Hanuman steals from Mandodari the weapon that leads to Ravana's death.
Mandodari(Sanskrit: मन्दोदरी Mandodarī, lit. "soft-bellied"; Sinhala: මන්දෝදරි; Telugu: మండోదరి; Tamil: Montotari; Indonesian, Javanese and Sundanese: Banondari; Khmer: Mandogiri; Malay: Mandudaki; Thai: Montho Thewi) is the queen consort of Ravana, the king of Lanka, according to the Hindu epic Ramayana.
As with many characters in Indian legend, several versions of the main events of Mandodari's life are available, but all versions describe Mandodari as beautiful, pious and extremely righteous. She is extolled as one of the Panchakanya("five exalted ladies"), whose veneration is believed to dispel sin. She presents the model of a sublime pativratha, a woman who is completely devoted to her husband and is especially venerated because the object of her wifely veneration was Ravana, a man with many unfortunate faults and evil tendencies, someone widely regarded as a demon.
Mandodari was the daughter of Mayasura(Maya), a daanava who is a greatly skilled architect and his wife Hema. The Uttara Ramayana narrates a story about the birth of Mandodari. Mayasura(Maya), the son of sage Kashyapa, is married to the apsara(nymph/celestial courtesan) Hema. They have two sons, Mayavi and Dundubhi, but long for a daughter, so they start performing penances to seek the blessing of the God Shiva.
Meanwhile, an apsara named Madhura arrives at Mount Kailash, the abode of Shiva, to pay her respects. Her actual purpose is to seduce him and she has come knowing that his wife, Parvati, is away. Shiva rebuffs her, but Madhura persists, saying that it is her duty as a celestial courtesan to entertain him, and that for an apsara, music and dance are forms of worship. While Madhura is performing in Shiva's presence, Parvati suddenly returns and is taken aback. In a fit of rage, Parvati curse Madhura to turn into a frog. Shiva tells Parvati that the curse is unreasonable and that Madhura should be turned back into a beautiful woman after twelve years. That period of time is ample punishment to wash away the sin of any improper intentions that Madhura, a nymph, may have harbored in her heart. Parvati agrees and places the frog Madhura in a well. Shiva blesses Madhura, saying that although it is not in Madhura's fate to be his consort, her husband would be not just a great and valorous man, but also the foremost devotee of Shiva.
After twelve years, Madhura turns back from a frog into a girl, but she is now like a new-born girl, not a young woman and she has no memory of her past life. She cries out loudly from the well, which is dry at this time. Mayasura and Hema, who are performing penance nearby(with an aim to receive the gift of a daughter), hear the cry and find a small child in a dry well. They view this as the answer to their prayers. They name her "Mandodari" and bring her up as their own daughter.
Mandodari grows up to be a beautiful and virtuous girl. Mayasura is a very gifted architect and Ravana, the king of Lanka, comes to his abode one day to ask him to build a new city for him. He meets Mandodari on this visit and falls in love with her. He seeks her hand from her father, who gladly agrees and Mandodari is given in marriage to Ravana with Vedic rites. In this way, the blessing of God Shiva comes true: Ravana is not only a great and valorous king, but also the foremost devotee of Shiva. Mayasura builds a dazzling new city, made of pure gold, as a gift to Ravana.
Mandodari bore Ravana 4 sons: Meghanada, Atikaya, Prahasta, and Akshayakumara. She proved an ideal and devoted wife, a true pativratha. Ravana had certain faults, such as pride and arrogance. As per prevailing custom, he had several wives in addition to Mandodari. Also, on at least one occasion, he seduced a woman who was not his wife, the virtuous Vedavati. Mandodari was aware of these transgressions and counseled him against them, but always remained loyal and faithful as an ideal wife. A righteous woman, Mandodari tries to lead Ravana to righteousness. She advises him to not to subdue the Navagraha, the nine celestial beings that govern one's destiny, and not to seduce Vedavati, who would be reborn as Sita and cause the destruction of Ravana. Ravana always ignored her advice.
Ravana kidnapped Sita, the wife of Rama, the exiled prince of Ayodhya, who is an incarnation of the god Vishnu. Mandodari advises Ravana to return Sita to Rama, but to no avail. Mandodari knows this lust will bring the downfall of Ravana.
Mandodari is described as a beautiful woman in Valmiki's Ramayana. When Hanuman, the monkey messenger of Rama, comes to Lanka in search of Sita, he is stupefied by Mandodari's beauty when he enters Ravana's bed chambers and mistakes Mandodari for Sita. When Hanuman finally finds Sita, he finds Ravana threatening to kill Sita unless she marries him. Ravana raises his sword to behead Sita when she refuses. Mandodari saves Sita by holding Ravana's hand. Mandodari says that the murder of a woman is a heinous sin and thus Ravana should not kill Sita. She asks Ravana to entertain himself with his other wives and give up the idea of having Sita as his wife. Ravana spares Sita's life, but does not give up his wish to marry Sita. Though Mandodari considers Sita inferior to her in beauty and ancestry, Mandodari acknowledges Sita's devotion to Rama and compares her to goddesses like Sachi and Rohini.
