List of works influenced by One Thousand and One Nights
The Middle Eastern story collection One Thousand and One Nights has had a deep influence on culture around the world.
The influence of the versions of The Nights on world literature is immense. Writers as diverse as Henry Fielding to Naguib Mahfouz have alluded to the work by name in their own literature. Other writers who have been influenced by the Nights include John Barth, Jorge Luis Borges, Salman Rushdie, Goethe, Walter Scott, Thackeray, Wilkie Collins, Elizabeth Gaskell, Nodier, Flaubert, Marcel Schwob, Stendhal, Dumas, Gérard de Nerval, Gobineau, Pushkin, Tolstoy, Hofmannsthal, Conan Doyle, W. B. Yeats, H. G. Wells, Cavafy, Calvino, Georges Perec, H. P. Lovecraft, Marcel Proust, A. S. Byatt and Angela Carter.
This work has been influential in the West since it was translated in the 18th century, first by Antoine Galland. Many imitations were written, especially in France. Various characters from this epic have themselves become cultural icons in Western culture, such as Aladdin, Sinbad and Ali Baba. Part of its popularity may have sprung from the increasing historical and geographical knowledge, so that places of which little was known and so marvels were plausible had to be set further "long ago" or farther "far away"; this is a process that continues, and finally culminate in the fantasy world having little connection, if any, to actual times and places. Several elements from Arabian mythology and Persian mythology are now common in modern fantasy, such as genies, magic carpets, magic lamps, etc. When L. Frank Baum proposed writing a modern fairy tale that banished stereotypical elements, he included the genie as well as the dwarf and the fairy as stereotypes to go.
 18th century
- Candide, ou l'optimisme (Candide, or Optimism;1758) by Voltaire, contains a number of references to the story of Sindbâd the Seaman, notably the underground river in Eldorado, where in Candide the heroes are picked up by a machine. Voltaire himself also acknowledged his indebtedness to the work of Hamilton. In his introduction to Zadig Voltaire wrote: "The story was first written in Chaldean, which neither you nor I understand. Later it was translated into Arabic to amuse the famous Sultan Ouloug Beg, at the same time that the Arabs and Persians were beginning to write the Thousand-and-one-Nights, the Thousand-and-one-Days etc. Ouloug Beg preferred Zadig, but the Sultanas liked the Thousand-and-One more. 'How is it possible,' said the wise Ouloug, 'that you prefer tales which have neither sense nor reason?' 'That is just why we like them so much,'replied the Sultanas." Further references to the Arabian Nights are expressed in parallels with the stories of Khudâdâd and His Brothers, 'Alâ' al-Dîn, and the History of the Princess of Daryâbâr. Whereas the Arabian Nights focuses on the narrative themes of providence and destiny, Voltaire substituted the interference of divine power with human intervention.
- Vathek (1786) by William Beckford. Oriental fantasy which strongly influenced the Gothic novel.
- One Thousand and One Nights influenced The Manuscript Found in Saragossa, by Jan Potocki. A Polish noble of the late 18th century, he traveled the Orient looking for an original edition of The Nights, but never found it. Upon returning to Europe, he wrote his masterpiece, a multi-leveled frame tale.
 19th century
- The Nights has also inspired poetry in English, e.g. Alfred Tennyson's poem, "Recollections of the Arabian Nights" (1830). William Wordsworth refers to his childhood reading of the stories in The Prelude (1805).
- Edgar Allan Poe wrote a "Thousand and Second Night" as a separate tale, called "The Thousand and Second Tale of Scheherazade".
 20th century
- The book is referenced in numerous works by Jorge Luis Borges.
- John Barth has alluded to The Nights or referenced it explicitly in many of his works, such as The Last Voyage of Somebody the Sailor. Scheherazade appears as a character in The Tidewater Tales. In addition, the "Dunyazadiad", one of a set of three novellas that make up Barth's fictional work Chimera (John Barth novel), is a re-telling of the Scheherazade framing story in which the author appears to Scheherazade from the future and recounts stories from the 1001 Nights to her in order to provide her with material with which to forestall her execution.
- Ramadan, an issue of Neil Gaiman's acclaimed comic book series The Sandman, draws on several of the stories of the Thousand and One Nights. In this tale, the Caliph Harun al-Rashid (who is a protagonist in many of the Nights) sells the "golden age of Baghdad" to the Prince of Stories, in order that it would never be forgotten. It is implied that the Thousand and One Nights is part of the result of that bargain.
