List of concert arias, songs and canons by Wolfgang Amadeus Mozart

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This is a list of concert arias, songs and canons by Wolfgang Amadeus Mozart.

Arias, canzonettas, cavatinas[edit]

Soprano[edit]

K1 K6 Composition, score and critical report (NMA) Librettist Date
02323   "Conservati fedele" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio,
Artaserse I,1
1765-10October 1765
07070 61c "A Berenice … Sol nascente" (Score/Crit. report)
Recitative and aria (Licenza) for soprano and orchestra
unknown 1767-02-2828 February 1767 or 1769
07777 73e "Misero me! … Misero pargoletto" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio,
Demofoonte III, 4&5
1770-03March 1770
07878 73b "Per pietà, bell'idol mio" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio,
Artaserse I,5
1766--1766
07979 73d "O temerario Arbace! … Per quel paterno amplesso" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio,
Artaserse II,11
1766--1766
901deest   "Cara, se le mie pene" (Score/Crit. report)
Aria for soprano, 2 horns, violin, viola & bass
unknown 1769--1769
08282 73o "Se ardire, e speranza" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio 1770-04-2525 April 1770
08383 73p "Se tutti i mali miei" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio 1770--1770
08888 73c "Fra cento affanni e cento" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio,
Artaserse I,2
1770--1770
119119 382h "Der Liebe himmlisches Gefühl" (Score/Crit. report)
Aria for soprano and orchestra (piano reduction)
This is possibly (Kunze) the aria for Gretl Marchard from K. deest
unknown 1782--1782
152152 210a "Ridente la calma" (Score/Crit. report)
Aria (canzonetta) for voice and piano
arrangement of Josef Mysliveček's aria from Armida
Giovanni Ambrogio Migliavacca 1773--between 1772 and 1775
178178 417e "Ah, spiegarti, oh Dio" (Score/Crit. report)
Aria for soprano and orchestra (piano reduction)
unknown 1783-06June 1783
217217   "Voi avete un cor fedele" (Score/Crit. report)
Aria for soprano and orchestra
Carlo Goldoni 1775-10-2626 October 1775
272272   "Ah, lo previdi! … Ah, t'invola … Deh, non varcar" (Score/Crit. report)
Recitative, aria and cavatina for soprano and orchestra
Vittorio Amedio Cigna-Santi 1777-08August 1777
294294   "Alcandro, Io confesso … Non sò d'onde viene" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio
L'Olimpiade III,6
1778-02-2424 February 1778
316316 300b "Popoli di Tessaglia! … Io non chiedo, eterni Dei" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Ranieri de' Calzabigi 1779-01-088 January 1779
368368   "Ma che vi fece, o stelle … Sperai vicino il lido" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio 1781-01January 1781
369369   "Misera, dove son! … Ah! non son io che parlo" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio 1781-03-088 March 1781
374374   "A questo seno deh vieni … Or che il cielo a me ti rende" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Giovanni de Gamerra 1781-04April 1781
383383   "Nehmt meinen Dank, ihr holden Gönner!" (Score/Crit. report)
Aria for soprano and orchestra
unknown 1782-04-1010 April 1782
416416   "Mia speranza adorata! … Ah, non sai qual pena" (Score/Crit. report)
Recitavo and aria (rondo) for soprano and orchestra
Gaetano Sertor 1783-01-088 January 1783
418418   "Vorrei spiegarvi, oh Dio!" (Score/Crit. report)
Aria for soprano and orchestra
unknown 1783-06-2020 June 1783
419419   "No, che non sei capace" (Score/Crit. report)
Aria for soprano and orchestra
unknown 1783-06June 1783
440440 383h "In te spero, oh sposo amato" (Score/Crit. report)
Aria for soprano and orchestra (sketch)
Metastasio 1782-02February 1782
486486a 295a "Basta, vincesti … Ah, non lasciarmi, no" (Score/Crit. report)
Recitative and aria for soprano and orchestra
Metastasio 1778-02-2828 February 1778
505505   "Ch'io mi scordi di te? … Non temer, amato bene" (Score/Crit. report)
Recitative and aria (rondo) for soprano, piano obbligato and orchestra
unknown 1786-12-2626 December 1786
528528   "Bella mia fiamma, addio! ... Resta, oh cara!" (Score/Crit. report)
D. Michele Sarcone 1787-11-033 November 1787
538538   "Ah se in ciel, benigne stelle"
Aria for soprano and orchestra
Metastasio 1788-03-044 March 1788
569569   "Ohne Zwang aus eignem Triebe" (lost)
Aria for soprano
Michel-Jean Sedaine, Le roi et le fermier, tr. Johann Heinrich Faber[1] 1789-01January 1789
577577   "Al desio di chi t'adora" (Score)
Replacement aria for soprano and orchestra in The Marriage of Figaro
Lorenzo Da Ponte 17891789
578578   "Alma grande e nobil core" (Score/Crit. report)
Aria for soprano and orchestra
Giuseppe Palomba 1789-08August 1789
579579   "Un moto di gioia mi sento" (Score)
Replacement aria for soprano and orchestra in The Marriage of Figaro
Lorenzo Da Ponte 17891789
580580   "Schon lacht der holde Frühling" (Score/Crit. report)
Aria for soprano and orchestra
unknown 1789-09-1717 September 1789
582582   "Chi sà, chi sà, qual sia" (Score/Crit. report)
Aria for soprano and orchestra
Lorenzo Da Ponte 1789-10October 1789
583583   "Vado, ma dove? oh Dei!" (Score/Crit. report)
Aria for soprano and orchestra
Lorenzo Da Ponte 1789-10October 1789
74b  74b "Non curo l'affetto" (Score/Crit. report)
Aria for soprano and orchestra
Metastasio,
Demofoonte I,7
1771-03early 1771

