||This article may be expanded with text translated from the corresponding article in the German Wikipedia. (July 2013)|
Theatrical release poster
|Directed by||Cate Shortland|
|Produced by||Karsten Stöter
|Written by||Robin Mukherjee
|Based on||The Dark Room
by Rachel Seiffert
|Music by||Max Richter|
|Edited by||Veronika Jenet|
Edge City Films
|Distributed by||Transmission Films (Australia)
Piffl Medien (Germany)
Music Box Films (US)
|Running time||109 minutes|
|Budget||EUR €4.3 million|
|Box office||USD $970,325|
Lore is a 2012 Australian-German historical drama art film written by Robin Mukherjee, co-written and directed by Cate Shortland and funded by the UK Film Council. The film had its Australian premiere at the 2012 Sydney Film Festival.
In southwestern Germany during the immediate aftermath of World War II, five destitute siblings must travel 900 km to their grandmother's Husum Bay home near Hamburg after their high-level Nazi parents disappear in the face of certain arrest by Allied Forces. Along the way, they encounter a variety of other Germans, some of whom are helpful while others are antagonistic. Eventually they meet up with a young man who has been pretending to be Thomas, a young Jewish concentration camp survivor, who joins their group and becomes their unofficial guardian.
The return of a Nazi officer towards the end of World War II upsets the family household in southern Germany. They pack in a rush, kill the family dog and flee their stately home to hide-out in a secluded cabin in a clearing in the woods in the Black Forest. Lore's mother carefully wraps a porcelain figurine of a deer to take with them.
Lore's father, a high ranking Nazi officer, leaves for destinations unknown and with the news of the death of Hitler, her mother also decides to flee, abandoning her five children and leaving Lore in charge with instructions to go to her grandmother Omi's house in Husum near Hamburg. Before leaving, Lore's mother gives her all of her jewellery and some money for the train tickets. After the neighbors are no longer willing to sell them any food, Günther is caught stealing so Lore decides it's time to leave. Unfortunately the trains are no longer running so they have to leave all their belongings behind and start their 900 km journey on foot.
The children arrive at the ruins of an abandoned house and Lore discovers the dead body of a woman. She goes into the house to look for her brother Günther and stumbles upon a young man sleeping. The next day they arrive at a church and Lore pays a woman to breast-feed her baby brother Peter. They again run into the young man from the day before.
News and photos of the atrocities committed at the Nazi concentration camps are posted on a wall in the center of the nearby village for all to see. Lore looks at the photos intently and recognizes her father in Nazi officer's uniform.
That evening, they move on to stay the night in a school. They encounter the same young man on his own who later makes a sexual advance on Lore but is rebuffed. The next day he follows them out of the town as they continue on their journey. Arriving at a farm, Lore gives a gold bracelet and her mother's gold ring to an old woman in exchange for food. Lore finds the body of a dead man who shot himself and steals his watch. The old woman begs Lore to leave the baby behind so others will give them food, but she refuses and they leave.
While walking, Lore again runs into the same man. She keeps on walking and he follows them. A truck with American soldiers drives up and stops. When asked for identification, the young man says his name is "Thomas" and shows the soldiers his Jewish identification papers and says he is Lore's brother. We see he has a serial number from a concentration camp tattooed on the inside of his forearm. The Americans give them a lift. The next day Lore falls ill and Thomas provides food for all of them. While bathing, Liesel questions why Lore doesn't like Thomas. Later Lore approaches Thomas, takes his hand and has him fondle her. When he lays his head against her legs she pushes him away.
The following day while walking in the forest, Lore buries the picture of her father and the picture of him at the concentration camp. They continue walking and reach a river they cannot cross. "Thomas" offers to go across with Peter. Lore says he'll go across and leave the rest of them. Lore goes down a hill and finds a man with a row-boat. She asks him for help but he is not interested. She then sees Thomas on the road behind the man, so she allows the man to make sexual advances on her to distract him. Thomas hits the man over the head with a rock and kills him. Lore is visibly shaken. They take the man's boat and cross the river, but while climbing the river bank Lore is guilt-stricken and backs into the river with Peter, the baby, in her arms. Thomas pulls them both out and takes Peter from Lore's arms and hands him to Liesel.
Upon reaching the English sector, they are denied passage and must remain in the Russian sector. Lore asks Thomas if he told the soldiers what they did, and he pulls her back from the guards. They decide they will cross into the English sector at night so they can catch one of the trains that are running there. After walking at night in the forest they pitch camp. When they smell somebody cooking, Thomas tells them to stay put and goes off to investigate. A restless Günther sees a man returning and, believing it to be Thomas, runs towards him but is shot and killed by Russians. Thomas then threatens he will leave them behind unless they keep moving on with him.
