Macedonian Renaissance

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Macedonian Renaissance is a label sometimes used to describe the period of the Macedonian dynasty of the Byzantine Empire (867-1056), especially the 10th century, which some scholars have seen as a time of increased interest in classical scholarship and the assimilation of classical motifs into Christian artwork.

Concept[edit]

Because of problems with the term, scholars have employed alternative names to describe this period, including "renaissance" (with a small "r"), "renascence",[1] Middle Byzantine Renaissance or First Byzantine Renaissance (the Palaeologan Renaissance from the 13th century on being the second). Macedonian art refers to the art of this period.

Because the word Renaissance (rinascita) was created in the 15th and 16th centuries by Italian humanists to describe their own time, its use outside of that context is problematic; however, the period in question certainly did produce ideas and works of art that reflected a reassessment of classical ideals.[2]

The term Macedonian Renaissance was first used by Kurt Weitzmann in his The Joshua Roll: A Work of the Macedonian Renaissance.[3] It describes the architecture of Macedonia.

Era[edit]

The term “Byzantine” arose from Byzantium, a city founded in the eighth century BCE on the site that would become Constantinople and is now Istanbul. Being on the easternmost territory of the Roman Empire allowed the groundwork for the Macedonian Renaissance to come about. Latin was the imperial language of law and government while Ancient Greek was the language of its literature and the religion was Orthodox Christianity.[4]

While the West Roman Empire had declined into the Dark Ages its Eastern half, the Byzantine Empire, was able to survive and flourish. This was due mainly to its strategic location for commerce but also to the way it was able to hold back its enemies. Basil I (867-886), the founder of the Macedonian Dynasty of Byzantine rulers, was born in Thrace to a peasant family said to be of Armenian descent. He was employed in the influential circles of Constantinople and was rapidly promoted by the emperor Michael III eventually becoming co-emperor.[5]

By means of political maneuvering he was able to secure his future as emperor and then began military and diplomatic campaigns to secure the empire. He was able to regain control over Crete and Cyprus at the same time he was able to hold back Bulgarian advances into his territory. His dynasty was thus able to maintain a period of peace under which economics, philosophy, art, and culture could thrive.

This period produced a shift from the ban on the painting of religious figures to icons being painted to reflect the more classical and naturalistic influences of art on the culture. Mosaics such as the Virgin and Child in Hagia Sophia can still be seen today. The new style of art may have inspired Italian artists such as Cimabue and Giotto[6] before the Italian Renaissance.

The period also saw a proliferation of literature, such as De Ceremoniis ("The Book of Ceremonies"), which focused on governance, diplomatic interactions with neighboring nations, and other customs of the time. Education had also become a priority once again and the University of Constantinople boasted scholars such as Michael Psellus, who wrote the Chronographia, a history of fourteen Byzantine rulers. Meanwhile reforms in law sought to limit the power and growth of large land owners by the formation of trade guilds that allowed the state to control growth as described in the Book of the Eparch.

The building Magnaura in Constantinople had already become a school in 849 and was headed by the philosopher Leo the Mathematician (c.790 – after 869).[7] Most of his works are lost.

See also[edit]

Notes[edit]

  1. ^ Cormack, Robin (2000). Byzantine Art. Oxford: Oxford University Press. p. 131. ISBN 0-19-284211-0. 
  2. ^ For a discussion on the topic, see Cormack, Byzantine Art, pp. 130-142.
  3. ^ Weitzmann, Kurt. The Joshua Roll: A Work of the Macedonian Renaissance. Studies in Manuscript Illumination III, Princeton: Princeton Univ. Press, 1948.
  4. ^ . The Oxford Handbook of Byzantine Studies edited by Elizabeth Jeffreys with John Haldon and Robin Cormack. Published 2008 by Oxford University Press.
  5. ^ "Basil I". Encyclopædia Britannica. Encyclopædia Britannica Online.Encyclopædia Britannica Inc., 2012. Web. 13 May. 2012 <http://www.britannica.com/EBchecked/topic/55030/Basil-I>.
  6. ^ Byzantine art
  7. ^ macedonian-heritage.gr: Leon the Matematician