Madea (Mabel Simmons)
|Mabel "Madea" Simmons|
Madea serving time in prison for committing a series of crimes
|First appearance||I Can Do Bad All By Myself (stage play)
Diary of a Mad Black Woman (film)
|Created by||Tyler Perry|
|Portrayed by||Tyler Perry|
|Spouse(s)||Willie Humphrey (ex-husband)
Johnny Simmons (husband, deceased)
|Children||Michelle Griffin (daughter with Johnny; deceased)
Cora Jean Simmons (daughter with Mr. Brown; alive)
William Simmons (son with Johnny; deceased)
Nikki Grady-Simmons (adoptive daughter)
"Big Mabel" Murphy (mother; deceased)
Helen McCarter (granddaughter)
Isaac (nephew through marriage)
Vickie (niece through her mariage to many)
Victoria Breaux (niece)
Lisa Breaux (grandniece)
Brian Simmons (nephew)
Deborah Simmons (niece through marriage)
Tiffany Simmons (grandniece)
B.J. Simmons (grandnephew)
Michael (great-nephew via Vickie, that plays with Barbie Dolls)
Kevin (great-nephew via Vickie)
Vindictive in nature, Madea is quick to anger and get even in a bad way; in fact, when asked why she felt the need to get somebody all the time, Madea answered: "Well when you gettin' got and somebody done got you and you go get them, when you get em', everybody's gon' get got." Adding to this, Madea is highly overreactive, willing to threaten the use of deadly weapons; destroy property; use physical violence; take on the law; and use any and all means necessary to show up an offending party. Incorrigible in her overreactive ways, Madea has repeatedly landed herself in court (usually before Judge Mablean), anger management classes, house arrest, and even prison.
Despite the way the character goes about it, she stands for what's right and has a nurturing side. As examples, Madea is often seen officiously involving herself in circumstances in which others have been wronged, offering self-defense tips, instruction, or avenging them on her own; by her very nature, Madea is more than willing to "thug out" on some of the sassiest and brattiest of children and teens, but also shows to care about their well-being in the end. The character combines an unusual pronunciation style with her locutions, such as "Heller, how ya dern?" or "Halleluyer praise da lort!"
Madea is based on Perry's mother, his aunt, and watching Eddie Murphy perform The Klumps. In Perry's own words Madea is ". . .exactly the PG version of my mother and my aunt, and I loved having an opportunity to pay homage to them. She would beat the hell out of you but make sure the ambulance got there in time to make sure they could set your arm back. . ." 
- 1 Early years
- 2 Criminal background
- 3 Personality
- 4 Madea's possessions
- 5 Madea's family
- 6 Media & entertainment featuring Madea
- 7 Reception
- 8 See also
- 9 References
- 10 External links
Mabel "Madea" Simmons was born in Greensburg, Louisiana, on April 26, 1935. (Madea was 68 in the first play, I Can Do Bad All By Myself, as well as Madea's Class Reunion. Her ages in the other plays are unknown because they take place between these two plays, and there's no continuity offered. In Madea Goes to Jail, Madea was around 75).
According to Madea's Family Reunion, Madea's mother, "Big Mabel" Murphy, was a hooker during Madea's childhood and wasn't at all religious. As a result, Madea grew up with no knowledge of Christianity (as an elderly woman, Madea is filled with biblical misinformation and has a tendency to misquote the Bible).
She attended Booker T. Washington High School, where she served as a cheerleader. When Madea was 16, her parents moved her and the rest of her immediate family to Atlanta, Georgia, in a shotgun house. It was reported in Madea's book, Don't Make a Black Woman Take Off Her Earrings, that Madea's mother and father wouldn't allow her to go out at all until she turned 17 or 18.
In the films, it has been revealed that Madea used to be a stripper, and her stagenames were Magnitude & Delicious . There was also heavy implication that she was a prostitute as well.
