Lionel Hampton

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Lionel Hampton

Lionel Hampton at the 1979 North Sea Jazz Festival
Background information
Birth name Lionel Leo Hampton
Also known as "Hamp", "Mad Lionel"
Born April 20, 1908(1908-04-20)
Louisville, Kentucky, United States
Died August 31, 2002(2002-08-31) (aged 94)
New York City, New York, United States
Genres Swing
Big band
Mainstream jazz
New York blues
Occupations Multi-instrumentalist
Actor
Composer
Instruments Vibraphone
Drums
Piano
Vocals
Years active 1927–2002
Labels Decca
Associated acts Benny Goodman, Teddy Wilson, Quincy Jones, Louis Armstrong, Gloria Parker

Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, bandleader and actor. Like Red Norvo, he was one of the first jazz vibraphone players. Hampton ranks among the great names in jazz history, having worked with a who's who of jazz musicians, from Benny Goodman and Buddy Rich to Charlie Parker and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame.

Contents

[edit] Biography

[edit] Early life

Lionel Hampton was born in Louisville, Kentucky, in 1908, and was raised by his grandmother. Shortly after he was born, he and his mother moved to her hometown Birmingham, Alabama.[1][2][3] He spent his early childhood in Kenosha, Wisconsin before he and his family moved to Chicago, Illinois in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off limits because of racial segregation.[4] During the 1920s—while still a teenager—Hampton took xylophone lessons from Jimmy Bertrand and started playing drums.[5] Hampton was raised Roman Catholic, and started out playing fife and drum at the Holy Rosary Academy near Chicago.[6][7]

[edit] Early career

Lionel Hampton began his career playing drums for the Chicago Defender Newsboys' Band (led by Major N. Clark Smith) while still a teenager in Chicago. He moved to California in 1927 or 1928, playing drums for the Dixieland Blues-Blowers. He made his recording debut with The Quality Serenaders led by Paul Howard, then left for Culver City and drummed for the Les Hite band at Sebastian's Cotton Club. During this period he began practicing on the vibraphone. In 1930 Louis Armstrong came to California and hired the Les Hite band, asking Hampton if he would play vibes on two songs. So began his career as a vibraphonist, popularizing the use of the instrument ever since.[8]

While working with the Les Hite band, Hampton also occasionally did some performing with Nat Shilkret and his orchestra. During the early 1930s he studied music at the University of Southern California. In 1934 he led his own orchestra, and then appeared in the 1936 Bing Crosby film Pennies From Heaven alongside Louis Armstrong (wearing a mask in a scene while playing drums).[9]

[edit] With Benny Goodman

As far as I'm concerned, what he did in those days—and they were hard days in 1937—made it possible for Negroes to have their chance in baseball and other fields.

Lionel Hampton on Benny Goodman[10]

Also in November 1936,[11] the Benny Goodman Orchestra came to Los Angeles to play the Palomar Ballroom. When John Hammond brought Goodman to see Hampton perform, Goodman invited him to join his trio, which thus became the celebrated Benny Goodman Quartet with Teddy Wilson and Gene Krupa completing the lineup. The Trio and Quartet were among the first racially integrated jazz groups to record and play before wide audiences,[12][13] and were a leading small-group in an era when jazz was dominated by big bands.

[edit] Lionel Hampton Orchestra

Lionel Hampton during a concert in Aachen (Germany) on May 19, 1977

While Hampton worked for Goodman in New York, he recorded with several different small groups known as the Lionel Hampton Orchestra, as well as assorted small groups within the Goodman band. In 1940 Hampton left the Goodman organization under amicable circumstances to form his own big band.[14]

Hampton's orchestra became popular during the 1940s and early 1950s. His third recording with them in 1942 produced a classic version of "Flying Home", featuring a solo by Illinois Jacquet that anticipated rhythm & blues. The selection became very popular, and so in 1944 Hampton recorded "Flying Home, Number Two" featuring Arnett Cobb. The song went on to become the theme song for all three men. Guitarist Billy Mackel first joined Hampton in 1944, and would perform and record with him almost continuously through the late 1970s.[15] In 1947 he recorded "Stardust" at a "Just Jazz" concert with Charlie Shavers and Slam Stewart produced by Gene Norman.

