Lin Carter

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Linwood Carter
Lin Carter DFR.jpg
Lin Carter about 1975
(by Judy Appleton and Gloria Martin)
Born Lin Vrooman Carter
(1930-06-09)June 9, 1930
St. Petersburg, Florida, USA
Died February 7, 1988(1988-02-07) (aged 57)
Montclair, New Jersey, USA
Occupation Writer, editor, critic
Nationality American
Period 1965–1988
Genres Fantasy, science fiction
Subjects High fantasy (as critic)
Notable work(s) Imaginary Worlds

Linwood Vrooman Carter (June 9, 1930 – February 7, 1988) was a prolific American author of science fiction and fantasy, as well as an editor, poet and critic. He usually wrote as Lin Carter; known pseudonyms include H. P. Lowcraft (for an H. P. Lovecraft parody) and Grail Undwin. He is best known for editing the Ballantine Adult Fantasy series[1] in the 1970s, which introduced readers to many overlooked classics of the fantasy genre.

Life[edit]

Carter was born in St. Petersburg, Florida. He was an avid reader of science fiction and fantasy in his youth and became broadly knowledgeable in the field. He was also quite active in fandom.

Carter served in the United States Army (Infantry, Korea, 1951–53), after which he attended Columbia University (1953–54). He was a copywriter for some years before writing full-time. He married twice, first to Judith Ellen Hershkovitz (married 1959, divorced 1960) and later to Noel Vreeland (married 1963, while they both worked for Prentice-Hall publishers; divorced 1975). He was an advertising and publishers copywriter (1957–69). From 1969 he was a freelance writer and editorial consultant. During much of his writing career he lived in Hollis, New York.

He was a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of Isaac Asimov's fictional group of mystery solvers the Black Widowers. Carter himself was the model for the Mario Gonzalo character. He was also a member of the Swordsmen and Sorcerers' Guild of America (SAGA), a loose-knit group of Heroic fantasy authors founded in the 1960s, some of whose work he anthologized in the Flashing Swords! series. In the 1970s Carter issued his own fantasy fanzine, titled Kadath, after H. P. Lovecraft's fictional setting (see The Dream-Quest of Unknown Kadath). The number of issues put out is uncertain; however, the 1974 issues contained Carter's Cthulhu Mythos story "The City of Pillars" (pp. 22–25).

In 1985, his quality of life was severely reduced when he developed oral cancer and had to endure extensive surgery to have it removed. Only his status as a Korea veteran enabled him to receive treatment, which failed to cure his illness and left him disfigured.

In the last year before his death, he had begun to reappear in print with a new book in his Terra Magica series, a long-promised Prince Zarkon pulp hero pastiche, Horror Wears Blue, and a regular column for Crypt of Cthulhu magazine.[2] Despite these successes, Carter had increased his alcohol intake, becoming a borderline alcoholic and further weakening his body, already ravaged by his cancer and therapy. The disease subsequently resurfaced, spreading to his throat and leading to his death in 1988. He resided in East Orange, New Jersey in his final years, and died in nearby Montclair, New Jersey.

The editor of Crypt of Cthulhu, Robert M. Price, had published a Lin Carter special issue - Vol 5, No 2 (whole number 36; Yuletide 1985). Price, who was appointed Carter's literary executor, was preparing a second all-Carter issue when Carter died; it was turned into a memorial issue - Vol 7, No 4 (whole number 54 Eastertide 1988). Two further issues of the magazine were devoted to Carter alone, totalling four special Carter issues (see References below).

