Lynda Thomas

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Lynda Thomas
Lynda Foto Chat -14 Jul 2003-.jpg
Last public picture of Lynda Thomas in her singing career (July 14, 2003).
Born Lynda Aguirre Thomas
(1981-12-21) December 21, 1981 (age 32)[1]
Tijuana, Mexico
Other names Polen Thomas
  • Musician
  • singer
  • songwriter
  • record producer
  • dancer
  • model
  • anonymous activist
Years active 1989-2002
Height 5 ft 7 in (1.70 m)
Musical career
Instruments Vocals, cajón, flute, percussion, tuba, ukelele, acoustic, electric guitar, synthesizer, sequencer
Labels EMI, Capitol
Associated acts R.E.M.,[2] Vinnie Colaiuta

Lynda Thomas (born Lynda Aguirre Thomas on December 21, 1981)[3] is a retired Mexican Eurodance[4] and alternative rock musician, singer and songwriter who first rose to fame in 1989; during the 1990s and the early 2000s she earned widespread recognition and commercial success in Ibero-America and Continental Europe,[5] later in 2002, she suddenly left the music scene and public life altogether.[6][7] She was also an anonymous humanitarian and animal rights activist.[8][9] Thomas was formerly known professionally as Lynda.

During her musical career she dabbled with a number of distinct genres and musical styles.[10][11][7][12][5][13][14][15] Since her retirement, she has been working as a songwriter and record producer.[16] Taking into account only Mexican sales until 2002, the musician sold over 3 millions albums; her audience consisted mainly of teenagers, kids and young adults.[17] Thomas was an advocate for women's rights, she stated "Being brave is better than being a feminist".[18] She was also a fashion house model.[19][20][21]

Thomas released between 1989 and 2002, over 30 singles and promos including: «Cantemos Juntos (1989)», «Inseparables (1995)», «Gira Que Gira (1996)», «Blue Jeans (1996)», «El Amor No Tiene Edad (1996)», «Dile (1997)», «Corazón (1997)», «Bailando (1998)», «Bang Bang (1998)», «No Quiero Verte (1999)», «Vivir Sin Él (1999)», «Maldita Timidez (1999)», «Mi Dia De La Independencia (1999)», «Corazón Perdido (1999)», «Ahí Estare (2000)», «A Mil Por Hora (2000)», «Lo Mejor De Mí (2001)», «Polen (Todas Las Mujeres) (2001)», «Estoy Viva (2001)», «Ay, Ay, Ay (2001)», «Mala Leche (2002)» and «Para Ti (2002)».

Throughout her career, she preferably opted to promote her singles through radio format and promotional tours, instead of music videos.[4][14] During the 1990s, the singer stated, "A real artist takes risks and evolves".[10]

Early life[edit]

1981-1985: Early years and family[edit]

Thomas was born Lynda María Aguirre Thomas in Tijuana, Baja California, Mexico, on December 21, 1981. She was raised and received her early education in such city; at the time, following the advice of her parents and siblings, she opted to break into the music territory. Alissa (Rosangel) Aguirre Thomas, her sister, was a collaborator throughout the whole career of Thomas, she was also a musician and singer-songwriter,[22] The artist always thanked Alissa, mentioning her as "Mufasa", she also said her sister was her inspiration in her life and music.[23][24]

Professional career[edit]

1986-1994: Breakthrough and first vinyl recording (1989)[edit]

In 1986, she began singing as an amateur performer on local festivals, later in 1989, she was discovered during a TV singing contest called Fantasía Musical made by "Siempre en Domingo", at the time, the most important variety-show in Ibero-America, in which, she winning first place in her native state and later, she became one of the national winners, at the age of eight.[25][26] Soon after, she moved to Mexico City to start a professional career, supported by her sister Alissa and producers Tino Geizer and Carlos Lara.[27][28]

Her debut promotional vinyl recording was released in 1989 only in Mexico, a theme written by her sister called "Cantemos Juntos" (Let's Sing Together). Later, in 1990, "Cantemos Juntos" was included on the compilation LP Los Triunfadores de Fantasía Musical. Subsequently, she continued her studies and her musical training.[26][29]

