List of Baseline magazine issues

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Following is a list of Baseline magazine issues compiled from the Baseline website [1] and printed magazines.

Only content with attributed authors is included in the table.

Small-format Baselines published by TSI and Esselte Letraset[edit]

  • Baseline 6, edited by Erik Spiekermann, Esselte Letraset, 1985
    • The Quay Typefaces, David Quay
    • Biblica, Kurt Weidemann
    • Lucida – The First Typeface for Laser Printers, Kris Holmes
    • Matrix Type for ETP Systems, Norbert Kupper
    • Universal Faces, Robin Kinross
    • Arabic Script Development, Mourad Boutros
  • Baseline 8, edited by Mike Daines, Esselte Letraset, 1986
    • Art Nouveau Lettering, Jacky Wedgwood
    • Scripts – Lettering with Personality, Mike Daines
    • Typographic Treasures: The Work of W. A. Dwiggins, Mike Daines
  • Baseline 9, edited by Mike Daines, Esselte Letraset, 1987
    • Adtype, Maggie Lewis
    • The Calligraphy Revival, Sophie Matthews
    • Type on TV, Mike Daines, Chris Long
    • Hermann Zapf, Mike Daines

Large-format Baselines published by Esselte Letraset[edit]

  • Baseline 10, edited by Mike Daines, Esselte Letraset, 1988
    • Legibility of Type, Linda Reynolds
    • Times Roman: An Evaluation, Peggy Lang
    • Desert Island Type, Paul Smith
  • Baseline 12: St. Bride's Issue, edited by Mike Daines, John Simmons and Domenic Lippa, Esselte Letraset, 1990
    • Shooting in the Dark, Hugh Tisdale
    • Berthold Wolpe, an Appreciation, Victor Clark
    • Troublesome Typographers, Phill Jones
    • St. Bride's, Mike Daines
    • Design and Craft (About Zwart and Werkman), Mafalda Spencer
    • Desert Island Type, Ralph Steadman
  • Baseline 13: Bodoni Issue, edited by John Simmons, Chris Gray and Domenic Lippa, Esselte Letraset, 1990
  • Baseline 14: Sans Serif Issue, edited by Mike Daines, Esselte Letraset, 1990
    • Graphic Design as a Life Art, Hans-Rudolph Lutz
    • Donald Jackson, Margot Coatts
    • Craft, Karen Wilks
    • Dante's Inferno, Barrie Tullett
    • Sans Serif, Mike Daines
    • Product Types, Paul Priestman
    • Roger Excoffon, Julia Thrift
    • Printing Pouchée’s Patterns, Merlin James
    • Desert Island Type, John McConnell
  • Baseline 15: Psychedelic Issue, edited by Mike Daines, Esselte Letraset, 1992
    • Archibald Knox, Margot Coatts
    • Arabic, From Reed Pen to Mouse, Mike Daines
    • Reynolds Stone, Emma Beck
    • Psychedelic Type, Julia Thrift
    • Lettering on English Canal Boats, Tony Lewery
    • Desert Island Type, Michael Harvey
  • Baseline 16: Japanese Issue, edited by Mike Daines, Esselte Letraset, 1993
    • Display Type – The 40 Year Boom, Mike Daines
    • Film Types, Peter Hall
    • Street Typography, Darrell Ireland
    • Idiosyncracy Tamed, Giles Calver
    • Drenttel Doyle Partners, Peter Hall
  • Baseline 17, edited by Mike Daines, Esselte Letraset, 1993
    • Daniel Pelavin, Karen Chambers
    • Morris Fuller Benton, Mike Daines
    • From Cuneiform to DTP – Is There a Pattern?, Martin Ashley
    • Fonts – Where to Now?, James Lesley
    • How to Hold Your Chopsticks, Tilly Northedge
    • American Magazine Design, Peter Hall
    • Film Titles, Peter Hall
  • Baseline 18, edited by Mike Daines, Esselte Letraset, 1994
    • Printed in Majorca, John Chippindale
    • M Anikst – Russian Style, Mike Daines
    • French and Spanish Design, Mike Daines, Richard Mellor
    • Type in TV & Video, Mike Daines
    • Mark Making – Rainer Storck, Hans Dieter Reicher
    • GG Lange – Style With Precision, Mike Daines, Reg White
    • Multimedia, Who Needs It? Malcolm Garrett, Alasdair Scott
    • Openings, John Furnival

Large-format Baselines published by Bradbourne[edit]

