Madeleine Castaing

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Madeleine Castaing (French pronunciation: ​[madlɛn kastɛ̃]) (1894–1992) was a French antique dealer and interior designer of international renown. She was the friend and the sponsor of many artists, including Soutine, who made her portrait in 1928. Original, even whimsical, she revolutionized the world of decoration, creating the style Castaing which is now a reference.

Debuts[edit]

The daughter of an engineer who built the train station in Chartres, Madeleine Magistry early married an heir from Toulouse, the art critic Marcellin Castaing. Their meeting, very romantic, had concluded by a "kidnapping" of the girl, who was barely fifteen or sixteen at the time. Twenty years older than she was, Marcellin Castaing was known for his impressive literary and artistic culture. During the fifty years of their marriage, he remained his wife's great love, according to all the couple's friends, including the writer and photographer François-Marie Banier, who remembers "Madeleine's legendary love for her husband".[1]

In the 1920s, Madeleine Castaing made her debuts as an actress in silent films, then gave up this career while being already nicknamed "the French Mary Pickford".[2]

At that time, her husband had offered her a neoclassical manor she had been longing for, in Lèves, not far from Chartres. He wanted her to "unwind", he explained.[3] The young woman had indeed discovered her own vocation for interior design.

Sponsorship[edit]

Shortly after their friend Modigliani's death, the Castaings made the acquaintance of Soutine at the Café de la Rotonde, in the centre of Montparnasse. The first meeting was difficult: Soutine refused the 100 franc note handed to him by Marcellin Castaing in order to buy him a painting without having even looked at it.[4] A few years later, in 1925, the Castaings could buy their first painting by this artist at Leopold Zborowski's, the primary art dealer of Soutine and of Modigliani, and became friends with him. From 1930 to 1935, they welcomed him home during the summer in their mansion of Lèves, becoming his patrons and main buyers. It is thanks to them that Soutine could hold his first exhibition in Chicago in 1935.

The Castaings possessed more than forty paintings by this artist, which means the most important private collection of Soutine's works. Madeleine Castaing saw in him the greatest painter of the 20th century: "Above others, he gives his hand to the Greco and Rembrandt", she said.[5]

Madeleine Castaing's portrait by Soutine, entitled La Petite Madeleine des décorateurs, is now at the Metropolitan Museum of Art in New York. The words "petite madeleine" refer to the "petite madeleine" of Proust, an author Madeleine Castaing was specially interested in: she spent decades reading In Search of Lost Time again and again, fully, several times. She had discovered this work in 1913.

Generally speaking, the Castaings were patrons of artists belonging to the École de Paris and to the Académie de la Grande Chaumière.

Madeleine Castaing was a friend of Erik Satie, Maurice Sachs, Blaise Cendrars, André Derain, Jean Cocteau (she arranged his house of Milly-la-Forêt), Marc Chagall, Iché, Picasso, Henry Miller, Louise de Vilmorin (to whom she inspired the character of Julietta in the novel of the same name) and Francine Weisweiller (for whom she decorated the Villa Santo Sospir at Saint-Jean-Cap-Ferrat).[6] In the 1970s, she helped François-Marie Banier by purchasing a dozen of his photographs for 70,000 francs.[7]

The historian and politician Michel Castaing (1918–2004), the Castaings' younger son, was a famous expert in paleography. Michel's son, Frédéric Castaing, is a specialist in autographs and also a novelist.

When Michel Castaing died, in 2004, the mansion of Lèves was sold in auction, as well as the family collection of paintings and art objects, including seven paintings by Soutine.

Art and design[edit]

Bibliography[edit]

Books[edit]

  • (English) Emily Evans Eerdmans (2010). The World of Madeleine Castaing. Rizzoli. ISBN 978-0-8478-3281-1.  (prefaces by Jacques Grange and Frédéric Castaing)
  • (French) Pierre Levallois et al., La Décoration (5e volume de la collection « Connaissance des Arts », 1963, p. 60 )
  • (French) Jean-Noël Liaut, Madeleine Castaing, Mécène à Montparnasse, décoratrice à Saint-Germain-des-Prés, Payot, 2008
  • (English) Lisa Lovett-Smith, Paris Interiors, Taschen
  • (French) Patrick Mauriès et Christian Lacroix, Styles d'aujourd'hui, Gallimard/Le Promeneur, 1995
  • (French) Barbara et René Stoeltie, Chez Elles : le décor au féminin, Flammarion, 2003, pp. 13 à 19
  • (English) Suzanne Trocmé, Influential Interiors, Michtell Beazley, 1999

Reviews[edit]

  • (French) Hervé Joubeaux et Pierre Falicon, Le Temps retrouvé chez Madeleine Castaing, photographies de Claire Flanders, musée des Beaux-Arts, Chartres, 1997
  • (French) Hervé Leroux, « L'appartement de Madeleine Castaing », Maison française n° 509, 2000
  • (Spanish) Anne de Royère, « Madeleine Castaing, Lla Mujer de los azules », Casas e Gente, septembre 2004
  • (English) Barbara Stoeltie, « Au revoir, Lèves », photographs by René Stoeltie, The World of Interiors, 2004
  • (English) Catalog of Soutine Exhibition (1963), Tate Gallery, London
  • (French) Catalogue de l'exposition François-Marie Banier, « Madeleine Castaing », Maison européenne de la photographie, Paris, 2003
  • (French) Catalogue Sotheby's, L'Univers de Madeleine Castaing, Galerie Charpentier, Paris, septembre-octobre 2004

Filmography[edit]

External links[edit]

Footnotes[edit]

  1. ^ Text by François-Marie Banier
  2. ^ Barbara Stoeltie, in The World of Interiors.
  3. ^ Barbara Stoeltie, ibid.
  4. ^ Preface to L'Univers de Madeleine Castaing.
  5. ^ Quoted by Jacques Grange in L'Univers de Madeleine Castaing,op. cit.
  6. ^ Madeleine Castaing and the Weisweillers.
  7. ^ François-Marie Banier: un ami qui vous veut du bien, 16 Jan 2009. Accessed 26 Jul 2010.
  8. ^ Culture-infos.