Made in Paris

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Made in Paris
Made in Paris FilmPoster.jpeg
Directed by Boris Sagal
Produced by Joe Pasternak
Written by Stanley Roberts
Starring Louis Jourdan
Ann-Margret
Richard Crenna
Chad Everett
Music by George E. Stoll
Cinematography Milton R. Krasner
Edited by William McMillin
Distributed by Metro-Goldwyn-Mayer
Release dates
February 9, 1966 (United States)
Running time
103 minutes
Country United States
Language English
Box office $1,300,000 (est. US/ Canada rentals)[1]

Made in Paris is a 1966 American romantic comedy film starring Louis Jourdan, Ann-Margret, Richard Crenna, Edie Adams, and Chad Everett. The film was written by Stanley Roberts and directed by Boris Sagal. This was the last screen credit for veteran MGM musical director Georgie Stoll before retirement.

Plot[edit]

A red headed American girl from New York finds herself in a love triangle in the City of Light(Paris, France). Maggie Scott (Ann-Margret) works as an assistant buyer for Irene Chase (Edie Adams). Irene is a fashion buyer for Barclay Ames, an upscale clothing store in New York owned by Roger Barclay (John McGiver).

Ted Barclay (Chad Everett), the son of Roger Barclay, takes a special interest in Maggie. After taking her on a date, he finds that her morals are different from the multitude of his previous women. This bachelor doesn’t seem to mind a good chase.

Irene sends Maggie to Paris as her representative for the annual fashion shows of the major European fashion designers such as Marc Fontaine, Dior, and Balenciaga. The most important show is Marc Fontaine (Louis Jourdan) because Barclay Ames is the only store in New York that handles Fontaine gowns, and Maggie must keep that rapport between the two companies on her trip. Worried for Maggie’s safety, Ted calls his Paris based columnist friend, Herb Stone (Richard Crenna), to look after her in Paris.

Maggie’s arrival in Paris is paired with a warning from Herb Stone that she may lose all of her inhibitions, which she quickly refuses could happen. Marc Fontaine, the handsome French designer, had a relationship with Irene. It doesn’t take long for the Parisian scenery to play with Maggie’s emotions, leading her into the arms of Mr. Fontaine. Herb Stone completes the love triangle by pursing Maggie as well. His version of a good time doesn’t involve the exciting dance club Maggie dances in for Mr. Fontaine. He would rather settle down in the bedroom.

Ted Barclay decides to fly out to Paris to win Maggie’s heart once and for all.

Production[edit]

MGM announced the film was part of their line up in February 1964.[2] Doris Day was meant to star but she did not like the script.[3] So Ann Margaret, who had just made Once Upon a Crime and The Cincinnati Kid for MGM was signed instead.[4]

Bob Crane, who had just shot the pilot for Hogan's Heroes, was offered the male lead, as a newspaperman.[5] This part ended up being played by Richard Crenna.

Richard Chamerblain was offered the role of the department store buyer.[6] This was played by MGM contractee Chad Everett.

Louis Jourdan signed to play the male lead. There was a report he pulled out when he discovered his character did not get the girl in the end.[7]

Filming took place on the MGM backlot.

Fashion[edit]

The costumes worn by Edie Adams, Ann-Margret and the fashion models were created by costumer designer Helen Rose.[8][9][10]

Edie Adams wears a form fitting black velvet beaded gown that flares out at the knee with a satin skirt covered in coque feathers. Her matching cape is made of black crepe chiffon featuring beading and three rows of coque feathers (13 min. 13 sec. into the film)1Gown for auction.

Ann-Margret’s arrival in Paris costume is a blue beige coat completely lined with fox fur and worn over a sheath 2.

The Fontaine fashion show starts at 42 min into the movie featuring Helen Rose designs. ‘Golden Avalanche’ Three piece ski suit of golden yellow stretch jersey slim pants, fingertip jacket is lined with silver grey Persian lamb, and a hooded sweater of Persian lamb 3.


