List of Mad Men characters
This is a list of fictional characters in the television series Mad Men, all of whom have appeared in multiple episodes.
Primary characters 
Don Draper 
Donald "Don" Francis Draper (né Dick Whitman; Jon Hamm) born 1925, is the creative director at Sterling Cooper Advertising Agency; he eventually rises to become a junior partner. He later becomes a founding partner at Sterling Cooper Draper Pryce. Draper is the series' protagonist, and more storylines focus on him than on other characters.
Peggy Olson 
Margaret "Peggy" Olson (Elisabeth Moss), upon introduction, is the ostensibly naïve "new girl" at Sterling Cooper. She was originally Draper's secretary, but showed surprising talent and initiative, including a knack - similar to Drapers' - for understanding the consumer's mind (albeit in a rawer, less focused form). Don promotes her to copywriter, and she ultimately accepts a Creative Director position with Ted Chaough's firm.
Pete Campbell 
Peter "Pete" Campbell (Vincent Kartheiser) is an ambitious young account executive whose father-in-law controls the advertising for Clearasil, a Sterling Cooper account. Born with a silver spoon in his mouth, he becomes more competitive with Don as the series progresses, and ultimately becomes a partner of Sterling Cooper Draper Pryce.
Betty Francis (Betty Draper) 
Elizabeth "Betty" Francis (née Hofstadt, formerly Draper; January Jones) is the ex-wife of Don Draper (who affectionately called her "Betts", or on occasion "Birdy") and mother of their three children, Sally, Bobby and Gene. She is the archetypal dissatisfied 1960's housewife, who dutifully turned her back on her education and professional career (as a model) to become a homemaker. After obtaining a Reno divorce from Don, she marries Henry Francis.
Joan Harris (Joan Holloway) 
Joan P. Harris (née Holloway; Christina Hendricks) is first seen as an office manager at Sterling Cooper, who acts as a professional and social mentor, as well as an occasional rival, to Peggy Olson, much like the relationship of Don with Pete. She ultimately pays a high price to become a partner at Sterling Cooper Draper Pryce.
Roger Sterling 
Lane Pryce 
Lane Pryce (Jared Harris), previously employed at Putnum Powell and Lowe, becomes a junior partner at Sterling Cooper Draper Pryce. Despite being a junior partner, his name is on the company's masthead. In the fifth season, after embezzling funds from the company, he is caught by Don, who tells him to resign. After typing a resignation letter, Lane commits suicide by hanging himself in his office.
Megan Draper 
Megan Draper (née Calvet) (Jessica Paré) (born 1940/41) begins as a member of the typing pool and rises from receptionist to ultimately becoming Don Draper's wife (at of the beginning of Season 5). Following Miss Blankenship's death, she is promoted from the reception desk to take over as Draper's secretary. She indicates to Don an interest in advertising, and one night while discussing work she initiates a sexual encounter with Don on his office couch. She comments that she would not run out crying if they slept together (presumably a reference to Don's previous secretary, Allison, who left SCDP in tears following Don's cold treatment of her after their one-night stand). In the Season 4 finale, Don takes Megan on a trip to California to take care of his kids when his planned childcare falls through at the last moment. Although his girlfriend Faye Miller (SCDP's marketing research consultant) has been with him for months, he proposes marriage to Megan while on vacation in California, and she accepts. She gets promoted to copywriter at some point after their wedding announcement at SCDP. Megan is originally from Montreal, and she is bilingual in English and French. She originally wanted to be an actress, and in Season 5, she quits her copywriting job at SCDP to pursue acting, and lands her first acting job with Don's intervention (a commercial for Butler shoes) in the Season 5 finale. She is 26 at the time of her marriage to Don, who turns 40 seven months after the wedding. Between seasons, Don appears to have fully disclosed his secrets to Megan, as she is aware of his identity and knows who Anna is. By season 6, Megan is a recognizable actress (whose fans request her autograph), having landed a regular role in a daytime soap opera. She reveals to Don that she had been pregnant and miscarried, and admits to Sylvia Rosen she had contemplated her options and was relieved when she miscarried; however, she also feels guilty because she had considered having an abortion so as not to interrupt her emerging acting career.
Supporting characters 
Trudy Campbell 
Gertrude "Trudy" Campbell (née Vogel; Alison Brie) is Pete Campbell's wife. Trudy and Pete marry early in season 1 and purchase an apartment on Park Avenue, with the help of Trudy's parents. Trudy is dutiful to her husband, even when he asks her to visit an old beau to get a short story published. In Season 2, she expresses her desire to have a child, a desire Pete resists as he does not want to have children yet (not knowing he already conceived a child with Peggy). After discovering she has fertility problems, Trudy wants to adopt a baby, but Pete balks. In Season 3, Trudy and Pete have a closer relationship than they did before and seem to work together as a team, though Pete seduces a neighbor's au pair when Trudy is away on her summer vacation with her parents. In Season 4, Trudy becomes pregnant, a fact that Pete uses to secure the Vicks Chemical account for the firm from his father-in-law, Tom Vogel. Later in the season, Trudy gives birth to a daughter, whom they name Tammy. In season 5, the couple has relocated to Cos Cob, Connecticut (against the wishes of Pete, who prefers living in Manhattan), and as Trudy settles in as a suburban housewife, Pete experiences angst and insecurity. Trudy agrees to let him have a bachelor pad in Manhattan. In season 6, after Pete's sexual liaison with their neighbor, Brenda, comes to light, she throws Pete out of the house, although she refuses to admit defeat by divorcing.
Bert Cooper 
Bertram "Bert" Cooper (Robert Morse) is the senior partner of Sterling Cooper, a crafty old gentleman who is treated with considerable deference by Roger Sterling and Don Draper. He founded the agency in 1923 with Roger Sterling's father. Cooper's late wife introduced Roger and his first wife, Mona, and Cooper keeps a picture of young Roger and Roger's father in his office. Cooper lectures Roger about being dependent on smoking and criticizes him for his love life. Cooper is not present in the office's day-to-day wranglings, but he is devoted to the business and quietly manages various challenges from behind the scenes. Cooper's younger sister, Alice, is a silent partner at Sterling Cooper and invested in the company when it was just getting started.
Cooper has a late period red painting by Mark Rothko and the erotic illustration The Dream of the Fisherman's Wife hung in his office and is a devotee of Ayn Rand. He appears to be an aficionado of Japanese art and culture: his office is decorated in a Japanese motif with shoji dividers among other things (including a photograph of President Coolidge), and he requires visitors to remove their shoes before they enter his office. Roger attributes this to Cooper's being a germaphobe. Cooper also walks around the rest of the Sterling Cooper offices in his socks.
He is a member of the Republican Party and gets Sterling Cooper involved with the 1960 Nixon campaign, providing advertising services to the campaign gratis. Cooper is the second character at Sterling Cooper to learn that Don Draper is actually Dick Whitman after Pete Campbell informs him of the truth, but he reacts with nonchalance, remarking famously, "Mr. Campbell, who cares?" He keeps silent about Don's identity but uses his knowledge two years later to pressure Don into signing a contract with the agency.
After selling a majority interest in the company to a British firm which begins to exert control, he begins to feel less and less significant but accepts it as part of the terms of the buyout. But when he discovers the firm will be selling their business to a rival agency – and that he will be forced to retire as a result – Cooper goes on to co-found the new agency Sterling Cooper Draper Pryce.
During Season 4, Don Draper finds a taped recording of Roger's memoirs in a drawer by accident, from which it is revealed that Cooper was given an unnecessary orchiectomy during the "height of his sexual prime". Don and Peggy also learn that when Roger was a young man, he was sexually involved with Cooper's much older, very eccentric, long-time secretary Ida Blankenship.
Later in Season 4, in the episode "Blowing Smoke", when the agency is forced to radically downsize its staff following the loss of the Lucky Strike account, Cooper tells the other partners that he is quitting, partially in response to Don Draper's opinion piece in The New York Times, which he feels is a needlessly reckless career move, and he does not want to be associated with Draper's "stunt". However, as of the premiere of Season 5, he is back in the offices of SCDP, though without an office of his own.
Ken Cosgrove 
Kenneth "Ken" Cosgrove (Aaron Staton) is an account executive at Sterling Cooper. Pete says that Ken is the son of salesman from Burlington, Vermont, and Ken mentions growing up in rural Vermont. Ken says his mother was overweight and worked as a nurse at a state hospital. He attended Columbia University.
He initially features as part of Pete's entourage, seeming to spend more office time drinking, flirting and gossiping than working. Ken has literary aspirations and has been published in The Atlantic Monthly, an accomplishment that elicits jealousy from both Pete and fellow co-worker Paul Kinsey.
In Season 2 it is revealed that Ken makes considerably more money than his co-worker Harry Crane, even though Crane works longer hours and has a much tougher job. In Season 3, Ken and Pete are promoted, sharing the role of Accounts Director, which infuriates Pete (who wanted the role all to himself) while leaving Ken completely unruffled. While not as outwardly ambitious as Pete, he has proven to be a competent executive and an exceptionally talented creative thinker, eclipsing Campbell as a rising star at Sterling Cooper. Eventually, Cosgrove is promoted above Campbell, to the latter's fury.
Because Pete Campbell was approached first and agreed to join SCDP, Cosgrove is not seen in the earlier episodes in Season 4. However, Ken later joins SCDP, bringing Birds Eye and other clients with him, and agrees to serve under Campbell. There are limits to what Ken will do, however: he refuses to try to bring his father-in-law's business over to SCDP. Later in the fourth season, Ken is having dinner with his fiancée, Cynthia, and prospective in-laws when he learns that Lucky Strike, SCDP's biggest client, is taking their business to another agency.