Writing career[edit]

A longtime science-fiction and fantasy fan, Carter first appeared in print with entertaining letters to Startling Stories and other pulp magazines in the late 1940s—one in 1943.[3] He issued two volumes of fantasy verse, Sandalwood and Jade (1951), technically his first book, and Galleon of Dream (1955).[citation needed] His first professional publication was the short story "Masters of the Metropolis" by Carter and Randall Garrett, published by Anthony Boucher in The Magazine of Fantasy and Science Fiction, April 1957.[3] Another early collaborative story, "The Slitherer from the Slime" (Inside SF, September 1958), by Carter as 'H. P. Lowcraft' and Dave Foley, is a sort of parody of H. P. Lovecraft. The story "Uncollected Works" (Fantasy and SF, March 1965) was a finalist for the annual Nebula Award for Best Short Story, from the SF and fantasy writers, the only time Carter was a runner-up for a major award.[4]

Early in his efforts to establish himself as a writer, Carter gained a mentor in L. Sprague de Camp, who critiqued his novel The Wizard of Lemuria in manuscript. (The seventh novel Carter wrote, it was the first to find a publisher, appearing from Ace Books in March 1965.)[5] Due in large part to their later collaborations, mutual promotion of each other in print, joint membership in both the Trap Door Spiders and SAGA, and complementary scholarly efforts to document the history of fantasy, de Camp is the person with whom Carter is most closely associated as a writer. A falling-out in the last decade of Carter's life did not become generally known until after his death.

Carter was a prolific penman. He claimed that after something like twenty-five books appeared bearing his name, after The Wizard of Lemuria was published in March 1965 before it was revised and reissued in 1969 as Thongor and the Wizard of Lemuria; that means he averaged about six books published per year during that four-year period.[6][a] From 1966 to 1968 he also wrote two dozen times as "Our Man in Fandom", a nearly-monthly column in If, edited by Frederik Pohl.[3]

Unknown to many of his fans is the fact that Carter was a major scripter for ABC's original Spider-Man animated TV show during its moody, fantasy-oriented second season in 1968-69.

Carter had a marked tendency toward self-promotion in his work, frequently citing his own writings in his nonfiction to illustrate points and almost always including at least one of his own pieces in the anthologies he edited. The most extreme instance is his novel Lankar of Callisto, which features Carter himself as the protagonist.

Carter was not reluctant to attack organized religion in his books, notably in his World's End epic, in "Amalric the Man-God" (both promising but never finished), and in The Wizard of Zao, portraying religions as cruel & repressive, and the hero has to escape from the inquisitions of said religions.

As a fiction writer most of Carter's work was derivative in the sense that it was consciously imitative of the themes, subjects and styles of other authors he admired. He was quite explicit in regard to his models, usually identifying them in the introductions or afterwords of his novels, and introductory notes to self-anthologized or collected short stories. His best-known works are his sword and planet and sword and sorcery novels in the tradition of Edgar Rice Burroughs, Robert E. Howard, and James Branch Cabell. His first published book, The Wizard of Lemuria (1965), first of the "Thongor the Barbarian" series, combines both influences. Although he wrote only six Thongor novels, the character appeared in Marvel Comics's Creatures on the Loose for an eight-issue run in 1973-74 and was often optioned for films, although none were produced.

His other major series, the "Callisto" and "Zanthodon" books, are direct tributes to Burroughs' Barsoom series and Pellucidar novels, respectively.

Other works pay homage to the styles of contemporary pulp magazine authors or their precursors. Some of these, together with Carter's models, include his "Simrana" stories (influenced by Lord Dunsany), his horror stories (set in the "Cthulhu Mythos" of H. P. Lovecraft), his "Green Star" novels (uniting influences from Clark Ashton Smith and Edgar Rice Burroughs), his "Mysteries of Mars" series (patterned on the works of Leigh Brackett), and his "Prince Zarkon" books (based on the "Doc Savage" series of Kenneth Robeson). Later in his career Carter assimilated influences from mythology and fairy tales, and even branched out briefly into pornographic fantasy.

Posthumous collaborations with Howard and Smith[edit]

Some of Carter's most prominent works were what he referred to as "posthumous collaborations" with deceased authors, notably Robert E. Howard and Clark Ashton Smith. He completed a number of Howard's unfinished tales of Kull (see Kull (collection) [7] and Conan the Barbarian, the latter often in collaboration with L. Sprague de Camp. He also collaborated with de Camp on a number of pastiche novels and short stories featuring Conan.