The release of her first full-length album, was delayed about six years. At the begginings, her career was supported by Discos y Cintas Melody, then, in 1989, Thomas and her producers were looking for a new label; they showed several demos from her album "Lynda", but it wasn't until 1994, when Lynda Thomas signed with the defunct label "EMI-Capitol".[25]

1995-1996: Mainstream success - "Gira Que Gira" - Teenage and eurodance era - Revelation artist[edit]

In 1995, at the age of 13, Thomas began finishing recording "Lynda",[30] it was officially released in early 1996. Before the album was released, in 1995, she released the pop-rock single "Inseparables", which later was included on the album, the song talks about inconditional friendship, initially the track (as well as the career of Thomas), received poor support, later in Mexico city, the song gradually began to be played on the radio and subsequently became a Mexican Top 3 single; afterwards, it was released in 1996 in other countries; the song remained on the charts for about two years, with no music video.

The commercial breakout of the album into the teen music scene came with its first international eurodance single called "Gira Que Gira", it climbed to the top position in Mexico and other countries during the spring and summer of 1996, it also became one of the most requested songs of the mid-90s in Ibero-America, the music video gained continuous rotation on MTV and TeleHit; at the time, in 1996, eurodance was at the peak of its popularity all around the world with acts such as Thomas herself, Haddaway, Snap!, Corona, Mr. President, 2 Unlimited, Scatman John or Ace Of Base among others;[31] At the same time, the musician released only as a radio promo, a Eurodance/Hip Hop track called "Sólo Contigo" (Only With You), without any promotional video, the song entered the Top 10 on the dance radio stations, including Alfa Radio 91.3; "Sólo Contigo" combines elements of techno, hip hop and eurodance music, genres that were popular in the early and mid-90s. This promo is one of the earliest demos of the album Lynda.[32]

Subsequently, Thomas released a mid-tempo ballad called "Muriendo Por Él" (I´m Dying for Him), the track reached the top ten on the charts in several countries with no promotional video. Soon after, Lynda Thomas released the eurodance single "Blue Jeans", it became a huge success all over IberoAmerica, the biggest since Gira Que Gira; both the single and its music video became number one in Mexico and a top 3 single in several countries in the summer of that year, the song was loosely inspired on the Real McCoy 1994 Eurodance hit Another Night.

In the summer of 1996, she released the Reggae single "Chicos", in "7-inch" format; the song, which was one of the early 90s demos from the album, obtained continuous airplay on the radio in Mexico and many other countries due to the high popularity of such musical genre at the time all around the world; While "Chicos" was getting airplay on the major radio stations in Mexico City, the musician also released for the teenage target market the successful ballad "Ya No Hay", both singles, "Chicos" and "Ya No Hay", became some of the most requested songs on the radio, despite not having promotional video.[33]

Then came one of the most successful singles of 1996, "El Amor No Tiene Edad" (Love Has No Age), a pop-ballad released in June, it reached the No.1 spot in Mexico, Argentina and other countries in the summer and fall of 1996. The music video was recorded on an Ice Rink in Mexico city and had its premiere on "Siempre en Domingo", following the advice of Raúl Velasco. Subsequently, in mid-1996, Thomas released a eurodance-remix version of "El Amor No tiene Edad", which entered on the top ten of the charts and gained rotation at the Discothèques. For this album, she received at the age of 14, the ERES Best New Singer award and was named the "Revelation Artist" of the year.[12][12][34]

Also, in 1996, Thomas made her first performance since 1989, on Siempre en Domingo, she performed the tracks "Gira Que Gira" and "Blue Jeans" among others; she would return to the show in 1997 to present her single "Dile", before the show was cancelled after 30 years of transmission.[26] During the mid-1990s, her major musical competitors in IberoAmerica were the eurodance acts Rebeca, No Mercy and K.U. Minerva.[35][36][37]

The fashion look from the mid-90s of Thomas was characterized by using small school backpacks and yellow smiley faces in her clothes. In Ibero-America, she set the fashion of carrying small backpacks among the young girls students of the nineties, besides, she established a way of dressing that consisted of berets, yellow vests, short dresses with coloured tights and platform shoes. Also, the euphoria of yellow smiley face products emerges strongly in such countries.[12][38][39][40]

