Lou Grant (TV series)
|This article does not cite any references or sources. (September 2012)|
|Created by||Allan Burns
James L. Brooks
|Composer(s)||Patrick Williams (majority of episodes)
Artie Kane ("Pills")
Hod David Schudson
James DiPasquale ("Bomb")
|Country of origin||United States|
|No. of seasons||5|
|No. of episodes||114 (List of episodes)|
|Executive producer(s)||Allan Burns
James L. Brooks
|Running time||46–48 minutes|
|Production company(s)||MTM Productions|
|Original run||September 20, 1977– September 13, 1982|
|Preceded by||The Mary Tyler Moore Show|
Lou Grant is an American television drama series starring Ed Asner in the titular role as a newspaper editor. Unusual in American television, this drama series was a spinoff from a sitcom, The Mary Tyler Moore Show.
Aired from 1977 to 1982, Lou Grant won 13 Emmy Awards, including "Outstanding Drama Series". Asner won the Emmy Award for "Outstanding Lead Actor in a Drama Series" in 1978 and 1980. In doing so, he became the only person to win an Emmy Award for both "Outstanding Lead Actor in a Drama Series" and "Outstanding Supporting Actor in a Comedy Series" for portraying the same character, recognizing his work on this series and The Mary Tyler Moore Show. Lou Grant also won two Golden Globe awards, a Peabody award, an Eddie award, three awards from the Directors Guild of America, and two Humanitas prizes.
Broadcast history 
Lou Grant was a spinoff from The Mary Tyler Moore Show and premiered on CBS in September 1977. Unlike The Mary Tyler Moore Show, which was a 30-minute situation comedy, Lou Grant was a one-hour drama.
Lou Grant ran from 1977 to 1982 and consisted of 114 episodes.
The theme music for the series was composed by Patrick Williams.
Lou Grant worked at the fictitious Los Angeles Tribune daily newspaper as its city editor, a job he took after the WJM television station fired him. (Though Mary Tyler Moore Show viewers were introduced to the character as a television news producer, the character noted many times on that show that he'd begun his career as a print journalist.) This Lou Grant was somewhat different from the character he had played in the former Mary Tyler Moore series, in that the comedic nature of his interactions with others was toned down, given the more serious and dramatic nature of the material.
The rest of the main cast included Robert Walden and Linda Kelsey, who played general-assignment reporters Joe Rossi and Billie Newman, respectively (Kelsey joined the show in the fourth episode, replacing Rebecca Balding, who had portrayed reporter Carla Mardigian during the show's first three episodes); Mason Adams, who played managing editor Charles Hume, an old friend of Lou's who had convinced him to move from Minneapolis to Los Angeles; Jack Bannon, who played assistant city editor Art Donovan; Daryl Anderson, who played photographer Dennis Price, usually referred to as "Animal"; and Nancy Marchand, who played the widowed, patrician publisher, Margaret Jones Pynchon, a character loosely based on real life newspaper publishers Dorothy Chandler of the Los Angeles Times and Katharine Graham of The Washington Post.
Recurring actors who played editors of various departments included Gordon Jump and Emilio Delgado. Asner won two Emmys for his portrayal of Lou; Marchand won Emmy Awards for "Outstanding Supporting Actress in a Drama Series" four of the five years the series ran; Walden, Kelsey, and Adams all received multiple nominations for supporting Emmys.
Despite the show's connection with The Mary Tyler Moore Show, none of that series' other regular characters ever appeared (and were not referred to onscreen); the only other "crossover" character was MTM recurring character Flo Meredith (Eileen Heckart) (Mary Richards' aunt), a churlish veteran journalist with whom Lou had had a brief fling while in Minneapolis, and who appeared on a single episode of Lou Grant.
The episodes often had Lou assigning Rossi and Billie to cover news stories, with the episode's plots revealing problems of the people covered in the stories as well as frustrations and challenges reporters experienced to get the stories. The younger reporters were frequently seen returning to Lou for guidance and mentorship over some of the hard questions and moral dilemmas they were experiencing as they worked on their stories. The series frequently delved into serious societal issues, such as nuclear proliferation, mental illness, prostitution, gay rights, child abuse, and chemical pollution, in addition to demonstrating coverage of breaking news stories, such as fires, earthquakes, and accidents of all kind. The series also took serious examination of ethical questions in journalism, including plagiarism, checkbook journalism, entrapment of sources, staging news photos, and conflicts of interest that journalists encounter in their work. There were also glimpses into the personal lives of the Tribune staff.
- Douglass K. Daniel, Lou Grant: The Making of TV's Top Newspaper Drama, Syracuse, N.Y.: Syracuse University Press, 1996.
|Wikimedia Commons has media related to: Lou Grant (TV series)|
- Lou Grant at the Internet Movie Database
- Lou Grant at TV.com
- Lou Grant episode guide
- The Unofficial Lou Grant Internet Resource and Archive
- Lou Grant, an external wiki