The posthumous 'collaborations' with Smith were of a different order, usually completely new stories built around title ideas or short fragments found among Smith's notes and jottings. A number of these tales feature Smith's invented book of forbidden lore, the Book of Eibon (Cthulhu Mythos arcane literature). Some of them also overlap as pastiches of H.P. Lovecraft's work by utilising elements of Lovecraft's Cthulhu Mythos. These stories, which are uncollected, include:

  • "The Descent into the Abyss" in Carter's anthology Weird Tales #2. Also in Robert M. Price (ed). The Book of Eibon (Chaosium, 2002). The story is a sort of rewrite of Smith's "The Seven Geases".
  • "The Feaster from the Stars". In Crypt of Cthulhu No 26 (Hallowmas 1984). Also in Robert M. Price (ed) The Book of Eibon (Chaosium, 2002). Based on a plot idea by Smith found by Carter in Smith's holograph notes (one not printed in Smith's The Black Book of Clark Ashton Smith).
  • "The Light from the Pole" in Carter (ed) Weird Tales #1. Also in Robert M. Price (ed) The Book of Eibon (Chaosium, 2002). Based on Smith's Commoriom myth-cycle, utilising an early draft of Smith's "The Coming of the White Worm".
  • "The Secret in the Parchment". In Crypt of Cthulhu No 54 (Eastertide 1988). Also in Robert M. Price (ed) The Book of Eibon (Chaosium, 2002). Mingles material derived from Arthur Machen with Smith's Eibonic cyle.
  • "The Scroll of Morloc". Fantastic (Oct 1975). Also in Carter's anthologies Year's Best Fantasy Stories No 2 (DAW 1976), pp. 143–157 ; and Lost Worlds, pp. 11–17. Also in Robert M. Price (ed) The Book of Eibon (Chaosium, 2002).
  • "The Stairs in the Crypt". Fantastic 25, No 4 (Aug 1976), pp. 82–89. Also in Carter's anthologies Year's Best Fantasy Stories No 3 (DAW, 1977), pp. 129–40; and Lost Worlds, pp. 18–26and in Robert M. Price (ed) The Book of Eibon (Chaosium, 2002).The title comes from one of the stories said to have been written by Robert Blake in Lovecraft's The Haunter of the Dark. Carter also pays tribute to such Cthulhu Mythos stories as Henry Kuttner's "The Salem Horror" and E. Hoffmann Price's collaboration with Lovecraft, "Through the Gates of the Silver Key".
  • "The Utmost Abomination" Weird Tales Autumn or Fall 1973; also in Mike Ashley (ed), Weird Legacies, pp. 81–91 and in Robert M. Price (ed) The Book of Eibon (Chaosium, 2002).
  • "The Vengeance of Yig" in Carter's anthology Weird Tales #4, pp. 275ff.
  • "The Winfield Inheritance" in Carter's anthology Weird Tales No 3, pp. 275–311.
  • "Zoth-Ommog" in Edward Berglund (ed) The Disciples of Cthulhu Cthulhu Mythos anthology, pp. 141–193. Note: a sequel to this tale has been written by Leigh Blackmore (see Xothic legend cycle).

For further info see Steve Behrends, "The Carter-Smith Collaborations" in Robert M. Price (ed). The Horror of it All: Encrusted Gems from the Crypt of Cthulhu. See also Lin Carter deities.

Pastiches of H. P. Lovecraft[edit]

Carter wrote numerous stories in the Cthulhu Mythos of H. P. Lovecraft. Many have been collected in Robert M. Price (ed) The Xothic Legend Cycle: The Complete Mythos Fiction of Lin Carter. Despite the title, there are many uncollected Mythos stories by Carter. These include:

