Louis de Funès
|Louis de Funès|
Louis de Funès during the shooting of Le gendarme et les extra-terrestres
31 July 1914|
Courbevoie, Hauts-de-Seine, France
|Died||27 January 1983
Nantes, Loire-Atlantique, France
|Years active||38 years|
|Height||1.64 m |
|Spouse(s)||Germaine Louise Élodie Carroyer (1936–1942)
Jeanne Augustine Barthélemy (1943–1983)
|Awards||Grand prix du rire, 1957, Comme un cheveu sur la soupe
Victoire du cinéma, 1965
Chevalier de la Légion d'honneur, 1973
César d’honneur, 1980
Louis de Funès (French pronunciation: [lwi də fy.nɛs]; 31 July 1914 – 27 January 1983), born Louis Germain David de Funès de Galarza, was a popular French actor of Spanish origin and one of the giants of French comedy alongside André Bourvil and Fernandel. His acting style is remembered for its high energy performance, wide range of facial expressions and engaging, snappy impatience.
He was successful in several countries of Europe (Germany and USSR in particular) for many years, but remained almost unknown in the English-speaking world. He was seen only once in the United States in 1974 with the release of The Mad Adventures of Rabbi Jacob, which was nominated for a Golden Globe. According to a 1968 poll he was France's favourite actor. Funès played over 130 roles in film and over 100 roles on stage. 
Louis de Funès was born in Courbevoie, Hauts-de-Seine to parents from Seville, Spain. Since the couple's families opposed their marriage, they settled in France in 1904. His father, Carlos Luis de Funès de Galarza, had been a lawyer in Spain, but became a diamond cutter upon arriving in France. His mother, Leonor Soto Reguera, was of Galician (Spain) extraction.
Known to friends and intimates as "Fufu", de Funès spoke French, Spanish and English well. As a youth, he was fond of drawing and piano playing. He was an alumnus of the lycée Condorcet in Paris, a distinction he shared with Henri de Toulouse-Lautrec, Paul Valéry, Paul Verlaine, Marcel Proust, Jean Cocteau, Serge Gainsbourg, and Claude Lévi-Strauss, amongst others. He later dropped out, and was not successful in his early life; as a youth and young adult, de Funès held modest jobs, from which he was repeatedly fired. He became a pianist, working mostly as a jazz pianist at Pigalle, Paris, famous as a touristic red-light district. There he made his customers laugh each time he made a grimace. He studied acting for one year at the Simon acting school. There he made some useful contacts, including Daniel Gélin, among others. In 1936 he married Germaine Louise Elodie Carroyer, with whom he had one child, a son named Daniel; the couple were divorced in late 1942.
During the occupation of Paris in the Second World War, he continued his piano studies at a music school, where he fell in love with a secretary, Jeanne Barthelémy de Maupassant, a grandniece of the famous author Guy de Maupassant. She had fallen in love with "the young man who played jazz like god"; they married in 1943 and remained together for forty years, until de Funès' death in 1983. They had two sons: Patrick (born on 27 January 1944) and Olivier (born on 11 August 1947). Patrick became a doctor who now practices in Saint-Germain en Laye. Olivier became an actor for a brief while. He became known for the roles he had in his father's films (Les Grandes Vacances, Fantômas se déchaine, Le Grand Restaurant, and Hibernatus are the most famous). At the time, he was an aviator for Air France Europe.
Through the early 1940s, de Funès continued playing piano at clubs, thinking there was not much call for a short, balding, skinny actor. His wife and Daniel Gélin encouraged him until he managed to overcome his fear of rejection. His wife supported him in the most difficult moments, while helping him to efficiently manage his career.
De Funès began his show business career in the theatre, where he enjoyed moderate success and also played small roles in films. Even after he attained the status of a movie star, he continued to play theatre roles. His stage career culminated in a magnificent performance in the play Oscar (a role which he would reprise a few years later in the film version).
