List of pitch intervals
From Wikipedia, the free encyclopedia
Below is a list of musical intervals. Some terminology used in the list:
- In music, the prime limit (henceforth referred to simply as the limit) is a number measuring the harmony of an interval. The lower the number, the more consonant the interval is considered to be. It is defined as the largest prime number occurring in the factorizations of the numerator and denominator of the frequency ratio. The limit of the just perfect fourth (4 : 3) is 3, but the just minor tone (10 : 9) has a limit of 5, because 9 can be factorized into 3×3, and 10 into 2×5. There exists another type of limit, the odd limit, which differs slightly from the prime limit, but is not used here.
- Equal-tempered refers to 12-tone equal temperament with intervals corresponding to 100 cent multiples (e.g., 100, 200, 300, etc.).
- Pythagorean means 3-limit just intonation—a ratio of numbers with prime factors no higher than three.
- Just means 5-limit just intonation—a ratio of numbers with prime factors no higher than five.
- Similarly, septimal, undecimal, tridecimal, and septendecimal mean, respectively, 7, 11, 13, and 17-limit just intonation.
- By definition every tone in a 3-limit unit can also be part of a 5-limit tuning and so on. By sorting the limit column all tones of that limit can be brought together (tip: sort backwards by clicking the button twice).
- Meantone refers to meantone temperament, the most common of which is quarter-comma meantone. In general, a meantone is constructed the same way as Pythagorean tuning, as a stack of perfect fifths, but in a meantone, each fifth is narrowed by the same small amount (a portion of the syntonic comma such as 1/4).
- Since the table is sortable, you can also sort the table by frequency ratio, by cents or alphabetically.
Contents |
List [edit]
| Code | Legend |
|---|---|
| E | 12-tone equal temperament. |
| Q | 24-tone equal temperament, or Arab tone system. |
| T | Other equal temperament. |
| 2 | 2-limit tones (only fundamental and octaves). |
| 2 3 | 3-limit just intonation, or Pythagorean. |
| 2 3 5 | 5-limit (not 3-limit) just intonation, or just. |
| 2 3 5 7 | 7-limit (not 5-limit) just intonation, or septimal. |
| 2 3 5 7 11 | 11-limit (not 7-limit) just intonation, or undecimal. |
| 2 3 5 7 11 13 | 13-limit (not 11-limit) just intonation, or tridecimal. |
| 2 3 5 7 11 13 17 | 17-limit (not 13-limit) just intonation, or septendecimal. |
| 2 3 5 7 11 13 17 19 | 19-limit (not 17-limit) just intonation, or novendecimal. |
| J | Other (higher limit) just intonation. |
| M | Meantone temperament. |
| U | A unit of measurement. |
| S | Superparticular number. |
| Cents | Note (from C) | Freq. Ratio | Factors | Interval Name | E | Q | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | M | U | S |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
0.00
|
C[1] | 1 : 1 | 1 : 1 | E | Q | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | M | |||
|
0.04
|
101/100,000,000 : 1 | U | |||||||||||||||
|
0.40
|
101/10,000 : 1 | U | |||||||||||||||
|
0.40
|
4375 : 4374 | 54·7 : 2·37 | 7 | 11 | 13 | 17 | 19 | S | |||||||||
|
0.72
|
2401 : 2400 | 74 : 25·3·52 | 7 | 11 | 13 | 17 | 19 | S | |||||||||
|
1.00
|
21/1200 : 1 | U | |||||||||||||||
|
1.20
|
21/1000 : 1 | U | |||||||||||||||
|
1.95
|
B♯++[a] | 32805 : 32768 | 38·5 : 215 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