Lynda Thomas cited as her major musical influences the Peter Gabriel's pupil Paula Cole, Tragic Error, Björk, Sarah McLachlan, Fiona Apple, Janis Joplin, Alanis Morissette, the Irish alternative rock band "The Cranberries" and Jewel.[20][29][41]

1997-1998: Consolidation - "Dile" - Last eurodance work and beginning of social activism[edit]

In 1997, at the age of 15, Thomas released the Eurodance album called "Un grito en el corazón", which became number one after its international release; the first single taken from the album was "Dile" (Tell Him), it was a number one single in several countries, the track became the Ibero-American breakout song for her. The official video became number one on MTV and Telehit. Soon after, she had the lead in the official Children's Day theme, called "Por Un Mundo Feliz"; alongside the single release, a massive event was held at Plaza Mexico and Paseo de la Reforma in Mexico City with a major participation of Lynda Thomas, it became the most attended event in the history of the city with an attendance of more than 6 million people in April of that year.[42]

Then came, the top 3 Eurodance single "No Puedo No Quiero" (I Can't, I Don't Want), meanwhile, Thomas showed a new teenager image, that imposed a new fashion of dress, that positioned her as a fashion icon from the nineties in LatinAmerica.[43][44]

Then, Thomas released the Bubblegum dance track "Corazón" (Heart), which became a number one single, both, in Mexico and on the Ibero-American dance radio stations, it was also a top 3 single in other countries; the music video was filmed in Mexico city and featured Mexican actor Kuno Becker; The track was released in the golden era of Bubblegum dance in the nineties, Thomas won success with such sub-genre alongside artists such as Whigfield, Paradisio and Aqua. "Corazón" was premiered in a massive live performance at Plaza de Toros México in April 1997.[42][45]

In the summer of 1997, Thomas launched a power pop- ballad called "Tanto, Tanto" (So much, so much), the song became a top ten single; later, in the following year, the teen band OV7 released a successful ballad with a similar melody, song title and lyrics, called "Te Quiero Tanto, Tanto".[46][47]

Still, in 1997, in December, Thomas performed alongside other singers the Christmas single called "Estas Navidades" (This Christmas); both, the track and the music video obtained strong rotation and airplay in Mexico and other countries. The song was presented officially on the Sunday show "Siempre en Domingo".[48] On her own, Thomas released for that Christmas period, a dance version of Jingle Bells, which was released as a promo single in December 1997. It was also performed in the last Christmas celebration ever on "Siempre en Domingo".[49]

In late 1997, lynda released a promo single of Bang Bang, soon after, in early 1998, the track was officially released as a single in the rest of IberoAmerica, it reached the top 3 in several countries and was a number one track on the dance radio stations; "Bang Bang" became the last international eurodance hit released by Lynda, it coincided with the end of the golden years of eurodance all over the world in the first half of 1998. Then, in February 1998, she released officially the eurodance single, "Bailando" (Dancing), the track, which was first released only as a promo in 1997, reached the seventh position on the Mexican charts and was a top 15 single in other countries, it became the last official eurodance single released by lynda, just before she evolved into the alternative rock and experimental music in the second half of 1998 for "Mi Día de la Independencia" and "Polen".[30][50] Also, in the first half of 1998, came the pop single Un Grito en el Corazón (A Cry From The Heart). All singles from "Un grito en el corazón" reached Top ten in Mexico and other countries. The album had a strong electronic and dance musical direction.[4][12]

During her absence in 1998, Lynda Thomas decided to move to Los Angeles, California. There she took English and music lessons. Also, since 1997, she became an activist and participant of several organizations like Greenpeace and Lazos, for the last, Lynda financed the school education of several children living in extreme poverty in Mexico and Central America.[8][51]

Later, in December of that year, Lynda returns to the stages on the Mexican Telethon held at Estadio Azteca, in Mexico city. Then, she had the lead in a Mexican-homage to Pope John Paul II alongside other singers, the song was Pescador Juan Pablo II, it became number one in that country and the video for the song gained strong rotation during the Pope`s visit to México. The song received the Medal of Merit from Vatican.[52][53]