- Bill Willingham, creator of the comic book series Fables, used the story of The Nights as the basis of his Fables prequel, Fables: 1001 Nights of Snowfall. In the book, Snow White tells the tales of the Fables, magical literary characters, to the sultan in order to avoid her impending death.
- Two notable novels loosely based on The Nights are Arabian Nights and Days by Naguib Mahfouz and When Dreams Travel by Githa Hariharan. The children's novel The Storyteller's Daughter by Cameron Dokey is also loosely derived from The Nights.
- Larry Niven, a Science Fiction & Fantasy author, wrote The Tale of the Jenni and the Sisters. It supposedly told another tale by Scheherazade and appeared in his short story collection N-Space (short story collection) (1990).
- Craig Shaw Gardner wrote Scheherazade's Night Out in 1992.
- A.S. Byatt: The Djinn in the Nightingale's Eye (short story, 1994)
- In Stephen King's Misery, the protagonist is forced to write a novel under threat of death or dismemberment at the hands of a crazed fan. On several occasions throughout the story, he compares his situation to Scheherazade's.
- In Salman Rushdie's Midnight's Children, the narrator repeatedly compares his own tales of his life to Scheherazade's, and mentions that he can't "count on having even a thousand nights and a night" (page 4) in which to tell them.
 21st century
- P. B. Kerr's "Children of the Lamp" series draws many elements from "The Nights"
- Magi: The Labyrinth of Magic is a Japanese fantasy manga written by Shinobu Ohtaka which borrows several elements from the Nights. Each of the three protagonists, Aladdin, Alibaba and Morgiana have several traits in common with their counterparts from the original, with the same occurring with other characters like Sinbad, Cassim and Scheherazade. First released in 2009, it was adapted into an anime series in 2012.
- Benjamin Buchholz's 2011 novel "One Hundred and One Nights" uses the frame of Scheherazade's storytelling technique to narrate a tale about the village of Safwan, Iraq during the most recent American war. 
 Japanese literature
The Nights also had an influence on modern Japanese literature. George Fyler Townsend's revised edition of the Arabian Nights was the first European literary work to be translated into the Japanese language during the Meiji era, by Nagamine Hideki in 1875. The Japanese translation was entitled Arabiya Monogatari ("Arabian Stories" or literally "Stormy Night Stories"), as part of the monogatari genre. Though the book was intriguing to Japanese readers who then had very little knowledge of Arabic culture or the Middle East in general, the Nights didn't gain popularity in Japan until a more Japanified translation, entitled Zensekai Ichidai Kisho (The Most Curious Book in the Whole World), was produced by Inoue Tsutomu in 1888. His translation exerted a great influence on the literature of the Meiji, Taishō and Shōwa periods, with writers and poets such as Hinatsu Kōnosuke, Hakushū Kitahara and Mokutaro Kinoshita citing the work as an influence on their own works. In the early 20th century, other translations from the Lane and Burton editions were also published, including ones from the Lane edition by Kōnosuke and Morita Sōhei, as well a translation of the Andrew Lang edition by Daisui Sugitani, and translations of individual tales by Iwaya Sazanami. In "Norwegian Wood" by Haruki Murakami, Toru refers to Reiko as a regular Scheherazade when she leaves a story about her past unfinished.
 Film, television and radio
There have been many adaptations of The Nights for television, cinema and radio.
The atmosphere of The Nights influenced such films as Fritz Lang's 1921 Der müde Tod, the 1924 Hollywood film The Thief of Baghdad starring Douglas Fairbanks, and its 1940 British remake. Several stories served as source material for The Adventures of Prince Achmed (1926), the oldest surviving feature-length animated film.
In the late 1930s, Fleischer Studios made three two-reel animated Popeye cartoons in color for Paramount Pictures. All three cartoons, known also as the Popeye Color Specials (or Features), were adapted from The Nights: Popeye the Sailor Meets Sindbad the Sailor, Popeye the Sailor Meets Ali Baba's Forty Thieves, and Aladdin and His Wonderful Lamp.
