Louis-Ferdinand Céline

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Louis-Ferdinand Céline

Drawing
Born 27 May 1894(1894-05-27)
Courbevoie, France
Died 1 July 1961(1961-07-01) (aged 67)
Meudon, France
Occupation Novelist
Nationality French

Louis-Ferdinand Céline was the pen name of Louis-Ferdinand Destouches (27 May 1894 – 1 July 1961).He was a French writer and physician. The name Céline was the first name of his grandmother. He is considered one of the most influential writers of the twentieth century, developing a new style of writing that modernized both French and world literature.

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[edit] Life

[edit] Early life

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The only child of Ferdinand-Auguste Destouches and Marguerite-Louise-Céline Guilloux, he was born Louis-Ferdinand-Auguste Destouches in 1894 at Courbevoie, just outside Paris in the Seine département (now Hauts-de-Seine). His father was a minor functionary in an insurance firm and his mother was a lacemaker.[2] In 1905 he was awarded his Certificat d'études, after which he worked as an apprentice and messenger boy in various trades.[2] Between 1908 and 1910 his parents sent him to Germany and England for a year in each country in order to acquire foreign languages for future employment.[2] From the time he left school, until the age of eighteen, Céline worked various jobs, leaving or losing them after only short periods of time. He often found himself working for jewellers, first, at eleven, as an errand boy, and later as a salesperson for a local goldsmith. Although he was no longer being formally educated, he bought schoolbooks with the money he earned, and studied by himself. It was around this time that Céline started to want to become a doctor.[3]

[edit] World War I and Africa

In 1912, in what Céline described as an act of rebellion against his parents, he joined the French army, two years before the start of the first World War and its mandatory French conscription. This was a time in France when, following the Moroccan crisis of 1911, nationalism reached "fever pitch" – a period one historian described as "The Hegemony of Patriotism" (1911–1914), particularly affecting opinion in the lycées and grandes écoles of Paris.[4]

In 1912 Céline began a three-year enlistment in the 12th Cavalry Regiment stationed in Rambouillet.[2] At first, he was unhappy with the military, and even considered deserting. However, he adapted, and eventually attained the rank of Sergeant.[3] The beginning of the First World War brought action to Céline's unit. On 25 October 1914, Céline volunteered to deliver a message, when others were reluctant to do so because of heavy German fire. Near Ypres, during his attempt to deliver the message, he was wounded in his right arm. (He was not wounded in the head, contrary to a popular rumor that he perpetuated.)[3] For his bravery, Céline was awarded the médaille militaire in November, and appeared on the cover of the weekly l'Illustré National in December.[2]

In March 1915 he was sent to London to work in the French passport office. While in London, he was married to Suzanne Nebout and divorced one year later.[2] In September, his arm wounds were such that he was officially declared physically unfit for military duty and was discharged. He returned to France, where he began working at a variety of jobs.

In 1916 Céline set out for Africa as a representative of the Sangha-Oubangui company. He was sent to the Cameroons and returned to France in 1917.[2] Little is known of this trip except that it was unsuccessful.[3] After returning to France he worked for the Rockefeller Foundation. As part of a team, it was his job to travel to Brittany teaching people how to fight tuberculosis and how to improve hygiene.[3]

[edit] Becoming a doctor

In June 1919 Céline went to Bordeaux and completed the second part of his baccalauréat. Through his work with the Institute, Céline had come into contact, and good standing, with Monsieur Follet, the director of the medical school in Rennes. On 11 August 1919 Céline married Follet's daughter Édith Follet, with whom he had been acquainted for some time.[3] With Monsieur Follet's influence, Céline was accepted into the university. On 15 June 1920 his wife gave birth to a daughter, Colette Destouches. During this time, he studied intensely, obtaining certificates in physics, chemistry, and natural sciences. By 1923, three years after he had started the medical program at Rennes, Céline had completed almost everything he needed to complete his medical degree. His doctoral thesis, The Life and Work of Ignaz Semmelweis, is considered his first literary work, completed in 1924. Ignaz Semmelweis's contribution "was immense and it stood, according to Céline, in direct proportion to the misery of his life."[3] In 1924 Céline began work as an intern at a Paris maternity hospital.