In 1945, thanks to his contact with Daniel Gélin, he made his film debut at the age of 31 with a bit part in Jean Stelli's La Tentation de Barbizon ("The Temptation of Barbizon"). De Funès appeared on screen for 40 seconds in the role of the porter of the cabaret Le Paradis. De Funès receives the character played by Jérôme Chambon at the entrance of the cabaret and invites him to enter with, "C'est par ici Monsieur" ("This way please, Sir"). Chambon declines the invitation, wanting to try to enter through the front door of the room instead, but that door is closed. De Funès then says: "Ben, il a son compte celui-là, aujourd'hui" ("Well that one's had enough today").
He went on to perform in 130 film roles over the next 20 years, playing minor roles in over 80 films before he got his first leading roles. During this period, De Funès developed a routine of daily activities: in the morning he did dubbing for recognized artists such as Totò, an Italian comic of the time; during the afternoon he worked in film, and in the evening in the theater.
From 1945-1955 he appeared in 50 films, usually as an extra or walk-on. In 1954, he went on to star in such films as Ah! Les belles bacchantes and The Sheep Has Five Legs. A break came in 1956, when he appeared as the black-market pork butcher Jambier (another small role) in Claude Autant-Lara's well-known film World War II comedy, La Traversée de Paris. He achieved stardom in 1963 with Jean Girault's film, Pouic-Pouic. This successful film guaranteed de Funès top billing in all of his subsequent films. At the age of 49, De Funès unexpectedly became a major star of international renown with the success of Le gendarme de Saint-Tropez. After their first successful collaboration, director Jean Girault perceived de Funès as the ideal actor to play the part of the accident prone gendarme. The first film lead to a series of six 'Gendarme' films.
De Funès's collaboration with director Gérard Oury produced a memorable tandem of de Funès with Bourvil, another great comic actor, in the 1964 film, Le Corniaud. The success of the Funès-Bourvil partnership was repeated two years later in La Grande Vadrouille, one of the most successful and the largest grossing film ever made in France, drawing an audience of 17.27 million. It remains his greatest success. Oury envisaged a further reunion of the two comics in his film La Folie des grandeurs, but Bourvil's death in 1970 led to the unlikely pairing of de Funès with Yves Montand in that film.
Eventually he became France's leading comic actor. Between 1964 and 1979, he topped France's box-office of the year's most successful movies seven times.
He co-starred with many of the major French actors of his time, including Jean Marais and Mylène Demongeot in the Fantomas trilogy, and also Jean Gabin, Fernandel, Coluche, Annie Girardot, and Yves Montand. He also worked with Jean Girault in the famous 'Gendarmes' series. In a departure from the Gendarme image, de Funès collaborated with Claude Zidi, who wrote for him a new character full of nuances and frankness in L'aile ou la cuisse (1976), which is arguably the best of his roles. Later de Funès' considerable musical abilities were showcased in films such as Le Corniaud and Le Grand Restaurant. In 1964 he debuted in the first of the Fantômas series, which launched him into superstardom.
In 1975, Gérard Oury turned again to Louis de Funès for a film entitled Le Crocodile, in which he was to play the role of a South American dictator. But in March 1975, de Funès was hospitalized for heart problems and forced to take a rest from acting. Le Crocodile was canceled. After his recovery, he appeared opposite another comic genius, Coluche, in L'Aile ou la cuisse. In 1980, de Funès realised a long-standing dream to make a film version of Molière's play, L'Avare.
Louis de Funès made his final film, Le Gendarme et les gendarmettes in 1982.
Unlike the characters he played, de Funès was said to be a very shy person in real life. Capable of an extremely rich and rapidly changing range of facial expressiveness, de Funès was nicknamed "the man with forty faces per minute". In many of his films, he played the role of a humorously excitable, cranky, middle-aged or mature man with a propensity to hyperactivity, bad faith, and uncontrolled fits of anger. Along with his short height (he measured 5 ft 4 in (1.63 m)) and his facial contortions, this hyperactivity produced a highly comic effect. This was particularly visible when he was paired with Bourvil, who was always given roles of calm, slightly naive, good-humoured men. In de Funès' successful lead role in a cinematic version of Molière's The Miser (L'Avare), these characteristics are greatly muted, percolating just beneath the surface.