1998-2000: International success - Alternative rock era - "Mi Día De La Independencia-A Mil Por Hora"[edit]

Highest point of popularity[edit]

During the mid-1990s, she obtained global success as a Eurodance act, later, in early 1998, Thomas made a change of musical genres; therefore, she moved to Los Angeles, CA, to begin recording "Mi Día de la Independencia", alongside her producers and Vinnie Colaiuta,[54] in which she dabbled into alternative and acoustic rock, it was finished recording in late 1998, soon after, it was released internationally in early 1999, when Lynda Thomas had just turned 17. "MDI" had two re-releases in early and late 2000, due to the high sales numbers of the album;[55] this new musical production offered Lynda Thomas the opportunity to branch out and experiment with different genres and musical styles. She released seven singles from the first edition of the album, and at least four singles from "Mi Dia De La Independencia" became international number one singles.[citation needed]

During the promotion of MDI, the musician tried to convey the message that not all teenagers use drugs, alcohol or are depraved; she said that there are many teenagers who are interested in Social Welfare, Sustainable Development or Environmental Protection; she expressed her desire to become a spokeswoman for the teenagers. The album was presented officially to the media in early 1999, in a show case at the defunct "Hard Rock Live" of Mexico City. The new musical proposal of the record, gave Thomas her best-selling album so far, it coincided with the success of such genre at the time with alternative rock acts such as The Cardigans, Natalie Imbruglia, Alanis Morissette or Sixpence None The Richer.[31] At the time, Lynda Thomas stated, "A real artist takes risks and evolves".[10][56]

Thomas first launched the single "No Quiero Verte", (I Don't Wanna See You), an alternative rock track which reached the number one position in Spain and remained over 14 weeks at the top in Mexico;[57] For the song, Massimo (Max) Di Carlo (who worked before with Giorgio Moroder), co-wrote the song alongside Alissa, Di Carlo was also a recurrent producer of Thomas alongside Lara since the mid-1990s;[58] The track was also one of the best-selling singles of 1999 in Ibero-America. The music video which was made and produced by Argos Producciones,[10] gained strong popularity from the early 1999 until mid-2001. The song was performed live, two years later in February 2001, at Festival Internacional de Viña Del Mar, held in Chile, in where, she had an acclaimed performance and received a medal of recognition.[59][60]

Her second physical single was "Maldita Timidez" (Damn Shyness), it was an Ibero-American No. 1, the single established Thomas as one of the most successful rock acts in IberoAmerica, mainly in Spain, in where, she received the Los 40 Principales award (the biggest recognition in mainstream music in such country); the physical single was released in two different versions for the Iberian market.[61][62][5]

By mid-1999, Thomas made a limited release of the adult contemporary ballad "Vivir Sin Él" (Living Without Him),[63] initially, the track was played on the radio repeatedly in the summer of that year in Mexico, Central and South America; initially a music video was scheduled for the song, but it was cancelled due to decisions of her label; however, the track, which was recorded originally in 1998, received good acceptance from the mainstream audience. The singer rarely included the song during her 1999-2000 tour. Originally "Vivir Sin Él" was scheduled to be the first single from her album "Mi Día de la Independencia" in early 1999, but due to a decision from EMI, "No Quiero Verte", was chosen instead, in sales, the decision was right, the single peaked number one all over Ibero-America.[54][64]

Then, Thomas released "Con el Alma en la Piel" (With the Soul Over the Skin), a theme based on true events about a sixteen year old girl, who leaves home after getting pregnant, dealing with the problem alone. The ballad obtained a moderate success in Mexico, Argentina and Chile.

