Música Popular Brasileira
Música Popular Brasileira (Portuguese pronunciation: [ˈmuzikɐ popuˈlaʁ bɾaziˈlejɾɐ], Brazilian Pop Music) or MPB is a trend in post-Bossa Nova urban popular music. It is not a distinct genre but rather a combination of original songwriting and updated versions of traditional Brazilian urban music styles like samba and samba-canção with contemporary influences, like folk, rock, pop and jazz.
MPB is a contemporary trend that has produced many renowned Brazilian artists, like Jorge Ben, Novos Baianos and Chico Buarque, whose individual styles generate trends within the genre. The term can mean either any kind of music with Brazilian origins or a voice and guitar style that arose in the late 1960s. MPB can also be influenced by newer, non-traditional musical trends.
MPB, loosely understood as a "style", debuted in the mid-1960s, with the acronym being applied to types of non-electric music that emerged following the beginning, rise and evolution of bossa nova. MPB artists and audiences were largely connected to the intellectual and student population, causing later MPB to be known as "university music."
Like bossa nova, MPB was an attempt to produce a "national" Brazilian music that drew from traditional styles. MPB made a considerable impact in the 1960s, thanks largely to several televised music festivals. The beginning of MPB is often associated with Elis Regina's interpretation of Vinícius de Moraes and Edu Lobo's "Arrastão." In 1965, one month after celebrating her 20th birthday, Elis appeared on the nationally broadcast Festival de Música Popular Brasileira and performed the song. Elis recorded Arrastão and released the song as a single, which became the biggest selling single in Brazilian music history at that time and catapulted her to stardom. This brought MPB to a national Brazilian audience and many artists have since performed in the style over the years.
The earliest MPB borrowed elements of the bossa nova and often relied on thinly-veiled criticism of social injustice and governmental repression, often based on progressive opposition to the political scene characterized by military dictatorship, concentration of land ownership, and imperialism. A variation within MPB was the short-lived but influential artistic movement known as tropicália.
Many of the albums on Rolling Stone Brazil's list of the 100 greatest Brazilian albums fall under this style.
- UOL, 500 anos de Música brasileira(Portuguese)
- Performance da música indígena no Brasil (Portuguese)
- Anexo:Lista dos 100 maiores discos da música brasileira pela Rolling Stone Brasil(Portuguese)