Lilies of the Field (1930 film)
|Lilies of the Field|
|Directed by||Alexander Korda|
|Produced by||Walter Morosco|
|Written by||William J. Hurlbut(play)
John F. Goodrich
|Distributed by||First National Pictures|
Lilies of the Field is a 1930 American all-talking drama film directed by Alexander Korda and starring Corinne Griffith, Ralph Forbes, and John Loder. It was a remake of the silent 1924 film Lilies of the Field, in which Griffith had played the same role. Both films were based on a 1921 play of the same name by William J. Hurlbut. Lilies of the Field was Corrine Griffith's first all-dialogue film.
- Corinne Griffith – Mildred Harker
- Ralph Forbes – Ted Willing
- John Loder – Walter Harker
- Eve Southern – Pink
- Jean Laverty – Gertie
- Tyler Brooke – Bert Miller
- Freeman Wood – Lewis Conroy
- Patsy Page – Baby
- George Beranger – Barber
- Douglas Gerrard – Headwaiter
- Rita La Roy – Florette
- Betty Boyd – Joyce
- May Boley – Maizie
- Virginia Bruce – Doris
- Charles Hill Mailes – Judge
- Raymond Largay – Harker's lawyer
- Joseph E. Bernard – Mildred's lawyer
- Tenen Holtz – Paymaster
- Wilfred Noy – Butler
- Anne Schaefer – First maid
- Clarissa Selwynne – Second maid
- Alice Moe – Third maid
Walter Hawker (Loder), who is married to Mildred Harker (Griffith), falls in love with another women and wants to separate from his wife without losing custody of his daughter. He frames his wife and files for divorce, and Griffith ends up losing her daughter.
Mildred moves into a cheap apartment and gradually becomes a Broadway showgirl and drowns her depression in a life of alcohol and jazz. Ted Willing (Forbes), a wealthy man, becomes her devoted admirer, but after her experience with her ex-husband, Mildred finds it hard to trust anyone. When Willing offers Mildred financial help, she refuses to accept anything, fearing that her daughter may hear about it. Eventually she realizes that her daughter has completely forgotten about her and allows Willing to take care of her. One day, while she is at a party, Mildred hears of her daughter's death and has a breakdown. She is eventually jailed for vagrancy and disorderly conduct. Willing comes to the police station and rescues her.
The theme song for the movie, which was entitled "I'd Like To Be a Gypsy", was written for the film by Ned Washington and Michael H. Cleary. Cleary also wrote "Mechanical Ballet" (a.k.a. "Speed") for the film. This latter number was featured in a Broadway number sequence. Fragments of this sequence are preserved in the 1932 Joe E. Brown comedy film entitled The Tenderfoot.
No copies of this film are known to exist and it is believed that the film is now lost. Fragments of the "Mechanical Ballet" sequence are preserved in the 1932 Joe E. Brown comedy film entitled The Tenderfoot (1932 film).
- Kulik p. 52
- Kulik, Karol. Alexander Korda: The Man Who Could Work Miracles. Virgin Books, 1990.