Mabel Alvarez

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Mabel Alvarez
Mabel Alvarez.jpg
Self Portrait, Mabel Alvarez, 1923
Born (1891-11-28)November 28, 1891
Oahu, Hawaii, United States
Died March 13, 1985(1985-03-13) (aged 93)
Los Angeles
Nationality American
Education School for Illustration and Painting
Known for Painting

Mabel Alvarez (November 28, 1891 – March 13, 1985) was an American painter. Her works, often introspective and spiritual in nature, and her style is considered a contributing factor to the Southern California Modernism and California Impressionism movement.[1]

Life[edit]

She was born to a prominent Spanish family who lived on the island of Oahu, Hawaii. Her father, Luis F. Alvarez, a physician, was involved with the leprosy research begun by the legendary Father Damien. Her brother, Walter C. Alvarez, would later distinguish himself as a physician and author. Her nephew Luis Alvarez (son of Walter), was a Nobel Prize winner in physics. The family moved to Los Angeles, California when Alvarez was a youth.[1]

Alvarez demonstrated artistic talent at a young age and 1915 enrolled in a Los Angeles art school, where she enjoyed immediate success. She painted a large mural for the Panama-California Exposition San Diego, for which she won a Gold Medal. Alvarez attended William Cahill’s School for Illustration and Painting in Los Angeles[1] and drew a charcoal portrait of a woman in profile used by the School for its catalog cover.

Portrait of Herman Kalahele by Mabel Alvarez, oil on board, 1939

Her first portrait painting was displayed at the Los Angeles Museum (now the Los Angeles County Museum of Art) in 1917, a museum with which she continued a close relationship until her death. As a young woman, she was influenced by the philosophical writings of Will Levington Comfort, who espoused principles of Theosophy and Eastern mysticism.[1]

In the 1920s and 30s, her works were heavily influenced by the Synchromist Movement’s Stanton MacDonald-Wright and Morgan Russell,[1] who would remain her teacher for over 20 years. These early paintings based on her interest in Symbolism, Art Nouveau and Impressionism. In 1922 she became a member of the Group of Eight, along with Clarence Hinkle, Henri De Kruif, John Hubbard Rich, Donna Schuster, E. Roscoe Shrader, Edouard Vysekal, and Luvena Buchanan Vysekal.[1][2]

The primary color that Alvarez used to express herself was green which to her represented joy, love, hope, youth and mirth. These colors were played out on a stage of canvasses in the forms of universal ideals and archetypes: the child, the innocent maiden, the temptress, the faithful wife, the spiritual seeker, the earthbound spirit in limbo, and the liberated spirit that has transcended Earth's constraints.

Alvarez painted into her sixties and seventies.[1] Her works included Impressionism, as well as to figure, still-life, and portrait painting. Her late pieces are focused on religious and symbolic themes.

The later years of her life were spent in a retirement apartment and then in a nursing home. She died on March 13, 1985, at the age of ninety-three in Los Angeles.

Notable collections[edit]

References[edit]

  1. ^ a b c d e f g "Finding Aid". Mabel Alvarez papers, 1898-1987. Archives of American Art. 2011. Retrieved 15 Jun 2011. 
  2. ^ ArtDaily.com, June 10, 2012

Bibliography[edit]

  • Forbes, David W., "Encounters with Paradise: Views of Hawaii and its People, 1778–1941", Honolulu Academy of Arts, 1992, p. 247–248.

External links[edit]