Xochipilli

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Xochipilli as depicted in the Borgia Codex.
Xochipilli, Aztec terracotta
Lombards Museum

Xochipilli /ʃu˕ːt͡ʃiˈpiɬːi/ was the god of art, games, beauty, dance, flowers, and song in Aztec mythology. His name contains the Nahuatl words xochitl ("flower") and pilli (either "prince" or "child"), and hence means "flower prince". As the patron of writing and painting, he was called Chicomexochitl the "Seven-flower", but he could also be referred to as Macuilxochitl "Five-flower". His wife was the human girl Mayahuel[citation needed], and his twin sister was Xochiquetzal. As one of the gods responsible for fertility and agricultural produce, he was also associated with Tlaloc (god of rain), and Cinteotl (god of maize).[citation needed] Xochipilli corresponds to the Tonsured Maize God among the Classic Mayas.

Xochipilli was also the patron of both homosexuals and male prostitutes, a role possibly resulting from his being absorbed from the Toltec civilisation[1][2] He among other gods was depicted wearing a talisman known as an oyohualli which was a pendant shaped as a teardrop crafted out of mother-of-pearl. [3]

Xochipilli statue[edit]

In the mid-19th century, a 16th-century Aztec statue of Xochipilli was unearthed on the side of the volcano Popocatépetl near Tlalmanalco. The statue is of a single figure seated upon a temple-like base. Both the statue and the base upon which it sits are covered in carvings of sacred and psychoactive organisms including mushrooms (Psilocybe aztecorum), tobacco (Nicotiana tabacum), Ololiúqui (Turbina corymbosa), sinicuichi (Heimia salicifolia), possibly cacahuaxochitl (Quararibea funebris), and one unidentified flower. The figure himself kneels on the base, head tilted up, eyes open, jaw tensed, with his mouth half open and his arms opened to the heavens. The statue is currently housed in the Aztec hall of the Museo Nacional de Antropología in Mexico City.

Entheogen connection[edit]

It has been suggested by Wasson, Schultes, and Hofmann that the statue of Xochipilli represents a figure in the throes of entheogenic ecstasy. The position and expression of the body, in combination with the very clear representations of hallucinogenic plants which are known to have been used in sacred contexts by the Aztec support this interpretation.

Wasson says "He is absorbed in temicxoch, 'the flowery dream', as the Nahua say in describing the awesome experience that follows the ingestion of Sinicuichi (Heimia salicifolia). I can think of nothing like it in the long and rich history of European art."[4]

See also[edit]

References[edit]

  1. ^ Greenberg, David. The Construction of Homosexuality. p. 165, Chicago: University of Chicago Press, 1990. ISBN 0-226-30628-3.
  2. ^ Conner, Randy P.; David Hatfield Sparks; Mariya Sparks (1998). Cassell's Encyclopedia of Queer Myth, Symbol and Spirit. UK: Cassell. p. 351. ISBN 0-304-70423-7. "As David F. Greenberg states 'Xochipilli is the patron of male homosexuality and male prostitution'. His patronage of individuals engaging in these behaviors suggests a complex set of associations including the role of entertainer, the love of exotic foods and perfumes, male gender variance, and same-sex eroticism" 
  3. ^ http://www.mexicolore.co.uk/aztecs/artefacts/personified-knives. 
  4. ^ Wasson, R. Gordon (1980) The Wondrous Mushroom

External links[edit]