No Country for Old Men

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No Country for Old Men
First edition cover
Author Cormac McCarthy
Country United States
Language English
Genre Thriller novel
Publisher Alfred A. Knopf
Publication date
July 19, 2005
Media type Print (Hardback and paperback)
Pages 320 pp (hardback edition)
ISBN ISBN 0-375-40677-8 (hardback edition)
OCLC 57352812
813/.54 22
LC Class PS3563.C337 N6 2005

No Country for Old Men is a 2005 novel by U.S. author Cormac McCarthy. The story occurs in the vicinity of the United States–Mexico border, in 1980, and concerns an illegal drug deal gone awry in the Texas desert backcountry.

The title of the novel derives from the first line of the poem "Sailing to Byzantium" (1926), by W. B. Yeats.[1] The book was adapted into the 2007 film of the same name, which won four Academy Awards, including Best Picture.

Characters[edit]

  • Sheriff Ed Tom Bell, the main protagonist, a laconic World War II veteran who oversees the investigation and the trial of the murders even as he struggles to face the sheer enormity of the crimes he is attempting to solve. His reminiscences serve as part of the book's narration.
  • Anton Chigurh, the main antagonist, a psychopathic hitman. He is in his 30s, and has eyes as "blue as lapis ... Like wet stones." A man of dark and vaguely exotic complexion.
  • Llewelyn Moss, a welder and Vietnam War veteran in his late 30s, whose theft of the millions in cash left at the drug deal site serves as the beginning of the story.
  • Carla Jean Moss, Llewelyn's young wife. She is 19 years old.
  • Carson Wells, another hitman, formerly a lieutenant colonel during the Vietnam War, who is hired to retrieve the money from Chigurh.

Plot[edit]

The plot follows the interweaving paths of the three central characters (Llewelyn Moss, Anton Chigurh, and Ed Tom Bell), set in motion by events related to a drug deal gone bad near the Mexican-American border in southwest Texas, in Terrell County.

In 1980, Llewelyn Moss, while hunting antelope, stumbles across the aftermath of a drug-deal gone wrong, which has left everyone dead but a single badly wounded Mexican who pleads with Moss for water. Moss responds that he doesn't have any and searches the rest of the vehicles, finding a truck full of heroin. He searches for the "last man standing" and finds him dead some ways off under a tree, with a satchel containing $2.4 million in cash. He takes the money and returns home. Later, however, he feels remorse for leaving the wounded man and returns to the scene with a jug of water, only to find that the wounded man had since been shot and killed. When Moss looks back to his truck parked on the ridge overlooking the valley, another truck is there. When he tries to run, he is seen, which sparks a tense chase through a desert valley. This is the beginning of a hunt for Moss that stretches for most of the remaining novel. After escaping from his pursuers, Moss sends his wife, Carla Jean, to her mother in Odessa while he leaves his home with the money.

Sheriff Ed Tom Bell investigates the drug crime while trying to protect Moss and his young wife, with the aid of other law enforcement. Bell is haunted by his actions in World War II, leaving his unit to die, for which he received a Bronze Star. Now in his late 50s, Bell has spent most of his life attempting to make up for the incident when he was a 21-year-old soldier. He makes it his quest to resolve the case and save Moss. Complicating things is the arrival of Anton Chigurh, a hitman hired to recover the money. Chigurh uses a captive bolt pistol (called a "stungun" in the text) to kill many of his victims (and to destroy several cylinder locks to open doors), as well as a silenced shotgun. Carson Wells, a rival hitman and ex-Special Forces officer who is familiar with Chigurh, is also on the trail of the stolen money. After a brutal shootout that spills across the Mexican border and leaves both Moss and Chigurh wounded, Moss recovers at a Mexican hospital while Chigurh patches himself up in a hotel room with stolen supplies. While recuperating, Moss is approached by Wells, who offers to give him protection in exchange for the satchel and tells him his current location and phone number, instructing him to call when he has "had enough."

