Mammy (1930 film)
| Mammy | |
|---|---|
| Directed by | Michael Curtiz |
| Produced by | Walter Morosco |
| Written by | Irving Berlin (play) James Gleason (play) Joseph Jackson Gordon Rigby |
| Starring | Al Jolson Lois Moran Lowell Sherman Noah Beery |
| Music by | Irving Berlin |
| Cinematography | Barney McGill |
| Editing by | Owen Marks |
| Distributed by | Warner Brothers |
| Release date(s) | March 26, 1930 |
| Running time | 95 minutes |
| Country | United States |
| Language | English |
Mammy (1930) is an All-Talking musical drama film with Technicolor sequences, released by Warner Brothers. The film starred Al Jolson and was a follow-up to his previous film, Say It With Songs (1929). Mammy became Al Jolson's fourth feature, following earlier screen efforts as The Jazz Singer (1927), The Singing Fool (1928), and Say It With Songs (1929). The movie relives Jolson's early years as a minstrel man. The songs were written by Irving Berlin, who is also credited with the original story titled Mr. Bones.
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Synopsis [edit]
The story deals with the joys and tribulations of a travelling minstrel troupe known as the Merry Meadow Minstrels. Al Jolson plays as a blackface endman while Lowell Sherman plays as the interlocutor. Hobarth Bosworth plays as the owner of the show, while his daughter, played by Lois Moran, serves as Al Jolson's love interest in the picture. Lowell Sherman, however is also in love with Lois Moran. The show is in a miserable state until Jolson entertains a sheriff and manages to convince him to invest in the show. The show becomes very successful thanks to this investment and Jolson is eventually able to visit his mother. Some time after he returns, he tells Moran that he loves her and this causes Sherman to become jealous. After a heated argument between Jolson and Sherman over Moran, Mitchell Lewis, who is upset because he was caught cheating at cards, put real bullets in Jolson's stage gun. Since Jolson pretends to shoot Sherman in the minstrel show act, he knows that this will result in Sherman's death and that Jolson will be blamed for the murder. After Sherman is shot, Jolson is arrested but manages to escape and take a freight train out of town. Eventually Lewis confesses to the crime and Jolson is thereby proven to be innocent.
Cast [edit]
- Al Jolson as Al Fuller
- Lois Moran as Nora Meadows
- Lowell Sherman as Billy West / Westy
- Louise Dresser as Mother Fuller
- Hobart Bosworth as Meadows
- Tully Marshall as Slats
- Mitchell Lewis as Hank Smith / Tambo
- Jack Curtis as Sheriff Tremble
Songs [edit]
- "Let Me Sing and I'm Happy"
- "Here We Are"
- "Who Paid the Rent for Mrs. Rip Van Winkle?"
- "The Knights of the Road" (missing on surviving prints)
- "The Call of the South" (missing on surviving prints)
- "Yes, We Have No Bananas"
- "Miserere"
- "Across The Breakfast Table, Looking At You"
- "In the Morning"
- "Night Boat to Albany"
- "Pretty Baby"
- "When You and I Were Young, Maggie"
- "Mammy"
Preservation [edit]
The original Technicolor sequences was found in a Dutch print (a copy of the International Sound Version) which had Dutch titles inserted in several places. This print was restored by the UCLA Film and Television Archive. Unfortunately, sections of those sequences were lost when Dutch titles were inserted, and some of the cuts from color to sepia tinted black and white are not smooth. Additionally, two songs are missing from all existing prints that were in the original release: "The Call of the South" and "Knights of the Road". They were written by Irving Berlin and sung by Al Jolson.
See also [edit]
References [edit]
- Notes
| This article does not cite any references or sources. (November 2008) |
External links [edit]
- English-language films
- 1930 films
- 1930s drama films
- 1930s musical films
- American musical drama films
- Black-and-white films
- Blackface minstrelsy
- Lost films
- Films about race and ethnicity
- Films shot in Technicolor
- Films made before the MPAA Production Code
- Films directed by Michael Curtiz
- Films based on plays
- Warner Bros. films