[edit] Becoming a writer

In 1925 Céline suddenly left his family, never to return. Under the newly founded League of Nations he could travel to Switzerland, England, the Cameroons, Canada, the United States, and Cuba. During this period, he began to write the play L'Eglise (1933; The Church).

In 1926 he visited America, and was sent to Detroit to study the conditions of the workers at the Ford Automotive company. Seeing the affects of the "assembly line" disgusted him. His article described the plant as a sensory attack on the worker, and how this attack had literally made the worker part of the machine.["Journey to the End of the Night -For $5.00 a day"]. By 1932 he had compiled enough information about the industrial Fascist movments spreading to the US to write Voyage au bout de la nuit (Journey to the End of the Night - For $5.00 a Day) and was considered for the Goncourt Prize.[5]

In 1928, Céline returned to medicine to established a private practice in Montmartre, in the north end of Paris, specializing in obstetrics.[6]

[edit] Literary life and awards

Céline's best-known work is Voyage au bout de la nuit, translated into English most recently by Ralph Manheim. It violated many of the literary conventions of the time, using the rhythms and, to a certain extent, the vocabulary of slang and vulgar speech in a more consistent and occasionally more difficult way than earlier writers who had made similar attempts (notably Émile Zola), in the tradition of François Villon. The book became a success, but Céline was not awarded the Prix Goncourt, despite strong support; the voting was controversial enough to become the subject of a book (Goncourt 32 by Eugène Saccomano, 1999).

In 1936 he published Mort à crédit (Death on the Installment Plan), giving innovative, chaotic, and antiheroic visions of human suffering. Here, he extensively used ellipses scattered throughout the text to enhance the rhythm and to emphasise the style of speech. In both books he showed himself to be a great stylistic innovator and a masterful storyteller. French author Jean-Paul Sartre publicly praised Céline during this period.

[edit] Exile

During the development of Nazi Germany, Céline wrote Bagatelles pour un massacre(Trifles for a Massacre)(1937),L'École des cadavres (The School of Corpses) (1938) and Les Beaux draps (The Fine Mess)(1941). The Fine Mess was last published in France during the German occupation.

Céline's political ideals were publicly critical of Adolf Hitler, and of "Aryan baloney".[1][7]. Céline's 1957 novel D'un château l'autre, (English: From one castle to another) is about Sigmaringen Castle and describes the end of the war and the fall of of the Vichy government on 22 April 1945.

After Germany's defeat, Céline fled to Denmark (1945). Named a collaborator, he was convicted in absentia (1950) in France, sentenced to one year of imprisonment and declared a national disgrace. He was subsequently granted amnesty and returned to France in 1951.

[edit] Later life and death

Céline regained fame in later life with a trilogy of books which described his exile: D'un château l'autre, (describing the fall of Schloss Sigmaringen), Nord and Rigodon. He settled in Meudon, where he was visited by several friends and artists, among them the famous actress Arletty. He became famous among the Beat Movement. Both William S. Burroughs and Allen Ginsberg visited him in his Parisian apartment during the 1950s. Céline died on 1 July 1961, the day after finishing Rigodon, of a ruptured aneurysm and was buried in a small cemetery at Bas Meudon (part of Meudon in the Hauts-de-Seine département). His house burned down during the night of 23 May 1968, destroying manuscripts, furniture and mementoes, but leaving his parrot Toto alive in the adjacent aviary.

[edit] Work and legacy

Céline's writings are examples of black comedy, where unfortunate and often terrible things are described humorously. While his writing is often hyper-real and its polemic qualities can often be startling, his main strength lies in his ability to discredit almost everything and yet not lose a sense of enraged humanity. Pessimism pervades Céline's fiction as his characters sense failure, anxiety, nihilism, and inertia. Will Self has described Celine's work as an "invective, which – despite the reputation he would later earn as a rabid anti-Semite – is aimed against all classes and races of people with indiscriminate abandon".[8] The narrative of betrayal and exploitation, both real and imagined, corresponds with his personal life. His two true loves, his wife, Lucette Almanzor, and his cat, Bébert, are always mentioned with kindness and warmth.