In the season 5 premiere he is happily married, and he and his new wife attend Don's surprise birthday party. Ken is also shown to have continued writing in his off-hours, using the pen name "Ben Hargrove" on numerous science-fiction stories, which he attempts to keep secret from his co-workers. At the end of "Signal 30", Ken tells Peggy Olson that Roger Sterling is forcing him to abandon writing fiction, but he in fact continues under a new pseudonym: "Dave Algonquin".
In "Comissions and Fees", Don and Roger manage to secure Ken's father-in-law as a client on their own. Ken doesn't mind working on the account since it was acquired without his help, but in exchange for feigning ignorance to Cynthia, Ken demands that Pete be excluded from the proceedings.
Harry Crane 
Harold "Harry" Crane (Rich Sommer) was a media buyer at Sterling Cooper. He initially features as part of Pete's entourage, seeming to spend more of his time in the office drinking, flirting, and gossiping than actually working. Harry is originally from Wisconsin and is a University of Wisconsin alum, the only one of Pete's best friends who did not attend an Ivy League school (Ken went to Columbia, Pete to Dartmouth, and Paul to Princeton). He is married to Jennifer, who works at the phone company. They seem to have one of the more egalitarian marriages on the show; Harry is honest with his wife and is shown asking her advice about his problems at work. Harry sometimes appears to be rather henpecked. He flirts with women but is faithful to his wife until he has too much to drink at an office party and has a one-night stand with Hildy, Pete's secretary. He confesses the infidelity to Jennifer, who kicks him out of their home for a time. Harry and Jennifer appear to have resolved that issue by Season 2, and Jennifer later gives birth to a daughter named Beatrice, named after Rich Sommer's real-life baby daughter. In Season 6 it is mentioned that they also now have twin sons Nathan and Steven.
Harry is a bit of a pushover, accepting far less in pay in negotiations than he could have asked for, and his non-confrontational attitude causes him to mishandle a situation that leads to the firing of his friend and co-worker, Sal Romano. Despite these flaws, Harry is the only member of the firm to recognize the advertising power of television and subsequently creates and puts himself in charge of Sterling Cooper's television department. Later, when Sterling Cooper is in the process of being sold, Harry mistakenly thinks they are considering opening a West Coast office and believes he would be the person to move to California. (In the early 1960s, production of most television programs had moved from New York to Los Angeles).
In Season 3, he is the only Sterling Cooper executive who is promoted by the firm's British owner as part of a short-lived company reorganization. Harry later accepts an offer to join Sterling Cooper Draper Pryce as "Head of Media". During Season 4, a more confident and slimmer, if smarmier, Harry shows great progress, as he is often seen making deals with television networks on the new agency's behalf. We see him flirting with Peggy's friends as well, and it is implied that he cheats on his wife but has learned to keep it from her. During the season 5 premiere, Megan mentions to Peggy that Don really doesn't like Harry, and thus does not want him to attend his birthday party. Nonetheless, Harry is invited and attends. Given his mild social awkwardness, he is seemingly unaware of Don's opinion of him. The next day at the office, Megan catches Harry making lewd comments about her.
In Season 6, Harry's personality has changed considerably from his days at Sterling Cooper; he is shown to have a inflated view of himself and the media department. At one point he bursts into a partners' meeting and displays considerable anger over the fact that Joan Harris was promoted to partner when he had been passed over several times, particularly as his accomplishments happened "in broad daylight." His jealousy manifests itself further when he defends Scarlett, one of the secretaries, to Joan and essentially reverses her being fired by Joan. When Martin Luther King Jr. is assassinated, Pete is outraged by Harry's fretting over the ad time lost to news coverage, which leads to a brief but intense shouting match in which Pete accuses Harry of being a racist.
Bobby Draper 
Robert "Bobby" Draper (Maxwell Huckabee, Aaron Hart, Jared Gilmore and Mason Vale Cotton) is Don and Betty Draper's middle child. His mother referred to him as a "little liar". Bobby was mentioned as being 5 years old in the season 2 episode "The Mountain King", making his birthday between October 1956 and September 1957.
Gene Draper 
Eugene Scott "Gene" Draper is Don and Betty Draper's youngest child. He was born during the third season, on June 21, 1963, and is named after Betty's late father, Gene Hofstadt.
Sally Draper 
Sally Beth Draper (Kiernan Shipka) is Don and Betty Draper's oldest child. She becomes a more central character in the third and fourth seasons (according to the time line of the series, she would turn 9 years old in Season 3 and 11 in Season 4); as of the fourth season, she has been promoted to a starring role. The death of her grandfather, Gene Hofstadt, affected Sally significantly and deepened the rift between her and her mother. When her youngest brother is named after their dead grandfather and given his room, Sally becomes convinced that the baby is her grandfather's reincarnation and becomes terrified of him. Sally is adventurous, and she has been seen throughout the series making cocktails for her father, smoking one of her mother's cigarettes, and being taught how to drive by her grandfather. Her behavioral problems lead Betty to have her see a child psychiatrist in Season 4. Sally appears to be closer to her father than her mother, and in one episode ("The Beautiful Girls"), she unexpectedly shows up at Don's office, because she wants to live with him instead of Betty and Henry Francis. Don sometimes affectionately calls Sally "Salamander". She develops a friendship with slightly older neighborhood boy Glen, who is about 12 or 13, in Season 4. This infuriates Betty because in prior years, Betty and Glen reached out and comforted each other when they were both feeling sad, lonely, and neglected. Betty forbids Sally to see Glen, and proves to be very volatile whenever Sally sees him. Sally continues to surreptitiously communicate with Glen, calling him frequently at his boarding school.
Henry Francis 
Henry Francis (Christopher Stanley) is a Republican political advisor who serves as the Director of Public Relations and Research in the Governor's Office under New York Governor Nelson Rockefeller and, later, is an advisor to New York City Mayor John Lindsay. He is instantly infatuated with Betty Draper when he meets a six-months pregnant Betty at the Sterlings' Kentucky Derby party. Later, when Betty calls him to ask if he can use his influence to save a local reservoir, they develop a personal connection. Betty reciprocates Henry's attention because she increasingly feels no connection with Don due to his non-stop infidelities, lies over his true identity, and his sometimes verbally abusive attitude towards her. After Betty's beloved father dies, the much older Henry also serves as a replacement father-figure for her. Henry and Betty have only a few brief and furtive meetings before Henry proposes marriage in the wake of the Kennedy assassination. Season 3 ends with the two of them on a plane with baby Gene, presumably flying to Reno so Betty can obtain a quick divorce from Don. At the start of season 4, we see that Henry and Betty have married and Henry has rather uncomfortably taken up residence in the Drapers' house, living with Betty and her three children and initially paying no rent to Don. He tries to soothe Betty as she continues to react angrily to Don and his irresponsibility towards the children, but he becomes more frustrated with her over time. Betty, on her part, feels unaccepted by Henry's family, especially when she is unable to control Sally during a family visit to the home of Henry's mother Pauline, and in the face of Pauline's not-so-veiled scorn of Betty. At the end of season four, Henry and Betty decide to move to Rye, NY. By season 5, Betty has gained a large amount of weight, but her relationship with Henry seems affectionate.
Michael Ginsberg 
Michael Ginsberg (Ben Feldman) first appears in the episode "Tea Leaves" (season 5, episode 3), when he is hired as a part-time copywriter by Sterling Cooper Draper Pryce. He is initially hired to service the Mohawk Airlines account, and proves himself to be both prolific and innovative. He quickly becomes an essential part of the creative team and surpasses Peggy Olson midway through the season as the firm's most productive writer, when Peggy becomes mired in the Heinz story arc. Ginsberg is an idiosyncratic, socially awkward character who tends to speak his mind, which can be both a help and hindrance to him. His position at the firm is threatened at times, including at his interview, when Peggy decides not employ him for fear of his being too extroverted and idiosyncratic for Don's tastes. However, this decision is reversed by Roger, who has already told Mohawk they have taken Ginsberg on.
Ginsberg's work is his main asset, and he tells Peggy immediately following his interview that although he can be tough to handle, he is a natural copywriter. His pitching style is theatrical, and he often captivates his clients with his over-the-top performances and youthful vigor. In this respect, he stands out from the rest of the SCDP team, particularly Don and Peggy, who are quieter and more understated both in their copy and their presentation. As the season goes on, Ginsberg's socially awkward, tone-deaf genius and refusal to follow orders begin to create resentment in both Don and Peggy, leading to a conflict between Ginsberg and Don in "Dark Shadows", when Don decides to submit his own work for an account instead of Ginsberg's. The episode reveals a competitive side to Ginsberg that was not really evinced until that time.
Ginsberg is Jewish, and he lives with his adoptive father Morris in Brooklyn. In "Far Away Places", he reveals to Peggy that he was born in a concentration camp during World War Two, and that his father found him in a Swedish orphanage at age 5. He also claims to be a Martian who is waiting for orders from above, but whether this is a genuine belief, a particularly straight-faced joke, or an expression of psychological estrangement from society resulting from his personal history, remains ambiguous. Ginsberg appears to have a difficult relationship with his father, who is overbearing and physically dominates him.
Ginsberg is one of many Jewish people introduced on the show, forming an arc of Jewish stories. The first such character introduced on the show was Rachel Menken, in Season 1. In the show's pilot, the firm notably has no significant Jewish employees, and Roger Sterling explains the lack of Jews in the firm by saying that they "work for Jewish firms, marketing Jewish products to Jewish people". Roger takes a liking to Ginsberg when he discovers they share a common desire to throw something out of their skyscraper windows, and Roger thereafter canvasses Ginsberg's support to help him with the Manischevitz account, which he is trying to bring to SCDP. Roger reiterates his attitude shown in the pilot, that if they have a Jewish account, they must have a Jewish employee "to make them feel more at home", in his attitude towards Manischevitz and Ginsberg. But Roger is less derogatory in his private statements about Jews. Between the two accounts, he was married to a Jewish woman, Jane Siegel.