‘Swirling Amethysts’ (45 min. 35 sec. into the film) Three hundred yards of pleated silk chiffon, the high rise neckline and low back bodice is of amethysts, rubies, gold, and diamonds4.


Ann-Margret’s ‘After-Five Costume’ (50 min. 30 sec. into the film) Carl velvet coat embroidered and banded with sables 5.

Music[edit]

Jazz music plays in the background for most of the film. Maggie Scott (Ann-Margret), performs a dance to a band in a Paris night club 55minutes and 47seconds into the film (Jazz on Film).

Reception[edit]

MGM were so impressed with Crenn's performance they signed him to a three picture deal.[11]

The Los Angeles Times said the film "was just not in the game class as Gigi" although Ann Margret "gave her all".[12]

Quotes[edit]

Ted- “Ms. Scott, are you bucking for sainthood?”

Maggie – “No, no I’m just an average American girl. I have the foolish idea that I’d like to settle down in the suburbs with a man I love and have children, and maybe even have a station wagon, and two of those large dogs with hair in front of their eyes. I'm sure you think that's square Mr. Barclay.”

Herb Stone – “Any American girl today has two completely different sets of morals. Back in the States, a girl, like Maggie, watches every step but she has her mind on just one thing, a wedding ring. Well, here in Paris, she has no chance of getting married so she lets her hair down. She does all the things she's always wanted to do. Plus, a few things that uh, she never thought of.”

Mark Fontaine – “Do you know what you really want Maggie? You want a thrilling evening of 'almost'. Yes, almost romance, almost love, almost sex. Maggie, I told you Paris would give you whatever you were looking for, you've got it. And you've put me in the position of a guide. Very well, very well, I hope I’ve given you proper service, Miss Scott. Now that we've shown you our best imitation of romance, what would you like to see next? The Eiffel Tower? The Arch of Triumph? Oh, I know the wax museum. Sex, lust, passion, but not real-not real, Miss Scott. Just the way you like it. Fake, all in one.” (Sagal, B. (Director). (1966). Made in Paris [Motion picture]. United States. )

References[edit]

  1. ^ "Big Rental Pictures of 1966", Variety, 4 January 1967 p 8
  2. ^ MGM Readies Record 34 Films for Release: 31 Others Scheduled for Production Including Adaptation of 'Dr. Zhivago' Los Angeles Times (1923-Current File) [Los Angeles, Calif] 26 Feb 1964: A8.
  3. ^ Success Story Heroes Top Coup Dorothy Kilgallen:. The Washington Post, Times Herald (1959-1973) [Washington, D.C] 25 June 1964: C10.
  4. ^ Miss Latham Avers She's Already Pro: Career Antedates 'Marnie'; Oppenheimer Off to Saigon Scheuer, Philip K. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 12 Jan 1965: C7.
  5. ^ FILMLAND EVENTS: Bing Plans to Sing a Different Tune Los Angeles Times (1923-Current File) [Los Angeles, Calif] 20 Feb 1965: 17.
  6. ^ Looking at Hollywood: 'Ailing Patricia Neal's Friends Tell Hope Hopper, Hedda. Chicago Tribune (1963-Current file) [Chicago, Ill] 12 Mar 1965: b13.
  7. ^ Looking at Hollywood: Sophia World's Favorite, Says Zanuck Hopper, Hedda. Chicago Tribune (1963-Current file) [Chicago, Ill] 14 Apr 1965: a1.
  8. ^ Angie Put Her Foot in It Scott, John L. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 16 May 1965: N10.
  9. ^ Stylish Look at 'Made in Paris' Los Angeles Times (1923-Current File) [Los Angeles, Calif] 25 May 1965: c9.
  10. ^ Designer 'Steals' Own Ideas Hammond, Fay. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 10 Sep 1965: c7.
  11. ^ Looking at Hollywood: Elizabeth Ashley Will Fight Film Studio Hopper, Hedda. Chicago Tribune (1963-Current file) [Chicago, Ill] 08 June 1965: b1.
  12. ^ 'Made in Paris' an Evening of Almosts Scheuer, Philip K. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 11 Mar 1966: c11.

External links[edit]