Auguste and Louis Lumière

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Auguste and Louis Lumière
Fratelli Lumiere.jpg
Born
  • Auguste Marie Louis Nicolas Lumière
  • Louis Jean Lumière

  • Auguste: (1862-10-19)October 19, 1862
  • Louis: (1864-10-05)October 5, 1864

Besançon, France
Died
  • Auguste: April 10, 1954(1954-04-10) (aged 91)
  • Louis: June 6, 1948(1948-06-06) (aged 83)

  • Auguste: Lyon, France
  • Louis: Bandol, French Riviera
Alma mater La Martiniere Lyon
Occupation Filmmakers
Parents Claude-Antoine Lumière (1840–1910)
Awards Elliott Cresson Medal (1909)

The Lumière (pronounced: [lymjɛːʁ]) brothers, Auguste Marie Louis Nicolas [oɡyst maʁi lwi nikɔla] (19 October 1862, Besançon, France – 10 April 1954, Lyon) and Louis Jean [lwi ʒɑ̃] (5 October 1864, Besançon, France – 6 June 1948, Bandol),[1][2] are credited to be first filmmakers in history. They patented the cinematograph, which contrary to Edison's "peepshow" kinetoscope, the former allowed viewing by multiple parties at once, like current cinema. Their first film, Sortie de l'usine Lumière de Lyon, shot in 1894, is considered the first real motion picture in history.[3] Curiously, their surname, "Lumière", is French for "light".

History[edit]

The Lumière brothers were born in Besançon, France, in 1866 and 1867, and moved to Lyon in 1870, where both attended La Martiniere, the largest technical school in Lyon.[4] Their father, Claude-Antoine Lumière (1840–1911), ran a photographic firm and both brothers worked for him: Louis as a physicist and Auguste as a manager. Louis had made some improvements to the still-photograph process, the most notable being the dry-plate process, which was a major step towards moving images.

It was not until their father retired in 1892 that the brothers began to create moving pictures. They patented a number of significant processes leading up to their film camera, most notably film perforations (originally implemented by Emile Reynaud) as a means of advancing the film through the camera and projector. The original cinématographe had been patented by Léon Guillaume Bouly on 12 February 1892.[5] The brothers patented their own version on 13 February 1895.[6] The first footage ever to be recorded using it was recorded on March 19, 1895. This first film shows workers leaving the Lumière factory.

First film screenings[edit]

The Lumières held their first private screening of projected motion pictures in 1895.[7] Their first public screening of films at which admission was charged was held on December 28, 1895, at Salon Indien du Grand Café in Paris.[8] This history-making presentation featured ten short films, including their first film, Sortie des Usines Lumière à Lyon (Workers Leaving the Lumière Factory).[9] Each film is 17 meters long, which, when hand cranked through a projector, runs approximately 50 seconds.

The world's first film poster, for 1895's L'Arroseur arrosé

It is believed their first film was actually recorded that same year (1895)[10] with Léon Bouly's cinématographe device, which was patented the previous year. The cinématographe — a three-in-one device that could record, develop, and project motion pictures — was further developed by the Lumières.

The public debut at the Grand Café came a few months later and consisted of the following ten short films (in order of presentation):[11]

  1. La Sortie de l'Usine Lumière à Lyon (literally, "the exit from the Lumière factory in Lyon", or, under its more common English title, Workers Leaving the Lumiere Factory), 46 seconds
  2. Le Jardinier (l'Arroseur Arrosé) ("The Gardener", or "The Sprinkler Sprinkled"), 49 seconds
  3. Le Débarquement du Congrès de Photographie à Lyon ("the disembarkment of the Congress of Photographers in Lyon"), 48 seconds
  4. La Voltige ("Horse Trick Riders"), 46 seconds
  5. La Pêche aux poissons rouges ("fishing for goldfish"), 42 seconds
  6. Les Forgerons ("Blacksmiths"), 49 seconds
  7. Repas de bébé ("Baby's Breakfast" (lit. "baby's meal")), 41 seconds
  8. Le Saut à la couverture ("Jumping Onto the Blanket"), 41 seconds
  9. La Places des Cordeliers à Lyon ("Cordeliers Square in Lyon"—a street scene), 44 seconds
  10. La Mer (Baignade en mer) ("the sea [bathing in the sea]"), 38 seconds

The Lumières went on tour with the cinématographe in 1896, visiting Bombay, London, Montreal, New York and Buenos Aires.

The moving images had an immediate and significant influence on popular culture with L'Arrivée d'un Train en Gare de la Ciotat (literally, "the arrival of a train at La Ciotat", but more commonly known as Arrival of a Train at a Station) and Carmaux, défournage du coke (Drawing out the coke). Their actuality films, or actualités, are often cited as the first, primitive documentaries. They also made the first steps towards comedy film with the slapstick of L'Arroseur Arrosé.