  • "Acolyte of the Flame". In Crypt of Cthulhu No 36 (Yuletide, 1985). Reprint in Robert M. Price (ed) The Book of Eibon (Chaosium, 2002). Price notes that both the Crypt and Chaosium versions are the "later" version of the story, and that an earlier version exists.
  • " The Burrowers Beneath". In Cthulhu Cultus No 6 (1997) Title taken from one of the stories said to have been written by Robert Blake in Lovecraft's The Haunter of the Dark. Not to be confused with Brian Lumley's novel The Burrowers Beneath (see Chthonian (Cthulhu Mythos)) nor with the Robert Price story in Price's anthology The Book of Eibon (Chaosium, 2002).
  • "The City of Pillars". First published in Carter's own magazine Kadath (1974). To be reprinted in Crypt of Cthulhu. (Purportedly a translation from The Necronomicon.)
  • "The Descent into the Abyss". In Carter's anthology Weird Tales #2. Also in Robert M. Price (ed) The Book of Eibon (Chaosium, 2002).
  • "The Doom of Yakthoob". In The Arkham Collector No 10 (Summer 1971).(Purportedly a translation from The Necronomicon.)
  • "The Double Tower" in Year's Best Fantasy Stories #1 (DAW Books, 1975). Also in Robert M. Price (ed) The Book of Eibon (Chaosium, 2002).
  • "Dreams in the House of Weir". In Carter (ed), Weird Tales" #4.
  • "In the Vale of Pnath" in Gerald Page (ed) Nameless Places. (This story takes its title from Lovecraft, and some of its content from Lovecraft's Dreamlands series, while also featuring CA Smith's Book of Eibon.
  • "The Offering" in Crypt of Cthulhu 1, No 7 (Lammas 1982). Based primarily on Out of the Aeons and "Bothon" ( a story collaboration between H.P. Lovecraft and Henry S. Whitehead).
  • "Shaggai". In August Derleth (ed) Dark Things. The title is taken from one of the stories said to have been written by Robert Blake in Lovecraft's The Haunter of the Dark.Purportedly a chapter from the Book of Eibon.
  • "Something in the Moonlight" in Carter (ed) Weird Tales #1.
  • "The Stone from Mnar: A Fragment from the Necronomicon".Appeared in "Crypt of Cthulhu" #36 and reprinted as purportedly, part of the first 5 sections of the Necronomicon, in Crypt of Cthulhu #70
  • "The Thing Under Memphis". In Crypt of Cthulhu 3, No - (WN 22)(Roodmas 1984), 3-5.
  • "Them From Outside". In "Crypt of Cthulhu" #23 as "Concerning Them from Outside" and reprinted in Crypt of Cthulhu #70 as purportedly, part of the first 5 sections of the Necronomicon.
  • "The Thing in the Pit". In Carter's Lost Worlds. (Purportedly a translation from the Zanthu Tablets).

See also Xothic legend cycle. For further info see Robert M. Price "The Statement of Lin Carter", Crypt of Cthulhu 1, No 2 (Yuletide 1981), 11-19.

Pastiches of Lord Dunsany[edit]

Carter's Simrana stories pay tribute to the fantasy of Lord Dunsany. Examples include:

  • "The Gods of Neol-Shendis" in Amra, v. 2, no. 41, July 1966 (revised as "The Gods of Niom Parma" (Warlocks and Warriors (1970)).
  • "The Whelming of Oom" in The Young Magicians (1969).
  • "Zingazar" in New Worlds for Old (1971).
  • "How Sargoth Lay Siege to Zaremm" in Swordsmen and Supermen (1972).
  • "The Laughter of Han" in Fantasy Tales, v. 5, no. 9, Spring 1982.
  • "The Benevolence of Yib" in Crypt of Cthulhu, no. 51, Hallowmas 1987.
  • "The Thievery of Yish" in Fantasy Tales, v. 10, no. 1, Autumn 1988.