2.00
|
101/2000 : 1 | U | |||||||||||||||
|
2.00
|
21/600 : 1 | U | |||||||||||||||
|
3.99
|
101/1000 : 1 | U | |||||||||||||||
|
7.71
|
225 : 224 | 32·52 : 25·7 | 7 | 11 | 13 | 17 | 19 | S | |||||||||
|
8.11
|
15625 : 15552 | 56 : 26·35 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||||
|
10.06
|
2109375 : 2097152 | 33·57 : 221 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||||
|
12.50
|
21/96 : 1 | U | |||||||||||||||
|
13.07
|
1728:1715 | 26·33 : 5·73 | 7 | 11 | 13 | 17 | 19 | ||||||||||
|
13.79
|
D |
126 : 125 | 2·32·7 : 53 | 7 | 11 | 13 | 17 | 19 | S | ||||||||
|
14.37
|
121 : 120 | 112 : 23·3·5 | 11 | 13 | 17 | 19 | S | ||||||||||
|
16.67
|
C↑[b] | 21/72 : 1 | U | ||||||||||||||
|
18.18
|
21/66 : 1 | U | |||||||||||||||
|
19.55
|
D |
2048 : 2025 | 211 : 34·52 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
20.00
|
21/60 : 1 | U | |||||||||||||||
|
21.51
|
C+[1] | 81 : 80 | 34 : 24·5 | 5 | 7 | 11 | 13 | 17 | 19 | S | |||||||
|
22.22
|
21/54 : 1 | U | |||||||||||||||
|
22.64
|
21/53 : 1 | U | |||||||||||||||
|
23.46
|
B♯+++[a] | 531441 : 524288 | 312 : 219 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
25.00
|
21/48 : 1 | U | |||||||||||||||
|
27.26
|
64 : 63 | 26 : 32·7 | 7 | 11 | 13 | 17 | 19 | S | |||||||||
|
27.90
|
107/1000 : 1 | U | |||||||||||||||
|
28.57
|
21/42 : 1 | U | |||||||||||||||
|
29.27
|
21/41 : 1 | U | |||||||||||||||
|
31.19
|
56 : 55 | 23·7 : 5·11 | 11 | 13 | 17 | 19 | S | ||||||||||
|
33.33
|
C |
21/36 : 1 | U | ||||||||||||||
|
34.98
|
50 : 49 | 2·52 : 72 | 7 | 11 | 13 | 17 | 19 | S | |||||||||
|
35.70
|
D |
49 : 48 | 72 : 24·3 | 7 | 11 | 13 | 17 | 19 | S | ||||||||
|
38.71
|
21/31 : 1 | U | |||||||||||||||
|
40.00
|
21/30 : 1 | U | |||||||||||||||
|
41.06
|
D |
128 : 125 | 27 : 53 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
48.77
|
C |
36 : 35 | 22·32 : 5·7 | 7 | 11 | 13 | 17 | 19 | S | ||||||||
|
50.00
|
C |
21/24 : 1 | Q | U | |||||||||||||
|
52.17
|
21/23 : 1 | U | |||||||||||||||
|
53.27
|
C↑[a] | 33 : 32 | 3·11 : 25 | 11 | 13 | 17 | 19 | S | |||||||||
|
54.55
|
21/22 : 1 | U | |||||||||||||||
|
57.14
|
21/21 : 1 | U | |||||||||||||||
|
60.00
|
21/20 : 1 | U | |||||||||||||||
|
62.96
|
28 : 27 | 22·7 : 33 | 7 | 11 | 13 | 17 | 19 | S | |||||||||
|
63.16
|
C♯[9] | 21/19 : 1 | U | ||||||||||||||
|
63.81
|
(3 : 2)1/11 : 1 | U | |||||||||||||||
|
65.34
|
27 : 26 | 33 : 2·13 | 13 | 17 | 19 | U | S | ||||||||||
|
66.67
|
21/18 : 1 | U | |||||||||||||||
|
70.59
|
D♭[11] | 21/17 : 1 | U | ||||||||||||||
|
70.67
|
C♯[1] | 25 : 24 | 52 : 23·3 | 5 | 7 | 11 | 13 | 17 | 19 | S | |||||||
|
75.00
|
21/16 : 1 | U | |||||||||||||||
|
78.00
|
(3 : 2)1/9 : 1 | U | |||||||||||||||
|
80.00
|
C↑[9] | 21/15 : 1 | U | ||||||||||||||
|
84.47
|
D |
21 : 20 | 3·7 : 22·5 | 7 | 11 | 13 | 17 | 19 | S | ||||||||
|
85.71
|
21/14 : 1 | U | |||||||||||||||
|
90.22
|
D♭--[1] | 256 : 243 | 28 : 35 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
92.18
|
C♯+[1] | 135 : 128 | 33·5 : 27 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
92.31
|
21/13 : 1 | U | |||||||||||||||
|
98.95
|
18 : 17 | 2·32 : 17 | 17 | 19 | S | ||||||||||||
|
100.00
|
C♯/D♭ | 21/12 : 1 | E | Q | U | ||||||||||||
|
104.96
|
C17♯[1] | 17 : 16 | 17 : 24 | 17 | 19 | S | |||||||||||
|
109.09
|
21/11 : 1 | U | |||||||||||||||
|
111.73
|
D♭-[1] | 16 : 15 | 24 : 3·5 | 5 | 7 | 11 | 13 | 17 | 19 | S | |||||||