Later years and death
In the later part of his life, de Funès achieved great prosperity and success. He became a knight of France's Légion d'honneur in 1973. He resided in the Château de Clermont, a 17th-century monument located in the commune of Le Cellier, which is situated 27 kilometers (17 mi) from Nantes in France. This castle, overlooking the Loire River, was inherited by his wife, a descendant of the Maupassant family. De Funès was an aficionado of roses. He planted a rose garden on the château grounds and a variety of rose has been named for him (the Louis de Funès rose). A monument honoring him was erected in the rose garden of his wife's castle.
In his later years, he suffered from a heart condition after having suffered a heart attack caused by straining himself too much with his stage antics. Louis de Funès died of a massive stroke on 27 January 1983, a few months after making his final film. He was laid to rest in the Cimetière du Cellier, the cemetery situated in the grounds of the château.
One of his sons, Olivier de Funès, pursued an acting career alongside him (often playing the son of Louis's character) before becoming an Air France pilot. His other son, Patrick de Funès, became a medical doctor.
De Funès' legacy
Louis de Funès is portrayed on a postage stamp issued on 3 October 1998 by the French post office. He was portrayed as a gambler in the "The One-Armed Bandit" issue of the cult comic book series Lucky Luke. The character "Skinner" in Ratatouille (2007) was loosely based on him.
|1945||La Tentation de Barbizon||uncredited||Jean Stelli|
|1946||Six heures à perdre||the driver||Alex Joffé and Jean Lévitte|
|Dernier refuge||the driver||Alex Joffé|
|1947||Antoine et Antoinette||uncredited||Jacques Becker|
|Croisière pour l'inconnu||uncredited||Pierre Montazel|
|1948||Du Guesclin||the astrologist||Bernard de Latour|
|1949||Vient de paraître||uncredited||Jacques Houssin|
|Mon ami Sainfoin||the guide||Paul-Adrien Schaye|
|Mission à Tanger||uncredited||André Hunebelle|
|Millionnaires d'un jour||Philippe's solicitor|
|Au revoir M. Grock||a spectator||Pierre Billon|
|Rendez-vous avec la chance||the waiter||Emil-Edwin Reinert|
|Pas de week-end pour notre amour||the baron's butler||Pierre Montazel|
|Un certain monsieur||Thomas Boudeboeuf||Yves Ciampi|
|Je n'aime que toi||the orchestra's pianist||Pierre Montazel|
|Le jugement de Dieu||an employee||Raymond Bernard|
|La rue sans loi||Hippolyte||Marcel Gibaud|
|1950||Adémaï au poteau-frontière||uncredited||Paul Colline|
|1951||Dr. Knock||uncredited||Guy Lefranc|
|Les joueurs||Piotr Petrovitch Spotniev||Claude Barma|
|Un amour de parapluie||uncredited||Jean Laviron|
|Bibi Fricotin||uncredited||Marcel Blistène|
|Boniface somnambule||Anatole||Maurice Labro|
|Boîte à vendre||?||Claude André Lalande|
|Sans laisser d'adresse||a father-to-be in the hospital||Jean-Paul Le Chanois|
|La rose rouge||Manito||Marcello Pagliero|
|Champions Juniors||?||Pierre Blondy|
|Le roi du bla bla bla||Gino||Maurice Labro|
|La Passante||the lockmaster||Henri Calef|
|La poison||André Chevillard||Sacha Guitry|
|Pas de vacances pour Monsieur le Maire||the adviser||Maurice Labro|
|Le Dindon||the manager||Claude Barma|
|L'amant de paille||Bruno||Gilles Grangier|
|Folie douce||?||Jean-Paul Paulin|