Contralto[edit]

K1 K6 Composition, score and critical report (NMA) Librettist Date
255255   "Ombra felice! … Io ti lascio" (Score/Crit. report)
Recitative for contralto and orchestra
Giovanni de Gamerra 1776-09September 1776

Tenor[edit]

K1 K6 Composition, score and critical report (NMA) Librettist Date
02121 19c "Va, dal furor portata" (Score/Crit. report)
Aria for tenor and orchestra
Metastasio 1765--1765
03636 33i "Or che il dover – Tali e cotanti sono" (Score/Crit. report)
Recitative and aria for tenor and orchestra
unknown 1766-12December 1766
07171   "Ah, più tremar non voglio" (Score/Crit. report)
Aria for tenor and orchestra (fragment)
Metastasio 1769--1769 or 1770
209209   "Si mostra la sorte" (Score/Crit. report)
Aria for tenor and orchestra
unknown 1775-05-1919 May 1775
210210   "Con ossequio, con rispetto" (Score/Crit. report)
Aria for tenor and orchestra
unknown 1775-05May 1775
256256   "Clarice cara mia sposa" (Score/Crit. report)
Aria for tenor and orchestra
unknown 1776-09September 1776
295295   "Se al labbro mio non credi" (Score/Crit. report)
Aria for tenor and orchestra
Antonio Salvi 1778-02-2828 February 1778
420420   "Per pietà, non ricercate" (Score/Crit. report)
Aria (rondo) for tenor and orchestra
unknown 1783-06-2121 June 1783
431431 425b "Misero! O sogno … Aura, che intorno spiri" (Score/Crit. report)
Recitative and aria for tenor and orchestra
unknown 1783-12December 1783
435435 416b "Müßt' ich auch durch tausend Drachen" (Score/Crit. report)
Aria for tenor and orchestra
unknown 1783--1783

Bass[edit]

