^The subject of this portrait was identified as Louis Le Vau in 1955 by Albert Laprade, who recognized the plan as that of the southwest corner of the old Louvre, that is the Bathing Apartment of the Queen Mother Anne d'Autriche, remodeled by Le Vau in the summer of 1661, and the building illustrated in the background as the pavilion at the north end of the Louvre's Petite Galerie (see Galerie d'Apollon), constructed shortly after the fire on 1 February 1661 (see also Laprade 1960, chapter 3, plate 1); Christophe Hardouin disputed Laprade's attribution in an unpublished thesis for the University of Paris and identified the painting as Pierre Rabon's presentation piece before the Academy on 3 July 1660, which portrayed Antoine de Ratabon (1617–1670), Superintendant des Bâtiments (see Thierry Bajou; also Hilary Ballon 1999, p. 201, note 8, who was unable to examine the thesis but cites Bajou). Bajou comments that the plan and the pavilion must have already existed as unexecuted designs when Rabon's painting was created.
Bajou, Thierry (1998). La Peinture à Versailles. XVIIe siècle, p. 76. Paris. English edition: ISBN 9782283017654.
Ballon, Hilary (1999). Louis Le Vau: Mazarin's Collège, Colbert's Revenge. Princeton University Press. ISBN 9780691048956.
Hardouin, Christophe (1994). "La Collection de portraits de l'Académie royale de Peinture et de Sculpture: Peintures entrées sous le règne de Louis XIV (1648–1715", Mémoire de D.E.A., Université de Paris IV, 1994, pp. 164–166.
Laprade, Albert (1955). "Portraits des premiers architectes de Versailles", Revue des Arts, March 1955, pp. 21–24.