Lilies of the Field (1930 film)

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Lilies of the Field
Lilies of the Field 1930 Poster.jpg
Directed by Alexander Korda
Produced by Walter Morosco
Written by William J. Hurlbut(play)
John F. Goodrich
Starring Corinne Griffith
Ralph Forbes
John Loder
Eve Southern
Cinematography Lee Garmes
Distributed by First National Pictures
Release dates
  • January 5, 1930 (1930-01-05)
Running time
60 minutes
Country United States
Language English

Lilies of the Field is a 1930 American all-talking drama film directed by Alexander Korda and starring Corinne Griffith, Ralph Forbes, and John Loder. It was a remake of the silent 1924 film Lilies of the Field, in which Griffith had played the same role.[1] Both films were based on a 1921 play of the same name by William J. Hurlbut. Lilies of the Field was Corrine Griffith's first all-dialogue film.


John Loder, who is married to Corinne Griffith, falls in love with another women and wants to separate from his wife without losing custody of his daughter. He frames his wife and files for divorce, and Griffith ends up losing her daughter. Griffith moves into a cheap apartment and gradually becomes a Broadway showgirl and drowns her depression in a life of alcohol and jazz. Ralph Forbes, a wealthy man, becomes her devoted admirer, but after her experience with her ex-husband, Griffith finds it hard to trust anyone. When Forbes offers Griffith financial help, she refuses to accept anything, fearing that her daughter may hear about it. Eventually she realizes that her daughter has completely forgotten about her and allows Forbes to take care of her. One day, while she is at a party, Griffith hears of her daughter's death and has a breakdown. She is eventually jailed for vagrancy and disorderly conduct. Forbes comes to the police station and rescues her.


The theme song for the movie, which was entitled "I'd Like To Be a Gypsy," was written for the film by Ned Washington and Michael H. Cleary. Cleary also wrote "Mechanical Ballet" (a.k.a. "Speed") for the film. This latter number was featured in a Broadway number sequence. Fragments of this sequence are preserved in the 1932 Joe E. Brown comedy film entitled The Tenderfoot.



No copies of this film are known to exist and it is believed that the film is now lost. Fragments of the "Mechanical Ballet" sequence are preserved in the 1932 Joe E. Brown comedy film entitled The Tenderfoot.


  1. ^ Kulik p. 52


  • Kulik, Karol. Alexander Korda: The Man Who Could Work Miracles. Virgin Books, 1990.

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