K1 K6 Composition, score and critical report (NMA) Librettist Date
209a  209a "Un dente guasto e gelato" (Score/Crit. report)
Aria for bass and orchestra
unknown 1775--1775
432432 421a "Così dunque tradisci … Aspri rimorsi atroci" (Score/Crit. report)
Aria and recitative for bass and orchestra
Metastasio 1783--1783
433433 416c "Männer suchen stets zu naschen" (Score/Crit. report)
Aria for bass and orchestra (sketch)
unknown 1783--1783
512512   "Alcandro, Io confesso … Non sò d'onde viene" (Score/Crit. report)
Recitative and aria for bass and orchestra
Metastasio
Olimpiade III,6
1787-03-1818 or 19 March 1787
513513   "Mentre ti lascio, oh figlia" (Score/Crit. report)
Aria for bass and orchestra
Duca Sant' Angioli-Morbilli 1787-03-2323 March 1787
539539   "Ich möchte wohl der Kaiser sein" (Score/Crit. report)
A German war song for bass and orchestra
Johann Wilhelm Ludwig Gleim 1788-03-055 March 1788
541541   "Un bacio di mano" (Score/Crit. report)
Arietta for bass and orchestra
Lorenzo Da Ponte 1788-06June 1788
612612   "Per questa bella mano" (Score/Crit. report)
Aria for bass, contrabass obbligato, and orchestra
unknown 1791-03-088 March 1791
Anh245Anh. 245 621a "Io ti lascio, oh cara, addio" (Score/Crit. report)
Aria for bass and orchestra
unknown 1791--1791

Group[edit]

K1 K6 Composition, score and critical report (NMA) Librettist Date
2020   "God is our refuge" (Score)
Choral for soprano, contralto, tenor, bass
Psalms 46:1 1765-07July 1765
Anh024aAnh. 024a 43a "Ach, was müssen wir erfahren!" (Score)
Duet for two sopranos (fragment)
unknown 1767-10-1515 October 1767
346346 439a "Luci care, luci belle" (Score)
Notturno (terzet) for two sopranos and bass
Angelo Lungi, La Pupilla 1783--possibly 1783
436436   "Ecco quel fiero istante" (Score)
Notturno (terzet) for two sopranos and bass
Metastasio
(from La partenza)
1783--possibly 1783
437437   "Mi lagnerò tacendo" (Score)
Notturno (terzet) for two sopranos and bass
Metastasio
(from Siroe, II, 1)
1783--possibly 1783
438438   "Se lontan, ben mio, tu sei" (Score)
Notturno (terzet) for two sopranos and bass
Metastasio
(Strofe per musica)
1783--possibly 1783
439439   "Due pupille amabili" (Score)
Notturno (terzet) for two sopranos and bass
Giuseppe Petrosellini, L'incognita perseguitata 1783--possibly 1783
441441   "Liebes Manndel, wo ist's Bandel?" (Score)
Terzet for soprano, tenor and bass
Vienna dialect 1783--possibly 1783
479479   "Dite almeno, in che mancai" (Score/Crit. report)
Aria for soprano, tenor, 2 basses
unknown 1785-11-055 November 1785
480480   "Mandina amabile" (Score/Crit. report)
Aria for soprano, tenor, bass, and orchestra
unknown 1785-11-2121 November 1785
483483   "Zerfließet heut', geliebte Brüder" (Score)
Song with 3-part male choir
Augustin Veith Edler von Schittlersberg 1785-12December 1785
484484   "Ihr unsre neuen Leiter" (Score)
Song with 3-part male choir
Augustin Veith Edler von Schittlersberg 1785-12December 1785
434434 480b "Del gran regno delle amazzone" (Score/Crit. report)
Aria for tenor, 2 basses, and orchestra
Giuseppe Petrosellini 1785-99end of 1785
532532   "Grazie agl'inganni tuoi" (Score)
Untexted sketch for a terzet for soprano, tenor and Bass
Metastasio 1787--possibly 1787
549549   "Più non si trovano" (Score)
Canzonetta (terzet) for two sopranos and bass
Metastasio
(from Olimpiade, I, 7)
1788-07-1616 July 1788
Anh005Anh. 5 571a "Caro mio Druck und Schluck" (Score)
Quartet for soprano, two tenors and bass
Wolfgang Amadeus Mozart 1789-03beginning of 1789