One of Hollywood's first feature films to be based on The Nights was in 1942, with the movie called Arabian Nights. It starred Maria Montez as Scheherazade, Sabu Dastagir as Ali Ben Ali and Jon Hall as Harun al-Rashid. The storyline bears virtually no resemblance to the traditional version of the book. In the film, Scheherazade is a dancer who attempts to overthrow Caliph Harun al-Rashid and marry his brother. After Scheherazade's initial coup attempt fails and she is sold into slavery, many adventures then ensue. Maria Montez and Jon Hall also starred in the 1944 film Ali Baba and the Forty Thieves.
In the 1952 Universal Pictures movie The Golden Blade, Harun al-Rashid (Rock Hudson) uses a magical sword that makes him invincible to free Baghdad from the evil vizier Jafar and his son Hadi and win the love of the beautiful princess Khairuzan (Piper Laurie).
The 1958 movie The 7th Voyage of Sinbad was a Sinbad film produced by the stop-motion animation pioneer Ray Harryhausen. Harryhausen also provided the stop-motion effects for The Golden Voyage of Sinbad (1974) and Sinbad and the Eye of the Tiger (1977).
The most commercially successful movie based on The Nights was Aladdin, the 1992 animated movie by the Walt Disney Company, which starred the voices of Scott Weinger and Robin Williams. The film led to several sequels and a television series of the same name. Scheherazade and her "thousand tales" are referred to in one of the songs from the film.
"The Voyages of Sinbad" has been adapted for television and film several times, most recently in the 2003 animated feature Sinbad: Legend of the Seven Seas, featuring the voices of Brad Pitt and Catherine Zeta-Jones.
A recent well-received television adaptation was the Emmy Award-winning miniseries Arabian Nights, directed by Steve Barron and starring Mili Avital as Scheherazade and Dougray Scott as Shahryar. It was originally shown over two nights on April 30, and May 1, 2000 on ABC in the United States and BBC One in the United Kingdom.
In 2001, the Radio Tales series produced a trilogy of dramas adapted from the Arabian Nights, including the stories of Aladdin, Ali Baba, and Sindbad.
Other versions of The Nights include the 1974 Italian movie Il fiore delle mille e una notte by Pier Paolo Pasolini and the 1990 French movie Les 1001 nuits, in which Catherine Zeta-Jones made her debut playing Scheherazade. There are also numerous Bollywood movies inspired by the book, including Aladdin and Sinbad. In this version the two heroes meet and share in each other's adventures; the djinn of the lamp is female, and Aladdin marries her rather than the princess. Other Indian films inspired by the book, include Allauddinum Albhutha Vilakkum (1979; Malayalam), Allaudinaum Arputha Vilakkum (1979; Tamil) and Daya (1998; Malayalam).
The Turkish television series Binbir Gece (Thousand and one nights) is about an architect named Şehrazat (Scheherazade) who spends a night with her boss for a sum of money to pay for son's expensive surgery.
Alif Laila (Thousand Nights) is a TV series based on the stories from The Arabian Nights. It was produced by Sagar Films (Pvt. Ltd.) and has been presented on air so far on DD National, India, SAB TV, India and ARY Digital, Pakistan.
In the episode 'Stan of Arabia (Part II)' of American Dad!, Roger distracts a wealthy sheik with stories from American soap operas to delay consummating their marriage.
Bugs Bunny portrayed a Scheherazade-like character in Bugs Bunny's 3rd Movie: 1001 Rabbit Tales. Bugs must entertain Sultan Yosemite Sam and his son Prince Abba-Dabba with story after story or else be subject to beheading.
- François-Adrien Boieldieu: Le calife de Bagdad (1800) 
- Carl Maria von Weber: Abu Hassan (1811)
- Luigi Cherubini: Ali Baba (1833) 
- Peter Cornelius: Der Barbier von Bagdad (1858)
- Ernest Reyer: La statue (1861)
- Henri Rabaud: Mârouf, savetier du Caire (1914)
- In 1888, the Russian composer Nikolai Rimsky-Korsakov completed his Op. 35 Scheherazade, in four movements, based upon four of the tales from The Nights: "The Sea and Sinbad's Ship", "The Kalendar Prince", "The Young Prince and The Young Princess", and "Festival at Baghdad."
- Shéhérazade (1902), is a set of three poems for voice and orchestra by the French composer Maurice Ravel.