  • Baseline 19, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 1994
    • That Isley Style, Karen Chambers
    • Philip Granville's Posters, Hans Dieter Reichert
    • The View from Microsoft, Mike Daines
    • 2 – A Figure with Personality, Mark Chaudoir
    • Erik Spiekermann – Serious But Not Solemn, Mike Daines
    • Opinionated Maps – Typographic Paintings, Paula Scher
    • Political Strokes, Brian Cunningham
    • Interference, James Lesley
  • Baseline 20, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 1995
  • Baseline 21, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 1996
    • Wendingen 1918–30 – 2-Dimensional Architecture, Christian Küsters
    • Ahmed Moustafa, Mike Daines
    • Don’t ‘U’ Turn – New Problems Demand Better Solutions, Bruno Maag
    • Aldo Novarese 1990–95, Mike Daines
    • Approaches to Materials in Lettering, Margot Coatts
    • Harry Beck Would Have Been Amused, Ian McLaren
  • Baseline 22, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 1996
    • Ralph Beyer – The Art of the True Letter, Mike Daines
    • Strange Bedfellows, Daniel Birch
    • Saul Bass – Anatomy of a Mentor, Arnold Schwartzman
    • GF Smith and Stratmore, James Lesley
    • Book Design in Switzerland, Jost Hochuli
    • Oz Cooper – Originator and Inspiration, Mike Daines, Dave Farey
  • Baseline 23, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 1996
    • Experiment in Type Derived from Fleurons, Theo Leuthold
    • Fashion Types – Word Wares, Penelope Jordan
    • Jonathan Hoefler, Paul Barnes
    • Talwin Morris, Fiona MacSporran
    • Typography Trails – Questions of Constraint, Mike Daines
    • The Authorship of Futura, Christopher Burke
  • Baseline 24, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 1997
    • Terence Warren – Text and Textures, Mike Daines
    • Ian Teh – Confirming Visual Perceptions, Ian Teh
    • Typotherapy, Debi Ani
    • The Influence of Eagle, Mike Daines
    • Keith Godard – Space Explorer, Mike Daines, James Lesley
    • The Sassoon Typefaces, Mike Daines, Marie Neal
    • i-jusi, Hans Dieter Reichert
  • Baseline 25, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 1998
    • The Problem of Koala Sans, Stephen Banham
    • The Search of Continuity – Young Czech Designers, Iva Janáková
    • British Discipline, Margot Coatts
    • The Raw Materials of Fiction, Alice Twemlow
    • David Wakefield – Detail Matters, Mike Daines
    • Scripts and Signs, Patrick O’Keeffe
    • Deconstruction and the Typography of Books, Gerard Mermoz
  • Baseline 26, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 1998
    • Happy Birthday Adrian Frutiger, Friedrich Friedl
    • The Vanishing Art of the Sign, Arnold Schwartzman
    • Digital Blackletter, Paul Shaw
    • A Games, Tony Richards
    • Arabic Type, Huda Smitshuijzen AbiFares
    • Otl Aicher – A Practical Utopian, Ian McLaren
    • Signs of Diversity, Quentin Newark
  • Baseline 27, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 1999
    • The Work of Mary Vieira, Friedrich Friedl
    • Notgeld from Neustat, Jilly and Ian Mclaren
    • Paul Rand Laboratory, Steven Heller
    • Lines of Movement, David Gibson
    • Hans Schleger – Starting from Zero, Hans Dieter Reichert
    • Phil Grimshaw – A Character Study, Mike Daines
  • Baseline 28, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 1999
    • Futurists, Roberta Cremoncini, Chris Adams
    • Copperplate – Elaborate Penmanship, Paul Atong
    • Derek Birdsall – Typographer, Philip Thompson
    • Type Case 1+2, Hans Dieter Reichert
    • The Real Alphabet, Quentin Newark
    • Czech Modernism, Christopher Burke, Patricia Córdoba
    • Michael Caine – Art and Type in Paris, Mike Daines
  • Baseline 29, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 1999
    • After the Shouting – The Post-Grapus Generation, Stephen Banham
    • Edward Philip Prince, Mike Daines
    • Alan Fletcher’s Umbrellas, Arrows and Glass, Philip Thompson
    • Alan Kitching – Typographic Timelord, Patrick Argent
    • Believe It or Else!!, Steven Heller
    • Werner Schneider, Paul Shaw, Michael Clark
  • Baseline 30, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2000
    • Saxophones for Posters, Jakob Gantenbein
