Malandragem

"Malandro" redirects here. For other uses, see Malandro (disambiguation).

For a concept in capoeira, see Capoeira#Malandragem.

Malandragem (Brazilian Portuguese: [malɐ̃ˈdɾaʒẽȷ̃]) is a Brazilian Portuguese term for a lifestyle of idleness, fast living and petty crime - traditionally celebrated in samba lyrics, especially those of Noel Rosa. The exponent of this lifestyle, the malandro , or "bad boy" (rogue, hustler, rascal, scoundrel), has become significant to Brazilian national identity as a folk hero, or, rather an anti-hero. It is common in Brazilian literature, Brazilian cinema and Brazilian music.

Characteristics

"Malandro" could be defined as someone who:

• Never works and lives off scams; a con man
• Is unfaithful and, sometimes, aggressive towards women;
• Leads a bohemian life of only fun and pleasure;
• Is lazy, sluggish;
• Cheats and deceives in order to prevail; a trickster.

Definition

Malandragem is defined as an aggregation of strategies utilized in order to gain advantage in a determined situation (these advantages are often illicit). It is characterized by savoir faire and subtlety. Its execution demands aptitude, charisma, and cunning and whatever other characteristics which allow for the manipulation of people or results, obtaining the best outcome, in the easiest possible way. Contradicting logical argumentation, labor and honesty, malandragem presupposes that such methods are incapable of generating good outcomes. Those who practice malandragem (o malandro) act in the manner of the popular Brazilian adage, immortalized in a catch phrase said by former Brazilian soccer player Gérson de Oliveira Nunes in a former cigarette TV commercial (hence the name it was given: Lei do Gérson, or Gérson’s Law): “I like to get an advantage in everything.”

Together with the concept of jeitinho, malandragem can be considered another typically—but not exclusively—Brazilian mode of social navigation; however, unlike jeitinho, with malandragem the integrity of institutions and individuals is effectively attacked, legally speaking, as malicious. However, successful malandragem presupposes that advantages are gained without the action being perceived. In more popular terms, the malandro dupes the target without him or her knowing he or she has been tricked.

Malandragem is characterized in the Brazilian popular imagination as a tool for individual justice. Facing the forces of perforce oppressive institutions, the individual malandro survives by manipulating people, fooling authorities and sidestepping laws in a way which guarantees his jeopardized well-being. In this way, the malandro is the typical Brazilian hero. Literary examples include Pedro Malasarte and João Grilo.

Like jeitinho, malandragem is an intellectual resource utilized by individuals of little social influence or the socially disadvantaged. This does not impede the equal use of malandragem by those of better social position. Through malandragem, one gains illicit advantages in gambling, business, and in the totality of his or her social life. One can consider a malandro the adulterer who convinces a woman of his false fidelity; the employer who finds a way to pay his employees less than what he owes; the player who manipulates his cards and wins the round.

But, despite this apparently egocentrical of lying and malicious nature, a person who uses the malandragem is not exactly or nescessarily selfish though probably lazy, though not careless with the people around himself. The person that use malandragem to take advantage over another person, normally does not do it with the intent to harm the others people around themselves, but rather only to got their way out of a callous unjust situation, even if sometimes using illegal methods for this, thus making the malandragem a form of wit, a typical plot device/characteristic of an antihero.