From the mid-1940s until the early 1950s, Hampton led a lively rhythm & blues band whose Decca Records recordings included numerous young performers who later achieved fame. They included bassist Charles Mingus, saxophonist Johnny Griffin, guitarist Wes Montgomery, vocalist Dinah Washington and keyboardist Milt Buckner. Other noteworthy band members were trumpeters Dizzy Gillespie, Cat Anderson, and Kenny Dorham, trombonists Snooky Young and Jimmy Cleveland, and saxophonists Illinois Jacquet and Jerome Richardson.

The Hampton orchestra that toured Europe in 1953 included Clifford Brown, Gigi Gryce, Anthony Ortega, Monk Montgomery, George Wallington, Art Farmer, Quincy Jones, and singer Annie Ross. Hampton continued to record with small groups and jam sessions during the 1940s and 1950s, with Oscar Peterson, Art Tatum, Buddy DeFranco, and others. In 1955, while in California working on The Benny Goodman Story he recorded with Stan Getz and Art Tatum for Norman Granz as well as with his own big band.

Hampton performed with Louis Armstrong and Italian singer Lara Saint Paul at the 1968 Sanremo Music Festival in Italy. The performance created a sensation with Italian audiences, as it broke into a real jazz session.[16] That same year, Hampton received a Papal Medal from Pope Paul VI.

[edit] Later career

President George W. Bush honors Lionel Hampton during a ceremony recognizing Black Music Month in the East Room of the White House on June 30, 2001.

During the 1960s, Hampton's groups were in decline; he was still performing what had succeeded for him during the 1930s, 1940s, and 1950s. He did not fare much better in the 1970s, though he recorded actively on the Who's Who Record label.[17]

Beginning in February 1984, Hampton and his band played at the University of Idaho's annual jazz festival, which was renamed the Lionel Hampton Jazz Festival the following year. In 1987 the UI's school of music was renamed for Hampton, the first university music school named for a jazz musician.

Hampton remained active until a stroke in Paris in 1991 led to a collapse on stage. That incident, combined with years of chronic arthritis, forced him to cut back drastically on performances. However, he did play at the Smithsonian National Museum of American History in 2001 shortly before his death.[18][19][20]

[edit] Personal life

On November 11, 1936, in Yuma, Arizona, Lionel Hampton married Gladys Riddle (c. 1910-1971).[21] Gladys was Lionel's business manager throughout much of his career. Many musicians recall that Lionel ran the music and Gladys ran the business.

During the 1950s he had a strong interest in Judaism and raised money for Israel. In 1953 he composed a King David suite and performed it in Israel with the Boston Pops Orchestra. Later in life Hampton became a Christian Scientist.[22] He had a love for puppies and in fact owned 30. He named half of them Bill and half Sharon. Hampton was a Thirty-third degree Prince Hall freemason in New York, also.[23] In January 1997, his apartment caught fire and destroyed his awards and belongings; Hampton escaped uninjured.[24]

The grave of Lionel Hampton

Lionel Hampton died from congestive heart failure on August 31, 2002 at Mount Sinai Hospital in New York City, and was interred in the Woodlawn Cemetery, Bronx, New York. His funeral was held on September 7, 2002 and featured a performance by Wynton Marsalis and David Ostwald's Gully Low Jazz Band at Riverside Church in Manhattan; the procession began at The Cotton Club in Harlem.[25][26]

[edit] Charity

Lionel Hampton Houses housing project in Harlem (far right). Photo by Jordan Davis

Hampton was deeply involved in the construction of various public housing projects, and founded the Lionel Hampton Development Corporation. Construction began with the Lionel Hampton Houses in Harlem, New York in the 1960s, with the help of then Republican governor Nelson Rockefeller. Hampton's wife—Gladys Hampton—also was very involved in construction of a housing project in her name—the Gladys Hampton Houses. Gladys died in 1971. In the 1980s, Hampton built another housing project called Hampton Hills in Newark, New Jersey.