|
113.69
|
C♯++[a] | 2187 : 2048 | 37 : 211 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
116.72
|
181/19 : 51/19 | U | |||||||||||||||
|
119.44
|
C |
15 : 14 | 3·5 : 2·7 | 7 | 11 | 13 | 17 | 19 | S | ||||||||
|
120.00
|
21/10 : 1 | U | |||||||||||||||
|
133.24
|
D♭[a] | 27 : 25 | 33 : 52 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
133.33
|
21/9 : 1 | U | |||||||||||||||
|
150.00
|
C |
23/24 : 1 | Q | ||||||||||||||
|
150.64
|
D↓[1] | 12 : 11 | 22·3 : 11 | 11 | 13 | 17 | 19 | S | |||||||||
|
165.00
|
D↑♭-[1] | 11 : 10 | 11 : 2·5 | 11 | 13 | 17 | 19 | S | |||||||||
|
171.43
|
21/7 : 1 | U | |||||||||||||||
|
180.45
|
E |
65536 : 59049 | 216 : 310 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
182.40
|
D-[1] | 10 : 9 | 2·5 : 32 | 5 | 7 | 11 | 13 | 17 | 19 | S | |||||||
|
200.00
|
D | 22/12 : 1 | E | Q | |||||||||||||
|
203.91
|
D[1] | 9 : 8 | 32 : 23 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | S | ||||||
|
223.46
|
E |
256 : 225 | 28 : 32·52 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
231.17
|
D |
8 : 7 | 23 : 7 | 7 | 11 | 13 | 17 | 19 | S | ||||||||
|
240.00
|
21/5 : 1 | U | |||||||||||||||
|
266.87
|
E |
7 : 6 | 7 : 2·3 | 7 | 11 | 13 | 17 | 19 | S | ||||||||
|
274.58
|
D♯[1] | 75 : 64 | 3·52 : 26 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
294.13
|
E♭-[1] | 32 : 27 | 25 : 33 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
297.51
|
E19♭[1] | 19 : 16 | 19 : 24 | 19 | |||||||||||||
|
300.00
|
D♯/E♭ | 23/12 : 1 | E | Q | |||||||||||||
|
310.26
|
6:5÷(81:80)1/4 | M | |||||||||||||||
|
311.98
|
(3 : 2)4/9 : 1 | ||||||||||||||||
|
315.64
|
E♭[1] | 6 : 5 | 2·3 : 5 | 5 | 7 | 11 | 13 | 17 | 19 | S | |||||||
|
317.60
|
D♯++[a] | 19683 : 16384 | 39 : 214 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
342.86
|
22/7 : 1 | ||||||||||||||||
|
347.41
|
E↑♭-[1] | 11 : 9 | 11 : 32 | 11 | 13 | 17 | 19 | ||||||||||
|
350.00
|
D |
27/24 : 1 | Q | ||||||||||||||
|
359.47
|
E↓ |
16 : 13 | 24 : 13 | 13 | 17 | 19 | |||||||||||
|
384.36
|
F♭--[a] | 8192 : 6561 | 213 : 38 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
386.31
|
E[1] | 5 : 4 | 5 : 22 | 5 | 7 | 11 | 13 | 17 | 19 | M | S | ||||||
|
400.00
|
E | 24/12 : 1 | E | Q | |||||||||||||
|
407.82
|
E+[1] | 81 : 64 | 34 : 26 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
417.51
|
F |
14 : 11 | 2·7 : 11 | 11 | 13 | 17 | 19 | ||||||||||
|
427.37
|
F♭[1] | 32 : 25 | 25 : 52 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
435.08
|
E |
9 : 7 | 32 : 7 | 7 | 11 | 13 | 17 | 19 | |||||||||
|
456.99
|
E♯[1] | 125 : 96 | 53 : 25·3 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
470.78
|
F |
21 : 16 | 3·7 : 24 | 7 | 11 | 13 | 17 | 19 | |||||||||
|
480.00
|
22/5 : 1 | ||||||||||||||||
|
498.04
|
F[1] | 4 : 3 | 22 : 3 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | S | ||||||
|
500.00
|
F | 25/12 : 1 | E | Q | |||||||||||||
|
510.51
|
(3 : 2)8/11 : 1 | ||||||||||||||||
|
514.29
|
23/7 : 1 | ||||||||||||||||
|
519.55
|
F+[1] | 27 : 20 | 33 : 22·5 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
521.51
|
E♯+++[a] | 177147 : 131072 | 311 : 217 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
551.32
|
F↑[1] | 11 : 8 | 11 : 23 | 11 | 13 | 17 | 19 | ||||||||||
|
568.72
|
F♯[1] | 25 : 18 | 52 : 2·32 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
582.51
|
G |
