Lucien Andriot
Lucien Andriot ASC[1] (1892-1979) was a prolific French-American cinematographer. He would eventually shoot more than 200 films and television programs over the course of his career.
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[edit] Life and work
Born in Paris, Andriot began his career in France in 1909 working for Victorin-Hippolyte Jasset. His elder sister Josette Andriot was a French film actress, working for Jasset. He then came to the U.S. some time before 1914 as an employee of the Éclair American Company based in Fort Lee, New Jersey, [2] [3]
The outbreak of World War I drove a re-organization of foreign film-industry assets in Fort Lee, including the employees. Now working for the World Film Company, financed by Lewis J. Selznick and run by William A. Brady, Andriot became a member of a separate French-speaking unit within World Film. For about three years Maurice Tourneur, George Archainbaud, Emile Chautard, Albert Capellani worked together on films such as the 1915 version of Camille, and taught a young apprentice at the World studio: Josef von Sternberg. [4]
Andriot moved to Hollywood around 1920 and went to work for Fox. The cinematography of the early widescreen John Wayne western The Big Trail in 1930 is unfortunately not his: his was the standard-looking 35mm version, shot in parallel alongside Arthur Edeson's ground-breaking "70mm Grandeur" version. [5]
But Andriot did show a long-standing affinity for French directors working in Hollywood, initially Maurice Tourneur, and later René Clair, Robert Florey, and Jean Renoir. In the 1930s and 1940s Andriot worked principally on B pictures for major studios. He did some television work in the 1950s and early 1960s, and retired to Palm Springs.
Andriot is buried at Forest Lawn Memorial Park, Glendale. [6]
[edit] Partial filmography
Andriot's films include:
- The Poor Little Rich Girl (1917)
- A Connecticut Yankee in King Arthur's Court (1921)
- Monte Cristo (1922)
- In the Palace of the King (1923)
- The Dangerous Flirt (1924)
- The Thundering Herd (1925)
- White Gold (1927)
- A Ship Comes In (1928)
- Christina (1929)
- Happy Days (1929)
- The Valiant (1929)
- The Big Trail (1930) (35mm version)
- Bird of Paradise (1932)
- Topaze (1933)
- Anne of Green Gables (1934)
- Charlie Chan at the Opera (1936)
- The Gay Desperado (1936)
- You Can't Have Everything (1937)
- The Lady in Question (1940)
- Lucky Cisco Kid (1940)
- Manila Calling (1942)
- Secret Agent of Japan (1942)
- Jitterbugs (1943)
- They Came to Blow Up America (1943)
- The Fighting Sullivans (1944)
- The Southerner (1945)
- And Then There Were None (1945)
- The Diary of a Chambermaid (1946)
- The Strange Woman (1946)
- Dishonored Lady (1947)
- Outpost in Morocco (1949)
- Johnny One-Eye (1950)
- Borderline (1950)
- Home Town Story (1951)
- Half Human (1958) (American sequences)
[edit] References
- ^ http://www.theasc.com/magazine/mar99/members/
- ^ Fort Lee: the film town, by Richard Koszarski, page 108
- ^ http://fortleefilm.org/studios.html
- ^ Von Sternberg, by John Baxter, pages 21-22
- ^ John Wayne's America, by Garry Willis, page 53
- ^ http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=6025471