Subsequently, "Mi Día de la Independencia" (My Independence Day), the opening theme from the album of the same name was released, it became a top ten single on the IberoAmerican charts, most notably in Spain, Argentina, Chile and Mexico; the song talks about the misconception that adults have about teenagers and made complaints against animal cruelty and the extinction of the whales. The track was rarely performed live.[65][66]

Worldwide recognition[edit]

"Corazón Perdido" (Lost Heart), was the last release and number one single of the nineties by Thomas, it reached number one in Spain, Chile, Argentina, Mexico and Uruguay among other countries. The song and the album remained on the top of the charts at the same time, over artists such as Luis Miguel, Ricky Martin and Enrique Iglesias. The music video was also number one on MTV.[67] Thomas recorded in Argentina an acoustic version of the song for MuchMusic Latin America.[68][69]

Subsequently, in early 2000, the musician released officially the acoustic ballad "Ahí Estare" (I'll Be There); first, the single won significative airplay on the radio in 1999, but due to the prolonged stay on the charts of the previous singles, the official release of "Ahí Estare" was delayed about one year. Then, in Buenos Aires, Argentina, she also made an acoustic version of "Ahí Estare", the single achieved success in South America, meanwhile in Mexico, the song was little-known.[69]

She also worked for TV ad campaign of Sabritas snacks company, with an adaptation of her successful single "Corazón Perdido".[36] Then, still in early 2000, Lynda Thomas released an acoustic single called "Voy A Seguir" (I'll Go Ahead) written by the then-unknown musician Leonel García, initially, during 1999, the song was played on the radio repeatedly, later in March 2000, it became an airplay hit. During the "Mi Día de la Independencia" Tour (Acoustic gigs phase), she performed "Voy A Seguir" with her band in Buenos Aires, such performance was released as an airplay radio single in Argentina only.[70][36][71]

Subsequently, Thomas released one of her best-selling singles, A Mil Por Hora (A Thousand Per Hour), an alternative rock song, written by Thomas herself, released in September of the same year, it became a number one single in IberoAmerica, including Spain, Argentina, Mexico, Uruguay and Chile during the years 2000 and 2001, "A Mil Por Hora" remained more than seven months at the top of the charts. While Thomas was performing live at Festival de Viña Del Mar held in Chile, in February 2001, A Mil Por Hora was still remaining at number one.[72] The song was the eighth single from her 1999 album "Mi Día de la Independencia" and the first single from Mi Día de la Independencia Edición Especial.

The track was the main-theme from the telenovela Primer Amor: A mil por hora. She also was hired to perform other musical theme for the teen melodrama, "Laberinto". She had a brief appearance on the series, in one of the last episodes.[73] The music video for "A Mil Por Hora", won rotation since 2000 until 2003 due to its Brazilian re-release. The single sold over 500'000 units in Ibero-America and won a Gold certification,[62] it also was included in the "A 1000 X Hora" EP, the Primer amor... a mil por hora OST and the 2000 international edition of her 1999 album Mi Día de la Independencia. "A Mil Por Hora" inspired the 2005 song and video "Responde" by actor and singer Diego Boneta. "A Mil por Hora" talks about youth problems, such as Bulimia and desperation. Lynda Thomas presented the song for the first time on the variety show Otro Rollo.[20][74][75]

During her tour, Thomas had an acclaimed performance in front an audience of 110,000 people, in the 2000 Mexican Telethon, celebrated at Estadio Azteca in Mexico city, in benefit of children with some disabilities and terminal diseases; she also had a major participation at the 2000 Chilean telethon, held in Santiago, Chile.[76]

During the late 1990s and the early 2000s, Thomas worked as a fashion model including the Italian fashion house Armani by Giorgio Armani.[77]

2001-2002: Experimental music - "Polen" - Incursion into new musical genres, unannounced retirement[edit]

Setting musical trends[edit]

In 2001, Thomas released what would be the last album in her career, "Polen". It was oriented to the folk, acoustic and alternative rock, it also dabbled in pop punk and Britpop; by that year, that album went to sale before the debut of other similar acts such as Avril Lavigne and Kelly Clarkson.[78][79][80]

"Polen" had the participation of the American musician Vinnie Colaiuta on drums and production, who worked before with artists such as Frank Zappa, Megadeth, Duran Duran and several Jazz musicians.[81] The album went to number one in Mexico and other countries. It included 11 songs, most of them written by Thomas herself. At the time, Polen was certified Gold and Platinum in various countries.[11]

