Lindsay Cooper with the Mike Westbrook Orchestra and The Cortège (1982)
|Birth name||Lindsay Cooper|
3 March 1951|
Hornsey, North London, England
|Died||18 September 2013
|Genres||Avant-rock, experimental, free improvisation, contemporary classical|
|Associated acts||Henry Cow,
News from Babel,
Feminist Improvising Group,
Lindsay Cooper (3 March 1951 – 18 September 2013) was an English bassoon and oboe player, composer and political activist. Best known for her work with the band Henry Cow, she was also a member of Comus, National Health, News from Babel and David Thomas and the Pedestrians. She collaborated with a number of musicians, including Chris Cutler and Sally Potter, and co-founded the Feminist Improvising Group. She wrote scores for film and TV and a song cycle Oh Moscow which was performed live around the world in 1987. She also recorded a number of solo albums, including Rags (1980), The Gold Diggers (1983) and Music For Other Occasions (1986).
Cooper was diagnosed with multiple sclerosis in the late 1970s, but did not disclose it to the musical community until the late 1990s when her illness prevented her from performing live. In September 2013, Cooper died from the illness at the age of 62, 15 years after her retirement.
Lindsay Cooper was born in Hornsey, North London. She began piano lessons at the age of 11, but switched to bassoon a few years later. Between 1965 and 1968 she studied classical music and bassoon at the Dartington College of Arts and the Royal College of Music. She played in the National Youth Orchestra of Great Britain and became a member of the Royal Academy of Music in London. Towards the end of the 1960s she lived in New York City for a year, during which time she became involved in music projects outside classical music.
When Cooper returned to the United Kingdom in 1971 she left classical music and became a part of the Canterbury scene. She joined the progressive rock band Comus, and although she only remained with the band for a year, it changed her whole approach to music. She added oboe and flute to her instrument repertoire, and started doing session work for other musicians, including Mike Oldfield on his album Hergest Ridge (1974). A common misconception here is that she also performed on Oldfield's Tubular Bells (1973), but it was her namesake Lindsay L. Cooper who played double bass. Then, during a theatre project, Cooper encountered Henry Cow, an avant-rock group that would later launch her musical career on the world stage.
In late 1973, Henry Cow asked Cooper to join them as a replacement for Geoff Leigh (tenor sax and flute) who had recently left. Her classical training interested the group as they were continually looking for new musical directions. In spite of just having had all four wisdom teeth extracted, she immediately joined the band in the studio to record their second album Unrest (1974). However, following their European tour supporting Captain Beefheart, the group reorganized themselves and asked Cooper to leave, performing as a quartet on their Scandinavian tour of September 1974. But she still continued to guest on their albums and by February 1975 she rejoined the group again and remained a permanent member until they split up in 1978.
From 1977, Cooper became one of Henry Cow's principal composers and contributed a number of compositions to their repertoire, including half of their final album, Western Culture (1978). The nature of the group enabled her to expand her musical horizons and experiment with new ideas. She took the bassoon into musical realms never dreamt of before. She also started playing soprano saxophone and piano during this period and began exploring improvisation techniques. Henry Cow toured Europe extensively, exposing Cooper to a variety of musical styles and musicians, all contributing to the development of her musical career.
Cooper's work with Henry Cow attracted the attention of musicians from around the world and she had no shortage of performance and recording opportunities. Late in 1977, during Henry Cow's last years, Cooper co-founded the Feminist Improvising Group with Sally Potter, Maggie Nichols, Georgie Born (from Henry Cow) and Irène Schweizer. An international group of women improvisers, they toured Europe on and off between 1977 and 1982. She also kept a foot in the Canterbury scene by re-uniting briefly with Comus and playing on their second album, recording with Steve Hillage, and contributing to Hatfield and the North's The Rotters' Club (1975) album.
