List of compositions by Franz Schubert
This is a partial list of compositions by Franz Schubert, organised by their genre. A complete list of Schubert's works arranged by "D number" (see below), is available in the following two articles:
Contents |
[edit] How Schubert's compositions are listed
The abbreviation "D" refers to "Deutsch", that is Otto Erich Deutsch, who created a catalogue of Schubert's works listed chronologically by composition date. This catalogue has been amended several times because historical research led to a new probable date of composition, leading to numbers followed by a letter: for example D 769a, formerly D 900.
The compositions of Schubert listed below are grouped generically, by type of composition. Not all thematic groups of Schubert works have a separate numbering that is generally accepted: for example the numbering of the piano sonatas proved particularly cumbersome, see below. Also for the symphonies the numbering from 1 to 10 is only "stable" insofar as no more new symphonies turn up. For most other groups of works there was no real attempt to number them, apart from the general numbering in the Deutsch catalogue.
Fewer than 100 of Schubert's compositions received an Opus number during Schubert's life: about half of the Opus numbers are posthumous, and give no indication at all regarding a chronological—or any other—order, except regarding the chronological order of publication. By the end of the 19th century no new opus numbers were added; for new publications the Deutsch number was used.
[edit] The numbering of Schubert's symphonies
Between 1813 and 1818 Schubert wrote six symphonies, now known as Nos. 1–6. In 1818 he drafted a four-movement symphony in E (now No. 7) in outline but only orchestrated the start of the first movement. In 1822 he composed and orchestrated two movements of a symphony in B minor (now No. 8, the Unfinished) and drafted part of a third movement; whether or not he had drafted a finale remains moot. In 1825–26 he completed a large symphony in C major (now No. 9, the Great). There are in addition numerous sketches and fragments for other symphonies, and in the 1970s it was realized that these included the nearly-complete draft of a three-movement Symphony in D from the summer and autumn of 1828. A performing version of this work was orchestrated by Brian Newbould as Symphony No. 10.
The first Schubert Symphony to be performed was the Great: this was designated by Schubert’s brother Ferdinand as "No. 7" as early as the 1830s. In the 1840s the thematic catalogue of Schubert's works prepared by Alois Fuchs accepted this numbering and also called the drafted E major symphony "No. 8". The two completed movements of the B minor symphony were not performed until 1865, and it was George Grove who decided that this symphony—the Unfinished—should be No. 8, with the E major dropping to No. 7 and the Great C major becoming No. 9. Though this has been the preferred numbering ever since, not least because it respects the chronological order of these works, the old numbering of the Great C major as No. 7 has been remarkably persistent and is still sometimes encountered. In addition to this the revised Deutsch catalogue edited by Walter Dürr and Arnold Fell has proposed that the E major Symphony should have no number, that the Unfinished should be called "No. 7" and the Great C major "No. 8".
[edit] Thematic list of Schubert's compositions
This list gives some better known examples of Schubert's 1000-odd compositions.
[edit] Symphonies
- Symphony No. 1 in D major, D 82
- Symphony No. 2 in B-flat major, D 125
- Symphony No. 3 in D major, D 200
- Symphony No. 4 in C minor, D 417 Tragic
- Symphony No. 5 in B-flat major, D 485
- Symphony No. 6 in C major, D 589 Little C major
- Symphony No. 7 in E major, D 729: Sketched in full score 1821, with part of the first movement fully orchestrated (performing versions by John Barnett, Felix Weingartner and Brian Newbould)
- Symphony No. 8 in B minor, D 759 Unfinished, sometimes counted as No. 7. Only the first two movements are completed, third movement was sketched, fourth was probably never written
- Symphony No. 9 in C major, D 944 Great C major, sometimes counted as No. 7 or No. 8 (see: Curse of the ninth)
- Symphony No. 10 in D major (elaborated by Brian Newbould from the symphonic sketch D 936a) Last
- In addition, there was long believed to have been a "Sketch for a Grand Symphony" made at Bad Gastein in 1824. No score of this Gastein Symphony appears to have survived, but it is often identified with the Sonata in C major for piano four-hands (Op. 140, D 812) and/or the Octet in F, D 803. Orchestrations of the Sonata, also known as the Grand Duo, were made by Joseph Joachim and others in an attempt to restore this "lost symphony" to the Schubert canon, but it is now known that the 'Grand Symphony' begun in 1824 is the same work as the "Great C major" (cf John Reed, Schubert, The Final Years (London, 1972)).
- Also, there are other incomplete sketches, D 2b (formerly D 997), D 615 and D 708a, all in the key of D major.
[edit] Music for chamber ensemble
- Sonatensatz, D. 28, for piano trio
- Wind Octet in F Major, D. 72
- Quartet for flute, viola, guitar and cello, D. 96
- String Quartet No. 11 in E, D. 353
- Sonata for Violin and Piano in A, D. 574
- Trio for Strings in B-flat, D. 581 (1817)
- Piano Quintet in A, The Trout Quintet, D. 667 – see also Songs below.