After recovering and leaving the hotel room, Chigurh finds Wells and murders him just as Moss calls to negotiate the exchange of money. After answering Wells's phone, Chigurh tells Moss that he will kill Carla Jean unless he hands over the satchel. Moss remains defiant and soon after, calls Carla Jean and tells her that he will meet up with her at a motel in El Paso. After much deliberation, Carla Jean decides to inform Sheriff Bell about the meeting and its location. Unfortunately for her and her husband, this call is traced and provides Moss's location to some of his hunters.

At the motel, Sheriff Bell arrives to find Moss murdered by a band of Mexicans, who also were after the drug deal cash. Later that night, Chigurh arrives at the scene and retrieves the satchel from the airduct in Moss's room. He returns it to its owner and later travels to Carla Jean's house and shoots her after flipping a coin to decide her fate. Soon after, he is hit by a car, which leaves him severely injured but still alive. After bribing a pair of teenagers to remain silent about the car accident, he limps off down the road.

After a long investigation that fails to locate Chigurh, Bell decides to retire and drives away from the local courthouse feeling overmatched and defeated. For the rest of the book, Bell describes two dreams that he had the previous night. In one, he met his father in town and borrowed some money from him. In the second, Bell was riding his horse through a snow-covered pass in the mountains. As he rode, he could see his father up ahead of him carrying a moon colored horn lit with fire, and he knew that his father would ride on through the pass and fix a fire out in the dark and cold and that it would be waiting for him when he arrived.

Literary significance and criticism[edit]

The early critical reception of the novel was mixed. William J. Cobb, in a review published in the Houston Chronicle (July 15, 2005), characterizes McCarthy as "our greatest living writer" and describes the book as "a heated story that brands the reader's mind as if seared by a knife heated upon campfire flames."[2] On the other hand, in the July 24, 2005, issue of The New York Times Book Review, the critic and fiction writer Walter Kirn suggests that the novel's plot is "sinister high hokum," but writes admiringly of the prose, describing the author as "a whiz with the joystick, a master-level gamer who changes screens and situations every few pages."[3]

The novel has received a significant amount of critical attention, including Lynnea Chapman King, Rick Wallach and Jim Welsh's edited collection No Country for Old Men: From Novel to Film[4] and Raymond Malewitz's "'Anything Can Be an Instrument': Misuse Value and Rugged Consumerism in Cormac McCarthy's No Country for Old Men."[5]

In contrast, literary critic Harold Bloom does not count himself among the admirers of No Country for Old Men, stating that it lacked the quality of McCarthy's best works, particularly Blood Meridian, and compared it to William Faulkner's A Fable, stating that the "apocalyptic moral judgments" made in No Country for Old Men represented "a sort of falling away on McCarthy’s part".[6]

Film adaptation[edit]

In 2007, Joel and Ethan Coen adapted the book into a film, also titled No Country for Old Men, which was met with critical acclaim and box office success. On January 27, 2008, the film won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. On February 24, 2008, it won four Academy Awards: Best Picture, Best Director (Joel and Ethan Coen), Best Adapted Screenplay (Joel and Ethan Coen), and Best Supporting Actor (Javier Bardem as Anton Chigurh).

References[edit]

  1. ^ Frye, S. (2006). "Yeats' 'Sailing to Byzantium' and McCarthy's No Country for Old Men: Art and Artifice in the New Novel". The Cormac McCarthy Society Journal 5. 
  2. ^ No Country for Old Men — Synopses & Reviews Powell's Books Retrieved on December 1, 2007.
  3. ^ Texas Noir The New York Times Retrieved December 3, 2007.
  4. ^ No Country for Old Men: From Novel to Film Powell's Books Retrieved on August 6, 2010.
  5. ^ Malewitz, R. (2009)"'Anything Can Be an Instrument': Misuse Value and Rugged Consumerism in Cormac McCarthy's No Country for Old Men." Contemporary Literature (Winter 2009) Retrieved on August 6, 2010.
  6. ^ Harold Bloom on Blood Meridian [1] (June 15, 2009) Retrieved on March 3, 2010.

Further reading[edit]