Madea has a lifelong criminal record that began at age 9 with a charge of petty theft. It is also reported that Madea was charged with her first felony at this age, and her crimes began progressing to illegal gambling at age 18, which later evolved into check fraud, identity theft, insurance fraud (presumably related to her 9 deceased husbands), assault and attempted murder, vehicle theft (the first vehicle she ever stole was a 1992 Lexus LS400), smashing into other vehicles on roads (as she did to 1 Toyota Camry Hybrid, 1 Honda Accord, 3 Toyota Yarii (1 sedan and 2 hatchback), and 1 Nissan Cube with her Cadillac, and the Cadillac CTS with her daughter's Chevrolet Uplander), and forklifting vehicles out of parking spaces (as she did to 3 Toyota Camry HVs (2 of them she ruined), 2 Scion xBs (one of them she ruined), 1 Scion tC, and 1 Pontiac Solstice (which she ruined in Madea Goes to Jail)). Throughout the series, she is a repeat offender.
In Diary of a Mad Black Woman alone, Madea was charged with "criminal trespassing, reckless endangerment, criminal possession of a handgun, assault with a deadly weapon, suspended license, expired registration, reckless driving, and a broken taillight" upon entering the court with her granddaughter Helen McCarter, which placed Madea on house arrest.
In Madea's Family Reunion, she violated the terms of house arrest by taking off her house arrest bracelet but was given the opportunity to avoid jail by becoming a foster mother. In Meet the Browns, Madea randomly steals a 2005 Lexus LS430 from a man by the name of Leo Skysen. Leo called the police on Madea, leading to a high-speed car chase between Madea and law enforcement officials.
In Madea Goes to Jail, Madea was about to get sent to jail, but she got off the hook from going to jail because the officer didn't mirandize her, so when she gets her license suspended, she brags that she's been driving with a suspended license for 30 years and also gets ordered to anger management counseling. She, however, began driving as soon as Cora neglected her daughterly duties. Madea's brother Joe (also played by Perry) refers to her as a "po-po ho", meaning someone who is a professional at evading law enforcement.
Hard side and language use
Scurrilous and saucy in remarks and behavior, Madea is full of comical sass and vulgar, abusive language. She also has many catch phrases, such as "You crazy as hell," and "I outta punch you in da face!" In addition, she uses Ebonics and other various slang terms. Madea also intentionally adds a mispronounced "t" sound to many of her words, such as "Africant Americant", "cooking and cleanting" and "living for da lort [lord]."
Madea is mostly noted for her outrageous overreactions and thuggish toughness to which she has shown no shame over. For example, the character has four general methods of attack:
(1) destruction of property, such as demolishing others' household appliances with a chainsaw
(2) weapon violence, such as stabbing others with a lit cigarette
(3) physical violence, such as strangling and pounding others with her bare hands and elbows
(4) intimidation through outrageous browbeating tactics and threats, such as firing off her pistol, which she keeps handy with her in her purse at all times
In regards to her gun use, Madea just shoots around targets, using intimidation as opposed to ever actually killing or injuring anyone. As another form of intimidation, Madea frequently boasts of having killed in the past. As an example, she once claimed to have murdered Jimmy Hoffa over him insulting her. She also claimed to have shot Tupac Shakur while arguing over a parking space; although she claims not to have killed him in the shooting.
In spite of her outrageous and shocking behaviors, Madea is consultative, protective, and motherly at heart. This is heavily evidenced in Madea Gets a Job, a stage-play film in which Madea provides life lessons, guidance, and direction to all the residents and staff members of a nursing home. Moreover, on numerous occasions, Madea has accepted family members who were without a place to stay into her home on her own accord. These family members have included her granddaughter Helen (Diary of a Mad Black Woman film), granddaughter Vianne (I Can Do Bad All By Myself), her great niece Vanessa and her two kids (Madea's Family Reunion), and ex-convict Bobby Mitchell (I Can Do Bad All By Myself).
Quite often, Madea has offered direction and guidance to those who were being abused within their romantic relationships. Though much of this direction and guidance tends to come in the form of extreme warmongering, Madea's heart is always in the right place.
