At the 2010 Alternative Press Expo
|Born||Linda Jean Barry
January 2, 1956
Richland Center, Wisconsin
|Ernie Pook's Comeek
The Good Times Are Killing Me
Lynda Jean Barry (born January 2, 1956) is an American cartoonist and author. Barry is best known for her weekly comic strip Ernie Pook's Comeek. She garnered attention with her 1988 illustrated novel The Good Times are Killing Me, about an interracial friendship between two young girls, which was made into a play. Her second illustrated novel Cruddy appeared in 1999. Three years later she published One! Hundred! Demons!, a graphic novel she terms "Autobiofictionalography". What It Is (2008) is a graphic novel that is part memoir, part collage and part workbook in which Barry instructs her readers in methods to open up their own creativity; it won the comics industry's 2009 Eisner Award for Best Reality-Based Work.
Early life and education
Linda Jean Barry, who changed her first name to "Lynda" at age 12, was born on Highway 14 in Richland Center, Wisconsin. Her father was a meat-cutter of Irish and Norwegian descent, and her mother, a hospital housekeeper, was Irish and Filipina.
Barry grew up in Seattle, Washington, in an African-American neighborhood, and recalled her childhood as difficult and awkward. Her parents divorced when she was 12. By age 16, she was working nightly as a janitor at a Seattle hospital while still attending high school, where her classmates included artist Charles Burns. Neither of Barry′s parents attended her graduation.
At The Evergreen State College in Olympia, Washington, Barry met fellow cartoonist Matt Groening. She began her career in 1977 when he and University of Washington Daily student editor John Keister each published her work, which they titled Ernie Pook's Comeek, in their respective student newspapers without her knowledge.
Starting as a cartoonist early in life, Barry was known as the class cartoonist in her grade school. While a fine arts major at Evergreen College she began drawing comic strips compulsively when her boyfriend left her for another girl: “I couldn’t sleep after that, and I started making comic strips about men and women. The men were cactuses and the women were women, and the cactuses were trying to convince the women to go to bed with them, and the women were constantly thinking it over but finally deciding it wouldn’t be a good idea.” These were the cartoons Matt Groening and John Keister published as Ernie Pook's Comeeks in the school newspaper.
After graduating from Evergreen she moved to Seattle. When she was 23, the Chicago Reader picked up her comic strip, enabling her to make a living from her comics alone. She later moved to Chicago, Illinois. As she described her career start,
[Editor] Bob Roth called me from the Chicago Reader as the result of an article [her college classmate] Matt [Groening] wrote about hip West Coast artists — he threw me in just because he was a buddy, right? And then Bob Roth ... called and wanted to see my comic strips, and I didn’t have any originals. I didn’t know anything about originals, that you don’t give them to newspapers because newspapers lose them. So I had to draw a whole set that night and Federal Express them. So I did, and he started printing them, and he paid $80 a week, and I could live off of that. And because he’s with this newspaper association, the other papers started picking it up. So it was luck. Sheer luck. [Matt] got into the Los Angeles Reader. For a long time the Los Angeles Reader wouldn’t print me, and the Chicago Reader wouldn’t print Matt even though they’re sister publications. So we both worked on the publishers and the editors to get each other in. It was really funny: when we got into each others’ papers, everything sort of took off for both of us.
Collections of her work include Girls & Boys (’81), Big Ideas (’83), Everything in the World (’86), The Fun House (’87), and Down the Street (’89). In 1984, she released a coloring book with brief text called Naked Ladies! Naked Ladies! Naked Ladies! She also wrote and drew a full-page color strip examining the everyday pathology of relationships for Esquire. In 1989 Barry’s strip appeared weekly in more than 50 publications, mostly alternative newspapers in large cities.
Barry's early work was rendered with pen. In her books One! Hundred! Demons! and What It Is, she works with color and collage.
