big screen Rome Wiley-Blackwell, 2005
-  YouTube
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- Davies, Philip. "Life of Brian Research", pp. 142–155 in Whose Bible Is It Anyway? 2nd edition; London & New York: T&T Clark International, 2004. ISBN 0-567-08073-0. This book chapter discusses the ancient sources which may have been used in the film and its critical take on theology.
- Hewison, Robert. Monty Python: The Case Against. New York: Grove, 1981. ISBN 0-413-48660-5. This book discusses at length the censorship and controversy surrounding the film.
- Vintaloro, Giordano. "Non sono il Messia, lo giuro su Dio!" – Messianismo e modernità in Life of Brian dei Monty Python. Trieste: Battello Stampatore, 2008. ISBN 978-88-87208-44-3. [Italian: "I'm not the Messiah, honestly!" – Messianism and modernity in Monty Python's "Life of Brian"]. This book analyses the film structure as an hypertext and Brian the Messiah as a modern leader figure.
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- The Secret Life of Brian at the Internet Movie Database – A 2007 documentary about the controversy surrounding the film.