Madea also instructs troubled individuals about the mistakes they've made in their life choices and leads them down the path of forgiveness and improvement. While in prison in the film Madea Goes to Jail, Madea attends an anger management church meeting under duress. During the meeting, Madea ends up lecturing all the women to stop playing victims, stop whining, and start taking actions to improving their lives.
Madea is mentally strong and offers nurturing advice to struggling individuals of whom she cares for.
Madea has a series of pet peeves: rude people; lazy people; adulterous people; and "people who are just plain stupid." She is also a firm critic of men that sag their pants, believing that it looks cheap and sloppy.
Madea is the owner of the house that she lives in. The house is located in a Black neighborhood. It is a spacious, early-1900s style house. The house sits on a street corner at 1197 Avon Avenue in southwest Atlanta, Georgia. There are at least five bedrooms in the house. Joe sleeps in a room downstairs (noted when Madea answers the door at night in Diary of a Mad Black Woman the movie). Joe is, however, usually found in the living room, smoking in his chair.
Madea cherishes her gold 1970 Cadillac Sedan de Ville, which she keeps parked on the street in front of her house. In Diary of a Mad Black Woman, Madea smashes her car through the security checkpoint of Charles' mansion as part of her and her granddaughter's payback. In Madea Goes to Jail, Madea's drove her Cadillac to the Kmart store, which was the last time her Cadillac was active before her prison sentence. In Madea's Big Happy Family, her Cadillac became a lemon during her jail sentence, but she continued to drive it, risking “climatic discomfort and Carbon peroxide poisoning.” On one occasion, Madea deliberately drove the vehicle full throttle through the window of a fast food restaurant and attacked the manager because of bad service in the drive-through.
(Note: There are a few discrepancies and plot holes in Madea's family tree as between the regular films and the stage-play films)
In the book Don't Make a Black Woman Take Off Her Earrings, Madea gives details on her mother, "Big Mable" Murphy, who was described as "unusually large". "Big Mable" is characterized as being very gentle, mild-mannered, kind and peaceful woman, with a long and very dangerous fuse. In Madea's Family Reunion, Madea revealed that "Big Mabel" was a hooker during Madea's childhood and not at all religious.
According to the book Don't Make a Black Woman Take Off Her Earrings, Madea has several brothers, three of whom are Frederick (revealed in the book), an illegitimate brother named Willie Humphrey, and Joe.
- Brother: Joe
- Joe (also played by Perry) is Madea's most recognizable brother as he lives with her and frequently appears in Madea films. A wise guy who's very coarse, misbehaved, and ornery, Joe has no qualms with such tendencies as openly farting and hurling about insulting wisecracks about people, including Madea. Despite being elderly, he constantly makes crude passes at younger women. Joe regularly smokes marijuana in spite of his need to be on oxygen. On smoking marijuane, Joe has stated, "God made this for us. God made this little tree, Viagra and oxygen. Put them altogether and you can take a woman to heaven and back!" Joe has at least three children: Bryan, Donna, and George Needleman.
- Joe's children: Bryan, Donna, and George
- Bryan (also played by Perry) is a criminal defense attorney, who often gets roped into Madea's messes as he represents her in the many criminal trials Madea lands herself in. He is married to Debra and has two children, Tiffany and BJ (Brian Jr.). Joe's daughter, Donna, is married to Isaac. She appeared in Madea's Family Reunion.
- In Madea's Witness Protection, Joe discovers that he has a biracial son named George Needleman (played by Eugene Levy) with his long-lost flame Barbara (played by Doris Roberts). Barbara confirms this by comparing George's age to how many years ago Joe had the affair with her. However, George never finds out about this despite several hints from Joe. Therefore, George is Madea's distant nephew.
In Madea's Family Reunion, it was revealed that Madea has an older sister named Irene Andrews. Irene has a son named Sonny Andrews, and a daughter named Sheila Andrews. The film begins with everyone leaving Irene's funeral. Madea was shown as not caring much for her sister; in fact, not only does Madea claim she's happy Irene's died, but she has also said Irene probably died on purpose to get out of repaying Madea a loan. In Madea Goes to Jail, Madea helps out Sonny by letting him stay at her home rent-free.