During an argument with Lore, Thomas says he can't help them anymore and that they can take the train and reach their destination safely. Lore is afraid he will leave them and in her anger and frustration calls him a filthy Jew. She cries and breaks down, so he decides to stay. They manage to board a train but are stopped by soldiers that ask for their papers. Thomas finds he is missing his wallet with his identity papers so he steps off the train to avoid getting caught.
During the final leg of the trip along the muddy tidal plains of the western coast of the Jutland Peninsula, Jürgen confesses that he actually stole Thomas' wallet so he wouldn't abandon them and that the papers weren't his anyway, but belonged to someone else called Thomas Weil, who Thomas had been impersonating.
The four remaining siblings finally arrive at Omi's house. She takes them in, feeds them and lectures them to not ever be ashamed of their parents. She mistakes Jürgen for Günther, and they tell her Günther died in the Russian sector.
Lore goes to her bedroom, which was her mother's when she was a child, and places her mother's porcelain figurine of the deer on the dresser, next to a collection of similar figurines.
Lore finds it difficult to adjust and refuses to cheerfully dance to American music with Liesel in the kitchen. She goes for a walk in the woods and looks at the identity papers and family pictures of Thomas Weil in Thomas's wallet.
Back at the house, they are sitting at the dining table when Jürgen impulsively grabs a piece of bread. Omi scolds him for not waiting to be served by the housekeeper and asks him whether he has ever learned anything at all. Lore is angered by her grandmother's authoritarianism so, siding with her brother, she also grabs a piece of bread without asking, bites into it and intentionally knocks over her glass of milk, pushes the milk off the table into the palm of her hand and drinks the milk. Omi excuses her from the table. Lore goes back to her room, throws the porcelain figurines off the dresser onto the floor and crushes them one by one with her heel.
- Saskia Rosendahl as Lore
- Kai Malina as Thomas
- Nele Trebs as Liesel
- Ursina Lardi as Mutti (the mother)
- Hans-Jochen Wagner as Vati (the father)
- André Frid as Günther
- Mika Seidel as Jürgen
- Eva-Maria Hagen as Omi (the grandmother)
- Nick Holaschke as Peter
- Sven Pippig as Bauer
- Philip Wiegratz as Helmut
Initially the screenplay was written by Robin Mukherjee as an adaptation of The Dark Room. A few years later Cate Shortland joined the project and re-wrote part of the screenplay.
The film had its international premiere at the Festival del film Locarno in August, where it won the Piazza Grande audience award, the Prix du public UBS. At the Stockholm International Film Festival, in November, the film was awarded four awards, including the Bronze Horse for best film. It was selected as the Australian entry for the Best Foreign Language Oscar at the 85th Academy Awards, but it did not make the final shortlist.
Lisa Schwarzbaum, reviewer for Entertainment Weekly, gave the film a B+ and wrote, "This striking, slow-building drama from Cate Shortland (Somersault) uses fractured, impressionistic imagery as a mirror of moral dislocation as the children make their way through an unfamiliar landscape. If everything Lore (Saskia Rosendahl, capturing teen-girl sullenness) has been taught is wrong—about Hitler, about Jews, about the glory of her Vaterland, she might as well be walking on the moon."
Shane Danielsen of SBS awarded the film four stars out of five, commenting that "Beautiful, it may be, but it is by no means a bourgeois film...it is a rebuke to notions of middle-class propriety, as well as a formidable work in its own right."
Lore received the Feature Film Production of the Year Award at the 2013 Screen Producers Australia Awards. Lore also received the bronze award for Outstanding Feature Film at the German Film Awards. Lore has also received 17 other awards internationally.
- List of submissions to the 85th Academy Awards for Best Foreign Language Film
- List of Australian submissions for the Academy Award for Best Foreign Language Film
- "LORE (15)". British Board of Film Classification. 2012-12-07. Retrieved 2012-12-20.
- "LORE Total Lifetime Grosses". Box Office Mojo. Retrieved 2014-03-08.
- British Council Film (2012-01-20). "British Council Film: Lore". Film.britishcouncil.org. Retrieved 2013-03-24.
- "Lore", Sydney Film Festival 2012 accessed 9 June 2012
- "Lore", Locarno Film Festival 2012 accessed 14 november 2012
- "Australian film Lore up for an Oscar". Vogue. Retrieved 7 September 2012.
- Schwarzbaum, Lisa (February 22, 2013). "Lore". Entertainment Weekly (New York: Time Inc.): 59.
- Danielsen, Shane. "Lore (review)". SBS. Retrieved 14 February 2013.