Malskat was a painter from Königsberg. In 1951 he was part of the group of Dietrich Fey, whose firm was commissioned to restore the frescoes of cathedral of Marienkirche in Lübeck. The cathedral had been severely damaged in World War II bombings and left neglected after the war, so the medieval frescoes on its walls had nearly disappeared. The church had received donations worth DM 150,000 for restoration and Fey's company did the work behind closed doors. The work was finished September 2, 1951.
The restorers were praised for their good work. The frescoes were unveiled during the seven-hundredth anniversary celebrations of the founding of the Marienkirche; present dignitaries included various government ministers, including Federal Chancellor Konrad Adenauer. The West German government printed 2 million postage stamps depicting the frescoes.
The next year Malskat announced that he had painted the frescoes himself. When he was ignored, he told his own lawyer to sue both Fey and himself. Both men were eventually arrested.
Malskat told that when the work had begun, the walls had been nearly empty of frescoes; he proved it by presenting a film depicting the unpainted walls. Instead of restoring the original frescoes, Malskat had whitewashed the walls and painted them over. New pictures included various anachronisms like an image of a turkey, which had not reached Europe at the time the original frescoes had been painted. Malskat had modelled various religious figures on his sister Freyda, actresses like Marlene Dietrich and even historical figures like Rasputin.
Fey was sentenced for 20 months and Malskat for 18. The frescoes were washed off the church walls.
A fictionalised version of Malskat's painting of the Marienkirche frescoes appears in the Günter Grass novel The Rat.
After Malskat was released, he began to paint in his own name. He painted decorations on restaurants and inns, including the Tre Kronor Inn in Stockholm. He also arranged exhibitions of his works in northern Germany. He died in Wulfsdorf near Lübeck.
- Guy Isnard, Les pirates de la peinture, Paris, Flammarion, 1955, pp. 28–29.