Madea's parenting, husbands, and children
Madea has buried 9 husbands. Among them are Jimmy and Johnny. Madea claims to have shot some of them and poisoned others of them with her sweet potato pie. After each husband died, they were buried quickly and Madea collected their life insurance checks. Each time it's happened, Madea has stated "I'm tryin' to get to the insurance company by five, and the casino by nine!"
First husband: Johnny Simmons
Madea's first husband, the father of Michelle and William, was Johnny Simmons (deceased). Madea implies that she was glad when he died and that their marriage wasn't good. Johnny's niece Vickie appears in Family Reunion; she is the mother of four sons.
- Daughter with first husband: Michelle Griffin
- Madea's daughter, Michelle Griffin, was born when Madea and her first husband, Johnny, were teenagers. Michelle grew up to be a prostitute and neglectful mother of two daughters of her own, Maylee and Vianne, who appear in the play I Can Do Bad All By Myself. Michelle's children might have different fathers.
- Michelle's husband was a drunk who didn't spend enough time with either of his children. Madea explains that Michelle did not know the father of Maylee and called her "Maybe" because she was sleeping with 4 or 5 men when she got pregnant. Madea changed it to "Maylee" when she took her and Vianne out of the projects to raise them. Maylee has a 14-year-old daughter Keisha, who is also seen as pregnant.
Daughter: Cora Simmons
Madea's daughter Cora Simmons is her most recognized and only child to appear in most of the plays and movies. Cora is 50 Diary of a Mad Black Woman, born in 1953 when Madea was 18. Cora is a devout Christian and is often in the company of her father Leroy Brown.
Tina and Lisa only appear in Madea's Family Reunion, but are the only granddaughters to be mentioned all the time.
Cora thought that Johnny was her daddy until Class Reunion, in which Madea is reminded Cora that she was the product of a one-night-stand with Leroy Brown during their prom in 1953, making her 62 years old in her first appearance, as well as Class Reunion when her parents attend their 50th class reunion. Once Cora learned the truth, she became closer to Mr. Brown, visiting his family (in Meet the Browns) and taking him to the hospital in What's Done in the Dark. Their father/daughter plotline is shown on movies in Meet the Browns, the TV series Tyler Perry's House of Payne, and its spinoff series Meet the Browns. In the movie Tyler Perry's Madea's Big Happy family, Cora enlists the help of Maury Povich to find out if Leroy Brown is in fact her father, after a blood test proves he is not. DNA tests reveal that Leroy Brown is not the father of Cora.
In "Madea's Big Happy Family" there is no apparent relation between Leroy Brown and Cora other than friends.
Son: William Simmons
Madea's youngest and only son, William. Depending on the chronological order of the plays, William could be older than Cora. William is married to Myrtle. As far as the plays, Myrtle only appears in the Diary of a Mad Black Woman, portrayed by Tamela Mann. She is, however, mentioned in the I Can Do Bad All by Myself play. In the plays, Myrtle is in her 50s. In the film Diary of a Mad Black Woman, Myrtle is portrayed by Cicely Tyson. In the film timeline, Myrtle is in her 70s, and is placed in a retirement home. This shows a natural propensity to disregard timelines humorously, because Madea herself is only in her mid-70s.
William and Myrtle have three children: Helen, Jackie, and Gina, all of whom have either appeared or been mentioned in one of the plays (though only Helen is mentioned in the movie). William's oldest daughter, Helen, is in her mid to late 30s during Diary of a Mad Black Woman, which makes William in his 50s.
In Madea's Big Happy Family, Madea visits her niece Shirley (played by Chandra Currelley) to help her with her children and to tell them about her health-terminating issue. Shirley lives with her Aunt Bam and son. The son is later revealed to be Shirley's grandson through Shirley's daughter Kimberly. Kimberly was raped by her Uncle at the age of 12. It was said that Madea and Aunt Bam used to stab and kill back in the day. Joyce (madea's niece) was excused of her and Tammy being jealous of Kimberly.