Unfinished projects[edit]

Carter is known to have left a number of projects unfinished. A number of his stand-alone books contained obvious hooks for sequels that were never written. He regularly announced plans for future works that never came to fruition, even including some among lists of books he had written in the fronts of other books. His 1976 anthologies Kingdoms of Sorcery and Realms of Wizardry both included such phantom books among his other listed works, titled Robert E. Howard and the Rise of Sword & Sorcery, The Stones of Mnar and Jungle Maid of Callisto. The first of these, presumably a non-fiction study along the lines of his Tolkien: A Look Behind "The Lord of the Rings" (1969), never saw print; the second seems to be related to The Terror Out of Time, a collection of Cthulhu Mythos tales he had pitched unsuccessfully to Arkham House (the existing material for which was eventually gathered into his The Xothic Legend Cycle (1997)); the third was apparently a working title for Ylana of Callisto (1977), published the year after the anthologies.[8]

Several of his series were abandoned due to lack of publisher or reader interest or to his deteriorating health. Among these are his "Thongor" series, to which he intended to add two books dealing with the hero's youth; only a scattering of short stories intended for the volumes appeared. His "Gondwane" epic, which he began with the final book and afterwards added several more covering the beginning of the saga, lacks its middle volumes, his publisher having canceled the series before he managed to fill the gap between. Similarly, his projected Atlantis trilogy was canceled after the first book, and his five-volume "Chronicles of Kylix" ended with three volumes published and parts of another (Amalric).

Another unfinished project was Carter's self-proclaimed magnum opus, an epic literary fantasy entitled Khymyrium, or, to give it its full title, Khymyrium: The City of the Hundred Kings, from the Coming of Aviathar the Lion to the Passing of Spheridion the Doomed. It was intended to take the genre in a new direction by resurrecting the fantastic medieval chronicle history of the sort exemplified by Geoffrey of Monmouth's Historia Regum Britanniae and Saxo Grammaticus's Gesta Danorum. It was also to present a new invented system of magic called "enstarment", which from Carter's description somewhat resembles the system of magical luck investment later devised by Emma Bull and Will Shetterly for their "Liavek" series of shared world anthologies. Carter claimed to have begun the work about 1959, and published at least three excerpts from it as separate short stories during his lifetime – "Azlon" in The Young Magicians (1969), "The Mantichore" in Beyond the Gates of Dream (also 1969) and "The Sword of Power" in New Worlds for Old (1971). A fourth episode was published posthumously in Fungi #17, a 1998 fanzine. His most comprehensive account of the project appeared in Imaginary Worlds: the Art of Fantasy in 1973. While he continued to make claims for its excellence throughout his lifetime, the complete novel never appeared. Part of the problem was that Carter was forcing himself to write the novel in a formal style more like that of William Morris and quite unlike his own.

Career as editor and critic[edit]

While his fiction was often derivative, Carter was influential as a critic of contemporary fantasy and a pioneering historian of the genre. His book reviews and surveys of the year's best fantasy fiction appeared regularly in Castle of Frankenstein, continuing after that magazine's 1975 demise in The Year's Best Fantasy Stories. His early studies of the works of J. R. R. Tolkien (Tolkien: A Look Behind "The Lord of the Rings") and H. P. Lovecraft (Lovecraft: A Look Behind the Cthulhu Mythos) were followed up by the wide-ranging Imaginary Worlds: the Art of Fantasy, a study tracing the emergence and development of modern fantasy from the late nineteenth century novels of William Morris through the 1970s. Peter Beagle faulted Carter's scholarship, saying "He gets so many facts embarrassingly wrong, so many attributions misquoted, that the entire commentary is essentially worthless."[9]

His greatest influence in the field may have been as an editor for Ballantine Books from 1969–1974, when Carter brought several obscure yet important books of fantasy back into print under the "Adult Fantasy" line.[1] Authors whose works he revived included Dunsany, Morris, Smith, James Branch Cabell, Hope Mirrlees, and Evangeline Walton. David G. Hartwell praised the series, saying it brought "into mass editions nearly all the adult fantasy stories and novels worth reading."[10] He also helped new authors break into the field, such as Katherine Kurtz, Joy Chant, and Sanders Anne Laubenthal.

Carter was a fantasy anthologist of note, editing a number of new anthologies of classic and contemporary fantasy for Ballantine and other publishers. He also edited several anthology series, including the Flashing Swords! series from 1973 to 1981, the first six volumes of The Year's Best Fantasy Stories for DAW Books from 1975 to 1980, and an anthology format revival of the classic fantasy magazine Weird Tales from 1981 to 1983.

