List of compositions by Franz Schubert

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This is a partial list of compositions by Franz Schubert, organised by their genre. A complete list of Schubert's works arranged by "D number" (see below), is available in the following two articles:

Contents

[edit] How Schubert's compositions are listed

The abbreviation "D" refers to "Deutsch", that is Otto Erich Deutsch, who created a catalogue of Schubert's works listed chronologically by composition date. This catalogue has been amended several times because historical research led to a new probable date of composition, leading to numbers followed by a letter: for example D 769a, formerly D 900.

The compositions of Schubert listed below are grouped generically, by type of composition. Not all thematic groups of Schubert works have a separate numbering that is generally accepted: for example the numbering of the piano sonatas proved particularly cumbersome, see below. Also for the symphonies the numbering from 1 to 10 is only "stable" insofar as no more new symphonies turn up. For most other groups of works there was no real attempt to number them, apart from the general numbering in the Deutsch catalogue.

Fewer than 100 of Schubert's compositions received an Opus number during Schubert's life: about half of the Opus numbers are posthumous, and give no indication at all regarding a chronological—or any other—order, except regarding the chronological order of publication. By the end of the 19th century no new opus numbers were added; for new publications the Deutsch number was used.

[edit] The numbering of Schubert's symphonies

Between 1813 and 1818 Schubert wrote six symphonies, now known as Nos. 1–6. In 1818 he drafted a four-movement symphony in E (now No. 7) in outline but only orchestrated the start of the first movement. In 1822 he composed and orchestrated two movements of a symphony in B minor (now No. 8, the Unfinished) and drafted part of a third movement; whether or not he had drafted a finale remains moot. In 1825–26 he completed a large symphony in C major (now No. 9, the Great). There are in addition numerous sketches and fragments for other symphonies, and in the 1970s it was realized that these included the nearly-complete draft of a three-movement Symphony in D from the summer and autumn of 1828. A performing version of this work was orchestrated by Brian Newbould as Symphony No. 10.

The first Schubert Symphony to be performed was the Great: this was designated by Schubert’s brother Ferdinand as "No. 7" as early as the 1830s. In the 1840s the thematic catalogue of Schubert's works prepared by Alois Fuchs accepted this numbering and also called the drafted E major symphony "No. 8". The two completed movements of the B minor symphony were not performed until 1865, and it was George Grove who decided that this symphony—the Unfinished—should be No. 8, with the E major dropping to No. 7 and the Great C major becoming No. 9. Though this has been the preferred numbering ever since, not least because it respects the chronological order of these works, the old numbering of the Great C major as No. 7 has been remarkably persistent and is still sometimes encountered. In addition to this the revised Deutsch catalogue edited by Walter Dürr and Arnold Fell has proposed that the E major Symphony should have no number, that the Unfinished should be called "No. 7" and the Great C major "No. 8".

[edit] Thematic list of Schubert's compositions

This list gives some better known examples of Schubert's 1000-odd compositions.

Schubert's autograph of the Octet in F (D 803), according to some scholars a possible version of his so-called Gastein Symphony

[edit] Symphonies

  • Symphony No. 1 in D major, D 82
  • Symphony No. 2 in B-flat major, D 125
  • Symphony No. 3 in D major, D 200
  • Symphony No. 4 in C minor, D 417 Tragic
  • Symphony No. 5 in B-flat major, D 485
  • Symphony No. 6 in C major, D 589 Little C major
  • Symphony No. 7 in E major, D 729: Sketched in full score 1821, with part of the first movement fully orchestrated (performing versions by John Barnett, Felix Weingartner and Brian Newbould)
  • Symphony No. 8 in B minor, D 759 Unfinished, sometimes counted as No. 7. Only the first two movements are completed, third movement was sketched, fourth was probably never written
  • Symphony No. 9 in C major, D 944 Great C major, sometimes counted as No. 7 or No. 8 (see: Curse of the ninth)
  • Symphony No. 10 in D major (elaborated by Brian Newbould from the symphonic sketch D 936a) Last
  • In addition, there was long believed to have been a "Sketch for a Grand Symphony" made at Bad Gastein in 1824. No score of this Gastein Symphony appears to have survived, but it is often identified with the Sonata in C major for piano four-hands (Op. 140, D 812) and/or the Octet in F, D 803. Orchestrations of the Sonata, also known as the Grand Duo, were made by Joseph Joachim and others in an attempt to restore this "lost symphony" to the Schubert canon, but it is now known that the 'Grand Symphony' begun in 1824 is the same work as the "Great C major" (cf John Reed, Schubert, The Final Years (London, 1972)).
  • Also, there are other incomplete sketches, D 2b (formerly D 997), D 615 and D 708a, all in the key of D major.