Unlike the plays, Madea has a niece named Victoria in the films. Victoria who has two daughters, Vanessa and Lisa.
In the film version of Madea's Family Reunion, Madea took in Nikki. This came about when Madea was given an ultimatum by Judge Mablean to either take in the child or go to jail. Madea seemed to have adopted Nikki permanently as she appeared in the very first episode of TBS television series Tyler Perry's House of Payne, still being taken care of by Madea. However, Nikki did not appear in the following film, Madea Goes to Jail and there was no mention of her whatsoever.
(Note: In the following c= child m= married a=affair [could be a bf/gf or could be an actual affair])
- c.Cora Simmons
- c.Lisa Simmons
- m.A.J. Jenkins
- c.Tina Simmons
- a.Tyrone Johnson
- c.Shemar Simmons
- c.Michelle Griffin
- c.Vianne Griffin-Mitchell
- m.Bobby Mitchell
- c.Maylee Griffin
- c.Keisha Griffin
- c.William Simmons
- m.Myrtle Simmons
- c.Helen Simmons-McCarter
- m.Charles McCarter (Divorced)
- m.Orlando Moore
- c.Jackie Simmons
- c.Gina Simmons-Harris
- m.Dr. Harris (Divorced)
- c.Nikki Grady-Simmons (adoptive daughter)
- c.Cora Simmons
Irene Andrews (deceased)
- Unknown (former husband)
- c.Victoria Breaux
- c.Vanessa Breaux-Henderson
- m.Frankie Henderson
- c.Tre Henderson
- c.Jonathan Breaux
- c.Ruby Breaux
- c.Lisa Breaux
- c.Sonny Andrews
- m.Wanda Andrews
- c.Sheila Andrews
- m.Troy Jackson
- c.Angela Simmons
- m.Fantasia Baker (Divorced)
- c.Brian Baker
- m.Debrah Baker
- c.Tiffany Baker
- c.BJ Baker
- a.Barbara Needleman
- c.George Needleman
- m.Kate Needleman
- c.Cindy Needleman
- c.Howie Needleman
- c.Donna Simmons
- c.Bam Watkins
- n.Shirley Watkins (deceased)
- c.Tammy Watkins-Jones
- m.Harold Jones
- c.Harold Jr.
- c.Will Jones
- c.Kimberly Watkins-Calloway
- m.Jason Calloway
- c.Donnie Watkins (*in film son with Jason, in play he is later revealed to be Kimberly's son via rape by uncle at age 13)
- c.Joyce Watkins
- c.Byron Watkins (*later revealed to be Kimberly's son via rape by uncle at age 12.)
- c.Byron Jr.
- a.John Mansell
- m.Lillian Mansell (Divorced)
- c.China Mansell
- c.Japan Mansell
- n.Gloria Peterson
- m.Stewart Peterson (Divorced)
- a.Mona Peterson
- c.Bryson Peterson
- c.Denise Peterson
- n.Shirley Watkins (deceased)
Media & entertainment featuring Madea
Madea has appeared in several plays (some of which have been recorded for repeated viewing), fully produced films, a couple television programs (guest appearances), and one book. The character made her first appearance in the 1999 play I Can Do Bad All By Myself, later appearing in numerous other plays by Perry, then appearing in films based on those plays.
