Love You To

From Wikipedia, the free encyclopedia
Jump to: navigation, search
"Love You To"
Song by The Beatles from the album Revolver
Released 5 August 1966
Recorded 11 April 1966,
EMI Studios, London
Genre Raga rock, psychedelic rock
Length 3:01
Label Parlophone
Writer George Harrison
Producer George Martin
Revolver track listing

"Love You To" is a song by The Beatles from the album Revolver. It is sung and written by George Harrison and features North Indian classical instrumentation; tabla, a pair of hand-drums, sitar and a tambura providing a drone. "Love You To" was the first Beatles' song that seriously attempted to incorporate Indian classical music and has even been hailed as the first pop song to emulate a non-western form in structure and instrumentation.[1] As such, it first introduced Western pop music fans to the eastern, Indian music that Harrison would promote for the rest of his career.

Contents

[edit] Composition

As Harrison seldom had titles for his songs the working title was "Granny Smith."[2] Lewisohn states that the first basic tracks of the song were set down in Abbey Road studio two on Monday 11 April 1966 in sessions between 2.30pm-7pm and 8pm-12.45am.[3] They initially involved George singing to his own acoustic guitar accompaniment, with Paul supplying backing vocals. The sitar came in at take three and again as an overdub onto take six along with a tabla,bass and fuzz guitar.[4] Lewisohn specifically states: "George played the sitar but an outside musician, Anil Bhagwat, was recruited to play the tabla."[5]

Harrison had been practising the sitar since he used it to record Norwegian Wood (This Bird Has Flown) in October 1965 (he was soon to do so from its leading exponent Ravi Shankar) and Lavezzoli writes that "His playing throughout the song is an astonishing improvement over Norwegian Wood. In fact Love You To remains the most accomplished performance on sitar by any rock musician."[6]. The tabla player on the Song (Anil Bhagwat) made no mention of any other Indian musicians but stated: "A chap called Angardi called me and asked if I was free that evening to work with George. I didn't know who he meant — he didn't say it was Harrison. It was only when a Rolls Royce came to pick me up that I realised I'd be playing on a Beatles session. When I arrived at Abbey Road there were girls everywhere with Thermos flasks, cakes, sandwiches, waiting for the Beatles to come out. "George told me what he wanted and I tuned the tabla with him. He suggested I play something in the Ravi Shankar style, 16-beats, though he agreed that I should improvise. Indian music is all improvisation."[7][8]

Ringo Starr is the only other Beatle who plays on the song, contributing tambourine. Paul McCartney originally recorded backing vocals for the song but these were left out of the final mix.[2] There have been various accounts of uncredited personnel from the North London Asian Music Centre who contributed.[9] Macdonald makes an unreferenced claim that there was an "uncredited sitarist" on this track.[10]

A brief portion of the song was included in the Beatles' animated film Yellow Submarine when Harrison's character is introduced.

[edit] Musical Structure

The Song is in the key of C and emulates North Indian Khyal music.[11] Harrison begins by twice stroking his sitar's resonating strings (a common technique before the opening alap segment of a raga).[12] In the alap section (lasting 35 seconds) the melody is previewed, before the tabla, tamboura and percussion commence a Madhya laya (medium tempo) Bandish or gat. [13] Some critics consider that the lack of a clearly measured tempo in this overture "sets musical and, in this particular context, spiritual time adrift- until the tune kicks into gear and the singer observes that "Each day just goes so fast." [14] The Song otherwise conforms to a basic I-flatVII sparse chord structure with 8-bar verse A sections and 12-bar B sections in an ABAB pattern.[15] The "meditative harmonic coloring" provided by the tamboura drone complements the cynical worldview expressed in the lyric: "There's people standing round who screw you in the ground. They'll fill you in with all the things you see." [16]The drut (fast tempo) gat doesn't begin till the very end of the song, pointedly as the vocals fade upon "I'll make love to you, if you want me to."[17]

[edit] Personnel

Paul McCartney sang backing vocals in some takes, at a very low volume.

[edit] Cover versions

[edit] Notes

  1. ^ Lavezzoli 2010.
  2. ^ a b Lewisohn 1988, pp. 72–73.
  3. ^ Mark Lewisohn. The Beatles Recording Sessions. Harmony Books NY 1989 session for April 11 1966 http://www.scribd.com/doc/27774163/The-Beatles-Recording-Sessions-MARK-LEWISOHN accessed 27 Jan 2011
  4. ^ Mark Lewisohn. The Beatles Recording Sessions. Harmony Books NY 1989 session for April 11 1966 http://www.scribd.com/doc/27774163/The-Beatles-Recording-Sessions-MARK-LEWISOHN accessed 27 Jan 2011
  5. ^ Mark Lewisohn. The Beatles Recording Sessions. Harmony Books NY 1989 session for April 11 1966 http://www.scribd.com/doc/27774163/The-Beatles-Recording-Sessions-MARK-LEWISOHN accessed 27 Jan 2011
  6. ^ Peter Lavezzoli. The Dawn of Indian Music in the West. Bhairavi. The Continuum International Publishing Group Inc. New York 2006. ISBN-10: 0826418155 ISBN-13: 978-08264181592006. p175
  7. ^ Mark Lewisohn. The Beatles Recording Sessions. Harmony Books NY 1989 session for April 11 1966 http://www.scribd.com/doc/27774163/The-Beatles-Recording-Sessions-MARK-LEWISOHN accessed 27 Jan 2011
  8. ^ Peter Lavezzoli. The Dawn of Indian Music in the West. Bhairavi. The Continuum International Publishing Group Inc. New York 2006. ISBN-10: 0826418155 ISBN-13: 978-08264181592006. p175
  9. ^ The Beatles Online 2010.
  10. ^ Ian Macdonald. Revolution in the Head. 3rd ed Chicago Review Press. Chicago. 2007. p 194 song [79].
  11. ^ Peter Lavezzoli. The Dawn of Indian Music in the West. Bhairavi. The Continuum International Publishing Group Inc. New York 2006. ISBN-10: 0826418155 ISBN-13: 978-08264181592006. p175
  12. ^ Peter Lavezzoli. The Dawn of Indian Music in the West. Bhairavi. The Continuum International Publishing Group Inc. New York 2006. ISBN-10: 0826418155 ISBN-13: 978-08264181592006. p175
  13. ^ Peter Lavezzoli. The Dawn of Indian Music in the West. Bhairavi. The Continuum International Publishing Group Inc. New York 2006. ISBN-10: 0826418155 ISBN-13: 978-08264181592006. p175
  14. ^ Reising R and LeBlanc 'Magical mystery tours, and other trips: yellow submarines, newspaper taxis, and the Beatles psychedelic years' in Womack K (ed) The Cambridge Companion to the Beatles. Cambridge University Press Cambridge 2009, p 96
  15. ^ Pedler, Dominic (2003). The Songwriting Secrets of the Beatles. London: Omnibus Press. p. 731. ISBN 978-0-7119-8167-6. 
  16. ^ Reising R and LeBlanc 'Magical mystery tours, and other trips: yellow submarines, newspaper taxis, and the Beatles psychedelic years' in Womack K (ed) The Cambridge Companion to the Beatles. Cambridge University Press Cambridge 2009, p 96
  17. ^ Peter Lavezzoli. The Dawn of Indian Music in the West. Bhairavi. The Continuum International Publishing Group Inc. New York 2006. ISBN-10: 0826418155 ISBN-13: 978-08264181592006. p175

[edit] References

Personal tools
Namespaces
Variants
Actions
Navigation
Interaction
Toolbox
Print/export
Languages