List of polytonal pieces

• Samuel Barber

Symphony No. 2 (1944)

• Béla Bartók

Mikrokosmos Volume 5 number 125: The opening (mm. 1-14) of "Boating", (actually bimodality) in which the right hand uses pitches of the pentatonic scale on E♭ and the left hand uses those of either G mixolydian or dorian:

• Benjamin Britten

Fanfare for St Edmundsbury (1959)

• Ferruccio Busoni (Reti, 1958)

• Frédéric Chopin (Reti, 1958)

• Alberto Ginastera

Danzas Argentinas - 1. Danza del viejo boyero

• Philip Glass

Symphony No. 2, used for ambiguity

• Jerry Goldsmith

Planet of the Apes (1968)

Patton (1970)

• Percy Grainger

Lincolnshire Posy

• Gustav Holst

The Planets

• Charles Ives

Variations on America (1891), polytonal interludes added 1909-1910

• John Kander

Cabaret (1966), in the Finale Ultimo

• Gustav Mahler (Reti, 1958)

• Darius Milhaud (Reti, 1958)

Scaramouche, in the first movement "Vif"

Sorocaba, from Saudades Do Brasil

Le Boeuf sur le toit

• Ennio Morricone

The Untouchables (1987)

• Wolfgang Amadeus Mozart

Ein musikalischer Spass (Reti, 1958)

• Vincent Persichetti

• Sergei Prokofiev

Lieutenant Kijé Suite (mov. V, "The Burial of Kijé")

• Alfred Reed

A Festival Prelude

• William Schuman

George Washington Bridge

• Richard Strauss (Reti, 1958)

• Igor Stravinsky (Reti, 1958)

Petrushka, opening fanfare

Symphony of Psalms - 3rd Movement

• Richard Wagner (Reti, 1958)

• Bruce Hornsby

What The Hell Happened (from Halcyon Days, 2004)

• John Williams

Star Wars^{[citation needed]}

• John Zdechlik

Chorale and Shaker Dance

• Andrew Lloyd Webber

Jesus Christ Superstar - This Jesus Must Die

This list of songs or music-related items is incomplete; you can help by expanding it.

Source

• Reti, Rudolph (1958). Tonality, Atonality, Pantonality: A study of some trends in twentieth century music. Westport, Connecticut: Greenwood Press. ISBN 0-313-20478-0.