- Quartettsatz (quartet movement) in C minor, D. 703
- Variations On "Trockne Blumen" (from Die schöne Müllerin), piano and flute, Op. posth. 160, D. 802
- Octet in F, D. 803
- String Quartet No. 13 in A minor, D. 804 (known as the Rosamunde Quartet)
- String Quartet No. 14 in D minor, D. 810 (using music from the song Death and the Maiden)
- Arpeggione Sonata, D. 821 (for the arpeggione, a cello-like new instrument and piano, now played on cello or viola)
- String Quartet No. 15 in G, Op. 161, D. 887 (1826)
- Rondeau brilliant for piano and violin, Op. 70, D. 895
- Notturno, D. 897, for piano trio
- Piano Trio No. 1 in B-flat, D. 898
- Piano Trio No. 2 in E-flat, D. 929
- Fantasia for piano and violin in C, D. 934
- String Quintet in C, D. 956
[edit] Piano solo
Schubert's solo piano music includes twenty-one sonatas (depending on classification system), two sets of four impromptus each (D. 899 and D. 935), the six Moments Musicaux, and variations on themes by others, such as a variation on a theme by Anton Diabelli.
[edit] Piano, four hands
Schubert was a prolific composer of music for piano, four hands. Some of the best known of these works are the first of the three Marches militaires, the Grand Duo and the Fantasia in F minor, D 940.
- Fantasy in G major, D 1
- Fantasy in G minor, D 9
- Fantasy in C minor, D 48
- 4 Polonaises in D minor, B-flat major, E major, F major, Op. 75, D 599
- 3 Marches Héroiques in B minor, C major, D major, Op. 27, D 602
- Rondo in D major, Op. posth. 138, D 608
- Grande Sonata in B-flat major, Op. 30, D 617
- German Dance with 2 Trios and 2 Ländler, D 618
- Variations on a French Song in E minor, Op. 10, D 624
- Overture in F major, Op. 34, D 675
- Three Marches Militaires in D major, G major, E-flat major, Op. 51, D 733
- Sonata in C major ("Grand Duo"), Op. posth. 140, D 812
- Variations on an Original Theme in A-flat major, Op. 35, D 813
- 4 "Ländler" in E-flat major, A-flat major, C minor, C major, D 814
- Divertissement à la Hongroise in G minor, Op. 54, D 818
- 6 Grandes Marches et Trios in E-flat, G minor, B minor, D major, E-flat major, E major, Op. 40, D 819
- Divertissement on French motifs in E minor, Op. 63, D 823 [1]
- Divertissement on French motifs in B minor, Op. 84, No. 1, D 823
- Divertissement on French motifs in E minor, Op. 84, No. 2, D 823
- 6 Polonaises in D minor, F major, B-flat major, D major, A major, E major, Op. 61, D 824
- Grand funeral March in C minor, Op. 55, D 859
- Grande Marche Héroique in A minor, Op. 66, D 885
- 2 Marches Caractéristiques in C major, Op. posth. 121, D 886
- Variations on a theme from the Opera "Marie" by Hérold in C major, Op. 82, D 908
- March (Children's March) in G major, D .928
- Fantasia in F minor, Op. 103, D 940
- Duo (Lebensstürme) in A minor, Op. posth. 144, D 947
- Rondo in A major, Op. 107, D 951
- Fugue in E minor, Op. posth. 152, D 952
- Allegro moderato in C major, D 968
- Andante in A minor, D 968
- Variations on an Original Theme in B-flat major, Op. posth. 82, No. 2, D 968 A
[edit] Songs
[edit] Liturgical and sacred compositions
- Mass No. 1 in F major, D 105
- Mass No. 2 in G major, D 167
- Mass No. 3 in B-flat major, D 324
- Mass No. 4 in C major, D 452
- Mass No. 5 in A-flat major, D 678
- Mass No. 6 in E-flat major, D 950
- Deutsche Messe, D 872
- Kyrie in D minor, D 31
- Kyrie in B-flat major, D 45
- Kyrie in D minor, D 49
- Kyrie in F major, D 66
- Salve Regina in B-flat major, D 106
- Offertorium "Totus in corde", D 136
- Stabat Mater in G minor, D 175
- Offertorium "Tres sunt", D 181
- Graduale, D 184
- Offertorium "Salve regina", D 223
- Salve Regina in F major, D 379
- Stabat Mater in F minor, D 383
- Salve Regina in B-flat major, D 386
- Tantum ergo in C major, D 461
- Tantum ergo in C major, D 460
- Magnificat, D 486
- Auguste Jam Coelestium, D 488
- Offertorium "Salve regina", D 676
- Sechs Antiphonen zu Palmsonntag, D 696
- Psalm 23, D 706
- Tantum ergo in C major, D 739
- Tantum ergo in D major, D 750
- Salve Regina in C major, D 811
- Mass No. 6 in E-flat major, D 950
- Tantum ergo in E-flat major, D 962
- Psalm 92, D 953
- Offertorium, D 963