7 : 5 | 7 | 11 | 13 | 17 | 19 | ||||||||||
|
588.27
|
G♭--[a] | 1024 : 729 | 210 : 36 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
590.22
|
F♯+[1] | 45 : 32 | 32·5 : 25 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
600.00
|
F♯/G♭ | 26/12 : 1 = ![]() |
E | Q | |||||||||||||
|
609.78
|
G♭-[1] | 64 : 45 | 26 : 32·5 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
611.73
|
F#++[a] | 729 : 512 | 36 : 29 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
617.49
|
F♯ |
10 : 7 | 2·5 : 7 | 7 | 11 | 13 | 17 | 19 | |||||||||
|
628.27
|
23 : 16 | 23 : 24 | |||||||||||||||
|
631.28
|
G♭[1] | 36 : 25 | 22·32 : 52 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
648.68
|
G↓[1] | 16 : 11 | 24 : 11 | 11 | 13 | 17 | 19 | ||||||||||
|
678.49
|
A |
262144 : 177147 | 218 : 311 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
680.45
|
G-[a] | 40 : 27 | 23·5 : 33 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
696.58
|
3:2÷(81:80)1/4 | M | |||||||||||||||
|
700.00
|
G | 27/12 : 1 | E | Q | |||||||||||||
|
701.96
|
G[1] | 3 : 2 | 3 : 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | S | ||||||
|
764.92
|
A |
14 : 9 | 2·7 : 32 | 7 | 11 | 13 | 17 | 19 | |||||||||
|
772.63
|
G♯[a] | 25 : 16 | 52 : 24 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
782.49
|
G↑-[1] | 11 : 7 | 11 : 7 | 11 | 13 | 17 | 19 | ||||||||||
|
792.18
|
A♭-[1] | 128 : 81 | 27 : 34 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
800.00
|
G♯/A♭ | 28/12 : 1 | E | Q | |||||||||||||
|
813.69
|
A♭[1] | 8 : 5 | 23 : 5 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
815.64
|
G♯++[a] | 6561 : 4096 | 38 : 212 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
833.09
|
![]() |
≈233 : 144 | 233 : 24·32 | ||||||||||||||
|
840.53
|
A13♭[1] | 13 : 8 | 13 : 23 | 13 | 17 | 19 | |||||||||||
|
850.00
|
G |
217/24 : 1 | Q | ||||||||||||||
|
852.59
|
A↓[1] | 18 : 11 | 2·32 : 11 | 11 | 13 | 17 | 19 | ||||||||||
|
857.14
|
25/7 : 1 | ||||||||||||||||
|
882.40
|
B |
32768 : 19683 | 215 : 39 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
884.36
|
A[1] | 5 : 3 | 5 : 3 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
900.00
|
A | 29/12 : 1 | E | Q | |||||||||||||
|
905.87
|
A+[1] | 27 : 16 | 33 : 24 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
925.42
|
B |
128 : 75 | 27 : 3·52 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
933.13
|
A |
12 : 7 | 22·3 : 7 | 7 | 11 | 13 | 17 | 19 | |||||||||
|
955.03
|
A♯[1] | 125 : 72 | 53 : 23·32 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
957.21
|
(3 : 2)15/11 : 1 | ||||||||||||||||
|
960.00
|
24/5 : 1 | ||||||||||||||||
|
968.83
|
B |
7 : 4 | 7 : 22 | 7 | 11 | 13 | 17 | 19 | |||||||||
|
976.54
|
A♯+[1] | 225 : 128 | 32·52 : 27 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
996.09
|
B♭-[1] | 16 : 9 | 24 : 32 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
1000.00
|
A♯/B♭ | 210/12 : 1 | E | Q | |||||||||||||
|
1017.60
|
B♭[1] | 9 : 5 | 32 : 5 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
1019.55
|
A♯+++[a] | 59049 : 32768 | 310 : 215 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
1028.57
|
26/7 : 1 | ||||||||||||||||
|
1029.58
|
29 : 16 | 29 : 24 | |||||||||||||||
|
1035.00
|
B↓[1] | 20 : 11 | 22·5 : 11 | 11 | 13 | 17 | 19 | ||||||||||
|
1049.36
|
B↑♭-[1] | 11 : 6 | 11 : 2·3 | 11 | 13 | 17 | 19 | ||||||||||
|
1050.00
|
A |
221/24 : 1 | Q | ||||||||||||||
|