Hampton was a staunch Republican and served as a delegate to several Republican National Conventions.[27] He served as Vice-Chairman of the New York Republican County Committee for some years[28] and also was a member of the New York City Human Rights Commission.[29] Hampton donated almost $300,000 to Republican campaigns and committees throughout his lifetime.[30]

[edit] Awards

[edit] Discography

Year Album Notes Label
1937–39 Benny Goodman -The Complete RCA Victor Small Group Recordings - RCA Records
1937–39 Hot Mallets, Vol. 1 - Bluebird Records
1937–39 The Jumpin Five, Vol. 2 - Bluebird Records
1938 The Famous 1938 Carnegie Hall Jazz Concert appearance as sideman for Benny Goodman Columbia Records
1939–40 Tempo and Swing appearances by Ben Webster, Coleman Hawkins and Nat "King" Cole Bluebird Records
1944 Star Dust the famous "Just Jazz" jam session Verve Records
1947 with the Just Jazz All Stars Charlie Shavers, Willie Smith, Corky Corcoran, Milt Buckner, Slam Stewart, Jackie Mills, Lee Young GNP Crescendo/Vogue 78s/London Records 1972 transfer
1953–54 The Lionel Hampton Quintet with DeFranco and Peterson. Includes a 17 minute jam on "Flyin Home". There is also a 5CD box of the complete Verve recordings of the quartets and quintets with Peterson, as well as a number of other compilations and selections. Verve Records
1955 Hamp and Getz Verve Records
1958 The Golden Vibes with a reed quintet Columbia Records
1958 Lionel Audio Fidelity
1960 Silver Vibes with a Trombones And Rhythms (Trombone Quartet) Columbia Records
1963 Benny Goodman Together Again! reunion with Lionel Hampton, Teddy Wilson & Gene Krupa Columbia Records
1963 You Better Know It!!! with Clark Terry, Ben Webster, Hank Jones, Milt Hinton, Osie Johnson Impulse! Records
1972 Please Sunrise Brunswick Record Corporation
1988 Mostly Blues Jazz Heritage Society
1991 Live at the Blue Note jamming with old friends including trombonist Al Grey Columbia Records
Compilations
Year Album Notes Label
37–40 Swing Classics - Lionel Hampton and His Jazz Groups Recordings from 1937-1940 Reissued 1961 RCA Victor LPM-2318
39–56 Greatest Hits Selections from above records RCA Victor
42–63 Hamp! - GRP/Decca
37–63 The Lionel Hampton Story Selections from all records and eras above Proper

[edit] Filmography

Year Movie Role Director Genre
1933 Girl Without A Room himself Ralph Murphy Comedy
1936 Pennies From Heaven himself Norman Z. McLeod Comedy/Musical
1937 Hollywood Hotel himself Busby Berkeley Musical/Romance
1938 For Auld Lang Syne himself ? Documentary
1948 A Song Is Born himself Howard Hawks Comedy/Musical
1949 Lionel Hampton and His Orchestra himself Will Cowan Music
1955 Musik, Musik and nur Musik himself Ernst Matray Comedy
1955 The Benny Goodman Story himself Valentine Davies Drama
1957 Mister Rock and Roll himself Charles S. Dubin Drama/Musical
1980 But Then She's Betty Carter himself Michelle Parkerson Documentary