Where some critics see a progressive disintegration of personality reflected in the stylistic incoherence of his books based on his life during the war (Guignol's Band, D'un château l'autre and Nord), others claim that the books are less incoherent than intentionally fragmented. They see the final development of the style introduced with Journey to the End of the Night, suggesting that Céline maintained his faculties in clear working order to the end of his days. In Conversations with Professor Y (1955) Céline defends his style, indicating that his heavy use of the ellipsis and his disjointed sentences are an attempt to embody human emotion in written language.

Journey to the End of the Night is among the most acclaimed novels of the 20th century. Few first novels have had a comparable impact. Written in an explosive and highly colloquial style, the book shocked most critics but found immediate success with the French reading public, which responded enthusiastically to the violent misadventures of its petit-bourgeois antihero, Bardamu, and his characteristic nihilism. The author's military experiences in World War I, his travels to colonial French West Africa, New York, and his return to postwar France all provide episodes within the sprawling narrative.[9]

Guignol's Band and its companion novel London Bridge center on the London underworld during World War I. In London Bridge a sailboat appears, bearing the name King Hamsun, obviously a tribute to another collaborationist writer. Celine's autobiographical narrator recounts his disastrous partnership with a mystical Frenchman (intent on financing a trip to Tibet by winning a gas-mask competition); his uneasy relationship with London's pimps and prostitutes and their common nemesis, Inspector Matthew of Scotland Yard.[10]

Céline's legacy survives in the writings of Samuel Beckett, Jean-Paul Sartre, Queneau and Jean Genet among others. Jean-Marie Gustave Le Clézio, Robbe-Grillet, and Barthes expressed admiration for him. In the United States, writers Charles Bukowski, Henry Miller, Jack Kerouac, Joseph Heller, Kurt Vonnegut, Jr., William S. Burroughs, and Ken Kesey owe an obvious debt to the author of Voyage au bout de la nuit,[1]. The relatively late date of the first English-language translation means that any direct influence can be difficult to demonstrate except in Henry Miller's case. Miller read the book in French while living in Paris shortly after it was published. Céline was also an influence on Irvine Welsh, Günter Grass, Joseph Heller. Bukowski wrote "'first of all read Céline; the greatest writer of 2,000 years"[11]

[edit] Bibliography

[edit] See also

[edit] References

  1. ^ a b c d O'Connell p88
  2. ^ a b c d e f g O'Connell, David (1976). Twayne's World Author Series: Louis Ferdinand-Céline. Twayne Publishers. ISBN 0805762566.  p. 14
  3. ^ a b c d e f g McCarthy, Patrick (1975). Céline: A Biography. Viking Press. ISBN 0-670-20964-4. 
  4. ^ David Cottington, Cubism in the Shadow of War: The Avant-garde and Politics in Paris, 1905–1914 (New Haven and London: Yale University Press, 1998), pp. 33–37
  5. ^ O'Connell, David (1976). Twayne's World Author Series: Louis Ferdinand-Céline. Twayne Publishers. ISBN 0805762566.  p. 15
  6. ^ O'Connell, David (1976). Twayne's World Author Series: Louis Ferdinand-Céline. Twayne Publishers. ISBN 0805762566.  p. 15
  7. ^ Introduction to Conversations with Professor Y by Stanford Luce p. xii
  8. ^ Will Self (10 September 2006). "Céline’s Dark Journey". The New York Times. http://www.nytimes.com/2006/09/10/books/review/Self.t.html. Retrieved 17 July 2010. 
  9. ^ The Nation, quoted in the New Directions Paperbook (Eighteenth Printing) of Journey to the End of the Night
  10. ^ Dalkey Archive Press, London Bridge translation by Dominic Di Bernardi
  11. ^ Notes of a Dirty Old Man, p. 86

[edit] External links

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