Songs[edit]

K1 K6 Composition, score and critical report (NMA) Librettist Date
05353 47e "An die Freude" (Score/Crit. report)
Freude, Königin der Weisen
Possibly (Einstein) the aria for the daughter of Joseph Wolf from K. deest
Johann Peter Uz (1720–1796) 1768-11November 1768
147147 125g "Wie unglücklich bin ich nit" (Score/Crit. report) unknown 1772--1772
148148 125h "Lobgesang auf die feierliche Johannisloge" (Score/Crit. report)
O heiliges Band der Freundschaft treuer Brüder
Ludwig Friedrich Lenz (1717–1780) 1772--1772
307307 284d "Oiseaux, si tous les ans" (Score/Crit. report) Antoine Houdart Ferrand (1678–1719) 1777-10-3030 October 1777
308308 295b "Dans un bois solitaire" (Score/Crit. report) Antoine Houdar de la Motte (1672–1731) 1777-99-99between 30 October 1777 and 13/14 March 1778
343343 336c "Zwei deutsche Kirchenlieder" (Score/Crit. report)
O Gotteslamm, Als aus Ägypten Israel
unknown 1787-04Spring 1787
349349 367a "Die Zufriedenheit" (Score/Crit. report)
Was frag' ich viel nach Geld und Gut
Johann Martin Miller (1750–1814) 1780-99-99between 8 November 1780 and mid-March 1781
351351 367b "Komm, liebe Zither, komm" (Score/Crit. report) unknown 1780-99-99between 8 November 1780 and mid-March 1781
390390 340c "Ich würd' auf meinem Pfad" (Score/Crit. report) Johann Timotheus Hermes (1738–1821) 1781-99-99between August 1781 and Mai 1782
391391 340b "Sei du mein Trost" (Score/Crit. report) Johann Timotheus Hermes (1738–1821) 1781-99-99between August 1781 and Mai 1782
392392 340a "Verdankt sei es dem Glanz der Großen" (Score/Crit. report) Johann Timotheus Hermes (1738–1821) 1781-99-99between August 1781 and Mai 1782
Anh025Anh. 25 386d "Bardengesang auf Gibraltar" (Score/Crit. report)
O Calpe! Dir donnert's am Fusse (sketch)
Michael Denis (1729–1800) 1782-12-99end of December 1782
468468   "Lied zur Gesellenreise" (Score/Crit. report)
Die ihr einem neuen Grad
Joseph Franz von Ratschky (1757–1810) 1785-03-2626 March 1785
472472   "Der Zauberer" (Score/Crit. report)
Ihr Mädchen, flieht Damöten [Damoetas] ja!
Christian Felix Weiße (1726–1804) 1785-05-077 May 1785
473473   "Die Zufriedenheit" (Score/Crit. report)
Wie sanft, wie ruhig
Christian Felix Weiße (1726–1804) 1785-05-077 May 1785
474474   "Die betrogene Welt" (Score/Crit. report)
Der reiche Tor