- Hymnus an den heiligen Geist, D 964
[edit] Oratorio
- Lazarus (Wien 1820, D 689, Stadttheater Essen 1928), August Hermann Niemeyer
[edit] Works for the stage
| Deutsch | Title | Genre | Subdivisions | Libretto | Composition | Première date | Place, theatre |
|---|---|---|---|---|---|---|---|
| 11 | Der Spiegelritter | Singspiel | 3 acts (but only overture and part of act 1 finished) | August von Kotzebue | 1811 | 11 December 1946 | Radio Beromünster |
| 84 | Des Teufels Lustschloß | natürliche Zauberoper | 3 acts | after Joseph-Marie Loaisel de Tréogate by August von Kotzebue | 1813/14 | 1978 | Potsdam, Hans Otto Theater |
| 190 | Der vierjährige Posten | Singspiel | 1 act | Carl Theodor Körner | 1815 | 1896 | Dresden, Hofoper |
| 220 | Fernando | Singspiel | 1 act | Albert Stadler | 1815 | 13 April 1907 | |
| 239 | Claudine von Villa Bella | Singspiel | 3 acts (but only overture and act 1 now exist) | Johann Wolfgang von Goethe | 1815 | 1913 | Vienna |
| 326 | Die Freunde von Salamanka | Singspiel | 2 acts | Johann Mayrhofer 1928: G. Ziegler |
1815 | 6 May 1928 | Halle, Stadttheater |
| 435 | Die Bürgschaft | Oper (fragment) | 3 acts (but only acts 1 and 2 remain) | Friedrich Schillers ballade Die Bürgschaft | 1816 | 1908 2005 |
Vienna (in concert) University of Jena (staged) |
| 137 | Adrast | lyrische Tragödie | 2 or 3 acts (unfinished) | Johann Mayrhofer | 1819/1820 | 13 December 1868 | Vienna, Redoutensaal |
| 647 | Die Zwillingsbrüder | Posse mit Gesang | 1 act | Georg von Hofmann, after Les deux Valentins | 1818/1820 | 1820 | Vienna, Theater am Kärntnertor |
| 644 | Die Zauberharfe | Zauberspiel mit Musik, melodrama | 3 acts | Georg von Hofmann | 1820 | 1820 | Vienna, Theater an der Wien |
| 701 | Sacontala | Oper | 3 acts (but only sketches for acts 1 and 2) | Johann Philipp Neumann after Kālidāsa | 1820–1821 | 12 June 1971 | |
| 982 | Sophie | Oper | sketches, 3 numbers only | spring 1821? | |||
| 732 | Alfonso und Estrella | Oper | 3 acts | Franz von Schober | 1821/22 | 1854 | Weimar, Hoftheater |
| 791 | Rüdiger | Oper | sketches only for No. 1 and No. 2 | I von Mosel? | from May 1823 | 5 January 1868 | Vienna, Redoutensaal |
| 787 | Die Verschworenen | Singspiel | 1 act | Ignaz Franz Castelli | 1823 | 1861 | Frankfurt, Comoedienhaus am Roßmarkt |
| 796 | Fierrabras | heroisch-romantische Oper | 3 acts | Joseph Kupelwieser | 1823 | 1897 | Karlsruhe, Großherzogliches Hoftheater |
| 797 | Rosamunde | incidental music | for a play by Helmina von Chézy |
1823 | 20 December 1823 | Vienna, Theater an der Wien[2] | |
| 918 | Der Graf von Gleichen | romantische Oper | 2 acts (but only sketches) | Eduard von Bauernfeld | 1827/1828 | 1996 | Meiningen, Staatstheater |
| 981 | Der Minnesänger | Oper | unfinished, lost |
[edit] References
- ^ D 823 combines three separate pieces, using the overall name Divertissement. The individual works as given by the publisher Breitkopf are as follows:
- Divertissement (en forme d'une Marche brillante et raisonnée) über französische Motive für das Pianoforte zu fier Händen componirt von Franz Schubert. Op. 63. Tempo di marcia. (Breitkopf Serie 9 No. 80)
- Andantino varié über französische Motive für das Pianoforte zu fier Händen componirt von Franz Schubert. Op. 84 No. 1. Andantino. (Breitkopf Serie 9 No. 81)
- Rondeau brillante über französische Motive für das Pianoforte zu fier Händen componirt von Franz Schubert. Op. 84 No. 2. Allegretto. (Breitkopf Serie 9 No. 82)
- ^ Keller, James M.. "Entr'acte No. 1". San Francisco Symphony. http://www.sfsymphony.org/music/ProgramNotes.aspx?id=48126. Retrieved 2 August 2011.
- McKay, Elizabeth Norman (1992), 'Schubert, Franz' in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) ISBN 0-333-73432-7
[edit] External links
- Over 700 songtexts set by Schubert many of these with English translations
- Free scores by Franz Schubert at the International Music Score Library Project
- The Mutopia Project has compositions by Franz Schubert
- Schubert music scores at the Project Gutenberg
- Schubert music scores – a free sheetmusic library
- The complete Deutsch catalogue