Mad Love (1935 film)

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Mad Love
Madloveposter.jpg
1935 Film Poster
Directed by Karl Freund
Produced by John W. Considine Jr.
Written by Screenwriters:
John L. Balderston
Guy Endore
Book Author:
Maurice Renard
Starring Peter Lorre
Frances Drake
Colin Clive
Ted Healy
Sara Haden
Music by Dimitri Z. Tiomkin
Cinematography Chester A. Lyons
Gregg Toland
Edited by Hugh Wynn
Distributed by Metro-Goldwyn-Mayer
Release dates United States:
July 12, 1935
United Kingdom:
August 2, 1935
Running time 68 min
Language English
Budget $403,000[1]
This article is about the 1935 film. For other uses, see Mad Love.

Mad Love is a 1935 American horror film, an adaptation of Maurice Renard's story The Hands of Orlac. It was directed by German-émigré film maker Karl Freund, and stars Peter Lorre as Dr. Gogol, Frances Drake as Yvonne Orlac and Colin Clive as Stephen Orlac. The plot revolves around Doctor Gogol's obsession with actress Yvonne Orlac. When Stephen Orlac's hands are destroyed in a train accident, Yvonne brings him to Gogol, who claims to be able to repair them. As Gogol becomes obsessed to the point that he will do anything to have Yvonne, Stephen finds that his new hands have made him into an expert knife thrower.

Mad Love was Freund's final directorial assignment and Lorre's American film debut. Critics praised Lorre's acting, but the film was unsuccessful at the box office. Film critic Pauline Kael found the film unsatisfactory, but noted that it had influenced Citizen Kane. Cinematographer Gregg Toland was involved in the production of both films. Mad Love's reputation has grown over the years, and it is viewed in a more positive light by modern film critics.

Plot[edit]

Actress Yvonne Orlac (Frances Drake) rests after her final performance at the 'Théâtre des Horreurs in Paris, France. As she listens to her husband Stephen Orlac (Colin Clive) play the piano on the radio, she is greeted by Dr. Gogol (Peter Lorre), who has seen every show featuring Yvonne, and unaware of her marriage, is aghast to learn that she is moving to England with her husband. Gogol leaves the theater heartbroken, buys the wax figure of Yvonne's character, Galatea, and arranges that it be delivered to his home the following day.

Stephen Orlac is on a train journey from Fontainebleau to Paris, where he sees murderer Rollo the Knife thrower (Edward Brophy), who is on the way to his execution by guillotine. Gogol witnesses the execution, along with the American reporter Reagan (Ted Healy). Orlac's train crashes later that night, and Yvonne finds her husband with mutilated hands. She takes Stephen to Gogol in an attempt to reconstruct his hands, and Gogol agrees to do so. Gogol uses Rollo's hands for the transplant, and the operation is a success.

The Orlac couple are forced to sell many of their possessions to pay for the surgery, while Stephen finds he is unable to play the piano with his new hands. When a creditor comes to claim the Orlacs' piano, Stephen throws a fountain pen that barely misses his head. Stephen seeks help from his stepfather, Henry Orlac (Ian Wolfe). Henry denies the request, upset that Stephen did not follow in his line of business as a jeweler. A knife thrown in anger by Stephen misses Henry, but breaks the shop front's window. Gogol meanwhile asks Yvonne for her love, but she refuses. Stephen goes to Gogol's home and demands to know about his hands, and why they throw knives. Gogol suggests that Stephen's problem comes from childhood trauma, but later confirms to his assistant Dr. Wong (Keye Luke) that Stephen's hands had been Rollo's.