- Carl Nielsen created his Aladdin Suite (1918–1919) from incidental music he composed for a revival of Adam Oehlenschläger's 1805 play Aladdin.
- 1990 saw the premiere of La Noche de las Noches, a work for string quartet and electronics by Ezequiel Viñao (based on a reading from Burton's "Book of the Thousand Nights and a Night")
- In 2004, Drum Corps International group Santa Clara Vanguard performed excerpts from Rimsky-Korsakov's Scheherazade. They placed third in finals competition that year, with a score of 96.825 out of a possible 100.
- There have been several Arabian Nights musicals and operettas, either based on particular tales or drawing on the general atmosphere of the book. Most notable are Chu Chin Chow (1916) and Kismet (1953), not to mention several musicals and innumerable pantomimes on the story of "Aladdin."
- In 1975, the band Renaissance released an album called Scheherazade and Other Stories. The second half of this album consists entirely of the "Song of Scheherazade", an orchestral-rock composition based on The Nights. A live, 29-minute version of the piece, called simply "Scheherazade", was included in their 1976 release, Live at Carnegie Hall.
- The 1986 song "Rhymin' and Stealin'" by rap group the Beastie Boys makes reference to the story of Ali Baba and the Forty Thieves.
- In the song "Sheherazade", on his 1988 album One More Story, Peter Cetera refers to the One Thousand and One Nights tale, the song features backup-vocals by Madonna.
- Kamelot's song Nights of Arabia from the album The Fourth Legacy describes the story of Scheherazade.
- Caroline Lavelle included a song called Sheherazade on her 1995 album Spirit.
- In 1999, power metal band Kamelot included a song on their album The Fourth Legacy called "Nights of Arabia".
- Sparks featured a song titled "Scheherazade" on their 2000 album Balls, from the point of view of the King.
- The song "One Thousand and One Nights" by J-pop band See-Saw, used as the opening theme song for the second part of the four-part OVA .hack//Liminality ("In the Case of Yuki Aihara"), references The Nights in both the title and the lyrics.
- In 2003, Nordic experimental indie pop group When released an album called Pearl Harvest with lyrics from The Nights.
- In 2004, psychedelic trance group 1200 Micrograms released song called 1001 Arabian Nights on The Time Machine album.
- In 2007, Japanese pop duo Bennie K released a single titled "1001 Nights", also releasing a music video strongly based on The Nights.
- In 2007, the Finnish Symphonic metal band Nightwish wrote a song "Sahara" on their album Dark Passion Play which relates to the 1001 Nights stories.
- 2008 saw the birth of Australian metalcore band, Ebony Horse, named after the tale "The Ebony Horse."
- The Dutch music group "CH!PZ" has also released a song called 1001 Arabian Nights and also has a film clip to go along with it which illustrates one of the stories.
- Mexican female music group Flans released a song called "Las Mil y una Noches" (One Thousand and One Nights)
- In Once Upon A Time(In Space), an album by The Mechanisms, there is a song The Resistance Grows, in which Scheherazade is the Emperor's "Silver tongued propaganda minister".
- The tales of Sheherazade were a major source for the creation of Al-Qadim, an Arabian Nights-themed campaign setting for the Dungeons & Dragons role-playing game. The setting was developed by Jeff Grubb for TSR, Inc., and was first released in 1992. Al-Qadim is set in Zakhara (called the Land of Fate), a blend of the historical Arabian Empire, the stories of legend, and a wealth of Hollywood cinematic history.
- The first expansion set for Magic: The Gathering was "Arabian Nights", containing cards based on and inspired by One Thousand and One Nights. This included a card called "Shahrazad" which required the two players to play a separate game within the current game. This was often followed by another Shahrazad being played within that subgame, resulting in "1,001 games" of Magic. It is because of this, and the time it takes, that the card is banned in all sanctioned tournament formats.-http://gatherer.wizards.com/Pages/Card/Details.aspx?multiverseid=980
- Tales of the Arabian Nights is a paragraph-based story-telling board game first produced by West End Games in 1985. A second edition was published by Edition Erlkönig in 1999, and a third edition by Z-Man Games is due out in July 2009.[when?]
- The Magic of Scheherazade, a 1989 game produced by the Japanese company Culture Brain for the Nintendo Entertainment System, takes its title from the female protagonist of the Arabian Nights and includes many of the typical trappings of Arabian Nights tales, but has little, if any, direct connection to the tales.