Together with SAGA he sponsored the Gandalf Award, an early fantasy equivalent to science fiction's Hugo Award, for the recognition of outstanding merit in authors and works of fantasy. It was given annually by the World Science Fiction Society from 1974 to 1981, but went into abeyance with the collapse of Carter's health in the 1980s. Its primary purpose continues to be fulfilled by the initially rival World Fantasy Awards, first presented in 1975.

Posthumous revival[edit]

Wildside Press began an extensive program returning much of Carter's fiction to print in 1999. All remain in print, and one original book was issued in 2012, collecting the short stories about Thongor. To date, the following titles have been released:

1999 The Man Who Loved Mars (ISBN 1587150301)
1999 The Nemesis of Evil (ISBN 1587150573)
1999 Invisible Death (ISBN 1587150581)
1999 The Volcano Ogre (ISBN 158715059X)
1999 The City Outside the World (ISBN 1587150670)
1999 Beyond the Gates of Dream (ISBN 1587150786)
1999 The Quest of Kadji (ISBN 1587150867)
1999 Tower at the Edge of Time (ISBN 158715093X)
1999 The Black Star (ISBN 1587150956)
2000 The Warrior of World's End (ISBN 1587153394)
2000 The Enchantress of World's End (ISBN 1587153408)
2000 The Immortal of World's End (ISBN 1587153416)
2000 The Barbarian of World's End (ISBN 1587153424)
2000 The Pirate of World's End (ISBN 1587153432)
2001 Kesrick (ISBN 1587153130)
2001 Dragonrouge (ISBN 1587153149)
2001 Mandricardo (ISBN 1587153157)
2001 Callipygia (ISBN 1587153165)
2002 Under the Green Star (ISBN 1587156474)
2007 Mad Empress of Callisto (ISBN 1434494977)
2007 Kellory the Warlock (ISBN 978-1-4344-9278-4)
2008 The Valley Where Time Stood Still (ISBN 978-1-4344-6546-7)
2008 Discoveries in Fantasy (ISBN 978-1-4344-6549-8)
2008 Great Short Novels of Adult Fantasy (Vol. II) (ISBN 978-1-4344-6636-5)
2008 As the Green Star Rises (ISBN 978-1-4344-6689-1)
2008 Lost Worlds (ISBN 978-1-4344-6784-3 trade paperback, ISBN 978-1-4344-6785-0 hardcover)
2008 By the Light of the Green Star (ISBN 978-1-4344-9795-6 paperback, ISBN 978-1-4344-9796-3 hardcover)
2008 Down to a Sunless Sea (ISBN 978-1-4344-9797-0)
2008 Found Wanting (ISBN 978-1-4344-9799-4 paperback, ISBN 978-1-4344-9800-7 hardcover)
2008 Lost World of Time (ISBN 978-1-4344-9801-4 paperback, ISBN 978-1-4344-9802-1 hardcover)
2008 Sky Pirates of Callisto (ISBN 978-1-4344-9803-8 paperback, ISBN 978-1-4344-9804-5 hardcover)
2008 Star Rogue (ISBN 978-1-4344-9805-2 paperback, ISBN 978-1-4344-9806-9 hardcover)
2008 Tolkien: A Look Behind "The Lord of the Rings" (ISBN 978-1-4344-9807-6 paperback, ISBN 978-1-4344-9808-3 hardcover)
2008 When the Green Star Calls (ISBN 978-1-4344-9809-0 trade paperback, ISBN 978-1-4344-9810-6 hardcover)
2011 Tower of the Medusa (ISBN 978-1-4344-3064-9)
2012 Young Thongor, by Lin Carter, Robert M. Price, and Adrian Cole (ISBN 978-1-4344-4101-0)

Bibliography[edit]

Science fiction[edit]

Hautley Quicksilver[edit]

The History of the Great Imperium[edit]

Callisto[edit]