Early color photography[edit]

Autochrome color picture by Jean-Baptiste Tournassoud of North-African soldiers, Oise, France, 1917.link

The brothers stated that "the cinema is an invention without any future" and declined to sell their camera to other filmmakers such as Georges Méliès. This made many film makers upset. Consequently, their role in the history of film was exceedingly brief. They turned their attentions to colour photography and in 1903 they patented a colour photography process, the "Autochrome Lumière", launched on the market in 1907. Throughout much of the 20th century, the Lumière company was a major producer of photographic products in Europe, but the brand name, Lumière, disappeared from the marketplace following merger with Ilford(ref City of Lyon Document).

Other early cinematographers[edit]

The Lumière Brothers were not the only ones to claim the title of the first cinematographers. The scientific chronophotography devices developed by Eadweard Muybridge, Étienne-Jules Marey and Ottomar Anschütz in the 1880s were able to produce moving photographs, as was William Friese-Greene's 'chronophotographic' system, demonstrated in 1890, and Thomas Edison's Kinetoscope (developed by W K-L Dickson), premiered in 1891. Since 1892, the projected drawings of Émile Reynaud's Théâtre Optique were attracting Paris crowds to the Museé Grevin. Louis Le Prince and Claude Mechant had been shooting moving picture sequences on paper film as soon as 1888, but had never performed a public demonstration. Polish inventor, Kazimierz Prószyński had built his camera and projecting device, called Pleograph, in 1894. Max and Emil Skladanowsky, inventors of the Bioscop, had offered projected moving images to a paying public one month earlier (November 1, 1895, in Berlin). Nevertheless, film historians consider the Grand Café screening to be the true birth of the cinema as a commercial medium, because the Skladanowsky brothers' screening used an extremely impractical dual system motion picture projector that was immediately supplanted by the Lumiere cinematographe.

Although the Lumière brothers were not the first inventors to develop techniques to create motion pictures, they are often credited as among the first inventors of the technology for Cinema as a mass medium, and are among the first who understood how to use it.

See also[edit]

Their house in Lyon, France, is now the Institut Lumière museum.

References[edit]

  1. ^ "Louis Lumière, 83, A Screen Pioneer. Credited in France With The Invention of Motion Picture.". New York Times. 7 June 1948. Retrieved 2008-04-29. 
  2. ^ "Died.". Time (magazine). 14 June 1948. Retrieved 2008-04-29. "Louis Lumière, 83, wealthy motion-picture and color-photography pioneer, whom (with his brother Auguste) Europeans generally credit with inventing the cinema; of a heart ailment; in Bandol, France." 
  3. ^ "Lumière". Microsoft Encarta Online Encyclopedia 2007. Archived from the original on 25 January 2008. Retrieved 2007-03-18. 
  4. ^ Gina De Angelis (2003). Motion Pictures. The Oliver Press. ISBN 978-1-881508-78-6. 
  5. ^ "Brevet FR 219.350". Cinematographes. Retrieved 2013-12-11. 
  6. ^ "Brevet FR 245.032". Cinematographes. Retrieved 2013-12-11. 
  7. ^ Chardère (1985), p.71. This first screening on March 22, 1895 took place in Paris, at the "Society for the Development of the National Industry", in front of an audience of 200 people – among which Léon Gaumont, then director of the Comptoir de la photographie. The main focus of this conference by Louis Lumière were the recent developments in the photograph industry, mainly the research on polychromy (color photography). It was much to Lumière's surprise that the moving black-and-white images retained more attention than the colored stills photographs.
  8. ^ December 28, 1895.
  9. ^ "La première séance publique payante", Institut Lumière
  10. ^ Chardère (1987), p.70: The date of the recording of their first film is in dispute. In an interview with Georges Sadoul given in 1948, Louis Lumière tells that he shot the film in August 1894. This is questioned by historians (Sadoul, Pinel, Chardère) who consider that a functional Lumière camera didn't exist before the end of 1894, and that their first film was recorded March 19th 1895, and then publicly projected March 22nd at the Société d'encouragement pour l'industrie nationale in Paris.
  11. ^ Bienvenue sur Adobe GoLive 4. Institut-lumiere.org. Retrieved on 2013-08-16.

Further reading[edit]

  • Chardère, B.; Borgé, G. and M. (1985). Les Lumière, Paris: Bibliothèque des Arts. ISBN 2-85047-068-6 (Language: French)
  • Chardère, B. (1995). Les images des Lumière, Paris: Gallimard. ISBN 2-07-011462-7 (Language: French)
  • Cook, David (2004). A History of Narrative Film (4th ed. ed.). New York: W. W. Norton. ISBN 0-393-97868-0. 
  • Lavédrine, Bertrand and Gandolfo, Jean-Paul. (2013). The Lumière Autochrome: History, Technology, and Preservation, Los Angeles: Getty Publications. ISBN 978-1-60606-125-1
  • Rittaud-Hutinet, Jacques. (1985). Le cinéma des origines, Seyssel: Champ Vallon. ISBN 2-903528-43-8 (Language: French)
  • Mast, Gerald; Bruce F. Kawin (2006). A Short History of the Movies (9th ed. ed.). New York: Pearson Longman. ISBN 0-321-26232-8. 

External links[edit]