When all attempts for a peaceful return of Sita fail, Rama declares war on Ravana's Lanka. Before the final battle against Rama, Mandodari makes a last attempt to dissuade Ravana, but to no avail. Finally, Mandodari stands by her husband in the final battle like an obedient and faithful wife, though she also advises her son Meghanada, alias Indrajit("One who had conquered Indra; the god-king of heaven"), to not to fight Rama.
The Valmiki Ramayana narrates: When all of Ravana's sons and warriors die, Ravana organizes a yajna("fire sacrifice") to assure his victory. Rama sends a troop of monkeys headed by Hanuman and the monkey prince Angada to destroy this yajna. The monkeys create havoc in Ravana's palace, but Ravana continues the yajna. Angada drags Mandodari by her hair in front of Ravana. Mandodari pleads to her husband to save her and reminds him what Rama is doing for his wife. The enraged Ravana abandons the yajna and strikes Angada with his sword. With the yajna disturbed, Angada's purpose is served and he leaves Mandodari and escapes. Mandodari again implores Ravana to surrender Sita to Rama, but he refuses.
Other Ramayana adaptations present more gruesome descriptions of the incident. The Krittivasi Ramayan narrates that the monkeys dragged Mandodari and tore off her clothes. In Bicitra Ramayana, it is Hanuman who humiliates Mandodari. The Thai adaptation Ramakien narrates a rape-by-stealth of Mandodari. Hanuman disguised himself as Ravana and sleeps with Mandodari, thus destroying her chastity. Mandodari's wifely chastity was protecting Ravana from death, since the Gods were unwilling to see such a pativrata or chaste woman widowed. By sleeping with her, Hanuman destroys her chastity and enables the slaying of Ravana. This version of the Ramayana also says that upon discovering the fraud, Mandodari utters a curse upon Hanuman, saying that he will never be married and never enjoy the company of a chaste woman. Due to this, Hanuman is depicted in Indian legend as a perpetual celibate.
Ravana fights the final duel with Rama. Rama fails to kill Ravana with his ordinary arrows, but finally kills with a magical arrow. While Valmiki's Ramayana narrates that the magical arrow was given to Rama by Indra, in other versions the magical arrow is hidden in Mandodari's bed chambers or under her bed. While Mandodari is engrossed in worshipping the goddess Parvati for Ravana's wellbeing, Hanuman comes to her disguised as a Brahmin. After winning her confidence, he tricks her into revealing the secret location of the arrow. Hanuman seizes the arrow and gives it to Rama, leading to Ravana's end. Mandodari appears at the death scene of Ravana in a disarrayed state and laments his death. In this battle, Mandodari loses her husband, her sons and her kinsmen.
After the death of Ravana, Rama advises Vibhishana to take Mandodari as his wife, even though he already has a wife. A theory suggests that Ravana's race may have had matrilineal families and thus, to restore order in the kingdom after Ravana's death, it was necessary for Vibhishana to marry the reigning queen to get the right to rule. Another theory suggests it may be a non-Aryan custom to marry the reigning queen. The marriage between Mandodari and Vibhishana is purely an "act of statesmanship", rather than a marriage based on their "mutual sexual interference". Mandodari may have agreed to marry Vibhishana, her younger brother-in-law, as this would lead the kingdom to prosperity and stability as allies of Rama's Ayodhya, and she would continue to have a say in governance. Another reason for the marriage is as an alternative to suicide for the widowed Mandodari, which is averted by Rama.
Mother of Sita?
Though Valmiki's Ramayana does not record Mandodari as being the mother of Sita, some later adaptations of the Ramayana depict Mandodari as the mother of Sita or at least the cause of the latter's birth.
The Adbhuta Ramayana narrates: Ravana used to store the blood of sages he killed in a large pot. The sage Gritsamada was practicing penance to acquire the goddess Lakshmi as his daughter. He stored milk from Darbha grass and purified it with mantras in a pot so that Lakshmi would inhabit it. Ravana poured the milk from this pot into his blood pot. Mandodari is frustrated seeing the evil deeds of Ravana, so she decides to commit suicide by drinking the contents of the blood-pot, which is described to be more poisonous than poison. Instead of dying, Mandodari gets pregnant with the incarnation of Lakshmi due to the power of Gritsamada's milk. Mandodari buries the foetus in Kurukshetra, where it is discovered by Janaka, who named her Sita.
The Devi Bhagavata Purana says: When Ravana wants to marry Mandodari, Maya warns him that her horoscope indicated her first-born would destroy her clan and should be killed. Ignoring Maya's advice, Ravana buries his first child by Mandodari in a casket in Janaka's city, where it is discovered and grew up as Sita. Jain adaptations of the Ramayana like Vasudevahindi, Uttara-purana, and others also state that Sita is the daughter of Ravana and Mandodari and is abandoned when she is prophesied to be the cause of the end of Ravana and his family.