    • Gustav Klimt – Sinuous Lines and Letters, Mike Daines
    • Helmut Schmid – Friedrich Friedl
    • Bruno Monguzzi – Master Communicator, Franc Nunoo-Quarcoo
    • Sho-cards, Steven Heller
    • Mediated Visual Metaphors, Ken Garland
  • Baseline 31, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2001
  • Baseline 32, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2001
    • What is a Typeface?, Quentin Newark
    • Oscar Mariné – Publicity, City and Art, Daniel Giralt-Miracle
    • Design for the Oscars, Beryl McAlhone
    • Movie Tickets – Japanese Style, Steven Heller
    • Type Faces, Ivan Chermayeff
    • Gyöngy Laky – Matter and Message, Juanita Dugdale
  • Baseline 33, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2001
    • Letterpress at the RCA, Jeremy Myerson
    • The Radical Press in Pre-Nazi Germany, Steven Heller
    • The Work of Rosmarie Tissi, Christoph Bignens
    • e-books: Fad or Phenomenon?, Mike Daines
    • Common Worship: Chapter & Verse, Robin Kinross
    • Walter Brudi – Teaching by Example, Alfred Tilp
  • Baseline 34, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2001
    • Do It Yourself: The Graphic Design of Punkzines, Steven Heller
    • Can Packaging Be Honest?, Frank Philippin
    • Type Trash, Quentin Newark
    • GG Lange the Teacher, Wolfgang Baum
    • Distressed Letters, Nicola Bailey
    • Designed to Perfection: The Work of Frank Overton, Tony Richards
  • Baseline 35, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2001
    • Cover Story: Book Designs of Robert Gibbings, Martin Andrews
    • More Than Wham! Bang! Boom!: The Art and Design of Comics Lettering, Steven Heller
    • Typographica, Rick Poynor
    • Radiant Typography: The Work of Siegfried Odermatt, Christoph Bignens
    • Subtitles for Life, David Gibson
    • The Elusive Essence of Art Deco Type, Mike Daines
  • Baseline 36, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2002
    • Emil Ruder – Typography from the Inside, Helmut Schmid
    • Close Shaves and Razor Sharp Graphics, Steven Heller
    • The Typefaces of Karlgeorg Hoefer, Otmar Hoefer
    • Designer – Printers, Caroline Archer
    • A Reported Story, Sam Winston
    • Letters of Memorial, Martin Andrews
  • Baseline 37, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2002
    • Jan Tschichold’s Work for the Bücherkreis, Kristen Schneider
    • Italian Aviation Posters of the Early 20th Century, Christopher Adams
    • Hans Tisdall – Creative Lettering Artist, Michael Harvey
    • Massin's Typographic Voices, Steven Heller
    • Marks of Convenience, David Jury, Clive Chizlett
    • Jo Stankowski – Symbols: Traps for the Senses, Henrike Sandnert
  • Baseline 38, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2002
    • Introducing the First Digital Letterting Tool, Steven Heller
    • Tisdall Script – A Typographic Interpretation, Howard Pattinson
    • Images of Lakeland – Making Connections, Michael Harvey
    • Stencilwork in America 1850–1900, Eric Kindel
    • Adrian Tyler – Invisible Cities, Horacio Fernández
    • A Matrix of Images and Ideas, Mark Gilbert
  • Baseline 39, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2002
    • Sign of the Times: The Euro Currency Symbol, Conor Mangat
    • Cult of the Cradle – Fascist Style for Il Duce's Children, Steven Heller
    • TypoJanchi Seoul Typography Biennale 2001, Helmut Schmid
    • Autograph Books, Ken Garland
    • Essays in Design, Caroline Archer
  • Baseline 40, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2003
    • Ballet, Kerry William Purcell
    • Conscientious Scrawl, Stuart Rogers
    • Artwork or Works of Art, Part 1, Martin Andrews
    • Principles, Grids and Stylesheets, Mike Daines
    • Tart Cards, Caroline Archer
    • The Missing Link: Graphic Design Trade Magazine, Steven Heller
  • Baseline 41, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2003
    • Antimatter, Francisca Prieto
    • Artwork or Works of Art, Part 2, Martin Andrews
    • Photographie, Kerry William Purcell
    • Paper Bombs – The Art of Psychological Warfare, Steven Heller
    • History of Writing – Non-Alphabetic Systems of Writing, Jeffrey Head
    • Corresponding to Form – Early Business Stationery, David Jury
