Lullaby of Broadway (song)
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"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn."
The song was introduced by Wini Shaw in the musical film, Gold Diggers of 1935, and, in an unusual move, it was used as background music in a sequence in the Bette Davis film Special Agent that same year. It won the 1936 Academy Award for Best Original Song. The Dorsey Brothers Orchestra version was popular at the time of release. Also in 1936, it served as part of the background music of the Merrie Melodies cartoon Page Miss Glory, also based on a Dubin-Warren song. The song was also recorded by The Andrews Sisters.
From 1959-1960, "Lullaby of Broadway" was the theme song of the syndicated television series, Johnny Midnight, starring Edmond O'Brien in the title role as a New York City actor-turned-private detective.
The song was recorded by Connie Francis in 1962 and 1963, Caterina Valente in 1963, the Pasadena Roof Orchestra in 1973, Bram Tchaikovsky as a single in 1979 and Tony Bennett and the Dixie Chicks as a track for his 2006 album Duets: An American Classic. It is also featured in an episode of Taxi (performed by Marilu Henner) and the Broadway musical 42nd Street, originated by Jerry Orbach playing Julian Marsh in the 1980 original Broadway cast. In the 1970s Wini Shaw's original recorded version of the song was released as a 45rpm single and made the Top30 f the UK Charts. Subsequently the BBC interviewed Wini Shaw O'Malley in New York about her new success with the song. She could not believe it Chelsea Krombach covered this song on her debut album Profile (2004).
The song was used in a commercial for the Milford Plaza Hotel, where it was called the "Lullabuy of Broadway".
In Lisa Stansfield's 1990 music video for her cover of Cole Porter's Down in the Depths, the beginning and ending are both references to Lullaby of Broadway. The video begins with Lisa's disembodied head zooming in, while singing the opening to the song, and ends with it zooming out, while singing the outro.
Dianne Reeves recorded it in 2003 on her album, A Little Moonlight.