1086.31
|
C♭--[a] | 4096 : 2187 | 212 : 37 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
1088.27
|
B[1] | 15 : 8 | 3·5 : 23 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
1100.00
|
B | 211/12 : 1 | E | Q | |||||||||||||
|
1109.78
|
B+[1] | 243 : 128 | 35 : 27 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
1129.33
|
C♭[1] | 48 : 25 | 24·3 : 52 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
1158.94
|
B♯[1] | 125 : 64 | 53 : 26 | 5 | 7 | 11 | 13 | 17 | 19 | ||||||||
|
1200.00
|
C' | 2 : 1 | 2 : 1 | E | Q | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | M | U | S | |
|
1223.46
|
B♯+++[a] | 531441 : 262144 | 312 : 218 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |||||||
|
1901.96
|
G' | 3 : 1 | 3 : 1 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | U | ||||||
|
2400.00
|
C" | 4 : 1 | 22 : 1 | E | Q | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | M | |||
|
3986.31
|
E | 10 : 1 | 52 : 1 | 5 | 7 | 11 | 13 | 17 | 19 | M |
See also [edit]
Note [edit]
References [edit]
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az ba bb bc bd be bf bg bh bi Fonville, John. 1991. "Ben Johnston's Extended Just Intonation: A Guide for Interpreters". Perspectives of New Music 29, no. 2 (Summer): 106–37.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az ba bb bc bd be bf bg bh bi bj bk bl bm bn bo bp bq br bs bt bu bv bw bx by bz ca cb cc cd ce cf cg ch ci cj ck cl cm cn "List of intervals", Huygens-Fokker Foundation. The Foundation uses "classic" to indicate "just" or leaves off any adjective, as in "major sixth".
- ^ a b c d e f g h i j k l m n o p q r s t u v w x Partch, Harry (1979). Genesis of a Music, p.68-69. ISBN 978-0-306-80106-8.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak Haluška, Ján (2003). The Mathematical Theory of Tone Systems, p.xxv-xxix. ISBN 978-0-8247-4714-5.
- ^ "Orwell Temperaments", Xenharmony.org.
- ^ a b Partch (1979), p.70.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa Alexander John Ellis (1885). On the musical scales of various nations, p.488. s.n.
- ^ "Anatomy of an Octave", KyleGann.com.
- ^ a b Myles Leigh Skinner (2007). Toward a Quarter-tone Syntax: Analyses of Selected Works by Blackwood, Haba, Ives, and Wyschnegradsky, p.52. ISBN 9780542998478.
- ^ William Smythe Babcock Mathews (1895). Pronouncing dictionary and condensed encyclopedia of musical terms, p.13. ISBN 1-112-44188-3.
- ^ Blackwood, Easley (Summer, 1991). "Modes and Chord Progressions in Equal Tunings", p.175, Perspectives of New Music, Vol. 29, No. 2, pp. 166-200.
- ^ a b c d e f Anger, Joseph Humfrey (1912). A treatise on harmony, with exercises, Volume 3, p.xiv-xv. W. Tyrrell.
- ^ a b c d e f g h i j k l m Hermann Ludwig F. von Helmholtz (Alexander John Ellis, trans.) (1875). On the sensations of tone as a physiological basis for the theory of music, p.644. ISBN .
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y Paul, Oscar (1885). A manual of harmony for use in music-schools and seminaries and for self-instruction, p.165. Theodore Baker, trans. G. Schirmer. Paul uses "natural" for "just".
External links [edit]
- "Names of seven-limit commas", XenHarmony.org at the Wayback Machine (archived September 28, 2007)
- "Anatomy of an Octave", KyleGann.com.
- "All Known Musical Intervals" (by Dale Pond), Svpvril.com.
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