  1. Jandar of Callisto (1972)
  2. Black Legion of Callisto (1972)
    Callisto Volume 1 (2000 - omnibus including Jandar of Callisto and Black Legion of Callisto)
  3. Sky Pirates of Callisto (1973)
  4. Mad Empress of Callisto (1975)
  5. Mind Wizards of Callisto (1975)
  6. Lankar of Callisto (1975)
  7. Ylana of Callisto (1977)
  8. Renegade of Callisto (1978)

The Green Star[edit]

  1. Under the Green Star (1972)
  2. When the Green Star Calls (1973)
  3. By the Light of the Green Star (DAW Books, 1974)
  4. As the Green Star Rises (1975)
  5. In the Green Star's Glow (1976)

The Mysteries of Mars[edit]

Zarkon-Lord of the Unknown[edit]

  1. The Nemesis of Evil (1975)
  2. Invisible Death (1975)
  3. The Volcano Ogre (1976)
  4. The Earth-Shaker (Doubleday, 1982)
  5. Horror Wears Blue (1987)

Zanthodon[edit]

  1. Journey to the Underground World (DAW Books, 1979)
  2. Zanthodon (DAW Books, 1980)
  3. Hurok of the Stone Age (DAW Books, 1981)
  4. Darya of the Bronze Age (DAW Books, 1981)
  5. Eric of Zanthodon (DAW Books, 1982)

Other novels[edit]

Fantasy[edit]

Thongor of Valkarth[edit]

  1. The Wizard of Lemuria (1965; revised/expanded as Thongor and The Wizard of Lemuria (1969)). In his introduction to the revised edition, "A Word from the Author", Carter reveals that the revisions consist of restoring certain passages cut by the editor from the first edition, conforming certain portions of the book to details described in later books of the series, and adding a few thousand words of new material.
  2. Thongor of Lemuria (1966; revised/expanded as Thongor and the Dragon City (1970))
  3. Thongor Against the Gods (1967)
  4. Thongor in the City of Magicians (1968)
  5. Thongor at the End of Time (1968)
  6. Thongor Fights the Pirates of Tarakus (1970)
  7. Young Thongor, by Lin Carter, Robert M. Price, and Adrian Cole (Wildside Press, 2012) (ISBN 978-1-4344-4101-0)

Note: Carter's literary executor Robert M. Price has written two Thongor stories, "Witch of Lemuria" [2] and "Mind Lords of Lemuria" [3].

In 1978 a Thongor movie was in production for release in 1979. It was titled Thongor in the Valley of Demons; however the movie was never produced.

Conan[edit]

The Chronicles of Kylix[edit]

Gondwane[edit]

Terra Magica[edit]

  1. Kesrick (1982)
  2. Dragonrouge (1984)
  3. Mandricardo (1987)
  4. Callipygia (1988)

Tara of the Twilight[edit]

  • Tara of the Twilight (1979)
  • "For the Blood is the Life" (1984)
  • "The Love of the Sea" (1984)
  • "Pale Shadow" (1985)

Oz[edit]

Published posthumously by Tails of the Cowardly Lion and Friends

Other novels[edit]

Collections[edit]

Poetry[edit]

  • Sandalwood and Jade: Poems of the Exotic and the Strange (St Petersburg, FL:Sign of the Centaur Press, 1951; 100 copies).
  • Galleon of Dream: Poems of Fantasy and Wonder (NY: Sign of the Centaur Press, 1955; 200 copies)
  • A Letter to Judith (New York, 1959; 500 copies).
  • Dreams from R'lyeh (Arkham, 1975). Note: The Sonnet sequence "Dreams from R'lyeh" from this volume has been reprinted in The Xothic Legend Cycle: The Complete Mythos Fiction of Lin Carter
  • "Shadow Song" in Kotan September 1948, Vol. 1, No. 1. Edited by Gordon Mack, Jr.

