[Brian] does exactly what he wants to do. I remember [sits back and laughs] — this is so funny — when we did "Little Honda," Brian wanted me to get this real distorted guitar sound, real fuzzy. "This guitar sounds like shit," I said. "Brian, I hate this." And he goes, "Would you fucking do it? Just do it." When I heard it, I felt like an asshole. It sounded really hot. That was before fuzz became a big deal.