Collections of Barry's comics began appearing 1981. In addition, she has written two illustrated novels, The Good Times are Killing Me (1988) and Cruddy, also known as Cruddy: An Illustrated Novel (1999). Barry adapted the former as an Off-Broadway play (see below). One! Hundred! Demons! first appeared as a serialized comic on Salon.com; according to the book's introduction, it was produced in emulation of an old Zen painting exercise called "one hundred demons." In this exercise, the practitioner awaits the arrival of demons and then paints them as they arise in the mind. The demons Barry wrestles with in this book are, among others, regret, abusive relationships, self-consciousness, the prohibition against feeling hate, and her response to the results of the 2000 U.S. presidential elections. The book contains an instructional section that encourages readers to take up the brush and follow her example.
In other media
Barry adapted her illustrated novel The Good Times are Killing Me (1988) as an Off-Broadway play that ran 106 performances from March 26 to June 23, 1991, at the McGinn-Cazale Theatre at 2162 Broadway, then 136 performances from July 30 to November 24, 1991, after transferring to the Minetta Lane Theatre. It was produced by Second Stage Theatre, with the Minetta Lane portion also produced by Concert Productions International, and directed by Mark Brokaw. Angela Goethals won a 1990–91 Obie Award for her lead role as Edna Arkins. Chandra Wilson as Bonna Willis won a 1991 Theatre World Award. Barry was nominated for the 1992 Outer Critics Circle's John Gassner Award.
Barry's spoken-word CD The Lynda Barry Experience contains a variety of her semi-autobiographical stories, such as "I Got an Accordion", "Good Grief, It's the Aswang", "The Lesbo Story", and "I Remember Mike". It also contains a variety of home-made answering machine outgoing messages.
Workshop and teaching
Barry offers a workshop titled "Writing the Unthinkable" through the Omega Institute in Rhinebeck, New York, and The Crossings in Austin, Texas, in which she teaches the process she uses to create all of her work. Barry conducts approximately 15 writing workshops around the country each year. She credits her teacher, Marilyn Frasca at The Evergreen State College, with teaching her these creativity and writing techniques. Many of these techniques appear in her book What It Is.
In the spring term of 2012, Barry was artist in residence at the University of Wisconsin-Madison Arts Institute and Department of Art. She taught a class titled "What It Is: Manually Shifting the Image."
Barry is married to Kevin Kawula, a prairie restoration expert. They met each other while she was an artist-in-residence at the Ragdale Foundation and he was land manager of the Lake Forest Open Lands project in Lake Forest, Illinois. In 2002 they moved to a dairy farm near Footville, Wisconsin.
- Girls and Boys (Real Comet Press 1981) ISBN 0-941104-00-1
- Big Ideas (Real Comet Press, 1983) ISBN 0-941104-07-9)
- Everything in the World (HarperCollins 1986) ISBN 978-0060961077
- Down the Street (HarperCollins 1988) ISBN 978-0060963040
- The Fun House (HarperCollins 1988) ISBN 0-06-096228-3
- The Good Times Are Killing Me (Perennial/HarperCollins, 1988) ISBN 0-941104-22-2
- Come Over, Come Over (HarperCollins 1990) ISBN 0-06-096504-5
- My Perfect Life (Perennial/HarperCollins 1992) ISBN 978-0060965051
- The Lynda Barry Experience (spoken word cassette tape/CD 1993) ISBN 1-882543-17-3
- It's So Magic (Perennial/HarperCollins 1994) ISBN 978-0060950460
- The Freddie Stories (Sasquatch Books 1999) ISBN 978-1570611063
- Cruddy (Simon & Schuster hardcover 1999; paperback 2000) ISBN 978-0684838465
- The Greatest of Marlys (Sasquatch Books 2000) ISBN 1-57061-260-9
- One! Hundred! Demons! (Sasquatch Books 2002) ISBN 9781570613371
- The Two Questions
- What It Is (Drawn and Quarterly 2008) ISBN 978-1897299357
- Picture This: The Near-Sighted Monkey Book (Drawn and Quarterly 2010) ISBN 1-897299-64-8
- Blabber Blabber Blabber: Volume 1 of Everything (Drawn and Quarterly 2011) ISBN 978-1770460522
- Lynda Jean Barry at the Lambiek Comiclopedia.
