Lilith (film)

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Original movie poster for the film Lilith.jpg
original film poster
Directed by Robert Rossen
Produced by Robert Rossen
Written by Robert Rossen
Starring Warren Beatty
Jean Seberg
Peter Fonda
Kim Hunter
Jessica Walter
Music by Kenyon Hopkins
Cinematography Eugen Schüfftan
Edited by Aram Avakian
Centur Productions
Distributed by Columbia Pictures
Release dates
  • September 27, 1964 (1964-09-27)
Running time
114 minutes
Country United States
Language English
Box office $1,100,000[1]

Lilith (1964) is a film written and directed by Robert Rossen. It is based on a novel by J. R. Salamanca and stars Warren Beatty, Jean Seberg, Peter Fonda, Kim Hunter and Gene Hackman.


Set in a private mental institution, Chestnut Lodge in Rockville, Maryland, the film tells of a trainee occupational therapist, a troubled ex-soldier named Vincent Bruce (Beatty), who becomes dangerously obsessed with seductive, artistic, schizophrenic patient Lilith Arthur (Seberg). Bruce makes progress helping Lilith emerge from seclusion and leave the institutional grounds for a day in the country. She attempts to seduce him, and eventually Bruce admits he is in love with her. After Bruce triggers the suicide of another patient (Fonda) out of jealousy for his crush on Lilith, she goes on a destructive rampage in her room and winds up in a cell in a catatonic state. Bruce presents himself to his superiors for psychiatric help.


Chestnut Lodge would not permit filming on location so those scenes were done in a vacant mansion rented by the production company, Centur Productions, on the North Shore of Long Island (Locust Valley). Location shooting in Maryland was done in a private home in Rockville as well as in the downtown area, plus scenes at Great Falls on both the Maryland and Virginia sides of the Potomac River, as well as a staged carnival scene at Barnesville, Maryland. This was Rossen's last film.


In The New Biographical Dictionary of Film David Thomson describes Lilith as "an oddity, the only one of [Rossen's] films that seems passionate, mysterious and truly personal. The other films will look increasingly dated and self-contained, but Lilith may grow."[2]


  1. ^ Anticipated rentals accruing distributors in North America. See "Top Grossers of 1965", Variety, January 5, 1966 p 36
  2. ^ David Thomson The New Biographical Dictionary of Film, 2002, London: Little, Brown, p. 760.

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