Plays (including recorded plays)
- I Can Do Bad All By Myself – 1999
- Diary of a Mad Black Woman — 2001
- Madea's Family Reunion — 2002
- Madea's Class Reunion — 2003
- Madea Goes to Jail — 2006
- Madea's Big Happy Family — 2010
- A Madea Christmas — 2011
- Madea Gets A Job — 2012
- Madea's Neighbors from Hell - 2013
- Diary of a Mad Black Woman — 2005
- Madea's Family Reunion — 2006
- Meet the Browns — 2008
- Madea Goes to Jail — 2009
- I Can Do Bad All by Myself — 2009
- Madea's Big Happy Family — 2011
- Madea's Witness Protection —2012
- A Madea Christmas — 2013
Tyler Perry's House of Payne (guest appearances)
In her first guest appearance on the TBS comedy-drama House of Payne, Madea was the foster mother of Nikki. Madea factored into the plot through a school altercation between her adopted daughter and Curtis Payne's (show's protagonist) great-nephew Malik. Curtis takes a particular disliking to Madea, who is not in the least bit intimidated by Curtis at all. Rather conversely, Curtis became intimidated by Madea and had nightmares about her.
On another House of Payne episode a year later, Curtis tries to discourage everyone from having the Christmas spirit. He later fell asleep and dreamt that Madea was the ghost of Christmas past, present, and future. In this form, she tried to teaching him a lesson about his killjoy behavior.
On another House of Payne episode approximately a year later, Curtis' wife Ella chastises him for taking her for granted. That night, Curtis has an extended nightmare where he is married to Madea instead of Ella.
Meet the Browns (mentioned)
On another TBS series Tyler Perry's Meet the Browns Madea is said to be the mother of Cora Simmons as a result of a one-night stand with the show's lead character, Leroy Brown. Madea is made fun of many times by Mr. Brown and mentioned many times by daughter Cora. She is an unseen character throughout the series.
- Perry wrote the book in the character's persona. The book was published on April 11, 2006.
Entertainment Weekly put the character on its end-of-the-decade, "best-of" list, saying, "Whether she's going to jail or just opening up a can of whupass, Tyler Perry's Madea is the profane, gun-toting granny you never had but (maybe) wish you did."
Parody and satire
- In early December 2012, Perry's Madea character was parodied on Saturday Night Live by actor Jamie Foxx.
- In the American Dad! episode "Spelling Bee My Baby," Steve Smith deliberately misspelt his words in a spelling bee so as to express his love for Akiko (who was also competing), instead spelling random Tyler Perry/Madea films.
- The character was parodied on The Boondocks episode "Pause", in which a thinly disguised version of Perry named Winston Jerome plays a similar character to Madea called Ma Duke.
- Madea was spoofed in the film Scary Movie V.
Orlando Jones's April Fools prank
On April 1, 2013, Orlando Jones effected an April Fools' Day prank, informing the public via his Huffington Post account that he would be replacing Perry as Madea. Jones led the public to believe that the decision had come amid Perry's prior obligations, assisting Oprah Winfrey with her struggling OWN network. As part of the prank, Jones released a photo of himself to the public in which he was impersonating Madea. In addition, he incorporated several pretend quotes seemingly issued by Perry, both acknowledging the news and giving Jones his blessing to continue on with the character. Unaware of the prank, however, many fans responded with great outrage and criticism. As result of increasing outcries from fans, Perry informed the public on April 15, 2013, that the news was untrue. Perry was quoted as stating, "That was an April Fool’s joke that HE did. Not true. And not funny. When I’m done with Madea, she is done."
Perry has been accused of minstrelsy and playing into black stereotypes with the Madea character, most notably by fellow black director Spike Lee. Perry's argument with Lee dates back to a 2009 interview in which Lee referred to Perry's films as "coonery buffoonery". Lee equated the Madea movies with the old-time minstrel shows which lampooned black people as dim-witted, lazy, buffoonish, superstitious and happy-go-lucky, and further stated that if a white director made a movie depicting black people in this manner he would rightly be ostracized.
Perry responded by stating that his films were meant as entertainment and should not be taken so seriously. Stated Perry, "I am sick of him talking about me. I am sick of him saying, 'This is a coon, this is a buffoon.' I am sick of him talking about black people going to see movies. This is what he said: 'You vote by what you see'—as if black people don't know what they want to see. I am sick of him. He talked about Whoopi, he talked about Oprah, he talked about me, he talked about Clint Eastwood. Spike needs to shut the hell up!"
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