- Powers, Thom (November 1989). "The Lynda Barry Interview". The Comics Journal (132). Archived from the original on April 14, 2011.
- Kois, Dan (27 October 2011). "Lynda Barry Will Make You Believe In Yourself". The New York Times. Archived from the original on 23 February 2013. Retrieved 27 October 2011.
- "Lynda Barry: About". University of Wisconsin-Madison Arts Institute. Spring 2012. Archived from the original on 24 April 2012. Retrieved 23 February 2013.
- Garden, Joe (8 December 1999). "Interview: Lynda Barry". The A.V. Club. Archived from the original on December 22, 2010. Retrieved 27 October 2011. "When Robert Roth at The Chicago Reader called me in Seattle and picked up my comic strip ... The Reader paid $80 per week. My rent was $99 a month. Lordy! I was rich. This was when I was 23, so around 1979-ish."
- Grossman, Pamela (18 May 1999). "Barefoot on the Shag". Salon.com. Archived from the original on November 2, 2011. Retrieved 2008-03-20.
- Garrity, Shaenon K. (6 December 2007). "All the Comics #4: Lynda Barry". Archived from the original on 22 February 2013.
- "Mixing Up Her Media: Lynda Barry". ReadExpress.com. October 2, 2008. Archived from the original on February 23, 2013.
- Borrelli, Christoper (8 March 2009). "Being Lynda Barry". Chicago Tribune. Retrieved 26 October 2011.
- "The Good Times Are Killing Me". (McGinn-Cazale) Loretel Archives / The Off-Broadway Database (Lucille Lortel Foundation). Retrieved 24 February 2013.
- "The Good Times Are Killing Me". (Minetta Lane) Loretel Archives / The Off-Broadway Database (Lucille Lortel Foundation). Retrieved 24 February 2013.
- "Cartoonist and author Lynda Barry is spring artist in residence". UW-Madison News. 2012-01-18. Retrieved date=2012-01-20. Check date values in:
- Miner, Michael (20 November 1998). "Ira Glass's Messy Divorce: What Becomes of the Brokenhearted?". Chicago Reader. Archived from the original on 2000-06-08. Retrieved 2007-03-15. Barry: “I went out with him. It was the worst thing I ever did. When we broke up he gave me a watch and said I was boring and shallow, and I wasn't enough in the moment for him, and it was over.” Glass: “Anything bad she says about me I can confirm.”
- Kino, Carol (2008-05-11). "How to Think Like a Surreal Cartoonist". The New York Times. Archived from the original on January 2, 2012. Retrieved 2010-05-11.
- What It Is: Cartoonist Lynda Barry Speaks at Johns Hopkins
- Engage State Local Tribal Government: State – In My Backyard?. Wisconsin: Educational Communications Board. 2010. Archived from the original on 24 February 2012. Retrieved 23 February 2013.
- Chute, Hillary (November–December 2008). "'Somehow People Started Somehow to Actually Start to Like It, ...'". The Believer 6 (9): 47–58. Interview.
- Tensuan, Theresa M. (Winter 2006). "'Comic Visions and Revisions in the work of Lynda Barry and Marjane Satrapi'". Modern Fiction Studies 52 (4): 947–964. doi:10.1353/mfs.2007.0010.
- Chute, Hillary L. (2010). Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia University Press. ISBN 978-0-231-15062-0.
- Kirtley, Susan E. (2012). Lynda Barry: Girlhood through the Looking Glass. University Press of Mississippi. ISBN 978-1617032356.
|Wikimedia Commons has media related to Lynda Barry.|
- Salon.com: Lynda Barry archive
- "Lynda Barry". Drawn and Quarterly. Archived from the original on November 22, 2012. Retrieved 23 February 2013.
- Works by or about Lynda Barry in libraries (WorldCat catalog)
- Presenting at Cusp Conference 2009 (video)
- Dean, Michael (02 March 2009 (posted online)). "Lynda Barry Interview". The Comics Journal (296) (Online excerpts from print interview). Archived from the original on May 11, 2009. Check date values in: