Madeleine (opera)

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Madeleine's composer
Victor Herbert (1859–1924)

Madeleine is an opera in one act by Victor Herbert set to a libretto by Grant Stewart, after the French play Je dîne chez ma mère (I'm dining at my mother's house) by Adrien Decourcelle and Lambert Thiboust. It premiered at the Metropolitan Opera in New York on 24 January 1914 with Frances Alda in the title role.

Reception and performance history[edit]

For its world premiere on 24 January 1914, Madeleine was presented at the Metropolitan Opera as a double-bill with Pagliacci (with Caruso as Canio). It had a total of six performances at the Met, three times paired with Pagliacci, twice with Don Pasquale, and once (for its final performance) with the United States premiere of Wolf-Ferrari's L'amore medico.[1]

Madeleine was Herbert's second opera, but in contrast to many of his operettas and musicals, it did not prove popular and dropped from sight after its premiere run. Although it received a warm reception from the first night audience, particularly Madeleine's aria, "A Perfect Day", the New York Times critic dismissed it as "not a notable landmark in the progress of native art."[2]

Roles[edit]

Frances Alda, who created the role of Madeleine Fleury
Role Voice type Premiere cast
24 January 1914
Madeleine Fleury soprano Frances Alda
Francois, Duc d'Esterre tenor Paul Althouse
Nichette, Madeleine's maid soprano Lenora Sparkes
Chevalier de Mauprat baritone Antonio Pini-Corsi
Didier, a painter bass Andrés De Segurola
Coachman bass Marcel Reiner
Servant bass Armin Laufer
Servant bass Stefen Buckreus
Servant tenor Alfred Sappio

Synopsis[edit]

The story is set in Paris around 1760. It recounts the chagrin of Madeleine Fleury, a brilliant prima donna with the Paris Opéra, who cannot persuade any of her admirers and lovers to dine with her on New Year's Day. All of them have promised to dine with their mothers instead. Even her maid refuses for the same reason. Her childhood friend, Didier, a modest artist, invites her to dine with him and his parents, but in the end, she refuses and dines alone before a portrait of her mother painted by Didier.[3]

Notes and references[edit]

  1. ^ Metropolitan Opera, MetOpera Database
  2. ^ New York Times (25 January 1914) p. 22.
  3. ^ Synopsis based on the account in the New York Times (25 January 1914) p. 22.

Sources[edit]