Lukas Moodysson

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Lukas Moodysson
Lukas Moodysson.jpg
Lukas Moodysson in 2011.
Born Karl Frederik Lukas Moodysson
(1969-01-17) 17 January 1969 (age 45)
Lund, Skåne County, Sweden
Occupation Film director and screenwriter
Years active 1998–
Spouse(s) Coco Moodysson

Karl Frederik Lukas Moodysson (Swedish pronunciation: [ˈlʉːkas ˈmɔdːʏ.ˈsɔn]) (born 17 January 1969) is a Swedish novelist, short story writer and film director. First appearing in public as an ambitious poet in the 1980s, he had his big public, and international, breakthrough directing the 1998 romance film Show Me Love. He has since directed a string of films with different styles and public appeal, as well as continued to write both poetry and novels. In 2007, the Guardian ranked Moodysson 11th in its list of the world’s best directors, describing his directorial style as “heartfelt and uncompromising.”[1]

Early life[edit]

Born in Lund, Moodysson grew up in Åkarp, Skåne County as an outcast, expressing himself through poetry. By the time he was 23 he had written five poetry collections and a novel published by Wahlström & Widstrand.[2] He decided to move to film to produce works that were less introverted and could be enjoyed by a wider audience than poetry. After studying at what was then Sweden's only film school, the Dramatiska Institutet, he directed three short films before moving to features.

Filmmaking[edit]

His directorial breakthrough came with Fucking Åmål (retitled Show Me Love in English-speaking countries).[2] A classical love story, filmed in a highly naturalistic, almost documentary style, it is set in the small and boring Swedish town of Åmål, and follows two young girls who awkwardly fall in love. The film was a huge success with both the Swedish public and the critics. It won four Guldbagge Awards, including best film, best actress (shared by the two girls Rebecka Liljeberg and Alexandra Dahlström), best direction and best script. It was a colossal hit in Sweden.

His next film, 2000's Together (Tillsammans), followed the antics of life in a commune in suburban Stockholm in the 1970s. The film achieved a sense of the era through extensive use of period Swedish progg and pop songs, including ABBA's hit "S.O.S."[2]

Moodysson followed up these two sunny, cheerfully optimistic films with the brutal Lilya 4-ever in 2002,[2] included in many American critics' top ten lists the following year. The mainly Russian language film follows a young girl living in an unspecified country in the former Soviet Union (filmed in Estonia) as she is abandoned by her mother, drops out of school, is forced into prostitution and then is kidnapped into sex slavery. Moodysson has said he could not have made the film without his strong Christian beliefs, and the frequent religious fantasies that Lilja has are the only tender spots in the bleak world Moodysson presents. At the time of the film's release, critic Dave Kehr of The New York Times declared Moodysson to be "Sweden's most praised filmmaker since Ingmar Bergman".[3]

His 2004 film, the controversial A Hole in My Heart (Ett hål i mitt hjärta), is more an experimental film than a traditional narrative, and he has said it is intentionally designed to be off-putting to the audience. It intersperses frequent screeching noises, close-ups of female genital surgery, and other jarring elements into a vague plot about two pornographers shooting their latest video in a filthy apartment, with an attention-craving porn starlet, while the webbed-handed son of one of the men stays holed up in his bedroom. It received a special certificate for shocking images in Sweden, and received terrible reviews from the vast majority of critics. He followed this with another even more experimental film, 2006's Container, featuring narration by actress Jena Malone. The only audible sound in the movie is a stream of consciousness narrative, which is only loosely related to the visual content.

Moodysson's work took a new turn with Mammoth, released January 23, 2009. Unlike his previous two efforts, it is a narrative film and also his first English-language piece, about a successful New York couple, their daughter and her Filipino nanny.[2] Meanwhile, his 2013 film We are the Best! (Vi är bäst!), based on the comic book Aldrig Godnatt by his wife Coco Moodysson, returns to the themes as style of Show me Love and Together, set in 1982 and following the exploits of a teenage three-piece girl punk-band.

All of Moodysson's feature films have been produced, or co-produced, by Memfis Film, a small Swedish production company based in Stockholm. Memfis' CEO and producer Lars Jönsson seeks to establish long-term working relationships with directors, and support even less commercially oriented projects such as Moodysson's A Hole in My Heart and Container.[4]

Personal life[edit]

Moodysson is an outspoken advocate of left-wing and feminist politics and at the same time a deeply committed Christian.[2] All of these traits have become more and more pronounced in his works.

He has three children with his wife, graphic novelist Coco Moodysson.

Filmography[edit]

Bibliography[edit]

  • Det spelar ingen roll var blixtarna slår ner (1987) - poems
  • Och andra dikter (1988) - poems
  • Evangelium enligt Lukas Moodysson (1989) - poems
  • Vitt blod (1990) - novel
  • Kött (1991) - poems
  • Souvenir (1996) - poems
  • Mellan sexton och tjugosex (2001) - selected works
  • Vad gör jag här (2002) - long poem
  • Vårdcentralen Fontanellen (2005) (with Coco Moodysson) - comic book
  • Apo kryp hos (2006) - poems
  • Container (2009) - screenplay and documentation
  • Döden & Co. (2011) - novel
  • Tolv månader i skugga (2012) - novel

Awards and honors[edit]

  • 1999: Teddy Award for Best Feature Film – Fucking Åmål
  • 2000: Gijón International Film Festival: Best Director – Together. Best Script – Together. Young Jury Prize for Best Feature Film – Together.
  • 2002: Gijón International Film Festival: Best Feature Film – Lilya 4-ever. Young Jury Prize for Best Feature Film – Lilya 4-ever.
  • 2003: Stig Dagerman Prize

References[edit]

  1. ^ "The world’s 40 best directors". The Guardian. 
  2. ^ a b c d e f Brady, Tara (November 12, 2010). "The wrong trousers". The Irish Times. Retrieved January 4, 2010. 
  3. ^ Kehr, Dave (April 18, 2003). "A Portraitist of Agony". The New York Times (The New York Times Company). Retrieved January 4, 2010. 
  4. ^ Westerståhl Stenport, Anna (2010), 'Local and Global: Lukas Moodysson and Memfis', in Mariah Larsson and Anders Marklund (eds), Swedish Film: An Introduction and Reader

External links[edit]