The hiring of Ginsberg and Dawn (as Don's African American secretary) and the promotions of Peggy, then Megan, to copywriters are signs of increasing diversity at SCDP. Ginsberg and Dawn's hiring does not reflect any idealism on SCDP's part; Bert Cooper often expresses his personal contempt for civil rights in its entirety, and Roger, who appears in blackface in Season 3, also expresses no interest in diversity or civil rights. Rather, both hiring decisions are practical, or PR based. With Peggy's departure from SCDP in episode 8, Ginsberg's position as copywriter is further elevated, and he becomes one the two full-time copywriters at the firm alongside Stan Rizzo, both of whom report to Don. However, in the season finale "The Phantom", Ginsberg and Stan struggle to make the same impression on clients that Peggy did, and Don does not back their ideas the way he did hers, frustrating them.
Paul Kinsey 
Paul Kinsey (Michael Gladis) is a copywriter at Sterling Cooper. He initially features as part of Pete Campbell's entourage, seeming to spend more office time drinking, flirting and gossiping than working. Paul has been involved with Joan in the past, but the relationship ended badly, implied to be because Paul talked about it too much. When a then naive Peggy begins to work at Sterling Cooper as Don's Secretary, Paul hits on her, but Peggy refuses him, as she is secretly attracted to Pete. Paul later dates an African-American woman who is involved in civil rights. Joan makes fun of his black girlfriend, who dumps Paul while they are registering black voters in the South. He lives in a beatnik neighborhood in Montclair, New Jersey and espouses more Bohemian ideas and attitudes than his fellow young copywriters, listening to jazz and smoking marijuana. Joan, however, mocks him for this lifestyle, proclaiming that he simply wants to believe he is better than the people he works with. He is originally from New Jersey and attended Princeton on a scholarship, two facts he is eager to hide. A fan of science fiction and The Twilight Zone, he has a notably Kennedy-era fascination with space.
In season two, Paul grows an Orson Welles beard and later quotes passages from Welles' War of the Worlds radio broadcast. He initially encourages Peggy to pursue copywriting, noting, "There are female copywriters", but becomes jealous and pettily competitive when her skill becomes apparent. He realizes Peggy and Don have creative "magic" together when it comes to advertising ideas and slogans and is annoyed, especially as his own contributions become less favored by Don and, as a result, diminish his importance at the firm. Paul expresses considerable anger when he realizes Peggy was secretly chosen to leave the company and join the new agency Sterling Cooper Draper Pryce, while he was not.
In the season 5 episode "Christmas Waltz", he re-appears as a shaven-headed member of the Hare Krishna movement, which he has joined mainly to win the affections of a girl. He contacts Harry Crane to give him a spec script for Star Trek. The script is terrible but Harry, unwilling to disappoint Paul, praises the script and gives him five hundred dollars and a ticket to Los Angeles so he can start afresh. Paul expresses considerable gratitude toward Harry, telling him he is the first person to actually do something for Paul.
Duck Phillips 
Herman "Duck" Phillips (Mark Moses) was director of account services for a time at Sterling Cooper. In "Indian Summer", when Don Draper is made partner in the wake of Roger Sterling's heart attack, Bert Cooper gives Draper the authority to appoint a new head of account services. At the end of the first season, Draper brings in Phillips, who is looking for a job after alcoholism and an extramarital affair ended his career at Y&R's London office. Phillips appears to be a recovering alcoholic whose ex-wife and children are moving on with their lives. Phillips immediately challenges Sterling Cooper to broaden their clientele, seeking to attract airlines, automobile manufacturers, and pharmaceuticals.
At the beginning of season 2, Phillips pushes the agency to hire younger creative talent, a move Draper resists. He also pushes Cooper to pursue American Airlines in the wake of that airline's very public Flight 1 plane crash, forcing Draper to break his word and cut loose a client, Mohawk Airlines, in order to pursue the larger American Airlines. This event is emblematic of the subsequent relationship between the two: despite the fact that he risked Pete Campbell's revealing his true identity to get Duck hired, Don clashes with Duck throughout the season, as Don's belief in loyalty to both clients and employees is at odds with Duck's pragmatic and utilitarian approach to business.
At the end of season 2, frustrated with his failure to make partner, Phillips goes to some of his former London colleagues to arrange a merger of Sterling Cooper with the British firm Putnam, Powell & Lowe, which wants to establish a New York office. After the successful merger, Phillips is named president of Sterling Cooper, but he embarrasses himself in a drunken rant when Draper announces his intention to leave the firm.
During season 3, it is revealed Duck is now working at Grey, another New York agency. He tries to poach Pete and Peggy from Sterling Cooper and is unsuccessful, but he and Peggy begin having a sexual relationship. He later resurfaces in season 4 ("Waldorf Stories") at the Clio Awards Show and drunkenly humiliates the man giving the introductory speech at the show, prompting security to remove him. Upon witnessing this, Sterling jokes: "I miss working with that guy". During "The Suitcase", Duck unsuccessfully tries to strike out on his own after leaving Grey and deciding to creating his own female consumer products-based ad agency. He goes so far as to try to hire Peggy as a Creative Director, sending her business cards with her name and title on them. He is desperate both personally and career-wise and needs Peggy for both reasons. During a late night at the agency, Peggy catches a drunk Duck trying to defecate on Roger Sterling's sofa chair, mistaking it as Don's, out of spite. While Peggy is walking Duck out, a drunk Don catches him in the offices. Don confronts him, and he and Duck get into a brief and comical brawl. Although Duck is weak in many ways, he is a masterful fighter with Don and gets the upper hand, while Don concedes his defeat by saying, "Uncle". Duck is a former United States Marine officer and served in the Pacific Theater during World War II, claiming to have killed 17 men at the Battle of Okinawa. Don then learns that Duck and Peggy had a secret romantic relationship. Peggy tells Don this, after giving birth to an illegitimate baby (that Don found out about when he visited her in a hospital mental ward, believing she has tuberculosis), she turned to Duck because she was having a "confusing time."
Stan Rizzo 
Stan Rizzo (Jay R. Ferguson) is the art director at Sterling Cooper Draper Pryce. Before coming to the company, he worked at DDB, making unaired work for Lyndon B. Johnson's 1964 Presidential campaign. He and Peggy are often at odds with each other due to his abrasive and sometimes macho attitude, although the two later develop a strong working relationship after Stan tries to intimidate Peggy by deciding to work in the nude, but Peggy sees his bluff and strips down, prompting Stan to concede victory to her. Stan is one of the few members of the SCDP creative department who survives the staff cuts.
By season 5 the two are working well together, until the firm hires Michael Ginsberg, whose bombastic and somewhat sexist attitude is more in line with Stan's than Peggy's. After Peggy leaves SCDP for rival firm Cutter, Gleason and Chaough, Stan and Ginsberg become the only full-time copywriters at SCDP, although they struggle to make successful pitches and receive little sympathy from Don.
In season 6, Stan and Peggy maintain their friendship through late-night phone calls. When Peggy's boss Ted Chaough overhears one such conversation, in which Stan tells Peggy that Heinz ketchup is considering meetings, Chaough takes advantage of this and pitches his own campaign. Although neither firm ultimately wins the account, a betrayed Stan gives Peggy the finger at a bar.
Sal Romano 
Salvatore "Sal" Romano (Bryan Batt) is the Italian-American head art director at Sterling Cooper. He is originally from Baltimore and is a closeted homosexual. Sal turned down a proposition from a male employee of Belle Jolie Lipstick midway through the first season, admitting that though he has thought about having relationships with men, he has never acted on this impulse, implying it was out of fear of discovery. He joins the other men of Sterling Cooper in their flirtations with the women in the workplace, in order to maintain the appearance that he is as interested in the opposite sex as they are. He speaks to his mother in Italian. Between the first and second seasons, Sal marries a childhood friend, Kitty (Sarah Drew), who is unaware of his true orientation, but over time becomes suspicious. The two entertain Ken Cosgrove for dinner during the second season, during which Sal seems taken with his guest.
In the third season premiere, Don Draper becomes aware of Sal's orientation after accidentally catching him with a hotel bellhop, but Don subtly assures Sal that he'll keep silent by drawing Sal's attention to the ad slogan: "Limit your exposure". Later in the third season, with Don's encouragement Sal branches out into directing commercials for the company, while Kitty becomes increasingly suspicious of his feelings towards her and men. Sal and Kitty have not had sexual relations in several months and Kitty tells Sal she needs "tending to". He assures her that he loves her, but his mind is elsewhere due to pressures at work. Illustrations popular in magazine advertisements in the 1950s and early 1960s are going out of style in favor of photographs, so he fears he will lose his job as an illustrator. Later in the scene, Kitty is in bed and Sal vividly demonstrates how the Ann-Margret look-alike will dance and sing "Bye-bye Birdie" in his commercial (with lyrics changed to words for Pepsi's new diet drink Patio). Kitty's facial expression belies her discomfort with Sal's behavior.
In the episode "Wee Small Hours," Sal rejects the advances of Lee Garner, Jr., a married Lucky Strike executive, who in retaliation calls Harry Crane and demands Sal's removal from the account. When Harry fails to pass this on, Garner walks out of a subsequent meeting. Don, in contrast to his earlier reaction, derisively says "you people" while informing Sal he can no longer work at Sterling Cooper. In Sal's last appearance, he calls his wife late at night from a payphone located amidst a group of ostensibly homosexual men heading into the woods. He does not tell her he has been fired, only that he will be arriving home late.