Gogol then suggests to Yvonne that she get away from Stephen, as the shock has affected his mind and she may be in danger. She angrily rejects Gogol, whose obsession grows. Henry Orlac is murdered, and Stephen receives a note that promises that he will learn the truth about his hands if he goes to a specific address that night. There, a man with metallic hands and dark glasses claims to be Rollo, brought back to life by Gogol. Rollo explains that Stephen's hands were his, and that Stephen used them to murder Henry. Stephen returns to Yvonne and explains that his hands are those of Rollo, and that he must turn himself in to the police. A panic-stricken Yvonne goes to Gogol's home, and finds him completely mad. Gogol assumes that his statue has come to life, embraces her, and begins to strangle her. Reagan, Stephen and the police arrive, but are only able to open the observation window. Stephen produces a knife and throws it at Gogol, then finds his way in. Gogol dies as Stephen and Yvonne embrace.

Production[edit]

Florence Crewe-Jones provided MGM with an original translation/adaptation of Renard's story "Les Mains D'Orlac".[2] Writer Guy Endore, who worked with director Karl Freund on early drafts.[2] Producer John W. Considine Jr. assigned the continuity and dialogue to P.J. Wolfson,[2] and John L. Balderston began to write a "polish-up" of the draft on April 24, 1935.[3] Balderstone went over the dialogue with Lorre in mind, and at points called for the actor to deploy his "M look".[3] Balderston continued his re-write three weeks past the start of filming.[4]

Filming started on May 6, 1935[4] with Chester Lyons as the cinematographer. Freund insisted on Gregg Toland, whom he got for a reported "8 days of additional photography".[4] Actress Frances Drake recalled difficulty between Freund, Toland and Considine. Drake said that "Freund wanted to be the cinematographer at the same time", and that "You never knew who was directing. The producer was dying to, to tell you the truth, and of course he had no idea of directing."[5] Several titles for the film were announced, and on May 22, 1935, MGM announced that the title would be The Hands of Orlac.[6] The Mad Doctor of Paris was also suggested, but the studio eventually settled on the original title of Mad Love.[5] Shooting finished on June 8, 1935, one week over schedule.[6] After the initial release, MGM cut about fifteen minutes of scenes from the film.[7] Cut scenes included the surgery to get Rollo's hands, a pre-credit warning scene similar to the one in Frankenstein, and Isabel Jewell's entire portrayal of the character Marianne.[7]

Cast[edit]

Release and reception[edit]

Mad Love was released in the United States on July 12, 1935[11] and, as Hands of Orlac, in the United Kingdom on August 2, 1935.[12][13] The initial critical reception was focused on praise for Lorre's performance. The Hollywood Reporter said that "Lorre triumphs in a characterization that is sheer horror",[6] Time magazine called him "perfectly cast",[7] and Charlie Chaplin called him "the greatest living actor".[7] Reviews for the rest of the cast were less positive. The New York Times said that "Ted Healy, a highly amusing comedian, has gotten into the wrong picture",[14] and The Hollywood Reporter said that Colin Clive "jitters his way through".[7] The Hollywood Reporter wrote that the film was "neither important or particularly compelling ... falls right in the middle between Art and Box Office".[7] Time magazine called it "completely horrible",[1] and The New York Times wrote that "Mad Love is not much more than a super-Karloff melodrama, an interesting but pretty trivial adventure in Grand Guignol horror."[15] Mad Love was not a hit at the box office, and had a small domestic gross of $170,000.[1] Its foreign gross was larger, at $194,000.[1]

Critic Pauline Kael's essay "Raising Kane", published in The New Yorker, accused director Orson Welles of copying the visual style of Mad Love for Citizen Kane.[16][17] Kael noted that both Gogol and Kane are bald, Gogol's house and Kane's "Xanadu" are similar, and that Gogol and Kane both have a pet cockatoo.[17] She also wrote that Toland had "passed Freund's technique onto Welles".[17] Peter Bogdanovich wrote a rebuttal to Kael's statements in Esquire in 1972. Both writers had negative views on Mad Love. Kael called it a "dismal static horror movie", and Bogdanovich said that it was "one of the worst movies I've ever seen."[17]