|Ma femme est formidable||a skier||André Hunebelle|
|Le Voyage en Amérique||un employee of Air France||Henri Lavorel|
|1952||Les Sept péchés capitaux||?||(several)|
|Ils étaient cinq||Albert||Jack Pinoteau|
|Les Dents longues||an employee||Daniel Gélin|
|Agence matrimoniale||Charles||Jean-Paul Le Chanois|
|La Fugue de Monsieur Perle||a madman||Pierre Gaspard-Huit|
|Innocents in Paris||Célestin||Gordon Parry|
|Elle et moi||the waiter||Guy Lefranc|
|Je l'ai été trois fois||the sultan's interpreter||Sacha Guitry|
|Monsieur Taxi||uncredited||André Hunebelle|
|Monsieur Leguignon Lampiste||uncredited||Maurice Labro|
|Le Huitième Art et la Manière||the husband||Maurice Regamey|
|Moineaux de Paris||the doctor||Maurice Cloche|
|L'amour n'est pas un péché||Monsieur Cottin||Claude Cariven|
|La Putain respectueuse||the night club visitor||Charles Brabant|
|Les loups chassent la nuit||the waiter||Bernard Borderie|
|1953||Les Compagnes de la nuit||the client||Ralph Habib|
|La Vie d'un honnête homme||Émile||Sacha Guitry|
|Le rire||as himself||Maurice Regamey|
|L'Étrange Désir de monsieur Bard||Monsieur Chanteau||Géza von Radványi|
|Dortoir des grandes||Monsieur Triboudot||Henri Decoin|
|Au diable la vertu||Monsieur Lorette||Jean Laviron|
|Légère et court vêtue||Paul Duvernois|
|Capitaine Pantoufle||Monsieur Rachoux||Guy Lefranc|
|Le Secret d'Hélène Marimon||the gardener||Henri Calef|
|Faites-moi confiance||Tumlatum||Gilles Grangier|
|Mon frangin du Sénégal||the doctor||Guy Lacourt|
|1954||Poisson d'avril||the fishery warden||Gilles Grangier|
|Ah! Les belles bacchantes||Michel Lebœuf||Jean Loubignac|
|Le Blé en herbe||the carney||Claude Autant-Lara|
|Le Chevalier de la nuit||Adrien Péréduray||Robert Darène|
|Les corsaires du Bois de Boulogne||uncredited||Norbert Carbonnaux|
|Escalier de service||Cesare Grimaldi||Carlo Rim|
|Les hommes ne pensent qu'à ça||Monsieur Célosso||Yves Robert|
|Huis clos||uncredited||Jacqueline Audry|
|Les Intrigantes||Monsieur Marcange||Henri Decoin|
|Mam'zelle Nitouche||the field marshal||Yves Allégret|
|The Sheep Has Five Legs||Pilate||Henri Verneuil|
|Papa, maman, la bonne et moi||Monsieur Calomel||Jean-Paul Le Chanois|
|Les pépées font la loi||Jeannot la Bonne Affaire||Raoul André|
|La Reine Margot||René Bianchi (uncredited)||Jean Dréville|
|Scènes de ménage||Monsieur Boulingrin||André Berthomieu|
|Tourments||Eddy Gorlier||Jacques Daniel-Norman|
|Ingrid - Die Geschichte eines Fotomodells||D'Arrigio||Géza von Radványi|
|Les Impures||the conductor||Pierre Chevalier|
|L'impossible Monsieur Pipelet||Uncle Robert||André Hunebelle|
|Les Hussards||Luigi||Alex Joffé|
|La Bande à papa||Victor Eugène Merlerin||Guy Lefranc|
|Bonjour sourire||Monsieur Bonoeil||Claude Sautet|
|Si Paris nous était conté||Antoine Allègre||Sacha Guitry|
|Frou-Frou||Colonel Cousinet-Duval||Augusto Genina|
|Mädchen ohne Grenzen||uncredited||Géza von Radványi|
|1956||La Traversée de Paris||Jambier||Claude Autant-Lara|
|Papa, maman, ma femme et moi||Monsieur Calomel||Jean-Paul Le Chanois|
|Bébés à gogo||Monsieur Célestin Ratier||Paul Mesnier|
|La Loi des rues||Paulo||Ralph Habib|
|Courte tête||father Graziani||Norbert Carbonnaux|
|1957||Comme un cheveu sur la soupe||Pierre Cousin||Maurice Regamey|
|1958||Taxi, Roulotte et Corrida||Maurice Berger||André Hunebelle|
|Ni vu, ni connu||Léon Blaireau||Yves Robert|