Freddy Rumsen 
Frederick "Freddy" C. Rumsen (Joel Murray) is a copywriter at Sterling Cooper. He is the first in the office to notice Peggy Olson's talent for copywriting while working on an ad campaign for Belle Jolie. Since that time, he has been supportive of Olson's copywriting talents. He likes to seem lighthearted and open despite his age (his eldest daughter turns 30 in Season 2, and he served in World War II). He tries to be funny, doing things like playing Mozart pieces on his pants zipper. However, he has a serious problem with alcohol, and drinks unusually heavily at work even by Sterling Cooper standards. This ends up costing him his job when, after having too much to drink, he wets his pants and falls asleep shortly before he is supposed to deliver a pitch to Samsonite. Peggy delivers the pitch instead, and Pete reports the episode to Duck Phillips, who proceeds to report this to Sterling. Rumsen is fired, to Peggy's frustration (she felt some loyalty to Freddy because of his earlier assistance to her), despite the fact that his departure secured a promotion to senior copywriter for her ("Six Months' Leave"). Don and Roger take Freddy out for a night on the town in the wake of his departure from the agency.
In Season 4's second episode, a sober Rumsen returns to work for SCDP on a freelance basis, having brought a $2 million account for Pond's Cold Cream. His only condition on coming back is that Pete not be allowed near the account. He is now sober and a sponsor in Alcoholics Anonymous, which puts him at odds with the penchant his coworkers have for heavy drinking. He originally retains his misogynistic attitude, until confronted by Peggy, who tells him that she has been asking SCDP to bring him back since they fired him. Freddy is moved by this, and the two develop a close friendship, to the point where they frequently have lunch together. In Season 5, Freddy, recognizing that Peggy cannot rise any further within the company, discreetly begins making job inquires for her, as his freelance work allows him to interact with the majority of advertising agencies on Madison Avenue. This leads Peggy to meet with Ted Chough, who hires her.
Other characters 
Allison (Alexa Alemanni) was Don Draper's secretary, first at Sterling Cooper and later at Sterling Cooper Draper Pryce. Allison was first seen as Sterling Cooper's receptionist. By Season 3, she had become Don Draper's secretary. Though little developed during the first three seasons, she was depicted as being competent and friendly. She was also shown to have something of an on-again, off-again relationship with Ken Cosgrove. In Season 1, Allison had a one-night stand with Ken on the night of the 1960 presidential election. In Season 2, she occasionally flirted with Ken and during Joan's going-away party she was seen sitting on Ken's lap. After Don asked that Jane Siegel be removed as his secretary, Allison was installed as her replacement. Although the sudden formation of Sterling Cooper Draper Pryce was done without her knowledge, Allison was hired by SCDP sometime during 1964 and continued as Don's secretary. On the night of the office Christmas Party in 1964, Allison was asked to bring Don his apartment keys which he had forgotten at work. Upon entering his apartment, the drunken Don seduced Allison and they had an impulsive sexual encounter. He attempted to forget about the affair, but ended up hurting Allison when she realized he was going to pretend that nothing had happened. She continued to work for Don for several months, but in the fourth episode of Season 4, his continual avoidance of the topic finally led her to resign after bursting into tears at a focus group. An insensitive comment made by Don during her resignation caused her to snap, throw a brass cigarette dispenser at him and leave the office in tears. Allison's last name was never mentioned in the show, and remains unknown.
Joey Baird 
Joey Baird (Matt Long) is a freelance artist for Sterling Cooper Draper Pryce, first seen at the start of the fourth season. Joey and Peggy seem to enjoy working together, reenacting the "John and Marsha" comedy skit in a workroom and laughing. However, Joey is also rather crude, frequently making insensitive remarks and engaging in actions that would be classed as sexual harassment later in the century. Joey is also anti-authoritarian and openly defiant of Joan; he draws a pornographic picture of Joan and Lane Pryce engaged in oral sex, and speaks contemptuously of Joan, alleging she got her job by having sex with the men in the office because she lacks any skills of her own. Peggy evantually fires a disbelieving Joey, ostensibly due to his insubordinate attitude towards Joan, but also due to some comments he made about Trudy Campbell's pregnancy, which brought up painful memories for Peggy. Joan is angry at Peggy about the firing, because it makes Joan look like she truly didn't have any power or authority, and needed Peggy to fight her battles for her.
Jimmy and Bobbie Barrett 
Bobbie Barrett (Melinda McGraw) is the wife and manager of comedian Jimmy Barrett (born Jimmy Bernstein, and Jewish) (Patrick Fischler), an insult comic (reminiscent of Don Rickles) whom the firm uses in their advertisements for Utz Potato Chips. After Jimmy insults the wife of Utz's owner about her weight, Don has to intercede and ends up meeting Bobbie, who shrugs off her husband's behavior. On the way to get Jimmy to apologize to the Schillings, Bobbie seduces Don, though he initially resists as he is determined to remain faithful to his marriage vows, despite his previous infidelities. When Bobbie later tries to get more money from Don (in a bathroom of the restaurant where they and Schillings are meeting for the apology) in exchange for her husband's pay-or-play contract, Don grabs her hair with one hand and puts the other up her skirt, then threatens to ruin Jimmy. Bobbie appears to enjoy the attention, and then quickly makes her husband apologize. Later, she comes to Don with a TV pitch called, "Grin and Barrett", a Candid Camera-type show, featuring her husband using his insult comic skills as the host. Don helps her arrange things and they continue to see each other on the side until the two are in a car accident that requires a cover up story. The two resume their affair after a brief hiatus following the accident, but the affair ends when Bobbie reveals to Don that she and other women with whom Don has had affairs have been talking about his prowess as a lover. Upset to learn that he has a "reputation" and annoyed at his inability to control Bobbie, Don leaves Bobbie during the middle of a sexual encounter while she is tied up. Later, during a party, where Don and Bobbie and their spouses are in attendance, Jimmy reveals to Betty that Don and Bobbie have had an affair. Betty is humiliated and kicks Don out of the home for a time. Though Betty may have suspected affairs in the past, Don's affair with Bobbie appears to be the only one Betty actually knows about. Don later encounters Jimmy in an underground casino, where he delivers a solid punch to Jimmy's face and knocks him off his feet, which Jimmy later disparages as "nothing".
Glen Bishop 
Glen Bishop (Marten Weiner, son of series creator Matthew Weiner) is the son of Betty's neighbor, Helen Bishop. Aged 9 in Season 1 (1960), he develops a crush on Betty. One evening, when she is babysitting him, he purposely walks in on her while she is using the bathroom and looks at her for several seconds. Later he asks for a lock of her hair. She acquiesces, and when Helen discovers it, she forbids Glen to see the Drapers. Helen angrily confronts Betty in a supermarket, telling her he is a "little boy". Offended, Betty slaps Helen hard, with a few women shoppers witnessing what happened. Betty immediately leaves the market. Late in Season 2, Glen is shown to have run away from home and is discovered to have been staying in the Drapers' playhouse. Glen and Betty comfort each other because they are both lonely and miserable. He proposes that Betty elope with him, but she instead calls his mother, which seems to kill his love for her. He returns in Season 4, working at a Christmas tree lot, where he encounters Sally Draper and bonds with her over their now-shared experience as children in divorced families. After discovering that Sally hates living in her house with her mother, Glen breaks in with a friend and vandalizes it, but leaves Sally's room untouched; Glen leaves a secret gift on her bed. Betty finds out about Glen's friendship with Sally and forbids him to see her, even going so far as to fire her housekeeper Carla when Carla allows Glen to see Sally one last time before they move to Rye. However, in Season 5, it is revealed that Glen still speaks to Sally regularly on the telephone from his dorm at the Hotchkiss School.
Helen Bishop 
Helen Bishop (Darby Stanchfield) is one of the Drapers' neighbors. She is a liberal divorcée and a Mount Holyoke College graduate. As a single mother of two children, Helen works in a jewelry store and volunteers for John F. Kennedy's presidential campaign. Her divorce and habit of taking long walks have made her the subject of gossip for women in the neighborhood. A further rift develops between Helen and Betty Draper when the former discovers that Betty has given Helen’s son Glen a lock of hair while babysitting him one evening. When Helen confronts Betty at the grocery store, Betty slaps her in the face. It is later discovered that Glen ran away from his home to stay in the Drapers' playhouse in the hopes of eloping with Betty; however, Betty calls Helen to retrieve her son, much to Glen's dismay. Betty later confides in Helen about her brief separation from Don, and the two seem to reach some kind of understanding.
Ida Blankenship 
Ida Blankenship (Randee Heller) is Bert Cooper's long-serving secretary. She remains an unseen character until the fourth season, when she is assigned as Don's secretary after his prior secretary abruptly leaves following a one-night stand with Don. An older woman, Miss Blankenship had a tendency to annoy Don and his co-workers with her salty attitude and work performance, though she is quite experienced having been a secretary for over forty years. Her blunt and cantankerous demeanor starkly contrasts with those of her predecessors and the firm's other secretaries. Don, however, decides to keep her as she is exactly the type of secretary he needs and why she was assigned to him - as they will not have a sexual liaison and she will not go out of her way to falsely be nice to him. In his tape recordings for his autobiography, Roger reveals that he'd had a tryst with Miss Blankenship early in his career, causing a rift between Cooper and himself. Roger implies that she was sexually adventurous and aggressive, referring to her as the "Queen of Perversions". In one episode she is seen adjusting her wig during a conversation. Suffering from increasingly poor eyesight, she was absent from the office for a brief time, during which she had cataract surgery, returning to work shortly thereafter. She died, suddenly and unexpectedly, at her office desk at Sterling Cooper Draper Pryce in the ninth episode of Season 4. Cooper mentioned she was born in 1898, making her 67 years old when she died; stating: "She was born in 1898 in a barn. She died on the 37th floor of a skyscraper. She's an astronaut." Heartbroken over her death, Bert goes out of his way to make sure she has a nicely written obituary. Actress Randee Heller states she created Blankenship’s New York Jewish accent from the memory of her Yiddish-speaking grandparents.