  • Baseline 42, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2003
    • Robert Büchler – Typography at the Edge, Helmut Schmid
    • Hearing Type, Frank Armstrong
    • Merle Armitage – Books of His Time, Steven Heller
    • Alpine Mapping, Martin Gamache
    • Contemporary Visions in Wood Type, Dennis Y Ichiyama
  • Baseline 43, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2004
    • When Paperbacks Went Highbrow, Steven Heller
    • Kata-tracts, Caroline Archer
    • Young Trailblazers, Huda Smitshuijzen & AbiFarès
    • Giles Blaine, Rob Banham
    • Beyond Looking: Towards Reading..., Gérard Memoz
    • ISTD Student Assessments, John McMillan
  • Baseline 44, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2004
    • Typogrammes, Caroline Archer
    • El Lissitzky, the Swiss?, Wolfgang Homola
    • Alvin Lustig – The Lost Adman and His Forgotten Ads, Steven Heller
    • Derek Birdsall – Notes on Grid Systems, Derek Birdsall
    • Reading the City of Signs, Gérard Memoz
  • Baseline 45, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2004
    • Kurt Hauert – The Line, the Form, the Sound, Helmut Schmid
    • Latino Vernacular in East Los Angeles, Mike Daines
    • Jean Widmer, Philippe Apeloig
    • Rudolph de Harak – A Playful Modernist, Steven Heller
    • Learning from Relationships – The Typography of eLexicon, Mike Daines
    • St Bride and the Watford Connection, Caroline Archer
  • Baseline 46, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2005
    • Camera, Kerry William Purcell
    • Max Huber – Memories of a Friend, Sigi Odermatt
    • Kings, Cardinals and a Cabinet des Poinçons – L'Imprimerie Nationale de France, Caroline Archer
    • Erik Nitsche – A Biography of a Design Auteur, Steven Heller
    • The Rule-Benders, David Jury
  • Baseline 47, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2005
    • Westvaco – Inspirations for Printers, Kerry William Purcell
    • Josep Renau – Graphic Design as Political Activism, Patricia Córdoba
    • Alphabet Monograms, Alan Fletcher
    • Diego Lara – Be a Commercial Artist, Amaranta Ariño
    • OHW Hadank – The Classicist Even a Modernist Could Love, Steven Heller
  • Baseline 48, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2005
    • Dancing Type and Music Videos, Steven Heller
    • Body Type, Caroline Archer
    • The Typist and Her Typing Manual, David Jury
    • The Books That Nobody Sees – Typography in Children's Reading Books, Sue Walker
    • Pocket Penguins – 70 jackets, 70 designers, 7 days, Rob Banham
  • Baseline 50, edited by Mike Daines & Hans Dieter Reichert, Bradbourne Publishing, 2006
    • The Promotion of Writing and Writing Equipment, David Jury
    • Typographic Birmingham, Caroline Archer
    • TypoAbsurdo – Viktor Koen's Surrealist Alphabet, Steven Heller
    • Alphabet and Image, Kerry William Purcell
    • Pause Here – Then Go, Mike Daines & Hans Dieter Reichert
  • Baseline 52, edited by Hans Dieter Reichert, Bradbourne Publishing, 2007
    • Form follows function, Jan Middendorp
    • Connecting with Eric Gill, Arnold Schwartzman OBE
    • Trash Type, Dr. Robert Banham
    • Edward Wright – unrecognised pioneer of British graphic design, Paul Stiff and Petra Cerne Oven
    • Blue Q: Novelty Typecasting, Steven Heller
    • In place of the heavy rule and the sullen grot, David Jury
    • Opinion: In praise of rust, Ken Garland
    • Education: Art Chantry Week, Emanuel Barbosa
  • Baseline 53, edited by Hans Dieter Reichert, Bradbourne Publishing, 2007
    • Ken Briggs’ posters for the National Theatre 1963–74, Ken Garland
    • British Football Programmes, Kerry William Purcell
    • The Graphic Language of Min Wang – Beijing 2008 Olympic Games, Prof. Richard B. Doubleday and Stephen Goldstein
    • Heinrich Hoffmann: Adolf Hitler’s personal ‘Lichtbildner’ and publicist, Steven Heller
    • Printers Ornaments, Simon Loxley
    • Opinion: The Total Makeover Strategy, Edo Smitshuijzen
    • Education: Expressive letterforms from Manchester, England, Prof. Ian McLaren and Eric Gristwood
  • Baseline 54, edited by Hans Dieter Reichert, Bradbourne Publishing, 2008
    • Hearts and minds, David Gentleman
    • Masters of Graphic Design, Donald Amadeus Garbe
