Madness (Muse song)
|Single by Muse|
|from the album The 2nd Law|
|Released||20 August 2012|
|Genre||Electronic rock, synthpop|
|Length||4:39 (Album version)
3:34 (Radio edit)
|Label||Warner Bros., Helium-3|
|Muse singles chronology|
"Madness" is a song by English alternative rock band Muse. It is the second track on the band's sixth studio album, The 2nd Law and is the second and lead single to be released from the album. It has spent 19 weeks on the summit of Billboard's Alternative chart, making it the longest running #1 on the chart, and beating out the previous record by Foo Fighters' "The Pretender".
The song was released on 20 August 2012 after its premiere on BBC Radio 1 and NRJ. The music video premiered on 5 September 2012. The song earned a nomination in the Best Rock Song category at the 2013 Grammy Awards.
Background and writing
Matthew Bellamy stated that the song started as a personal reflection after a fight with his girlfriend Kate Hudson, and how, after she had gone to her mother's house, he began to realise "yeah, she was right, wasn't she?"
In a separate interview, Bellamy stated the song was the band's attempt to strip down the sound of the album, and that the song has its roots in 12 bar blues with gospel, soul and R&B influences. He went on to conclude that, "It's the song I'm probably most proud of on the album for sure."
This video saw the second collaboration between the band and director Anthony Mandler, who previously directed the music video for "Neutron Star Collision (Love Is Forever)". It was edited by Jacquelyn London. The director of photography was David Devlin. Devlin's work on "Madness" was nominated for a 2012 Best Cinematography Award at Plus Camerimage. The video was filmed on the Red Line platform at Los Angeles Union Station. The two main characters are played by models Erin Wasson and Max Silberman.
The video begins with Wasson and Silberman sitting behind each other smoking cigarettes while authorities and dogs swarming outside their train attempt to stop a riot in full swing. Throughout the video, the camera flashes to the band playing outdoors at night, among many strobelights and psychedelic effects. Though the chronological order is unclear, Wasson and Silberman are then seen walking through and then wandering among the subway station, at first alone and then amid a violent riot (though it seems they are untouched by the violence occurring around them). The physicality of the models (Wasson occasionally standing above or walking away from Silberman; other times following him and reaching for him) could suggest a parallel to the subject matter of the song: the emotional phases of conflict in a relationship. Eventually, as the song builds to a climax with the lines I have finally realized (realized) / I need your love / I need your love, Wasson grabs Silberman forcefully by his collar and shakes him, screaming soundlessly. This again parallels the simultaneous emotional release and musical catharsis in the song, as well as the long-awaited progression and revelation in the lyrics as Bellamy at last sings of what he has realized. The characters then kiss and end up seated on the train, seemingly back to their original positions. This could also signify that this emotional exchange is repetitive.
Release and reception
NME described the song as "taking the defining noise of 'bass music' and using it to create slinky, soft rock sex music." The track review goes on to call it a brilliant single and jokingly states that Muse have tamed the shark (following their declaration that Muse had jumped the shark with "Survival"). Diffuser.fm noted that the single "doesn't sound like the Muse that established itself as one of the worlds biggest rock bands" but that "the unusual blend of sounds works far better than it probably should"; giving the track 8/10. Rolling Stone stated that the single sees Muse "swap bombastic bass brutality with wubby subtleties as Matthew Bellamy croons over a surprisingly gentle pop track." Radio Times described it as "like George Michael's Faith underwater". In a negative review of the song, Robert Myers of The Village Voice wrote that "the band's U2 imitation has finally caught up to Achtung Baby and Zooropa". He further added that Muse "gets the surface details right but lacks the emotional and intellectual foundation to get at their inspiration's essence."
The song re-entered and peaked at #45 on the Billboard Hot 100 in its 27th week. It topped the Alternative Songs chart for 19 weeks, making it the song with the most weeks at number one ever on that chart.
|UK promotional single|
|1.||"Madness" (radio edit)||3:34|
|2.||"Madness" (album version)||4:39|
Charts and certifications
- List of number-one Billboard Alternative Songs of 2012
- List of number-one Billboard Alternative Songs of 2013
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