Andrew and Dorothy Campbell 
Andrew Campbell (Christopher Allport) is Pete Campbell's father. He disapproves of Pete's profession and treats him with contempt. In Season 2, Andrew dies in the crash of American Airlines Flight 1; it is revealed that he has squandered his wife's fortune and family's inheritance on a lavish lifestyle and by donating large sums of money to Lincoln Center (and the Botanical Garden) to maintain the appearance that he is wealthy. In reality, Allport was killed in a snow avalanche while skiing in Southern California, and the episode of his character's death was dedicated to his memory.
Dorothy "Dot" Dyckman Campbell (Channing Chase) is Pete's somewhat detached mother, who communicates her disapproval of Pete and Trudy's exploration into adoption by referring to orphans as "someone else's discards". Insulted, Pete reveals the truth about the family's fortunes to his mother, leaving her stunned. Pete hates his mother and jokes with his brother Andrew about it, mentioning a childhood game called "rope" (perhaps in reference to wanting to hang her or to the 1948 Hitchcock movie Rope). By Season 6 she has serious memory lapses and is diagnosed with some form of dementia. When Andrew foists her upon Pete, he is at once upset and annoyed with the situation, exploiting her illness to keep her under control.
Bud and Judy Campbell 
Andrew "Bud" Campbell, Jr. (Rich Hutchman) is Pete's elder brother, an accountant. Bud reveals to Pete the precarious financial state that their father has left and arranges for the liquidation of their mother's assets so that she can live comfortably. Judy (Miranda Lilley) is Bud's wife. Bud tells Pete that he and Judy have no plans for children and he lets slip to their mother Pete and Trudy's exploration of adoption.
Tammy Campbell 
Tamsin "Tammy" Vogel Campbell is the first-born daughter of Pete and Trudy, born after a long and difficult labor (that took over two days). She is named a feminine variation of Thomas, her maternal grandfather's name, quite possibly in an attempt to assuage the thorny relationship between Pete and his in-laws. Tammy is born sometime between September 7 and 10, 1965, right after Labor Day weekend. Trudy's father, when he accidentally told Pete that Trudy was pregnant, told him he would give Pete $1,000 if it were a boy, but only $500 if it were a girl.
Tammy is not Pete's only child, as he had an unnamed baby boy in November 1960 with Peggy Olson, unbeknownst to him, whom she gave away for adoption. Peggy lost her virginity to Pete and got pregnant the same night (she had started birth control pills that week, on the advice of Joan, even though she was a virgin, but they were not effective yet).
Émile and Marie Calvet 
Émile Calvet (Ronald Guttman) is Megan Calvet's often blunt father. Émile is an academic, an atheist, and far-left in his politics, claiming to be a Communist. He also seems to be bitter toward his wife, accusing her of infidelity, and is much closer to Megan than his wife.
Marie Calvet (Julia Ormond) is Megan's mother; she has another daughter, as well. Marie opposes Megan's wishes to become an actress, telling her: "Not every little girl gets to do what she wants, the world cannot support that many ballerinas". Marie has a strained relationship with both Megan and Don. Marie also has a short affair with Roger Sterling, until Roger wants her to take LSD with him. She tells Roger he is "too old" to take LSD and leaves him, causing Roger to take his second acid trip alone.
Carla (Deborah Lacey) is a black woman who has worked as housekeeper for the Draper household since Sally's birth. Carla is shown to be the true maternal influence in Sally and Bobby's lives, and is seen watching the children for extended periods of time, such as when Betty goes to Nevada to get a "Reno divorce" from Don. Carla continues to work for Betty after Betty divorces Don and marries Henry Francis, until Betty fires her for allowing Glen Bishop to visit Sally. Carla later telephones Henry because Betty did not give her a written reference for her job search.
Dawn Chambers 
Dawn Chambers (Teyonah Parris) becomes Don Draper's new secretary in season five. She is the only African-American employee at SCDP, hired after the firm places an "equal opportunity employer" ad in a stunt against rival firm Y&R. Dawn is befriended by Peggy Olsen in the fourth episode of season 5 ("Mystery Date"). In the season six episode "To Have and to Hold", Joan reprimands Dawn for covering for another secretary by punching her out five hours after the secretary has already left the building. Dawn, hoping to keep her job, proposes that Joan dock her pay. Instead, Joan "punishes" Dawn by putting her in charge of the stockroom and time cards. Little is initially known about Dawn, but in "To Have and to Hold", it is revealed, through a conversation with her best friend, that she feels lonely and alienated, being the only black employee at SCDP and that, due to her position there, members of her own community have begun to feel alienated from her. In season 6's "The Flood", many of Dawn's white coworkers, largely untouched by the struggles of the Civil Rights Movement, connect with the Assasination of Dr. Martin Luther King through Dawn's own grief over the tragedy.
Ted Chaough 
Ted Chaough (Kevin Rahm) (pronounced "Chaw"), is a self-proclaimed rival of Don Draper's in the advertising world. His agency, Cutler Gleason and Chaough (CGC), was in competition with SCDP for an account with Honda. Don tricked Ted into making an expensive presentation to Honda executives, which backfired on Ted as he violated Honda's presentation rules (no finished work or commercials allowed at the presentation). Though the two agencies are comparable in size, he seems obsessed with competing against Don, behaving in a magnanimous and jesting manner whenever he crosses his path. Ted also tried to woo Pete Campbell over to his agency, but Pete remained loyal to Don. After Don writes his New York Times ad about dropping business with cigarette companies, Ted makes a prank call to Don pretending to be Robert F. Kennedy. When he returns in Season 5 to recruit Peggy to leave SCDP and join his advertising firm, he remains very confident but is much less obnoxious than in his previous appearances; he doesn't indulge his typical dislike and jealousy of Don to Peggy, and that helps her decide to accept his offer, which in the season finale has him assigning her a huge amount of material involving an account for cigarettes aimed at female consumers.
When, in Season 6, Peggy shares Stan's confidence to Ted, that the Heinz Ketchup executive had met surreptitiously with SCDP but didn't get along with the Heinz Beans executive (a SCDP client), Ted pressures Peggy to "find out everything you know about Heinz Ketchup". In "To Have and To Have Not", Chaough's team encounters Don's when at the location where the firms make their Heinz pitches, Don eavesdrops on Peggy's pitch, and the two teams meet again in defeat at a diner.
In "For Immediate Release," Ted and Don commiserate at a bar over their very low chances at win the Chevy account, primarily due to the small size of their respective firms. Don spontaneously comes up with, and pitches, the idea that they should combine their firms so as to have a shot at competing with the major ad agencies. Ted agrees, and the two firms merge, much to the surprise of everyone involved. In this same episode, Ted shares a kiss with Peggy, to her surprise, but not quite anger.
In "Man with a Plan," Ted's managerial style is shown to clash with Don's, as Ted tries to involve everyone and get their input, while Don primarily values his own opinion. Don decides to assert his authority by getting Ted drunk and letting him humiliate himself at a subsequent creatives meeting. Ted, however, gets his revenge by flying to a Mohawk Airlines meeting in a small plane in rainy weather, with Ted in the pilot's seat and a visibly terrified Don as co-pilot.
Toni Charles 
Toni Charles (Naturi Naughton) is an African-American Playboy Bunny with whom Lane Pryce engages in an extra-marital sexual liaison. Their relationship comes to an abrupt end when Lane is forced by his father to return to England and reconcile with Rebecca, his wife.
Cynthia Cosgrove 
Cynthia Cosgrove (Larisa Oleynik) (née Baxter) is Ken Cosgrove's wife and the daughter of Ed (Ray Wise), who is the CEO of Corning. Cynthia is a New York society girl, who appears to have moved in the same Manhattan social circles as the presumably older Trudy Campbell (with whom she gets along well). In season four, Cosgrove refuses to use Ed's connections to get new clients for Sterling Cooper Draper Pryce, claiming that he doesn't want to be like Pete Campbell. He calls Cynthia "his life" and unlike Pete Campbell, does not want to use her or his future father-in-law to get business. In the fifth season premiere, her character is listed during the credits as Cynthia Cosgrove, implying they were married between the fourth and fifth seasons. Cynthia appears as a background character in several episodes of season five. She is very supportive of Ken's work and his side hobby as an author. She and Ken live in Jackson Heights, Queens.
Jennifer Crane 
Jennifer Crane (Laura Regan) is Harry Crane's wife. Blonde and charismatic, Jennifer has the peculiarity of being a "working wife", at least until Season 3, holding a position as a supervisor at American Telephone & Telegraph. She's from a working-class environment and that has helped her keep her husband grounded. Solitary and generous, Jennifer has often tried to "fit in" with the more sophisticated circle of people surrounding Harry's workplace. She has an unspoken rivalry of sorts with Trudy Campbell. She briefly threw Harry out of the house when he had a one-night stand with one of the secretaries, but the two soon reconciled. She and Harry are parents to a daughter, Beatrice Grace, born in 1962.
Midge Daniels 
Midge Daniels (Rosemarie DeWitt) is an art illustrator engaged in an affair with Draper in season 1. She is involved with the Beats and several proto-hippies, smokes marijuana, and makes several references to Jack Kerouac and Allen Ginsberg. It appears Midge has other lovers besides Don, including one she may be in love with. After Draper sees a photo of her with another man smiling, he ends their affair at the end of Season 1 and gives her a bonus that he earned. She reappears in the fourth season after tracking Don down at his office building. After leading him back to her apartment to meet her husband, her ruse to get Don to buy one of her paintings becomes clear, as does her addiction to heroin. Don gives her $120 in cash and leaves with one of her paintings.
Series creator Matt Weiner, admittedly influenced by Alfred Hitchcock, may have chosen Midge's character's name as a reference to Midge Wood, the illustrator portrayed by Barbara Bel Geddes in Vertigo. "Daniels" may refer to Melanie Daniels, Tippi Hedren's character in The Birds.