[edit] Music for chamber ensemble

[edit] Piano solo

Schubert's solo piano music includes twenty-one sonatas (depending on classification system), two sets of four impromptus each (D. 899 and D. 935), the six Moments Musicaux, and variations on themes by others, such as a variation on a theme by Anton Diabelli.

[edit] Piano, four hands

Manuscript page from Schubert's Fantasy in F minor D 940

Schubert was a prolific composer of music for piano, four hands. Some of the best known of these works are the first of the three Marches militaires, the Grand Duo and the Fantasia in F minor, D 940.

  • Fantasy in G major, D 1
  • Fantasy in G minor, D 9
  • Fantasy in C minor, D 48
  • 4 Polonaises in D minor, B-flat major, E major, F major, Op. 75, D 599
  • 3 Marches Héroiques in B minor, C major, D major, Op. 27, D 602
  • Rondo in D major, Op. posth. 138, D 608
  • Grande Sonata in B-flat major, Op. 30, D 617
  • German Dance with 2 Trios and 2 Ländler, D 618
  • Variations on a French Song in E minor, Op. 10, D 624
  • Overture in F major, Op. 34, D 675
  • Three Marches Militaires in D major, G major, E-flat major, Op. 51, D 733
  • Sonata in C major ("Grand Duo"), Op. posth. 140, D 812
  • Variations on an Original Theme in A-flat major, Op. 35, D 813
  • 4 "Ländler" in E-flat major, A-flat major, C minor, C major, D 814
  • Divertissement à la Hongroise in G minor, Op. 54, D 818
  • 6 Grandes Marches et Trios in E-flat, G minor, B minor, D major, E-flat major, E major, Op. 40, D 819
  • Divertissement on French motifs in E minor, Op. 63, D 823 [1]
  • Divertissement on French motifs in B minor, Op. 84, No. 1, D 823
  • Divertissement on French motifs in E minor, Op. 84, No. 2, D 823
  • 6 Polonaises in D minor, F major, B-flat major, D major, A major, E major, Op. 61, D 824
  • Grand funeral March in C minor, Op. 55, D 859
  • Grande Marche Héroique in A minor, Op. 66, D 885
  • 2 Marches Caractéristiques in C major, Op. posth. 121, D 886
  • Variations on a theme from the Opera "Marie" by Hérold in C major, Op. 82, D 908
  • March (Children's March) in G major, D .928
  • Fantasia in F minor, Op. 103, D 940
  • Duo (Lebensstürme) in A minor, Op. posth. 144, D 947
  • Rondo in A major, Op. 107, D 951
  • Fugue in E minor, Op. posth. 152, D 952
  • Allegro moderato in C major, D 968
  • Andante in A minor, D 968
  • Variations on an Original Theme in B-flat major, Op. posth. 82, No. 2, D 968 A

[edit] Songs

[edit] Liturgical and sacred compositions

  • Mass No. 1 in F major, D 105
  • Mass No. 2 in G major, D 167
  • Mass No. 3 in B-flat major, D 324
  • Mass No. 4 in C major, D 452
  • Mass No. 5 in A-flat major, D 678
  • Mass No. 6 in E-flat major, D 950
  • Deutsche Messe, D 872
  • Kyrie in D minor, D 31
  • Kyrie in B-flat major, D 45
  • Kyrie in D minor, D 49
  • Kyrie in F major, D 66
  • Salve Regina in B-flat major, D 106
  • Offertorium "Totus in corde", D 136
  • Stabat Mater in G minor, D 175
  • Offertorium "Tres sunt", D 181
  • Graduale, D 184
  • Offertorium "Salve regina", D 223
  • Salve Regina in F major, D 379
  • Stabat Mater in F minor, D 383
  • Salve Regina in B-flat major, D 386
  • Tantum ergo in C major, D 461
  • Tantum ergo in C major, D 460
  • Magnificat, D 486
  • Auguste Jam Coelestium, D 488
  • Offertorium "Salve regina", D 676
  • Sechs Antiphonen zu Palmsonntag, D 696
  • Psalm 23, D 706
  • Tantum ergo in C major, D 739
  • Tantum ergo in D major, D 750
  • Salve Regina in C major, D 811
  • Mass No. 6 in E-flat major, D 950
  • Tantum ergo in E-flat major, D 962
  • Psalm 92, D 953
  • Offertorium, D 963
  • Hymnus an den heiligen Geist, D 964