Shortly before, that "Polen" was released, on Sunday, February 25, 2001, at Festival de Viña Del Mar held in Chile, Thomas was selected as a member of the internacional jury; Viña Del Mar is considered the most important musical event in the Americas, she had also an acclaimed performance and received positive reviews by critics and audience in the main day of the festival, she performed her latest international hits (including "No Quiero Verte" and "Corazón Perdido") from her album "Mi Día De La Independencia", which was still remaining after about two years at the top of the charts in Ibero-America with nine singles released since 1999.[59][76]

The first single from "Polen" was the Semi-acoustic alternative rock track "Lo Mejor De Mí" (The Best Of Me), it was the last Ibero-American number one in her career; at the time, she was going through many personal, labor and family problems, nevertheless, she became an activist against environmental destruction, addictions to drugs and alcohol, animal abuse, violence against women and child abuse; a music video was filmed in Mexico city for the song, it was about a female Secret Agent who works for the U.S. Embassy in Mexico. The song also had an acoustic version, which was performed live during her last tour in 2001 and 2002, including a performance at the 2001 Mexican Telethon held at Estadio Azteca.[11][18]

Subsequently, also in 2001, the musician released in Argentina, Chile and Mexico "Polen (Todas Las Mujeres)" (Polen - All Women), a Funk metal and alternative rock track, the singer wrote about the women's human rights, against gender discrimination, child sexual abuse, poverty, school bullying and domestic violence, the track received harsh criticism and poor airplay due to the social complaints of the song. In the rest of Ibero-America, the single was officially released on April 11, 2002.[82] Vinnie Colaiuta was on drums and co-production; the song was influenced musically by Immigrant Song (Led Zeppelin) and Epic (Faith No More).[19][83][84]

Meanwhile, Thomas was also the host alongside Colombian rock-singer Juanes in the first original edition of the Nickelodeon Kids' Choice Awards LatinAmerica, held in Santa Monica, California, in 2001.[85]

Then, Thomas released the following single from the album, an alternative-rock song called "Estoy Viva" (I'm Alive), written and produced by Lynda Thomas herself and recorded in Los Angeles, California; for that track, Thomas dabbled in a new musical facet, influenced by the Brit-pop and the Seventies punk rock; it had poor commercial promotion and minor airplay, due to the bad situation between the label and the musician; one year later that "Estoy Viva" was released, this musical style made its international commercial breakout with later singers such as Avril Lavigne, Kelly Clarkson or Pink.[86][87][15][88]

Last days in the music industry[edit]

Furthermore, in the fall of 2001, the musician released only as a promo, an Andalusian-Flamenco Folk rock track called "Ay, ay, ay". The song, written by Thomas, was inspired and based on the book "Twenty Love Poems and a Song of Despair" ("Veinte poemas de amor y una canción desesperada") by the Chilean poet Pablo Neruda, which was first published in 1924; the World-music theme "Ay, Ay, Ay" was a commercial failure in Ibero-America, except in Spain, Chile and Portugal, in such countries, the song obtained significative airplay and had a promotional tour.[89][90] Subsequently, came a limited-release of the alternative rock song "En El Anden", the track had minor airplay and was panned by critics.[91]

In November 2001, Thomas released at the request of her record label the teen pop-punk single Mala Leche (lit. "Bad milk", idiom. "Nasty person"), in Mexico, Argentina and Chile; it was the most "commercial"-sounding song from the album, unlike the rest of "Polen", which ventured into experimental music; for this single, Lynda Thomas recorded what would be her last music video in her career, it was filmed in January 2002, the song was released in March 2002, in the rest of IberoAmerica. The track became a top 3 single all over Ibero-America. At the time, Thomas was suffering from Bulimia and personal problems, nevertheless, she continued with her 2001-2002 tour. The song had its last performance ever on TV in Otro Rollo, on March 12, 2002, with former football soccer legend Diego Armando Maradona as a special guest.[92][93]

Later, in 2002, Thomas was the host on the Nickelodeon Kids' Choice Awards and ended with what would be the last tour in her career.[94]