Anna Draper 
Anna M. Draper (Melinda Page Hamilton) is the widow of the real Don Draper, the man whose identity Dick Whitman stole after Don's death during the Korean War. Anna tracks Dick/Don down while he is working as a used car salesman and confronts him about her husband. Dick/Don tells her he died, and she is heartbroken. Despite the circumstances of their meeting, Don and Anna become close friends, and he buys her a house in California. Anna often serves as an understanding confidante to Don, and he stays with her whenever he's in Los Angeles. When Don meets Betty and wants to marry her, he must first get a "divorce" from Anna, which she grants him. He pays her another visit during his trip to California during the second season. Anna has a noticeable limp as a result of polio, and has a sister named Patty whom the true Don Draper was interested in before he married Anna. In the fourth season, Anna's niece Stephanie informs Don that Anna has terminal cancer, devastating him. Patty has kept the news from Anna, and Don eventually agrees to do the same. Several months later, Anna succumbs to her illness. Don sees an apparition of her smiling and holding a suitcase the night she dies. It is her death that inspires him to try and start a new life.
Abe Drexler 
Abe Drexler (Charlie Hofheimer) is Peggy Olson's boyfriend, beginning in season 4. Abe, who is Jewish, is a freelance journalist with strongly expressed liberal/leftist political views. He and Peggy first meet at a loft party in a sweatshop. Another meeting is engineered by their mutual friend Joyce Ramsay, where Abe's progressive views on race, combined with his mild sexist attitude, rub Peggy the wrong way. When he brings her a piece he wrote condemning the capitalist attitudes of Wall Street, which names some of the firms with which Sterling Cooper Draper Pryce is contracted, Peggy loses her temper with Abe. In spite of this, they later reconcile and become a couple. In the fifth season, Abe asks Peggy to move in together which, after some contemplation and Joan's encouragement, Peggy accepts. Despite some problems (including criticism from Peggy's mother, who objects both to the fact that Abe is not Catholic, as well as the fact that Peggy has choosen to live with a man to whom she is not married), they settle into a life together, eventually purchasing (midway through season 6) a run down building on the Upper West Side, which they renovate and live in.
Suzanne Farrell 
At the beginning of Season 3, Suzanne Farrell (Abigail Spencer) is Sally Draper's homeroom teacher. She engages in an extended period of flirtation with Don, and they eventually enter into a sexual relationship. Suzanne is depicted as having a degree of idealism and shows hints of the "flower child" culture that will bloom in the late 1960s. Farrell lives in an apartment above the garage of a single-family, detached house. Her younger brother, Danny (Marshall Allman), suffers from epileptic seizures and as a result has become something of a drifter, unable to keep a job for very long. At the end of Season 3, Don signals a desire to strengthen his and Suzanne's relationship, but his plans are scuttled when Betty unexpectedly returns home from a vacation and confronts Don about his past.
Lee Garner, Sr. 
Lee Garner, Sr. (John Cullum) is an executive at Lucky Strike, a cigarette company with a very long relationship with Sterling Cooper. A proud, no-nonsense man in his seventies, he and Bert Cooper go way back. He turns executive power over to his son due to health issues.
Lee Garner, Jr. 
Lee Garner, Jr. (Darren Pettie) is an executive at Lucky Strike, a cigarette company with a very long relationship with Sterling Cooper. Boorish, bossy, boozy, and womanizing, Lee's behavior is accepted because his father runs the company and Lucky Strike represents a major share of Sterling Cooper's business.
Season 3 reveals that Lee Garner, Jr. has homosexual or bisexual tendencies, as he brusquely propositions Sal Romano, only to be rebuffed by the still closeted man. Not taking the rejection lightly, Garner, Jr. uses his clout to have Sal fired from Sterling Cooper.
In Season 4, Garner invites himself to the SCDP's 1964 Christmas party, forcing the company to overstep its tight budget in order to make the party a grander affair for their most important client. At the party, Garner humiliates Roger by forcing him to dress up in a Santa suit. Several months later, Garner abruptly informs Roger Sterling that Lucky Strike will be ending their business with SCDP, sending the agency into crisis.
Father Gill 
Father John Gill (Colin Hanks) is a young Catholic priest in a visiting ministry at the church Peggy's family attends in Brooklyn. He first appears in the Season 2 episode "Three Sundays". The fact that he is a Jesuit priest is indicated by the "S.J." after his name on church bulletins in the same episode. A rather progressive priest, he asks Peggy for advice about public speaking and advertising church events (such as a youth dance) after learning about her employment in advertising. He changes the style of a Sunday sermon to include more colloquialisms and to be more accessible to his congregation after listening to Peggy's criticisms; he later gives her a copy of the sermon. He learns about Peggy's pregnancy during the confession of Peggy's sister, Anita, and he appears to take an interest in bringing Peggy more fully into the church community. His progressiveness manifests itself at the end of "A Night to Remember", when he pulls out a guitar and begins to sing a folk-gospel song (which would have been associated with Protestantism and considered rather radical at the time; the Second Vatican Council had only been called the previous Christmas, and had yet to convene). He subtly indicates to Peggy that he would hear her confession if she wished, hinting that he prefers their friendship to be one of equals. Additionally, he expresses a desire for her to receive the Eucharist. However, Peggy is uncertain how involved she wishes to become in the church community and in the Catholic faith, although she appreciates Father Gill's friendship. Their relationship is a bit strained by the fact that Anita's confession, including the particulars of Peggy's pregnancy, was based on a mistaken assumption about the identity of the child's father. Peggy later confides to Don that her whole family thought he was the father because he was the only non-family member to visit her in the hospital. At the end of Season 2, after a confrontation with Father Gill over the nature of sin and forgiveness, Peggy decides to define her own spiritual faith and leave the Church.
Francine Hanson 
Francine Hanson (Anne Dudek) is one of Betty Draper's closest friends and neighbors. She spends many afternoons gossiping with Betty about the neighborhood's newest resident, divorcée Helen Bishop. Francine, married to a man named Carlton, is pregnant in season 1 and gives birth to a baby girl named Jessica. Francine confides to Betty that she thinks Carlton is having an affair. The clues—secret phone calls to Manhattan and the fact that Carlton sleeps at the Waldorf two nights a week—make her wish she could just poison him. By season 2 the couple has reconciled somewhat; Carlton appears to have gained weight, and the insinuation is food has become a substitute for womanizing.
Greg Harris 
Dr. Greg Harris (Samuel Page) is Joan's ex-husband (as of Season 5). During his engagement to Joan in Season 2, she brings him with her to Sterling Cooper to close up, at which time he rapes her on the floor of Don's office. After failing to become chief resident because his brown-nosing and entitlement do not make up for his sub-par surgical skills, he whines at length to Joan and insults her; she smashes a vase over his skull. Greg later decides to join the Army in order to gain surgical experience, not recognizing the possibility of his being shipped to the still-simmering crisis in Vietnam. He does not consult Joan prior to enlisting, but before leaving for basic training he states his desire to start a family. After basic training, Greg is sent to Vietnam. He is aware that Joan is pregnant, but is unaware that Roger Sterling is, in fact, the father.
In Season 5, Greg returns from his initial deployment but tells Joan that he has been ordered to return to Vietnam for another year. However, at a homecoming dinner with Joan's mother and Greg's parents, it becomes clear that Greg in fact volunteered to return, preferring the dependence his subordinates have on him over his family. Joan is furious and tells him to leave and not come back. When he tells her the army makes him feel like a "good man", she tells him he was never a good man, implicitly referencing the rape. He storms out, and a few months later serves Joan with divorce papers at the office, humiliating and infuriating her.
Conrad Hilton 
Conrad "Connie" Hilton (Chelcie Ross) is the fictional portrayal of Conrad Hilton, the real founder of the Hilton Hotels chain. He first meets Don Draper, who presumes Conrad is a bartender, at a country club where Don is a guest at Roger Sterling's Kentucky Derby party and Connie is a guest at a wedding reception. They share their hardscrabble beginnings and laugh about Don's urinating in the trunks of fancy clients' cars at the roadhouse where he worked as a valet. Connie later seeks out Don's help with an advertising campaign with Sterling Cooper. He is known to call Don during the middle of the night, and is the one who reveals to Don that Sterling Cooper will be bought by McCann Erickson during the third season. Connie is behind Sterling Cooper's forcing Don to sign an employment contract with the agency.
Gene Hofstadt 
Eugene "Gene" Hofstadt (Ryan Cutrona) is Betty's elderly father, who does not approve of Don. A veteran of World War I, he first appeared in the first season when, several months after his wife's death, he began dating another woman, Gloria Massey, upsetting Betty. He married Gloria sometime between November 1960 and April 1962. In 1962, Gene suffered a series of strokes that left him with slowed facilities and short-term memory loss. He becomes repeatedly "confused", believing himself to be back in the army or in the midst of prohibition; he once even fondled his daughter Betty, when he mistook her for his late wife. He also becomes more openly critical of Don, berating him in front of others and accusing him of not appreciating Betty; Don later tells Betty that he and Gene have a kind of mutual hatred for one another. His declining health eventually leads to Gloria's leaving him in early 1963 and his coming to live with the Drapers. He becomes especially close with his granddaughter, Sally Draper, before dying in June 1963, shortly before his second grandson is born. Betty names her son "Gene" in honor of her father.
William and Judy Hofstadt 
William Hofstadt (Eric Ladin) is Betty Draper's younger brother. He and his wife Judy (Megan Henning) have two daughters. William and Betty disagree over the disposition of their father's house (Betty does not want William to live there) and over how their father will be cared for as his health deteriorates. Judy seems to be a warm and kind caregiver for Gene.
Hollis (La Monde Byrd) is the elevator operator in the Sterling Cooper building on Madison Avenue. He occasionally interacts with the Sterling Cooper staff. At one point, Don pays Hollis to pretend the elevator is out of service, in order to teach Roger Sterling a lesson for coming onto Betty.