Hobby Games[edit]

  • Royal Armies of the Hyborian Age: A Wargamers' Guide to the Age of Conan (with Scott Bizar). Fantasy Games Unlimited, 1975.[11] Illustrated by Roy Krenkel.
  • Flash Gordon & the Warriors of Mongo (with Scott Bizar). Fantasy Games Unlimited, 1977. Illustrated by Alex Raymond.

Non-fiction[edit]

Anthologies edited[edit]

Ballantine Adult Fantasy series[edit]

"Ballantine Adult Fantasy" was inaugurated in April 1969, in words on the front cover of The Mezentian Gate by E. R. Eddison, and in May, with the logo on The Blue Star by Fletcher Pratt, cataloged as #1. Some later volumes also carried the unicorn's head Adult Fantasy logo without numerical assignment to the series.[1]

Flashing Swords![edit]

Weird Tales[edit]

The Year's Best Fantasy Stories[edit]

Other anthologies[edit]

Awards[edit]

Nova Award, 1972.[clarification needed]

See also[edit]

Notes[edit]

  1. ^ For 1965 to 1969 inclusive, ISFDB catalogs at least five Thongor novels and nine others, three anthologies, four Howard books (posthumous collaboration with Howard, three by Carter and de Camp), and the Tolkien study.[3]

References[edit]

  1. ^ a b c "Publication Series Ballantine Adult Fantasy – Bibliography". ISFDB. Retrieved 2013-04-06.
  2. ^ Price, Robert (2008). Crypt of Cthulhu. Kevin L. O'Brien. 
  3. ^ a b c d Lin Carter at the Internet Speculative Fiction Database. (ISFDB). Retrieved 2013-04-06. Select a title to see its linked publication history and general information. Select a particular edition (title) for more data at that level, such as a front cover image or linked contents.
  4. ^ "Carter, Lin". The Locus Index to SF Awards: Index to Literary Nominees. Locus Publications. Retrieved 2013-04-06.
  5. ^ Lin Carter, "A Word from the Author", Thongor and the Wizard of Lemuria (revised version of The Wizard of Lemuria), NY: Berkley Medallion Books, 1969, p. (6).
  6. ^ Lin Carter, A Word from the Author, in Thongor and the Wizard of Lemuria (revised version of The Wizard of Lemuria), NY: Berkley Medallion Books, 1969, p.(5).
  7. ^ "Lin Carter on Kull". Savage Sword of Conan No 3 (Dec 1974). Online at: [1]
  8. ^ Rutledge, Charles R. "Lost Kingdoms," April 11, 2008.
  9. ^ "Introduction", The Secret History of Fantasy, Peter S. Beagle (ed), Tachyon Press 2010.
  10. ^ "The Making of the American Fantasy Genre", in The Secret History of Fantasy, Peter S. Beagle (ed), Tachyon Press 2010.
  11. ^ Shannon Appelcline (2011). Designers & Dragons. Mongoose Publishing. p. 71. ISBN 978-1-907702-58-7. 
Citations
  • Carter, Lin (1973). Imaginary Worlds: the Art of Fantasy. Ballantine Books. 
  • Servello, Stephen J. (2005). Apostle of Letters: The Life and Works of Lin Carter. Wild Cat Books. 
  • Crypt of Cthulhu magazine. No less than five issues of this Lovecraftian fanzine edited by Robert M. Price, all published in Upper Montclair, N.J., were devoted to Lin Carter as special issues:
    • No. 36 (v. 5, no. 2), Yuletide 1985
    • No. 54 (v. 7, no. 4), Eastertide 1988 [Lin Carter memorial issue, titled The Fishers from Outside; Carter died on Feb. 7, 1988, just as this issue had been typeset and laid out. The back cover carries an unsigned obituary]
    • No. 69 (v. 9, no. 2), Yuletide 1989
    • No. 70 (v. 9, no. 3), Candlemas 1990 [titled The Necronomicon: Book One: The Episodes]
    • No 95 (v.16, no 2) Eastertide 1997. Contains "Cthulhu and Co" (essay on Lovecraft) and "The Light in the East" (essay on the Hermetic Order of the Golden Dawn) both by Carter.

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