After Henry Cow, Cooper joined National Health (whom she had already sat in with), but left soon after when Dave Stewart departed. In 1980 she recorded her first solo album Rags, a song-cycle about sweatshops in Victorian England, with Chris Cutler, Fred Frith and Georgie Born (all from Henry Cow) and Phil Minton and Sally Potter. In 1982 Cooper formed her own group, The Lindsay Cooper Film Music Orchestra, in which she wrote and performed film and TV scores, including the soundtrack to Sally Potter's debut feature film, The Gold Diggers (1983), starring Julie Christie.
During the 1980s, she toured the United States with David Thomas and played in various bands in England led by jazz composer Mike Westbrook. In 1983 Cooper collaborated with Chris Cutler and formed the English avant-rock group News from Babel, composing all the music for their two albums, Work Resumed on the Tower (1984) and Letters Home (1986).
Cooper's best known work is her 1987 song-cycle Oh Moscow. It was another collaboration with Sally Potter, with Cooper composing the music and Potter the song texts. It premiered at the Zurich Jazz Festival that year and was subsequently performed in Europe, North America and Moscow. The songs dealt with issues facing a divided Europe during the Cold War. Ironically, the Berlin Wall came down 39 days after the work was first performed. Oh Moscow was recorded in October 1989 with Potter, Phil Minton, Hugh Hopper, Marilyn Mazur, Alfred Harth and Elvira Plenar at the 7th Festival International de Musique Actuelle de Victoriaville in Victoriaville, Quebec, Canada, and released on a CD in 1991.
In 1990, Cooper spent a few months in Australia where she gave solo performances on bassoon, saxophone and electronics. She also collaborated with Australian singer, writer and theatre director Robyn Archer, arranging and composing the music for Archer's play Cafe Fledermaus, and Sahara Dust, a large scale jazz vocal piece with lyrics by Archer. Sahara Dust was released on CD in 1993 with the voice of Phil Minton, and reflected on the 1990–91 Gulf War and its impact on the world at large. Later that year, she worked in John Wolf Brennan's "Creative Works Orchestra" and performed at the Willisau Jazz Festival. She returned to Switzerland in 1991 performing in Brennan's "SinFONietta" at the Lucerne Festival.
Cooper released two collections of her contemporary dance pieces Schrödinger's Cat and An Angel on the Bridge in 1991 and performed her own composition "Concerto for Sopranino Saxophone and Strings" at the British Conservatory in London in 1992, a piece commissioned by the European Women's Orchestra. She also wrote and performed "Songs for Bassoon and Orchestra" with the Bologna Opera House Orchestra in Italy in 1992, and composed "Face in a Crowd" and "Can of Worms" for the San Francisco based Rova Saxophone Quartet.
Illness and death
Cooper became aware that she had multiple sclerosis in the "late days" of Henry Cow, but did not disclose this fact to the musical community and continued performing right up until the late 1990s when the illness forced her to retire. In spite of this, Cooper still remained a highly respected and influential figure in the musical world. Her works are regularly performed and even taught throughout the world. Aged 62, Cooper died from the illness on 18 September 2013. A statement from Chris Cutler said that Cooper had contracted pneumonia.
In June 2014 it was announced that Henry Cow, Music for Films, News from Babel and Oh Moscow would all be reforming to play Lindsay Cooper's music at two concerts: one at the Barbican Centre, London on 21 November 2014 as part of the EFG London Jazz Festival; and the other at the Lawrence Batley Theatre, Huddersfield on 22 November 2014 as part of the Huddersfield Contemporary Music Festival (hcmf// 2014).