- The setting of the 1990 EGA PC adventure game Quest for Glory II: Trial by Fire is based on The Nights.
- In 1994 Krisalis developed an Amiga platform game called Arabian Nights with the main character being Sinbad aiming to rescue the princess.
- One Thousand and One Nights is the basis for the story of the video game Sonic and the Secret Rings. In the story, Sonic the Hedgehog is pulled in to the story by Shahra The Ring Genie in order to save the Arabian Nights which is being erased by the main villain Erazor Djinn. Other recurring Sonic characters turn up as characters from the One Thousand and One Nights, such as Tails as Ali Baba, Knuckles as Sinbad, and Doctor Eggman as King Shahryār. “Shahra” is the Japanese nickname for Scheherazade and Shahra is most likely was based on Scheherazade. At the end of the story, Shahra even used Scheherazade's regular 'that is a story for another time' line, to refer the continuing story of Sonic, Ali Baba and Sinbad.
- "Scheherazade" is the name of an unlockable bonus character in Soulcalibur IV. In battle she (using the same style as Amy) wields a rapier named "Alf Layla Wa Layla", the Arabic name meaning "One Thousand and One Nights". She is the mid-boss for Ashlotte, Hilde, Nightmare, Siegfried, Yoda, and Yoshimitsu.
- "Scheherazade" is also in the Korean MMORPG, Atlantica Online, as a side quest character near the Hanging Gardens of Babylon dungeon.
- Scherazard Harvey of The Legend of Heroes: Trails in the Sky is named after Scherazard of One Thousand and One Nights.
- Irwin, Robert (2003), The Arabian Nights: A Companion, Tauris Parke Palang-faacks, p. 290, ISBN 1-86064-983-1
- L. Sprague de Camp, Literary Swordsmen and Sorcerers: The Makers of Heroic Fantasy, p 10 ISBN 0-87054-076-9.
- John Grant and John Clute, The Encyclopedia of Fantasy, "Arabian fantasy", p 52 ISBN 0-312-19869-8.
- James Thurber, "The Wizard of Chitenango", p 64 Fantasists on Fantasy edited by Robert H. Boyer and Kenneth J. Zahorski, ISBN 0-380-86553-X.
- Irwin p.244
- Irwin p.245-252
- Horner, Avril (2002), European Gothic: A Spirited Exchange, 1760–1960, Manchester University Press, pp. 13 & 183–203, ISBN 0-7190-6064-8
- Ley, James (November 2009), "A town called Merv", Australian Book Review: 15–16
- Hamilton, Masha (January 2012), "Benjamin Buchholz’s ‘One Hundred and One Nights’: War as intimate and subtle", The Washington Post
- Yuriko Yamanaka, Tetsuo Nishio (2006), The Arabian Nights and Orientalism: Perspectives from East & West, I.B. Tauris, pp. 116–7, ISBN 1-85043-768-8
- Yuriko Yamanaka, Tetsuo Nishio (2006), The Arabian Nights and Orientalism: Perspectives from East & West, I.B. Tauris, pp. 119–25, ISBN 1-85043-768-8
- Yuriko Yamanaka, Tetsuo Nishio (2006), The Arabian Nights and Orientalism: Perspectives from East & West, I.B. Tauris, pp. 125–6, ISBN 1-85043-768-8
- Yuriko Yamanaka, Tetsuo Nishio (2006), The Arabian Nights and Orientalism: Perspectives from East & West, I.B. Tauris, pp. 126–9, ISBN 1-85043-768-8
- Yuriko Yamanaka, Tetsuo Nishio (2006), The Arabian Nights and Orientalism: Perspectives from East & West, I.B. Tauris, p. 135, ISBN 1-85043-768-8
- Yuriko Yamanaka, Tetsuo Nishio (2006), The Arabian Nights and Orientalism: Perspectives from East & West, I.B. Tauris, p. 132, ISBN 1-85043-768-8
- Yuriko Yamanaka, Tetsuo Nishio (2006), The Arabian Nights and Orientalism: Perspectives from East & West, I.B. Tauris, p. 131, ISBN 1-85043-768-8
- Ezequiel Vinao La Noche de las Noches
- Lyrics of "Sahara"