She also released what would be her last official single in her career, "Para Ti" (It's For You), a semi-acoustic song which reached Top ten in several countries, although the single did not have any promotional video, due to personal and contractual problems of her. The song written by Thomas, is an auto-biographical song about her childhood sweetheart. Also, it was the last song that Thomas performed live in her career; it happened in mid-2002.[95]

When Lynda Thomas had finished the promotion of "Polen" and its promotional tour in mid-2002, the Adult contemporary ballad "Amar Así" (Love This Way), was scheduled to be the last official single of her album, but, it had never an official release, despite, the mid-tempo ballad obtained a moderate airplay on the radio; the song was the most personal for the singer and was never performed live, it also became one of the last songs of Thomas played on the radio, right before she suddenly left the music scene and public life.

A new world music-alternative rock album in English-language by Lynda Thomas, which had already been finished,[6] was originally scheduled for release in 2003 for the English-speaking and international markets, the album was announced by the musician during the first half of 2003, a Spanish-language version of the album was also scheduled, but due to disagreements with her label, personal problems and her retirement, the album was never released.[13][7][80][15]

2002-present: Retirement and legacy[edit]

Since 2003, Press has been speculating about the hiatus of Thomas from the public life and media.[6][41] In early 2002, in one of her last statements to the media, she declared that she was happy, with intentions of reaching the whole world with her music and her messages of social and ecological awareness, she said "I don't want to be remembered for scandals, love affairs or the money I make or spend", she also stated "Sometimes, I want to drop out all and send it to the hell and go to a desert island to live with whales or get a job at a zoo in Africa and never again see the TV news or reopen a newspaper". Later time, the musician left the music scene without any notice. Since her retirement, false information about her eating disorders, residence, personal life and death has been published.[20][41][96][97]

Also in 2002, EMI was giving poor support to her career.[18] Since her beginnings in the music industry, she stated she hated being typecast and was against stereotyped singers who only sells its body image, scandalous behaviours and misplaced statements.[13][14][98]

In 2002, she retired temporarily to begin recording her new world music album in English language, it was completely finished in early 2003; but in that year, she definitely left the music scene, due to personal and legal problems with her label EMI MUSIC, Thomas had to pay an unknown amount of money to break free from her contract, because she had a deal for three more albums. She later continued her life as a song-writer, producer and devoted herself to charity work and animal protecting.[13][20][99]

She obtained success and recognition in IberoAmerica and Continental Europe during the 1990s and the early 2000s,[4][5] years before the debut of later teen pop idols such as Britney Spears, Christina Aguilera, P!nk or Avril Lavigne and later alternative rock idols such as The Strokes or The White Stripes. Furthermore, Lynda Thomas has been a musical reference for later Ibero-American teen idols such as Belinda Peregrín, Natalia Lafourcade or Diego Boneta among others.[5][100][101][102] [103][32] [16][104][105]

Career as song-writer and producer[edit]

After the release and promotion of her fourth album, Lynda Thomas took a long hiatus from the music arena, she started writing and producing songs for the successful teen pop band RBD, from the teen series Rebelde.[106]

She also wrote musical themes for many other Soap operas, including the teen drama Clase 406 with the songs "Jamas", "Vete" and "Jeroglifico" among others.[13]

Meanwhile, according to "Rebelde" the official magazine for RBD, Thomas worked in the first five albums of the band, she also wrote the songs "No pares" (which won the Latin Song of the Year of the Orgullosamente Latino Awards), El Mundo Detrás and Me Voy among others and directed the gospel chorus that was part of 4 songs that were included in the 2006 album Live in Hollywood. She also provided the studio vocals for several songs of the band, and according with press publications, she provided the original lead studio voice for several songs of RBD, under the uncredited pseudonym "Polen Thomas". [107] Afterwards, she continued her career as composer and producer of other artists such as the teen-band Eme 15 among others.[16][108]

Personal life and charity work[edit]