- Rags (1981, LP, Arc Records, UK)
- The Golddiggers (1983, LP, Recommended Records, UK) – original soundtrack to the film The Gold Diggers by Sally Potter
- Music for Other Occasions (1986, LP, No Man's Land, Germany)
- Oh Moscow (1991, CD, Victo Records, Canada)
- An Angel on the Bridge (1991, CD, Phonogram/Australian Broadcasting Corporation, Australia)
- Schroedinger's Cat (1991, CD, Line/Femme Music, Germany)
- Sahara Dust (1993, CD, Intakt Records, Switzerland)
- A View from the Bridge (1998, 2xCD, Impetus Records, UK)
- With Mike Oldfield
- With Egg
- With Henry Cow
- Unrest (1974, LP, Virgin Records, UK)
- Henry Cow Concerts (1976, 2xLP, Caroline Records, UK)
- Western Culture (1979, LP, Broadcast, UK)
- The 40th Anniversary Henry Cow Box Set (2009, 9xCD+DVD, Recommended Records, UK)
- Desperate Straights (1975, LP, Virgin Records, UK)
- In Praise of Learning (1975, LP, Virgin Records, UK)
- With Comus
- To Keep from Crying (1974, LP, Virgin Records, UK) – recorded after Cooper left the group, with her appearing as a guest
- With Steve Hillage
- With Art Bears
- With Mike Westbrook
- The Cortège (1982, 3xLP, Original Records, UK)
- Westbrook-Rossini (1987, 2xLP, Hat Hut Records, Switzerland)
- Westbrook Rossini Zürich Live (1994, 2xCD, Hat Hut Records, Switzerland)
- With News from Babel
- Work Resumed on the Tower (1984, LP, Recommended Records, UK)
- Letters Home (1986, LP, Recommended Records, UK)
- Winter Comes Home (1983, LP, Recommended Records, UK)
- Variations on a Theme (1983, LP, Rough Trade Records, UK)
- More Places Forever (1985, LP, Rough Trade Records, UK)
- Live at the Bastille (1982) (1984, LP, Recommended Records, UK)
- Fluvial (1984, LP, Woof Records, UK)
- With Dagmar Krause
- Tank Battles: The Songs of Hanns Eisler (1988, LP, Island Records, UK)
- Panzerschlacht: Die Lieder von Hanns Eisler (1988, LP, Island Records, UK)
- Tarka (1988, CD, Baillemont Records, France)
- With John Wolf Brennan
- Creative Works Orchestra: Live in Willisau & More (1991, CD, Creative Works Records, Switzerland)
- I.N.I.T.I.A.L.S.: Sources Along the Songlines (2005, CD, Creative Works Records, Switzerland)
- Orlando (1993, CD, Varese Sarabande, U.S.) – original soundtrack to the film Orlando by Sally Potter
- With Trio Trabant a Roma
- State of Volgograd (1994, CD, Free Music Production, Germany)
- With Tim Hodgkinson
- Each in Our Own Thoughts (1994, CD, Woof Records, UK)
- With Charles Gray
- Pia Mater (1997, CD, Resurgence, UK)
- Bingo (1998, CD, Victo Records, Canada)
- "Lindsay Cooper". The Canterbury Website. Retrieved 8 October 2013.
- Fordham, John (24 September 2013). "Lindsay Cooper obituary". The Guardian. Retrieved 26 September 2013.
- Mack, Shane (19 September 2013). "RIP: Lindsay Cooper, member of Comus and Henry Cow collaborator". Tiny Mix Tapes. Retrieved 20 September 2013.
- Cutler, Chris, ed. (2009). The Road: Volumes 1–5, p.3 (book from The 40th Anniversary Henry Cow Box Set). Recommended Records.
- "7th Festival de Musique Actuelle de Victoriaville, 1989 Edition (October 5–9, 1989)". Festival International de Musique Actuelle de Victoriaville. Retrieved 2012-03-05.
- "Legendary bands celebrate the life and work of Lindsay Cooper". hcmf// (Huddersfield Contemporary Music Festival). 18 June 2014. Retrieved 20 June 2014.
- "HENRY COW, MUSIC FOR FILMS, NEWS FROM BABEL and OH MOSCOW play the music of Lindsay Cooper". Serious. Retrieved 21 June 2014.
- Lindsay Cooper biography. The Canterbury Website
- Lindsay Cooper biography. Paris Transatlantic Magazine
- Lindsay Cooper discography
- Lindsay Cooper at AllMusic
- Lindsay Cooper obituary at The Guardian