Gail Holloway 
Gail Holloway (Christine Estabrook) is Joan's mother, who comes to stay with Joan after Joan's son Kevin is born. She first apppears in Season 5's opener "A Little Kiss", and remains as a recurring character through much of that season, and then again appears in numerous season 6 episodes, beginning with "To Have and to Hold". Gail is supportive of Joan, but their relationship is also somewhat tense. She does not understand why Joan would want to return to work, thinking she should instead be content to be a full-time wife and mother, and she makes several disparaging comments to that effect. Joan, in turn, makes several references suggesting that Gail may have a drinking problem. Gail strikes up a flirtation with the apartment building's handyman, Apollo, of which Joan disapproves, until Apollo's wife forbids him to go to their apartment. Gail remains with Joan after Joan throws Greg out, but continues to be condescending about her daughter's job and failed marriage, frequently manipulating Joan's dependency on her to get her own way. In the season 6 episode "To Have and to Hold", Gail surprises Joan when she tells Joan's childhood friend she is proud of her daughter's having become a partner at a Madison Avenue firm.
John Hooker 
John Hooker (Ryan Cartwright), an Englishman, is Lane Pryce's assistant during season three. His title is "secretary," but he insists his status is higher than that of the other secretaries at Sterling Cooper. He tells Joan, "I'm Mr. Pryce's right arm; I'm not his typist." To this end, he asks that the switchboard operators address him as "Mr. Hooker" rather than just "John." He assumes Joan's position as office manager after her departure to become a housewife. A variety of Sterling Cooper employees refer to John as "Moneypenny", much to his chagrin. His officious, self-important manner annoys nearly everyone in the office, particularly Joan and Lane Pryce. When the primary partners abandon the company to form Sterling Cooper Draper Pryce, John is left to deal with the Puttnam, Powell, and Lowe executives, who are of course infuriated.
Edna Keener 
Dr. Edna Keener (Patricia Bethune) is a child psychiatrist whom Betty takes Sally to see when Sally's behavior at home becomes too much for Betty to handle; Betty also confides in Dr. Kenner. After making progress with Sally, she recommends reducing her number of sessions per week, which Betty objects to. Dr. Keener suggests that Betty herself seek some psychiatric help.
Gloria Massey 
Gloria Hofstadt, née Massey (Darcy Shean), is Gene Hofstadt's second wife, who is despised by her stepdaughter Betty. Gloria tries to hide the extent of Gene's illness in Season 2. In Season 3, Gloria is not seen, but Betty's brother William discovers that Gloria, unable to deal with Gene's deteriorating condition, has left him.
Carol McCardy 
Carol McCardy (Kate Norby) works at a literary agency and is Joan Holloway's roommate in Season 1. One night she musters the courage to confess to Joan that she has loved her since they met the first week in college, but Joan pretends to ignore her romantic advances.
Daisy McClusky 
Rachel Menken 
Rachel Katz (née Menken; Maggie Siff) is the Jewish head of a department store who becomes romantically involved with Draper after she comes to Sterling Cooper in search of an advertising agency to revamp her business' image. Don’s first encounter with Rachel, in Episode 1, is at a meeting where he pitches the idea of using coupons to attract more customers to the store. Rachel disagrees with the tactic, asserting that she would like to attract wealthier customers. Draper is unhappy with hearing a woman talk to him assertively at the business table. He storms out of the meeting, but Roger later asks him to reconcile with Ms. Menken, as she is worth $3 million. At his dinner with Rachel, Don questions her desire to work in business, confused that she would choose the “stress” of work over the comforts of married life. Rachel confidently replies that business is a thrill, and adds that she’s never been in love. Don mocks this addition, asserting that love doesn’t exist; it was invented by admen. He goes on to say that everyone is essentially alone – that we live alone, and die alone. Rachel responds that she knows what it’s like to be disconnected and feel out of place and she sees that in Don. Something about the statement seems to intrigue Don, but Rachel ends the meeting, promising to come back to Sterling Cooper for another meeting on Monday morning.
At the second meeting, in Episode 3, Rachel is irked that none of the admen put on her team have been to her store. Don solves the problem by going with Rachel to visit her store. Whilst there she gives him a pair of medieval knight cuff links. She takes him to her favorite place of the store – the roof - where the store keeps its patrol dogs. Rachel explains that she was always close to the dogs as a young girl because her father liked to work a lot. Other than her sister, the dogs were her only companions, as her mother died while giving birth to her. After her revelation, Don kisses her. He tells her he is married, which stuns her. She feels foolish and asks that he put someone else on her account at the firm.
In Episode 10, when Roger has a heart attack, Don goes to Rachel’s apartment and asks to come in; he has been highly affected by Roger’s condition. She keeps her distance, while trying to console him. Don tries to kiss her, telling her she knows everything about him. She stops him and urges him to go to his wife. At this point Don kisses her again saying, “This is it. This is all there is". She consents, and their affair begins. Episode 10 ends with Don's confiding in Rachel the nature of his upbringing.
When Pete Campbell blackmails Don, he comes to Rachel with the suggestion that they run away together to Los Angeles. She reminds him of his duty to his children and questions whether he would want to abandon his children after having grown up without a father. When Don persists, Rachel comes to the realization that he didn't want to run away with her, he just wants to run away. She calls him a coward. Their relationship seems to collapse from that point on. Apparently Rachel was so upset due to her breakup with Don that her father complained to Bert Cooper who in turn asked Don "why is this man calling me?" Cooper later reports she was sent on an extended "ocean cruise" to heal her psyche.
Don encounters her again in season 2, while he is dining out with Bobbie Barrett, at which time Rachel reveals she is now Mrs. Katz, having since married a man named Tilden Katz. Though it appears that Don is only momentarily shaken by the news of her marriage, several episodes later, after drinking heavily with Roger and Freddie Rumsen, he gives his name as "Tilden Katz" to a bouncer outside an underground club Roger is trying to get them into.
Faye Miller 
Dr. Faye Miller (Cara Buono) is a psychologist and freelance consultant who provides market research for Sterling Cooper Draper Pryce. She is a tough and independent "modern woman" whom Peggy admires. Although she wears a wedding ring, she admits at one point that this is merely a ruse to ward off men. Don, after initially denigrating her approach to advertising, takes an interest in her, and eventually the two embark on a secret romantic relationship. Don later reveals his past as Dick Whitman and entrusts Faye with the information. Faye quits working with SCDP after Don submits a full-page ad to The New York Times saying SCDP will no longer work with tobacco companies (as her firm continues to do so). He also convinces her to use her connections to try and get his struggling firm meetings with clients, which is ethically questionable. After Don impulsively becomes engaged to Megan Calvet, he breaks off his relationship with Faye, who is older and more worldly but lacks Megan's rapport with Don's children. Faye is extremely upset by the news.
Katherine Olson and Anita Olson Respola 
Katherine Olson (Myra Turley) and Anita Olson Respola (Audrey Wasilewski) are Peggy's mother and older sister, respectively. Peggy's relationship with her mother is strained, as Katherine does not understand Peggy's focus on her career rather than on finding a husband, and has not forgiven her daughter for having a child out of wedlock. She does not approve of Peggy's decision to live with Abe, less because of their religious differences than her nihilistic view that Abe's relationship with Peggy is merely practice for the real family he will someday have. She harshly tells her daughter that loneliness is no excuse for shacking up, and to simply buy a series of cats for companionship until she passes away. A devout Catholic, Katherine is vocally critical of Father Gill's style of preaching during season two. Anita, who is married with three children, is judgmental and harsh like their mother and shares Katherine's anger about Peggy's pregnancy. She reveals Peggy's secret to Father Gill while taking confession.
Burt Peterson 
Burt Peterson Burt Peterson (Michael Gaston) is an account executive at Sterling Cooper until 1963. As of "Man With a Plan" (season 6, episode 7), he is twice fired by Roger Sterling. The first time is in "Out of Town" (season 3, episode 1).
Phoebe (Nora Zehetner) is a nurse who lives down the hall from Don Draper's Greenwich Village apartment. She invites Don to her Christmas party and, later, when she finds him passed out, she helps him to bed and fends off a pass from him. Don hires her to watch Sally and Bobby one evening when he is out with Bethany Van Nuys. Unfortunately, Sally cuts off her hair while on Phoebe's watch, angering Don, who has to deal with the aftermath from Betty.
St. John Powell 
St. John Powell (pronounced "SINjin") (Charles Shaughnessy) is the managing director of London-based advertising firm Putnam, Powell, and Lowe. In Season 2, Duck Phillips meets with Powell and Alec Martin to propose that Putnam Powell buy out Sterling Cooper. At that meeting, Powell goads Duck into drinking alcohol, which results in Duck's falling off the wagon. Powell eventually makes an offer that is accepted. At end of Season 2, Powell and Martin witness Duck's drunken rant against Don, which results in Duck's being pushed out of Sterling Cooper. Powell is the architect of PP&L's sale to McCann Erickson, keeping the information from Lane Pryce and the rest of the Sterling Cooper staff. He later fires Pryce for "lack of character", furious that he has conspired with Sterling, Cooper and Draper to break their contracts and steal key clients.
Rebecca Pryce 
Rebecca Pryce (Embeth Davidtz) is Lane Pryce's wife of 18 years. Born to an upper-class British family, she's stylish, polite, and kindly, if a bit snooty. She follows Lane to New York in Season 3, but suffers the strain of culture shock and by Season 4 returns to London, with their son, Nigel, in tow. After a brief separation, and Lane's infidelity with a black Playboy Bunny, they apparently smooth over their problems and Rebecca moves back to New York to reconcile. She is stunned by his suicide and combines her genuine grief over losing him and the general contempt she viewed him with when she angrily says SCDP is at fault because they filled "a man like that with ambition". She also astutely realizes the USD$50,000 check Don gives her, reimbursing Lane's partnership fee, is worth less than Lane's contribution to the firm.