|La Vie à deux||stéphane||Clément Duhour|
|1959||I Tartassati||Hector "Ettore" Curto||Stefano Vanzina|
|Totò, Eva e il pennello proibito||Francisco Montiel|
|Certains l'aiment froide||Ange Galopin||Jean Bastia|
|Mon pote le gitan||Monsieur Védrines||François Gir|
|1960||Dans l'eau qui fait des bulles||Paul Ernzer||Maurice Delbez|
|Le Capitaine Fracasse||Scapin||Pierre Gaspard-Huit|
|Les Tortillards||Emile Durand||Jean Bastia|
|Candide ou l'optimisme au XXe siècle||Gestapo officer||Norbert Carbonnaux|
|1961||Le Crime ne paie pas||a barkeeper||Gérard Oury|
|La Belle Américaine||Viralot||Robert Dhéry|
|1962||La Vendetta||Valentino Amoretti||Jean Chérasse|
|Un clair de lune à Maubeuge||uncredited||Jean Chérasse|
|Le Gentleman d'Epsom||Gaspard Ripeux||Gilles Grangier|
|Les Veinards||Antoine Beaurepaire||Philippe de Broca and Jean Girault|
|Nous irons à Deauville||Ludovic Lambersac||Francis Rigaud|
|Le Diable et les Dix Commandements||Antoine Vaillant||Julien Duvivier|
|1963||Des pissenlits par la racine||Jack||Georges Lautner|
|Pouic-Pouic||Léonard Monestier||Jean Girault|
|Carambolages||Norbert Charolais||Marcel Bluwal|
|Faites sauter la banque!||Victor Garnier||Jean Girault|
|1964||Une souris chez les hommes||Marcel Ravelais||Jacques Poitrenaud|
|Le gendarme de Saint-Tropez||Ludovic Cruchot||Jean Girault|
|Fantômas||Commissioner Juve||André Hunebelle|
|1965||Le Corniaud||Léopold Saroyan||Gérard Oury|
|Les Bons Vivants||Léon Haudepin||Gilles Grangier and Georges Lautner|
|Le gendarme à New York||Ludovic Cruchot||Jean Girault|
|Fantômas se déchaîne||Commissioner Juve||André Hunebelle|
|1966||Le Grand Restaurant||Monsieur Septime||Jacques Besnard|
|La Grande Vadrouille||Stanislas Lefort||Gérard Oury|
|Fantômas contre Scotland Yard||Commissioner Juve||André Hunebelle|
|1967||Les grandes vacances||Charles Bosquier||Jean Girault|
|Oscar||Bertrand Barnier||Édouard Molinaro|
|1968||Le Petit Baigneur||Louis-Philippe Fourchaume||Robert Dhéry|
|Le tatoué||Félicien Mézeray||Denys de La Patellière|
|Le gendarme se marie||Ludovic Cruchot||Jean Girault|
|1969||Hibernatus||Hubert Barrère de Tartas||Édouard Molinaro|
|1970||L'homme orchestre||Monsieur Edouard||Serge Korber|
|Le gendarme en balade||Ludovic Cruchot||Jean Girault|
|1971||Sur un arbre perché||Henri Roubier||Serge Korber|
|Jo||Antoine Brisebard||Jean Girault|
|La folie des grandeurs||Don Salluste de Bazan||Gérard Oury|
|1973||Les aventures de Rabbi Jacob||Victor Pivert|
|1976||L'aile ou la cuisse||Charles Duchemin||Claude Zidi|
|1978||La Zizanie||Guillaume Daubray-Lacaze|
|1979||Le gendarme et les extra-terrestres||Ludovic Cruchot||Jean Girault|
|1980||L'avare||Harpagon||Louis de Funès and Jean Girault|
|1981||La Soupe aux choux||Claude Ratinier||Jean Girault|
|1982||Le gendarme et les gendarmettes||Ludovic Cruchot|
- "Louis de Funčs Height - How tall is Louis de Funčs?". Talltask.com. Retrieved 2012-08-09.
- Louis de Funès l'appelait Empty citation (help) lorsqu’il le croisait (Louis de Funès : Jusqu’au bout du rire, p. 43.).
- Bourvil, André. "Louis de Funès". IFrance.
- Mémoires d'éléphant (Paris 1988), p. 250.
- Louis de Funès at the Internet Movie Database
- FilmsdeFrance.com – Louis de Funès overview
- Louis de Funès – Films de France
- DeFunes.nl – Dutch website about Louis de Funès