[edit] References

  1. ^ Giddins, Gary (2002-09-23). "Lionel Hampton, 1908–2002; After 75 Years Onstage, a Well-Earned Rest". The Village Voice. http://www.villagevoice.com/music/0239,giddins,38597,22.html. Retrieved 2007-06-10. 
  2. ^ Percussive Arts Society Hall of Fame
  3. ^ dnbv.nbs9896y0-United States Marine Band Hall of Composers
  4. ^ Ehrenhalt, Alan (1996). The Lost City: The Forgotten Virtues of Community in America. Basic Books. p. 152. ISBN 0465041930. 
  5. ^ Yanow, Scott (2001). Classic Jazz. Backbeat Books. p. 94. ISBN 0879306599. 
  6. ^ "Ibid"; Voce, Steve
  7. ^ "Nun Taught Hampton". The Vancouver Sun. 17 January 1958. http://news.google.com/newspapers?id=jWNlAAAAIBAJ&sjid=6IkNAAAAIBAJ&pg=2442,2795692&hl=en. Retrieved 29 October 2011. 
  8. ^ Ibid"; Yanow, Scott
  9. ^ Britt, Stan (1989). Dexter Gordon: A Musical Biography. Da Capo Press. p. 31. ISBN 0306803615. 
  10. ^ "Ibid"; Firestone, Ross p. 183-184.
  11. ^ "Ibid"; Yanow, Scott. Swing - The Third...
  12. ^ Firestone, Ross (1994). Swing, Swing, Swing: The Life & Times of Benny Goodman. W. W. Norton & Company. pp. 183–184. ISBN 0393311686. 
  13. ^ "Ibid"; Scott, William B.
  14. ^ Yanow, Scott (2000). Swing: Third Ear--The Essential Listening Companion. Backbeat Books. p. 68. ISBN 0879306009. 
  15. ^ "Billy Mackel", The New Grove Dictionary of Jazz. ed. Barry Kernfeld, 1988.
  16. ^ Lara Saint Paul performs with Lionel Hampton and Louis Armstrong Lara Saint Paul - The Hits
  17. ^ "Ibid"; Yanow, Scott. Swing - The Third...
  18. ^ "Ibid"; Yanow, Scott. Swing - The Third...
  19. ^ "Ibid"; Voce, Steve
  20. ^ Celebrated Jazz Artist Lionel Hampton Donates His Vibes To Smithsonian
  21. ^ Smith, Jessie Carney, editor (1996). Notable Black American women: Book II. Gale Research, Detroit. p. 275. ISBN 0810391775. 
  22. ^ "Ibid"; Voce, Steve
  23. ^ Cox, Joseph (2002). Great Black Men of Masonry. iUniverse. p. 176. ISBN 0595227295. 
  24. ^ Barron, James (January 9, 1998). "PUBLIC LIVES; More Fallout From Lamp Fire". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=980DE6D71F30F93AA35752C0A96E958260. Retrieved 2008-04-09. 
  25. ^ "Funeral Services for Lionel Hampton". The New York Times. September 5, 2002. http://query.nytimes.com/gst/fullpage.html?res=9D02E0DF143EF936A3575AC0A9649C8B63&scp=1&sq=Funeral+Services+for+Lionel+Hampton&st=nyt. Retrieved 2008-04-09. 
  26. ^ Lionel Hampton, Who Put Swing in the Vibraphone, Is Dead at 94
  27. ^ Jackson, Jeffrey H. (2005). Music And History: Bridging The Disciplines. University Press of Mississippi. p. 102. ISBN 1578067626. 
  28. ^ "Paid Notice: Deaths HAMPTON, LIONEL". The New York Times. September 10, 2002. http://www.nytimes.com/2002/09/10/classified/paid-notice-deaths-hampton-lionel.html. Retrieved 2007-06-03. 
  29. ^ "Ibid"; Voce, Steve
  30. ^ Lionel Hampton, 1908-2002

[edit] External links
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
Retrieved from "http://en.wikipedia.org/w/index.php?title=Lionel_Hampton&oldid=471111795"
Personal tools
Namespaces
Variants
Actions
Navigation
Interaction
Toolbox
Print/export
Languages