Lipstick feminism
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Lipstick feminism is a variety of Third-wave feminism that philosophically reclaims the sexual power of women, in response to the social and cultural backlash of the ideologically radical varieties of Second-wave feminism of the 1960s and the 1970s. In its course, the ideologic backlash generated negative stereotypes of contemporary Third-wave feminists, including the physical stereotype of the “ugly feminist” and the socio-cultural stereotype of the “anti-sex feminist”, which Lipstick-feminist philosophy proposes to correct by reclaiming personal control of female sex appeal.[1][not in citation given] Linguistically, Lipstick feminism proposes to semantically reclaim, for feminist usage, double-standard insult words, such as “slut”, in order to eliminate the social stigma applied to a woman whose sexual behaviour was patriarchically interpreted to denote “immoral woman” and to connote the moral corruption of libertinage.
Philosophically, Lipstick feminism proposes that a woman is empowered — psychologically, socially, politically — by the wearing of cosmetic make up, sexually suggestive clothes, and the practice of a sexual allure that appeals to men and to women. That such overt sexual practices empower a woman because they are personal social choices, and not coerced acquiescence to societally established gender roles, such as “the good girl”, “the decent woman”, “the abnegated mother”, “the virtuous sister”, et aliæ. Yet, opponent feminists propose that the empowerment of Lipstick feminism is a philosophic contradiction wherein a woman chooses to sexually objectify herself, and so ceases to be her own woman, in control neither of her self nor of her person. Nonetheless, Lipstick feminism counter-proposes that the practice of sexual allure is a form of power, and that, besides the reproductive power of prettiness, sex appeal is a form of social power in the interpersonal relations between a man and a woman, which occur in the realms of cultural, social, and gender equality.
Moreover, Stiletto feminism, a more ideologically radical variety of Lipstick feminism, proposes that there exists no philosophic contradiction in being a feminist and in being female, a woman who is sexually alluring to men and to women. Besides the acceptance of makeup, the adherents of Stiletto feminism accept the existential (philosophic) validity of women practicing occupations specifically predicated upon female physical beauty, such as working as a striptease dancer or as a pole dancer, and the validity of the personal practices of public sexual exposition (flashing) and of lesbian (girl-on-girl) exhibitionism, as not un-feminist because such practices and preferences are personal choices, not external coercion.
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[edit] People
[edit] Proponents
[edit] Opponents
[edit] In popular culture
- In the U.S. television series, The West Wing, the 57th episode, “Night Five”, features a scene wherein the characters debate the merits of Lipstick feminism.[2]
[edit] See also
[edit] Sources
- "Lipstick Feminists", by Elizabeth Austin. Washington Monthly, Nov, 1998.
[edit] Notes
- ^ Joanne Hollows; Rachel Moseley (17 February 2006). Feminism in popular culture. Berg Publishers. p. 84. ISBN 9781845202231. http://books.google.com/books?id=0RuRknkzxe4C&pg=PA84. Retrieved 18 January 2011.
- ^ "#313 (57) "Night Five"". The West Wing Continuity Guide. http://westwing.bewarne.com/third/57nightfive.html. Retrieved June 1, 2007.