During her career, Thomas stayed away from media scandals. She also has been working for environmental sustainable development projects. The musician said she was against addictions to drugs or alcohol, environmental pollution and singers who are a product of marketing and scandals in media.[12][34][109] Since her public absence, she has been participating anonymously in projects about poverty, animal rescuing and other global problems. She alongside Greenpeace helped to create a Whale Sanctuary on the Pacific Ocean, Caribbean Sea and the Gulf of Mexico, against illegal hunting, contamination and industrial waste.[29][9][110]

During the late 1990s and early 2000s, the artist suffered from Bulimia, subsequently, she declared to the Chilean and Argentinean press: "I didn't want to realize what I was suffering, this disease caused me several damages"; Thomas claimed she lost large amounts of hair; she said "Weight became an obsession for me, I was wrong" "I'm now under medical treatment and working on my self-esteem, with the help of my family and close friends." In her single "A Mil Por Hora", she talks about this disease.[7][41][109][110][111][112]

Since 2003, Ibero-American Press has been speculating with no reliable sources and unfounded about her personal life. Press has been publishing false information about she died in the mid 2000s, anorexia, residence or relationships; until 2014, she only has appeared one time before the media to clarify such speculations; it happened in January 2005; Also, since 2003, it has been speculated about her musical return to the stages, until 2014, it hasn't happened.[41][104][113][114]




Debut Vinyl Single

  • 1989: Cantemos Juntos


  • 1995: Inseparables (In Alto Mare)
  • 1996: Gira Que Gira
  • 1996: Sólo Contigo
  • 1996: Muriendo Por Él
  • 1996: Chicos
  • 1996: Blue Jeans
  • 1996: Ya No Hay
  • 1996: El Amor No Tiene Edad

Un grito en el corazón

  • 1997: Dile
  • 1997: Tanto, Tanto
  • 1997: Corazón
  • 1997: No Puedo No Quiero
  • 1997: Sálvame
  • 1998: Bang Bang
  • 1998: Bailando
  • 1998: Un Grito En El Corazón

Mi Día de la Independencia

  • 1999: No Quiero Verte
  • 1999: Maldita Timidez
  • 1999: Vivir Sin Él
  • 1999: Mi Día De La Independencia
  • 1999: Con el Alma en la Piel
  • 1999: Corazón Perdido
  • 2000: Ahí Estare
  • 2000: Voy A Seguir

Mi Día de la Independencia Edición Especial


  • 2001: Lo Mejor De Mi
  • 2001: Polen (Todas Las Mujeres)
  • 2001: Estoy Viva
  • 2001: Ay, ay, ay
  • 2001: En El Anden
  • 2002: Mala Leche
  • 2002: Para Tí
  • 2002: Amar Así (Unofficial, airplay only)

Other singles and EPs[edit]

  • 1990: Los Triunfadores De Fantasía Musical (Compilation only)
  • 1996: Blue Jeans (Radio Edit Mix)
  • 1996: El Amor No Tiene Edad (Remix)
  • 1997: Lo Que Daría Por Un Mundo Feliz (Children's Day official theme, alongside other singers)
  • 1997: Jingle Bells (Compilation only)
  • 1997: Estas Navidades (Christmas theme, alongside other singers)
  • 1998: El Pescador (Pope John Paul II theme, alongside other singers)
  • 2000: A 1000 X Hora (Extended Play)

Official Music Videos[edit]

Year Title Director
1996 "Gira Que Gira" Benny Corral
1996 "Blue Jeans" Edmon Williams
1996 "El Amor No Tiene Edad" Patty Juárez
1997 "Dile"
1997 "Corazón"
1999 "No Quiero Verte" Pitipol Ybarra
1999 "Maldita Timidez " Felipe Gómez
1999 "Corazón Perdido" Nunca Pepe
2000 "A Mil Por Hora" Pedro Damián
2001 "Lo Mejor De Mi" Pedro Damián
2002 "Mala Leche" Scegami Brothers

Other Music Videos[edit]

Year Title Notes
1997 "Por Un Mundo Feliz" Children's Day Official theme, alongside other artists
1997 "Estas Navidades" Christmas song, alongside other artists
1998 "El Pescador" Pope John Paul II theme, alongside other artists

Discography as a songwriter, record producer and backup vocals[edit]

- (Not including uncredited work)


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External links[edit]