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Cover of Little Dot Dotland #46 (Aug. 1970), drawn by Warren Kremer
|First appearance||Sad Sack Comics #1 (Sept. 1949)|
|Created by||Alfred Harvey (writer)
Vic Herman (artist)
|Full name||Dot Polka|
|Team affiliations||Little Lotta|
|Abilities||Dottiness, Love of Dots|
|Series publication information|
|Publication date||(Little Dot)
Sept. 1953 – Apr. 1976
(Little Dot Dotland)
July 1962 – Sept. 1973
|Number of issues||Little Dot: 164
Little Dot Dotland: 62
|Main character(s)||Little Dot, Peter Polka (father), Little Dot's Uncles & Aunts|
Little Dot was a comic book character published by Harvey Comics between 1949 and 1982, and then sporadically until 1994. A little girl obsessed with dots, spots, and round, colorful objects, she first appeared in 1949 as a supporting feature in Sad Sack and by 1953 was given her own series, joining Harvey's growing cast of child-oriented comedy characters. The title lasted almost three decades and introduced several other popular headliners (including Little Lotta and Richie Rich) as back page fillers. Another spinoff title which ran for thirteen years was Little Dot's Uncles & Aunts, about the adventures of Dot's impossibly extended family, each with an obsessive interest or quirky personality trait of their own.
Like most of the so-called "Harvey Girls", appearing also in the Richie Rich Girlfriends title, Dot reached her peak between the mid-1950s and the late 1960s, eventually eclipsing Audrey in terms of sales. Her popularity began to wane during the 1970s as an industry-wide distribution slump began forcing child-oriented comics off the newsstands. Dot's eponymous title stalled between 1982 and 1986, before being permanently discontinued in 1994.
Apart from the main title, Little Dot, the main character's screwball relatives proved popular enough to rate their own series: three issues of Harvey Hits in 1957, '58 and '59; and a "king-sized" comic titled Little Dot's Uncles & Aunts, published between 1961 and 1974.
Little Dot was a "one-note character" with a reliance on formulaic gags and repetitious images (i.e. Dot's dots). Her stories also involved a considerable amount of slapstick humor and domestic comedy. The character's signature theme only became apparent in 1953, after she was redesigned to conform to the company's emerging house style. Consequently, as Dot became a virtual clone of Famous Studios' Little Audrey (which Harvey was licencing at the time), the 'Dotty' aspect was emphasized so that the two characters wouldn't appear too similar.
Dot's obsessive nature presaged the development of Harvey's quirky child-friendly characters, many of which deviated from the Audrey model by incorporating fantasy elements (Hot Stuff, Spooky), or oddball behavior (Little Lotta). On the other hand, generation-based humor always played an important role in Little Dot's storylines. Like her in-house contemporaries, Dot frequently found herself at odds with parents, teachers and other representatives of DotTown's adult population. Frequent plotlines involved her parents or teachers trying to trick her into giving up her dot addiction and catching it themselves. Another recurring story source is her numerous aunts and uncles who have a myriad of eccentricities that Dot has to deal with. In addition, Dot made regular crossovers with Little Lotta from the beginning of the sixties, usually with disastrous consequences (although Dot's fixation and Lotta's insatiable appetite often played only a peripheral role in such pairings).
In other media
Unlike many Harvey properties, she was never adapted into animated form, but the character continues to live on in merchandise such as T-shirts and a 2003 maquette statue, limited to 500 editions - most probably for trademark purposes.
Some decades later, on an episode of The Simpsons, Marge suggested Bart rip off Little Dot when he had to create a cartoon character for class, thinking no one would remember the once popular character.