Robert Pryce 
Robert Pryce (W. Morgan Sheppard) is Lane Pryce's stern father. Originally from a middle-class British background, he is a retired surgical equipment supplier. He has a rather complicated love/hate relationship with his son, whom he dominates, sometimes by physically violent means, in order to make him "take action and sort his problems", to "put his house in order". Lane once described him as "one of those alcoholics that thinks he's collecting."
Joyce Ramsay 
Joyce Ramsay (Zosia Mamet) works as an assistant photo editor at Life magazine in the Time-Life Building, where Sterling Cooper Draper Pryce is located. Peggy meets her in the elevator and the two quickly become friends; Joyce introduces Peggy to the counter-culture scene of the early 1960s. Joyce is a lesbian and hangs out with a bohemian crowd, introducing Peggy to Peggy's boyfriend Abe Drexler at a loft party in a sweatshop. She later engineers a meeting between Abe and Peggy; although it ends badly, Peggy is not upset, and remains friends with Joyce.
Lois Sadler 
Lois Sadler (Crista Flanagan) starts as a switchboard operator in Season 1. In Season 2, she has become Don's secretary but is depicted as being incompetent and Don eventually sacks her for embarrassing him. By the end of Season 2, she is back on the switchboard and gives Harry, Paul, and Ken information about the upcoming merger that she has overheard in telephone conversations. In Season 3, she is Paul's secretary. It is Lois who is driving the tractor that causes the mayhem in "Guy Walks Into an Advertising Agency". Miraculously, she is not fired after this incident. She has a noticeable crush on Sal in Season 1.
Danny Siegel 
Danny Siegel (Danny Strong) is Jane Sterling's cousin, who is brought in for an interview at Sterling Cooper Draper Pryce. Don and Peggy find his work laughable, and the decision is made not to hire him. However, during a pitch meeting for Life cereal, Don inadvertently uses one of Danny's ideas, which ends up being a big hit. Peggy calls Don out on what he did and persuades him to make things right, so he brings Danny in to pay for his idea. Unfortunately, Danny is more interested in employment than being paid for one idea, so Don ends up hiring him. Siegel ends up generally fitting in well with the rest of the younger staffers, though he remains somewhat clueless. Danny is one of the first people let go from SCDP after it loses the Lucky Strike account, and Don and Peggy are visibly upset when they have to fire him. However, he takes the news gracefully and thanks them for the opportunity they'd given him.
"Smitty" Smith and Kurt Smith 
"Smitty" Smith (Patrick Cavanaugh) and Kurt Smith (Edin Gali) are a young copy writer/art director team hired by Don at the beginning of the second season. "Smitty" is an American, and often has to explain the complexities of American culture to the European Kurt. They always work together. Kurt is a fan of Bob Dylan (whose career was still in its early stages in 1962, when the season is set) and arranges to take Peggy to a concert. Kurt is also openly gay (which causes quite a stir in the office when he casually reveals as much in the breakroom) and quickly dispels the assumption that he is pursuing a romantic relationship with Peggy. It is Kurt who advises Peggy to pursue a trendier appearance, giving her a makeover and providing her with her new trademark hairstyle. Smitty is known to indulge in smoking marijuana, as does Paul Kinsey. Smitty is seen working for rival advertising company CGC in the fourth season, implying that Kurt is working there as well. He speaks glowingly of Don Draper when asked to describe him. In the season 3 episode "My Old Kentucky Home" Smitty tells Peggy he is a graduate of the University of Michigan.
Jane Sterling 
Jane Sterling (née Siegel) (Peyton List) is a secretary at Sterling Cooper. She is assigned to Don in the second season. Jane clashes frequently with Joan and is about to be fired when she successfully seeks Roger's intervention on her behalf. Shortly afterward, she begins an affair with Roger and he leaves his family for her. He quickly proposes out of the blue one morning in the episode "The Jet Set"; she accepts, and they become engaged towards the end of Season 2. By the start of Season 3 she and Roger are married. Their marriage in season three is depicted as tense. Jane is shown to be a heavy drinker, and she is repeatedly rejected by Roger's daughter Margaret, who is two years younger than she. However, despite the perceived tension, Roger repeatedly says his new marriage makes him happy because of Jane's youth and carefree personality. For a long time after their wedding, Roger refuses to cheat on Jane (something he repeatedly did with his first wife Mona) and turns down the advances of an old flame. Roger does eventually cheat on Jane with his former mistress, Joan Harris.
In season five, Roger and Jane take LSD together, mutually realize their marriage has failed, and agree to divorce. Roger later recruits Jane to pretend to still be his wife for a client dinner, as the clients are Jewish and he thinks her half-Jewish background will help win the account. She agrees on the condition that he buy her a new apartment, which he does. After the client dinner, Roger asks to see the new apartment. They sleep together there, and Jane is heartbroken and miserable because their sexual encounter has ruined her fresh start in her new apartment away from Roger.
In the season six premier, Jane attends Roger's mother's memorial service and offers to return the family heirloom ring he gave her. However, Roger tells her to keep it.
Margaret Sterling Hargrove 
Margaret Sterling (Elizabeth Rice) is Roger and Mona Sterling's daughter. A bit of a brat, she reacts petulantly to her father's remarriage and refuses to speak to Jane. She is engaged to be married during season three but John F. Kennedy is assassinated the day before her wedding. The decision is made to hold the wedding anyway, but the guest turn-out is significantly diminished. In the season six premier, she is disappointed that her grandmother has not left her any money, and asks her father to invest in her husband Brooks' refrigerator car technology venture.
Mona Sterling 
Mona Sterling (Talia Balsam, the real-life wife of John Slattery) is Roger Sterling's first wife and the mother of his daughter, Margaret. During their marriage he engaged in a number of extramarital affairs, but it wasn't until he met Jane Siegel that he ended their marriage. In season 5, they seem to be on good terms after Roger has left Jane; Mona even agrees to help Roger drum up business, noting that he still supports Mona and their daughter. In the season 6 premier, Roger explodes in an angry outburst at Mona's new husband, Bruce Pike, whom she has brought to Roger's mother's memorial service.
Brooks Stanford Hargrove 
Brooks Hargrove (Derek Ray) is the dutiful fiance/husband of Roger Sterling's daughter Margaret. They were married on November 23, 1963, the day after John Kennedy was assassinated. In the season 6 premier, following Roger's mother's memorial service, Margaret asks her father to invest in Brooks' refrigerator car technology venture.
Bethany Van Nuys 
Bethany Van Nuys (Anna Camp) is a young actress with whom Jane Sterling set Don up on a date following his divorce from Betty. On their first date (season 4, episode 1), when Don is dropping her off at the Barbizon Hotel for Women, she explains that she is in between acting roles and is working as a supernumerary. Don dates her periodically throughout the fourth season before becoming involved with Faye Miller.
Tom and Jeannie Vogel 
Thomas and Jeannie Vogel (Joe O'Connor and Sheila Shaw) are Trudy Campbell's parents. Tom is an executive at Vicks Chemical. In Season 1, he offers to help Pete and Trudy buy an apartment. Tom also offers to give Sterling Cooper the Clearasil account if Pete agrees to have a baby soon. In Season 2, after Trudy discovers she is unable to conceive, he pressures Pete to agree to adopt a child. When Pete refuses, Tom cancels the Clearasil account. At the end of Season 3, Pete gets the account back with Trudy's help. In Season 4, the agency drops Clearasil because of a conflict with a larger account (Pond's Cold Cream), but Pete is able to manipulate Tom into giving him several larger accounts from Tom's company.
Arnold Wayne 
Dr. Arnold Wayne (Andy Umberger) was Betty's psychiatrist during the first season, whom she saw because of her problem with her hands going numb unexpectedly. While she was seeing him, Dr. Wayne was secretly in contact with Don to discuss her sessions, which Betty found out about during the first season finale.
Adam Whitman 
Adam Whitman (Jay Paulson) is Dick Whitman's half-brother. In the first season episode "5G", Adam is seen working as a janitor who tries to re-establish a relationship with Don after seeing his picture in a thrown-away newspaper. Initially unwilling to associate with him, Don agrees to meet him at lunch and later visits him at a cheap rooming house where Adam is staying. Don gives Adam $5,000 and asks him not to try to contact him again. Eventually, Adam mails a package to Don that contains old family photos and soon afterward, hangs himself. (Pete Campbell later uses the box to try to blackmail Don about Don's true identity.) Sometime later in trying to reach Adam, Don discovers that Adam has committed suicide. As a boy, Adam saw Dick on the train that brought back "Dick's" body (actually that of Don Draper, whose identity Dick stole) from the Korean War, and tried to tell his mother and "Uncle Mack", but they did not listen to him. Adam reappears in the final two episodes of season 5, as Don/Dick hallucinates mildly while suffering from a "hot tooth" that turns out to be an abscess. As Don is placed under anesthesia, he sees Adam as the dentist; in this scene, Adam's neck is visibly bruised.
Archie Whitman 
Archie Whitman (Joseph Culp) is Dick Whitman's late father. Archie impregnated a prostitute who died while giving birth to Dick. After the child is brought to their home, Archie and his wife, Abigail, raise Dick. The couple are also the parents of Dick's younger half-brother, Adam. Don tells Betty that his father would "beat the hell out of him". There are other indications that Archie was a terrible father and a mean drunk. When Don was a child, a friendly drifter stayed with the Whitmans and had a conversation with Dick (Don) about how drifters leave signs carved on the front of a property to notify other hoboes of a resident's character. When the drifter leaves (after Archie reneges on a promise to pay him for some labor), Dick finds the sign for a dishonest person carved into the fence. Fate soon catches up with Archie's bad character; while drunk, Archie is kicked in the face by his horse during a storm and is killed as a stunned Dick looks on.
- AMC Cast and Crew
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