Christian Felix Weiße (1726–1804) 1785-05-077 May 1785
476476   "Das Veilchen" (Score/Crit. report)
Ein Veilchen auf der Wiese stand
Johann Wolfgang von Goethe 1785-06-088 June 1785
506506   "Lied der Freiheit" (Score/Crit. report)
Wer unter eines Mädchens Hand
Aloys Blumauer (1755–1798) 1785-99end of 1785
Anh026Anh. 26 475a "Einsam bin ich, meine Liebe" (Score/Crit. report)
fragment
Johann Martin Miller (1750–1814)[2] 1785--possibly 1785
517517   "Die Alte" (Score/Crit. report)
Ein bißchen aus der Nase
Friedrich von Hagedorn (1708–1754) 1787-05-1718 May 1787
518518   "Die Verschweigung" (Score/Crit. report)
Sobald Damötas Chloen sieht
Christian Felix Weiße (1726–1804) 1787-05-2020 May 1787
519519   "Das Lied der Trennung" (Score/Crit. report)
Die Engel Gottes weinen
Klamer Eberhard Karl Schmidt (1746–1824) 1787-05-2323 May 1787
520520   "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte" (Score/Crit. report)
Erzeugt von heißer Phantasie
Gabriele von Baumberg (1766–1839) 1787-05-2626 May 1787
523523   "Abendempfindung an Laura" (Score/Crit. report)
Abend ist's, die Sonne ist verschwunden
unknown 1787-06-2424 June 1787
524524   "An Chloe" (Score/Crit. report)
Wenn die Lieb’ aus deinen blauen, hellen, offnen Augen sieht
Johann Georg Jacobi (1740–1814) 1787-06-2424 June 1787
529529   "Des kleinen Friedrichs Geburtstag" (Score/Crit. report)
Es war einmal, ihr Leute
Johann Eberhard Friedrich Schall (1742–1790),
last verse by Joachim Heinrich Campe (1746–1818)
1787-11-066 November 1787
530530   "Das Traumbild" (Score/Crit. report)
Wo bist du, Bild
Ludwig Christoph Heinrich Hölty (1748–1776) 1787-11-066 November 1787
531531   "Die kleine Spinnerin" (Score/Crit. report)
Was spinnst du?
unknown 1787-12-1111 December 1787
552552   "Lied beim Auszug in in das Feld" (Score/Crit. report)
Dem hohen Kaiserworte treu
unknown 1788-08-1111 August 1788
596596   "Sehnsucht nach dem Frühling" (Score/Crit. report)
Komm, lieber Mai, und mache
Christian Adolph Overbeck (1755–1821) 1791-01-1414 January 1791
597597   "Der Frühling" (Score/Crit. report)
Erwacht zum neuen Leben
Christoph Christian Sturm (1740–1786) 1791-01-1414 January 1791
598598   "Das Kinderspiel" (Score/Crit. report)
Wir Kinder, wir schmecken der Freuden recht viel!
Christian Adolph Overbeck (1755–1821) 1791-01-1414 January 1791