[edit] Oratorio

  • Lazarus (Wien 1820, D 689, Stadttheater Essen 1928), August Hermann Niemeyer

[edit] Works for the stage

Deutsch Title Genre Subdivisions Libretto Composition Première date Place, theatre
11 Der Spiegelritter Singspiel 3 acts (but only overture and part of act 1 finished) August von Kotzebue 1811 11 December 1946 Radio Beromünster
84 Des Teufels Lustschloß natürliche Zauberoper 3 acts after Joseph-Marie Loaisel de Tréogate by August von Kotzebue 1813/14 1978 Potsdam, Hans Otto Theater
190 Der vierjährige Posten Singspiel 1 act Carl Theodor Körner 1815 1896 Dresden, Hofoper
220 Fernando Singspiel 1 act Albert Stadler 1815 13 April 1907  
239 Claudine von Villa Bella Singspiel 3 acts (but only overture and act 1 now exist) Johann Wolfgang von Goethe 1815 1913 Vienna
326 Die Freunde von Salamanka Singspiel 2 acts Johann Mayrhofer
1928: G. Ziegler
1815 6 May 1928 Halle, Stadttheater
435 Die Bürgschaft Oper (fragment) 3 acts (but only acts 1 and 2 remain) Friedrich Schillers ballade Die Bürgschaft 1816 1908
2005
Vienna (in concert)
University of Jena (staged)
137 Adrast lyrische Tragödie 2 or 3 acts (unfinished) Johann Mayrhofer 1819/1820 13 December 1868 Vienna, Redoutensaal
647 Die Zwillingsbrüder Posse mit Gesang 1 act Georg von Hofmann, after Les deux Valentins 1818/1820 1820 Vienna, Theater am Kärntnertor
644 Die Zauberharfe Zauberspiel mit Musik, melodrama 3 acts Georg von Hofmann 1820 1820 Vienna, Theater an der Wien
701 Sacontala Oper 3 acts (but only sketches for acts 1 and 2) Johann Philipp Neumann after Kālidāsa 1820–1821 12 June 1971  
982 Sophie Oper sketches, 3 numbers only spring 1821?
732 Alfonso und Estrella Oper 3 acts Franz von Schober 1821/22 1854 Weimar, Hoftheater
791 Rüdiger Oper sketches only for No. 1 and No. 2 I von Mosel? from May 1823 5 January 1868 Vienna, Redoutensaal
787 Die Verschworenen Singspiel 1 act Ignaz Franz Castelli 1823 1861 Frankfurt, Comoedienhaus am Roßmarkt
796 Fierrabras heroisch-romantische Oper 3 acts Joseph Kupelwieser 1823 1897 Karlsruhe, Großherzogliches Hoftheater
797 Rosamunde incidental music   for a play by
Helmina von Chézy
1823 20 December 1823 Vienna, Theater an der Wien[2]
918 Der Graf von Gleichen romantische Oper 2 acts (but only sketches) Eduard von Bauernfeld 1827/1828 1996 Meiningen, Staatstheater
981 Der Minnesänger Oper unfinished, lost

[edit] References

  1. ^ D 823 combines three separate pieces, using the overall name Divertissement. The individual works as given by the publisher Breitkopf are as follows:
    • Divertissement (en forme d'une Marche brillante et raisonnée) über französische Motive für das Pianoforte zu fier Händen componirt von Franz Schubert. Op. 63. Tempo di marcia. (Breitkopf Serie 9 No. 80)
    • Andantino varié über französische Motive für das Pianoforte zu fier Händen componirt von Franz Schubert. Op. 84 No. 1. Andantino. (Breitkopf Serie 9 No. 81)
    • Rondeau brillante über französische Motive für das Pianoforte zu fier Händen componirt von Franz Schubert. Op. 84 No. 2. Allegretto. (Breitkopf Serie 9 No. 82)
  2. ^ Keller, James M.. "Entr'acte No. 1". San Francisco Symphony. http://www.sfsymphony.org/music/ProgramNotes.aspx?id=48126. Retrieved 2 August 2011. 

[edit] External links

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