    • In praise of neon, Paul Shaw
    • The Model President: George W. Bush Advertising Star, Steven Heller
    • Against the grain: A conversation with Kelvyn Smith, David Jury
    • Opinion: Visual Shorthand, Simon Loxley
    • Education: Boston and Suzhou: A Cultural Concept Book Study, Richard B. Doubleday and Joan Schwartz
  • Baseline 55, edited by Hans Dieter Reichert, Bradbourne Publishing, 2008
    • Placas in Los Angeles, the first suburban blackletters?, François Chastanet
    • Vivo in Typo, Philippe Apeloig
    • Luc(as) de Groot, Jan Middendorp
    • The Art of French Pharmaceutical Advertising 1930s–1940s, Steven Heller
    • Control Print, Russell Warren-Fisher
    • Opinion: Art-history, blind spots and graphic design, Ben Bos
    • Education: Department of Typography & Graphic Communication, University of Reading, England, Prof. Ian McLaren
  • Baseline 57, edited by Hans Dieter Reichert, Bradbourne Publishing, 2009
    • Ceci n’est pas une lettre, Timothy Donaldson
    • Design behind the dikes, Ben Bos
    • Rian Hughes’ 500 Faces, Steven Heller
    • Control Print 3, Sara Carneholm and Leah Harrison Bailey
    • The story of the Armenian alphabet, Carolyn Puzzovio
    • Opinion: Coming of age, David Jury
    • Education: Visual Communications at the University of Delaware, Ashley Pigford and William Deering
  • Baseline 58, edited by Hans Dieter Reichert, Bradbourne Publishing, 2010
    • Designing information for everyday life, Paul Stiff
    • The Return of Stencil Lettering: Had it Ever Gone?, Steven Heller
    • Control Print 4, Russell Warren-Fisher
    • Secret Assignment 1, Arnold Schwartzman OBE
    • Stone Cairns, Mark Stewart Cassidy
    • The story of the Armenian alphabet part 2: recent developments, Carolyn Puzzovio
    • Opinion: The three writings, Timothy Donaldson
    • Education: A case for... the work of The Caseroom Press, Lincoln University, Prof. Ian McLaren
  • Baseline 59, edited by Hans Dieter Reichert, Bradbourne Publishing, 2011
    • Let the work speak for itself, Teresa Monachino
    • Secret Assignment 2, Arnold Schwartzman OBE
    • Rosie Scott: Illustrator, Geoffrey Grandfield
    • Great Magazine, Kerry William Purcell
    • Seen but not heard of: Don Ervin, Graphic Designer., Steven Heller
    • Opinion: Bite, Snack, Meal, Margret Re
    • Education: Type class in Venice and Rome, Masters Workshop at the (SVA) School of Visual Arts/New York, Lita Talarico and Steven Heller
  • Baseline 60, edited by Hans Dieter Reichert, Bradbourne Publishing, 2011
    • Jan Tschichold’s Typographische Gestaltung, A reference manual for modernist design, Richard B. Doubleday
    • Security printing, David Jury
    • Matthew Carter: Tension and Typography, part 1, Margaret Re
    • West and East, formal criteria are universal: Hendrik Nicolaas Werkman, Fumio Tachibana, Helmut Schmid
    • Geometrics, Frank Guille
    • Opinion: East meets West or West meets East: A cultural dilemmal, Martin Bouette
    • Education: Our finest flowers: thoughts on British* graphic design in a subtropical environment (*Cornish?), Timothy Donaldson
  • Baseline 61, edited by Hans Dieter Reichert, Bradbourne Publishing, 2012
    • Matthew Carter: Tension and Typography, part 2, Margaret Re
    • Cuba Si, Movie See, Steven Heller
    • Letter and symbol misrecognition in highly legible typefaces for general, children, dyslexic, visually impaired and ageing readers, Thomas Bohm
    • ultradisunbelievability, Paul Davis, Geoffrey Grandfield
    • HINT, Ivan Chermayeff
    • Education: Graphic Design, San Jose State University: California dream that shines out of cultural mosaic of Pacific Rim, Chang SIk Kim
  • Baseline 62, edited by Hans Dieter Reichert, Bradbourne Publishing, 2013
    • The Book of Books, 500 Years of Graphic Innovation, Ian McLaren & Arnold Schwartzman OBE
    • George Tscherny ‘M.m.m.m...’, (Minimum means: maximum meaning), Ian McLaren
    • Type as agent of Power, Steven Heller
    • typographic reflections, project fukushima, Helmut Schmid
    • Matthew Carter: Tension and Typography, part 3, Margaret Re
    • Type case illuminations, David Jury
    • Education: Why do so many students elect to study graphic design?, Sallyanne Theodosiou

See also[edit]