Canons[edit]

K1 K6 Composition, score and critical report (NMA) Librettist Date
8989 73k "Kyrie in G" (Score)
Kyrie a cinque con diversi canoni
liturgical text 1770-05May 1770
089a89a II 73r "Four Riddle Canons" (Score)
Sit trium series una: Incipe Menalios for 3 voices;
Ter ternis canite vocibus: Cantate Domino for 9 voices;
Canon ad duodecimam: Confitebor tibi Domine for 3 voices;
Canon. Ter voce ciemus: Thebana bella for 6 voices
unknown 1770-07Summer 1770
089a89a 73i "Canon for 4 instruments" (Score) 1770-04April 1770
228228 515b "Ach! zu kurz" (Score)
Double canon for 4 voices
unknown 1787-04-24before 24 June 1787
229229 382a "Sie ist dahin" (Score)
Canon for 3 voices
Ludwig Heinrich Christoph Hölty (1748–1776) 1782--1782
230230 382b "Selig, selig" (Score)
Canon for 2 voices
Ludwig Heinrich Christoph Hölty (1748–1776) 1782--1782
231231 382c "Leck mich im Arsch" / "Lasst uns froh sein") (Score)
Canon for 6 voices
probably WA Mozart himself 1782--1782
232232 509a "Lieber Freistädtler, lieber Gaulimauli" (Score)
Canon for 4 voices
probably WA Mozart himself 1787-07-04after 4 June 1787
233233 382d "Leck mir den Arsch fein recht schön sauber" (Score)
/ "Nichts labt mich mehr als Wein" – Canon for 3 voices
probably WA Mozart himself 1782--1782
234234 382e "Bei der Hitz im Sommer eß ich" (Score)
/ "Essen, Trinken" – Canon for 3 voices
probably WA Mozart himself 1782--1782
347347 382f "Wo der perlende Wein im Glase blinkt" (Score)
Canon for 6 voices
unknown 1782--1782
348348 382g "V'amo di core" (Score)
Quadruple canon for 12 voices (3 choirs)
unknown 1782--1782
deest01deest   1. "Canon for 6" (sketch) (Score) 1782--1781/82 or later
deest02deest   2. "Canon for 4" (sketch) (Score) 1782--1781/82 or later
deest03deest   3. "Canon for 4" (sketch) (Score) 1782--1781/82 or later
deest04deest   4. "Canon for 4" (sketch) (Score) 1785-99end of 1785/1786
507507   "Heiterkeit und leichtes Blut" (Score)
Canon for 3 voices
1786-06-03after 3 June 1786
508508   "Auf das Wohl aller Freunde" (Score)
Canon for 3 voices (sopranos)
unknown 1786-06-03after 3 June 1786
508a  508a 2 canons for 3 sopranos / 14 Interval canons (Score)
Canons for various voices (sketches)
1786-06-03after 3 June 1786
deest06deest   6. "Canon for 3" (sketch) (Score) 1786-06-03after 3 June 1786
deest07deest   7. "Canon for 2" (sketch) (Score) 1786-06-03after 3 June 1786
deest00deest   "Canon for 4" (Score) 1786-07Summer 1786
553553   "Alleluia" (Score)
Canon for 4 voices
liturgical text 1788-09-022 September 1788
554554   "Ave Maria" (Score)
Canon for 3 voices
liturgical text 1788-09-022 September 1788
555555   "Lacrimoso son'io" (Score)
Canon for 4 voices
liturgical text 1788-09-022 September 1788
556556   "Grechtelt's enk" (Score)
Canon for 4 voices
unknown 1788-09-022 September 1788
557557   "Nascoso è il mio sol" (Score)
Canon for 4 voices
unknown 1788-09-022 September 1788
558558   "Gehn wir im Prater, gehn wir in d'Hetz" (Score)
Canon for 4 voices
unknown 1788-09-022 September 1788
559559   "Difficile lectu mihi mars" (Score)
Canon for 3 voices
probably WA Mozart himself 1788-09-022 September 1788
560a560a 559a "O du eselhafter Peierl" (Score)
Canon for 3 voices
probably WA Mozart himself 1786--between 1785 and 1787
560b560b 560 "O du eselhafter Martin (Jakob)" (Score)
Canon for 4 voices
probably WA Mozart himself 1788-09-022 September 1788
deest09deest   9. "Canon for 4" (sketch) (Score) 1787--1787 or 1788
deest10deest   10. "Canon for 4" (sketch) (Score) 1787--1787 or 1788
deest11deest   11. "Canon for 4" (sketch) (Score) 1787--1787 or 1788
561561   "Bona nox! bist a rechta Ox" (Score)
Canon for 4 voices
WA Mozart 1788-09-022 September 1788
562562   "Caro bell' idol mio" (Score)
Canon for 4 voices
unknown 1788-09-022 September 1788
562a  562a "Canon for 4" (Score) 1788--unknown
562c  562c "Canon for 4 Instruments" (Score)
Canon for 2 violins, viola, bass
1788--unknown
616b  616b "Canonical Study for 4" (Score) 1787-07Summer 1787

See also[edit]

References[edit]

  1. ^ Dexter Edge, "Mozart's Reception in Vienna, 1787–91" pp. 66–117 in Wolfgang Amadè Mozart: Essays on His Life and Music, ed. Stanley Sadie, Oxford University Press, 1996. p. 86, note 65; ISBN 978-0-19-816443-2
  2. ^ Miller, Johann Martin (1783). Gedichte, p. RA1-PA190, at Google Books. Ulm: Johann Konrad Wohler. p. 190.