Recent reviews of Mad Love have been much more positive. At the online film review database Rotten Tomatoes, the film has a 100% approval rating, and a 7.5 critical average.[18]

Home video[edit]

Mad Love was released on VHS by MGM/UA in late 1992 in the United States.[16] It was released on DVD by Warner Home Video on October 10, 2006, along with Doctor X, The Devil-Doll, Mark of the Vampire, The Mask of Fu Manchu and The Return of Doctor X, in the three-disc Hollywood Legends of Horror Collection.[19] DVD bonus material included film commentary by Steve Haberman, and the film's theatrical trailer.[19]

Remakes[edit]

Mad Love has been remade once, and is itself a remake of the 1924 Austrian silent film The Hands of Orlac, directed by Robert Wiene and starring Conrad Veidt.[20] It was remade in 1960 as a French-British co-production that was directed by Edmond T. Gréville, and starred Mel Ferrer as Stephen Orlac and Christopher Lee as a new magician character named Nero.[21]

Related films include Hands of a Stranger (1962) and The Crawling Hand (1963).[22] One of Alfred Hitchcock's unproduced projects was The Blind Man, a variant of the theme in which a blind pianist receives implanted eyes whose retinas retain the image of their previous owner's murder.

See also[edit]

  • The Beast with Five Fingers (1946) - a variant on the theme, also starring Peter Lorre.
  • The Hand (1981) - remake of the 1946 film.
  • Blink (1994) - a variant on Hitchcock's The Blind Man theme
  • Under the Volcano, the novel published by Malcolm Lowry in 1947, includes many references to the 1935 film, under its Spanish title, "Las Manos de Orlac. Con Peter Lorre". Mad Love, is supposed to be broadcast at the local theatre in Quaunahuac (Cuernavaca, Mexico) when the characters, the ex-Consul Geoffrey Firmin, his former wife Yvonne and Geoffrey's brother come to be reunited. The film and the novel have many themes in common : a strong feeling of alienation, impossible and desperate love, jealousy, the guilty conscience of the creator compromised with evil.
  • The Killers - Here With Me, a music video by Tim Burton inspired by the film, starring Winona Ryder.

Notes[edit]

  1. ^ a b c d Mank, 2001. p.149
  2. ^ a b c Mank, 2001. p.125
  3. ^ a b c d Mank, 2001. p.129
  4. ^ a b c Mank, 2001. p.130
  5. ^ a b Mank, 2001. p.140
  6. ^ a b c Mank, 2001. p.147
  7. ^ a b c d e f Mank, 2001. p.148
  8. ^ a b Mank, 2001. p.126
  9. ^ Mank, 2001. p.122
  10. ^ Mank, 2001. p.132
  11. ^ Youngkin, 1982. p.88
  12. ^ Johnson, 2006. p.194
  13. ^ Johnson, 2006. p.119
  14. ^ Mank, 2001. p.135
  15. ^ Sennwald, Andre (1935-08-05). "THE SCREEN; Peter Lorre in His First American Photoplay, "Mad Love," on View at the Roxy Theatre.". The New York Times. Retrieved 2008-08-04. 
  16. ^ a b Mank, 2001. p.154
  17. ^ a b c d Mank, 2001. p.155
  18. ^ "Mad Love". Rotten Tomatoes. Retrieved 2008-08-04. 
  19. ^ a b "Hollywood Legends of Horror Collection". Allmovie. Retrieved 2008-08-04. 
  20. ^ "THE HANDS OF ORLAC - The Original 1924 German Expressionist Thriller on DVD". Turner Classic Movies. Retrieved 2008-08-04. 
  21. ^ "Les Mains D'Orlac". Allmovie. Retrieved 2008-08-04. 
  22. ^ John Barna "Mad Love (1935)", in Jack Sullivan The Penguin Encyclopedia of Horror and the Supernatural, 1986, Viking, p281-82, 282

References[edit]

External links[edit]