In the Malay Seri Rama and the Indonesian-Javanese Rama Keling, Ravana wants to possess Mandodari, the mother of Rama, but instead marries a pseudo-Mandodari, who looks like the real one. Rama's father has a union with this pseudo-Mandodari, resulting in the birth of Sita, who is nominally Ravana's daughter.
According to the Ananda Ramayana, king Padmaksha had a daughter named Padma - an incarnate of the goddess Lakshmi. When her marriage is organized, Rakshasas(demons) kill the king. The grief-stricken Padma jumps into fire. Ravana discovers her body, which had turned into five jewels, in the fire and takes it to Lanka sealed in a box. Mandodari opens the box and finds Padma inside it. She advises Ravana to cast off the box containing the ill-fated Padma, who led to the doom of her father. When the lid of the box is closed, Padma curses Ravana that she will return to Lanka and cause his doom. Ravana buries the box in the city of Janaka, who discovers Padma and brings her up as Sita.
Hindus remember the panchakanya - the five virgins or maidens in this daily prayer, though none of them is considered an ideal woman who could be emulated. Mandodari, with Ahalya and Tara, belong to the Ramayana, while the rest are from the Mahabharata. Among the five elements, Mandodari is equated to water, "turbulent on the surface and deep in her spiritual quest". The writer Dhanalakshmi Ayyer says:
Her story is a reminder that the universal denigration of a group, based on the behaviour of a few, cannot cloud the greatness of the individual. Mandodari defies the stereotype of this racism. She is simple, unswerving, and self-effacing, driven by the light of knowledge which gives meaning to solid materialism in an age that is shrouded by impulse, passion, and desire. She is the instrument that awakens the mind and counsels reason when irrationality becomes the core being. That she goes unheard and unheeded does not change her path. To her, the dharmic part is inward-looking, while the role of the dutiful wife is the external self. Mandodari thought that her duty to her husband on issues of morals and values ended with her telling him what she thought of his actions. She neither put up any brave fight to stop him nor considered it her duty to do so.
Mandodari's role is short in the Ramayana but very important. She is described as a pious and righteous royal lady. Compared to the rest of the panchakanya, Mukherjee considers Mandodari's life as "less colourful and eventful". He adds: "Mandodari seldom got prominence ... Her image lacks substance and fades quickly", though he stresses on her love and loyalty towards her husband. Pradip Bhattacharya, author of the book Panchkanya: Women of Substance notes that "there is hardly anything special that Valmiki (Ramayana) has written about her (Mandodari) except that she warns her husband to return Sita and has enough influence to prevent his raping her."
- Shashi p. 243
- Devika, V.R. (October 29, 2006). "Women of substance: Ahalya". The Week 24 (48): 52.
- Mukherjee p. 36
- Mukherjee pp. 48-9
- Bhattacharya, Pradip (1999–2010). "Panchkanya: Women of Substance". Boloji Media Inc. Retrieved 15 June 2010.
- Ayyer, Dhanalakshmi (October 29, 2006). "Women of substance: Mandodari : Pure as water". The Week 24 (48): 50–1.
Mukherjee39was invoked but never defined (see the help page).
Cite error: The named reference
- Lutgendorf, Philip (2007). Hanuman's tale: the messages of a divine monkey. US: Oxford University Press.
- Mani, Vettam (1975). Puranic Encyclopaedia: A Comprehensive Dictionary With Special Reference to the Epic and Puranic Literature. Delhi: Motilal Banarsidass. ISBN 0-8426-0822-2.
- Mukherjee, Prabhati (1999). Hindu Women: Normative Models. Calcutta: Orient Blackswan. ISBN 81-250-1699-6.
- Shashi, S. S. (1998). Encyclopaedia Indica: India, Pakistan, Bangladesh. Encyclopaedia Indica. 21-35. Anmol Publications PVT. LTD.
- Wheeler, James Talboys (1869). The History of India from the Earliest Ages: The Rámáyana and the Brahmanic period II. London: N. Trübner.
Mandodari is the daughter of Mayasura, the King of the Asuras (demons), and the apsara Hema. Mandodari bears three sons: Meghanada (Indrajit), Atikaya, and Akshayakumara. According to some Ramayana adaptations, Mandodari is also the mother of Rama's wife Sita, who is infamously kidnapped by Ravana. Despite her husband's faults, Mandodari loves him and advises him to follow the path of righteousness. Mandodari repeatedly advises Ravana to return Sita to Rama, but her advice falls on deaf ears. Her love and loyalty to Ravana are praised in the Ramayana.
Different versions of the Ramayana record her ill-treatment at the hands of Rama's monkey generals. Some versions say they disturb a sacrifice by Ravana, and some that they destroy her chastity, which was the last protection for Ravana's life. Hanuman tricks her into disclosing the location of a magical arrow which Rama uses to kill Ravana. After Ravana's death, Vibhishana—Ravana's younger brother who joins forces with Rama and is responsible for Ravana's death—marries Mandodari on the advice of Rama.